Archive for 'random posts'

Below is a list of posts in the 'random posts' category.

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Short links for July 12th, 2011

Some interesting things I found recently:

# PERSPECTIVE LYRIQUE via Make:Blog

An interactive architectural mapping.
Fete des Lumieres / Lyon / France / 2010

A mapping by 1024 Architecture, projected on the facade of former Lyrical theater the “Celestins”. The building deformations and figures were controlled by the audience, using a microphone and an audio analysis algorythm.

More info at 1024architecture.net and 1024d.wordpress.com

# Dan303: Tenori-On iPad app review

Dan Weatherall on the TNR-i for iOS:

Yamaha TNR-i

The official Tenori on iOS app enter the app store the other week but at £12 I was a little hesitant to buy it. After a little thought and a bit of googling I decided it was indeed worth the price.

The cheapest hardware Tenori-On (the TNR-O) is roughly £500 where as the current price of the iPad 2 is £499 (cheapest wifi only model) so considering that both the devices are pretty much exactly the same price (and I already own an iPad) it makes sence to get the iOS version.

# Thumbs Up for Madrona Labs AALTO Software Synthesizer (Modulate This! – A Blog for Electronic Music Artists)

Madrona Labs Aalto

Mark Mosher shares some info on the Aalto semi-modular software synth.

Peter Kirn over at Create Digital Music did a post on a new synth by Madrona Labs last month. Even though I wasn’t in the market for a new synth right now I ended up buying this Aalto within an hour or so of downloading the demo so I wanted to pass this along and help promote Madrona’s great work. At $99 this is an incredible value.

# From the Trenches of the Loudness Wars, A Broad Survey of Research
Peter Kirn writes:

You’ve heard the gripes, and heard and seen the somewhat unscientific demos. Now it’s time to examine the over-compression of music with – science! Earl Vickers of STMicroelectronics examines the Loudness Wars in an academic paper, as noted to us by reader photohounds.

# Flickr: LEGO Album Covers via wire to the ear

Flickr LEGO Album Covers

# little-scale: Tau Percussion Sample Pack

Sebastian Tomczak has posted a nice free sample pack.

I made a small set of percussion samples using a waveform generated from the first 614 digits of 2π. Download it here: http://milkcrate.com.au/_other/downloads/sample_sets/Tau_Kit.zip

# Talking About The Upcoming Sound Packs With Elliott Fienberg

Nick of Nick’s Tutorials:

Elliot Fienberg aka MrTunes

I just finished recording a really enjoyable conversation with Elliott Fienberg, the man behind the Wobble Tech Radio podcast.

We chatted about some recording industry news and talked a bit about my upcoming Ableton Live packs that I’ll start releasing in the next month or so.

Check out the recording here, and be sure to check out Elliott’s other episodes: http://mixlr.com/mrtunes/wobble-tech-radio-10-with-the-ableton-tutor

# Dan303: Analog acid/minimal bass stabs (multisample)

More free samples from Dan303:

These multi samples were taken from my FreeBass FB383 bassline synth. It’s a rackmount analog bass synthesizer (clone of the Roland TB303).

Rockit 8-bit Synth Kit

# Open-Source Rockit 8-bit Synth Kit Coming

Peter at Create Digital Music:
Chicago-based hacker and synthesist Matt Heins is working on an open source synth kit. As a co-creator of the MeeBlip open source-synth hardware, I’m biased — I want more open synth hardware! So this is looking like some great company. The instrument is 8-bit, with analog filter circuitry, coded in C.

Short links for June 17th, 2011

Some interesting things I found recently:

# Muze by Joshua Maruska and Adam Kumpf

Muze is an Arduino instrumentalist who creates melodies that evolve over time.

Muze has a palette of notes that it can in-turn interpret and compose into various rhythms and phrases that are strung together to form something musical. The user can then influence these strings of notes and rhythms to create entirely new compositions. Much like you would a tune a radio to get a new song, Muze can be tuned to provide new and different melodies.

In the interest of keeping Muze from becoming another knob laden techno-fest of an instrument, interaction has been limited to just one input.

# The Stretta Procedure: vcvi maxforlive

Matthew Davidson’s vcvi is a suite of maxforlive devices to control your modular synth with a dc coupled audio interface.

# Rainlith 2 – Kinectic sound art piece via CDM

On Rainlith, the primitive naturally granular sound of a big rainstick gets explored in real-time by cyber-age sound manipulation tools.

It's an interactive piece in witch the movement of the audience's body activates an electric motor, making a reflex movement on the structure that embraces the instrument.
The sound of the rainstick is captured and processed in realtime, and sent 24 meters above, filling the empty space of a old industrial cereal container. The reverberated acoustic mix is then received back by the audience in the spot right below the opening of the container.

Poul Vestergaard Neuron

# NeuronDrum for Reaktor

NeuronDrum is a sample based rhythm composer by Poul Vestergaard.

It has 512 audio samples 32MB. Most of the sounds are made for electronica music. All rhythms is made of a neuron based approach with 8 neurons.

The first neuron works as a kind off metronome. All neuron can send impulses to each other. Every neuron has a threshold value. If the threshold is 3 then it will need 4 impuses to fire the sample, and send impulses to other neurons.

# Les Paul Google Doodle Gives Us… Google Homepage, The Song, by Tim Exile

Peter Kirn writes:

Electronic musician, vocalist, and inventor Tim Exile is back; while the Google Doodle today of an interactive Les Paul inspired lots of people to invest some time fiddling and hacking, in Tim’s case, it inspired a whole song. And, to my knowledge, it’s the first time the homepage of Google got its own ode.

# [namethemachine]_Kinect_2011,05,24

Matt Davis hacks a Kinect using OpenNI & Max/MSP. With it mapped to Ableton live and Henry Strange's MIDI to DMX Laser Control System, Matt demonstrates this fun a/v control system.

# Amon Tobin : ISAM Live : Mutek Premiere (Official)

A quick wrap up of the debut of Amon Tobin's ambitious 'ISAM' Live show which launched itself to the public on June 1st as part of Montreal's Mutek Festival.

Bluebrain The National Mall

# bluebrain | THE NATIONAL MALL

Bluebrain's The National Mall will only work within the physical boundaries of the National Mall park in Washington DC. It is a location-specific album and is not intended for use outside of the designated area. Please follow us on Twitter (@bluebrainmusic) to learn more about when a location-aware album might be coming to a location closer to you. While on the Mall, we recommend you quit other applications from the multi-tasking bar on your phone for best performance. If you are having difficulties, force quit or restart your phone. Make sure to quit the app fully once you leave the area to avoid it draining your battery when it isn't being used.

Short links for May 30th, 2011

Some interesting things I found recently:

# Hey You! What Song are you Listening to?

Asking random New Yorkers with headphones on what song they are listening to.

# OUTLOUD.FM

OUTLOUD.FM lets you create rooms where you can chat and listen to music with your friends with a real time collaborative playlist. Just sign in, pick a room name, and start uploading music!

# STACKED by Royal Sapien – 300+ tracks mixed into one hour of electronic music soundtrack

Stacked

# End of Train Device, New Album from Your Editor, and an Experiment in Releasing Music

Peter Kirn writes:

Yes, I create digital music, too. One of the things I’ve loved about CDM is the chance to share music making, from the construction of the tools to the production of performances and recordings. If that’s all we ever get out of music – getting to share with someone else – that’s already more than enough for me.

This week I’ve released my own End of Train Device, a full-length ambient / leftfield electronic album.

Namm Oddities 2011

# NAMM Oddities 2011

Barry Wood is back with another selection of interesting products showcased at the NAMM show.

Welcome to the 2011 edition of the NAMM Oddities …finally

This year the show went smoothly but due to a perfect storm created by of a pile of work (the paying variety), local politics, and the writing of my first now published book, the Oddities were nearly 4 months late.

There was no shortage of Oddities-worthy items at the show this year. Even though this is probably the last NAMM report to go online, I'm certain that there are a number of products that will see their press debut on these pages.

# Massive Subwoofer Chair

Still not satisfied with the bass of the average chair? If so, check out this insane 1000 Watt Subwoofer Chair from Canadian designer John Greg Ball.

# Vinyl Poised to Make Further Gains; Time To Ask, “What Does it All Mean”?

Photo by Karola Riegler Photography

At first, it seemed like it might be just a blip: amidst generally declining sales of physical music, down sharply from their 1990s boom, vinyl sales were trending up. The reversal started with a slight uptick in 2007 – already noticeable as the CD had begun its collapse. That slight uptick has turned into a small boom. From a tiny 300,000 units in US sales in 1993, the vinyl record is projected to do some 3.6 million units in sales.

# Dan303: New Sample Pack ‘Toys’

Dan has posted another free sample pack: “The sounds in this sample pack are made to replicate the sound of old broken children’s toys.”

# The Radiumphonic Workshop « Radium Audio Labs

Radium is inviting you to have a look behind the scenes at the Radiumphonic Workshop. In the video below we delve under the bonnet of Radium to have a look at what makes it all tick – the sound lab operated by the fine team at Radium. It demonstrates a rare glimpse of how we work, as well as showing off some of the machines, technology, people and creative approaches we use to manipulate sound!

# Design to Address Visual Performance in Music, Explained by a Giant Robot Face

Computing technology is an inherently disruptive thing, wonderfully so. It solves problems you didn’t know you had. It creates problems, then creates new problems in even trying to understand those problems. Simply using a computer is a kind of design statement.

You’ve seen questions about what happens with computer performance and audience interaction. But, in AMALGAM, design student Jacob Lysgaard asks those questions, and proposes solutions, in a new way: with a giant talking robot face.

Short links for April 27th, 2011

Some interesting things I found recently:

# Beastie Boys | Hot Sauce Committee Part Two

Free stream of Beastie Boys’ latest!

Good people, unfortunately due to circumstances beyond our control, the "clean" version of our new album, The Hot Sauce Committee pt 2 has leaked. So as a hostile and retaliatory measure with great hubris we are making the full explicit aka filthy dirty nasty version available for streaming on our site. We hope this brings much happiness, hugs, and harmony. Enjoy Kikoos for life!

Thank you, The Management

# Remixing Times Square, with Mobile Field Recordings

Peter Kirn writes:

The armies of the earbuds are everywhere, as people – since the dawning of the Walkman – tune out their surroundings. What if, instead, your surroundings became soundtracks? That’s the question posed by a mobile app research project, partnering between New York’s Times Square and a creative team at the Georgia Institute of Technology.

UrbanRemix invites users to capture geo-tagged sounds with a free iOS and Android app, then to string them together into sound compositions on the Web

# TORTURED PIANO

Tim Prebble introduces a new sample library:

This poor old piano was beyond saving and so it became destined for recycling as a sound design library. Its found a new life at: HISSandaROAR.com

# illucia

From paper kettle:

Codebending is the exploration of software with “patch points.” Patch points expose the inner workings of computer programs, and allow for atypical connections between things like games, music making software, office suites, etc.

# [VIDEO] The Wilhelm Scream – Cinexcellence – The Wilhelm Scream

Every movie blogger is obligated to devote a post to The Wilhelm Scream AT LEAST once in their lives. And they’re all pretty much the same: A quote from wikipedia, the compilation video on YouTube, and the latest movie they found it in. This post is a little different. Starting last year I started collecting Wilhelm Screams, planning on making a video showing some favorites. That project spiraled out of control, and the result is a (pretty) complete collection.

# Max Mathews, Father of Digital Synthesis, Computer Innovator, Dies at 84

Peter Kirn writes:

Max Mathews is best known for his involvement in the debut of digital synthesis, but he contributed much more. His Radio Baton predicted gestural controllers that arrived much later from Nintendo, Sony, and Microsoft, and it may be his code design ideas that outlast even the memory of the computer’s first musical utterances.

More on Max at Wikipedia: http://en.wikipedia.org/wiki/Max_Mathews

# Green Label Sound » Take a Tour of the Classixx Studio

Take a peek inside of Classixx’s studio where they crafted the GLS single “Into The Valley feat. Karl Dixon.”

# Slewpi – The Painterly Music Synthesizer for iOS via Oliver Chesler

Slewpi is a new type of app that lets you create music and synthesized sound and animation by painting on the screen with your fingers.

Slewpi is super easy to use, just paint with your fingers and choose different colors and brushes to change the strokes and sounds. Slewpi records what you do and plays it back in a loop.

Choose different brushes to change the visual style as well as the sound of your strokes in real-time. The different brushes correspond to different synthesizer waveform and vibrato settings allowing you to create new and diverse audio/visual compositions.

# Melodies Found in Barcodes, Then Shared, via iPhone

Peter at CDM:

Strings of numbers are everywhere in our world, tucked just outside our awareness alongside identifiers like bar codes. Dutch media artist and inventor Leo van der Veen simply plucks that information and brings it to the fore.

# Coagula MIDI Ribbon Controller 2.0

Giuseppe Di Cillo writes:

A few months ago I published a post on how to make a MIDI Ribbon Controller with Arduino. In the meantime I had a few ideas to improve both hardware and software and also felt the need to change many parameters without having to reprogram every time Arduino. Finally I placed the controller in a case, thanks to Laura who built it. So this is version 2.0 of my MIDI Ribbon Controller, which finally becomes a much more practical tool.

Short links for April 18th, 2011

Some interesting things I found recently:

# Otomata

Otomata is a generative sequencer. It employs a cellular automaton type logic I’ve devised to produce sound events.

# 10 New Free Beats Produced By Me For You

A free pack of beats (24-bit 44kHz WAV format) by Petri Suhonen:

In these past couple of days I’ve been busy in my studio creating beats and as a result I came up with a 10 different beats which I’m going to share with all of you for free.

There’s total of 10 drum loops in this pack and they’re on hip hop, downtempo, house, techno and trance genre. All are a produced by me (with FL Studio of course).

# Paper Record Player via CDM

This is a wedding invitation for my friends Karen and Mike. We created a paper record player to house + play a flexi disc pressed with their original song, inviting guests to the wedding.

# HIGHLY EVOLVED SOUND

From Radium Audio:

We built the site especially for F5 Motionographer Creative Festival in New York, which we've attended this year to raise awareness of the ways in which bespoke sound and music, crafted with love and care, add depth, emotion and impact to creative projects.

Highly Evolved Sound shows our latest work, as well as a little film we made to show you what we get up to in the Radiumphonic Workshop, the engine room behind everything we do at Radium Audio & Interactive!

# An Exclusive First Look at Tim Thompson’s Kinect-Based Instrument: MultiMultiTouchTouch

Mark writes:

Tim Thompson is a software engineer, musician, and installation artist. He was recently mentioned in Roger Linn’s post “Research Project: LinnStrument — A New Musical Instrument Concept” where Roger credits Tim with writing a program that “translates the TouchCo's proprietary USB messages into TUIO messages sent over OSC.”

I met Tim at my recent concert at the Art Institute of California/Sunnyvale and he was kind enough to invite me over to see his latest development project, the MultiMultiTouchTouch. This custom solution offers players any number of arbitrarily-shaped multitouch areas with three-dimensional spatial control. Interaction with this space allows users to control and play virtual synthesizers using nothing but a Microsoft Kinect as the controller.

# Audio Recording and Production – Stack Exchange

This is a collaboratively edited question and answer site for recording enthusiasts and professionals, audio engineers, producers, music composers and arrangers. It's 100% free, no registration required.

Short links for April 1st, 2011

Some interesting things I found recently:

# AnalogTelePhonographer

Christopher Locke made an Analog Tele-Phonographer, a sound amplifier for his cell phone/portable music player.

I made it from a broken trumpet and a fistful of scrap metal. The unit uses no external power or batteries, has no moving parts, and is entirely self-contained.

More info: Heartless Machine

# Music from Numbers: An Eclectic, Free (CC) Compilation of Numbers Station-Inspired Tracks

Peter Kirn writes:

Number Stations Part 2

Number stations, making their appearance in the post-war radio landscape, were shortwave radio stations of streams of symbols, mysterious to their listeners and apparently code.

Here, the idea of lost and indecipherable broadcasts inspires a wonderfully-varied collection of reflective artists, in a free, Creative-Commons licensed compilation by PublicSpaces Lab. That Barcelona-based netlabel has been reliably curating some of the smartest, most forward-thinking music collections around. This time, the artists are impressive not only in their output but in their range of backgrounds and extra-musical sources of inspiration.

# Antique Light Bulb Organ – MIDI/OSC Controlled

Instructables user capricorn1 shows how to create your own antique light bulb organ to add nostalgic ambiance to any midi instrument.

Antique Light Bulb Organ

12 light bulbs correspond to the 12 notes in an octave (minus the octave note). The rectangular box unfolds to position the light bulbs vertically for display, while at the same time providing a platform for the keyboard in use. Playing a note on the keyboard directly via midi, or through the usb port illuminates the light bulb for a particular key. Releasing the note, releases the key. Pedal presses are also recognized and keep the bulb maintained. The bulbs can be controlled without a computer by using the front mounted midi port, or via computer which allows for remote control via midi or osc messages.

# Dan303: Free hand played percussion loops

Dan Weatherall has posted a new sample pack featuring 10 hand played percussion loops in .wav format.

I'm not saying I'm the best percussionist in the world but I played these percussion loops myself.
These loops are an ideal way to give your track a little bit of human feeling.

All loops are played at 120 bpm.

# Circles and Euclidian Rhythms: Off the Grid, a Few Music Makers That Go Round and Round

Peter Kirn rounds up some music making tools that take the circular approach.

Create Digital Music

There’s no reason apart from the printed score to assume music has to be divided into grids laid on rectangles. Even the “piano roll” as a concept began as just that – a roll. Cycles the world around, from a mechanical clock to Indonesian gamelan, can be thought of in circles.

Imagine an alternate universe in which Raymond Scott’s circle machine – a great, mechanical disc capable of sequencing sounds – became the dominant paradigm. We might have circles everywhere, in place of left-to-right timelines now common in media software. Regardless, it’s very likely Scott’s invention inspired Bob Moog’s own modular sequencers; it was almost certainly the young Moog’s exposure to the inventions in Scott’s basement that prompted that inventor to go into the electronic music business, thus setting the course for music technology as we know it.

# aurex › Launchpad Sequencers

Get more out of your Launchpad + Ableton combination.

The aurex sequencers for the Novation Launchpad are devices and tools to compose, sequence, alter and remix music within Ableton Live. You don't need M4L / Bome / … to use them, just make sure you have a Launchpad and Live 8.1.3 or higher.

# Cry Baby: The Pedal That Rocks The World on Vimeo

Cry Baby: The Pedal That Rocks The World tells the story of the wah wah effect pedal, from its invention in 1966 to the present day.

# Waveformless: Free Sample Friday

Some recent goodies Tom posted about on his blog:

  • Korg Radias samples from Waveformless reader Psyche Poppet.
  • A small selection of free one shot samples from Studio Wormbone’ Animal Robotix release is available from Producer Loops.
  • Alchemy Snares 02: ten snare sounds built, destroyed, mangled, and layered in Camel Audio’s Alchemy.

Short links for March 14th, 2011

Some interesting things I found recently:

Arcophone Mk II

# Arcophone Mk II

From the Perth Artifactory:

Owing to the Arcophone Mk I being stuck somewhere on the Nullabor owing to damage to train tracks from the recent rains.

As we had a gig at Scitech we needed a new Arcophone, using the prototype batch of v1.2 coil drivers, Brett, Simon & Daniel spent the better part of the last week building the Arcophone Mk II. The case was designed and cut by Simon Kirkby and the electronics designed and assembled by Brett Downing and Daniel Harmsworth.

More on the Acrophone here.

# A Gorgeous Compilation Benefits Cancer Research; Co-Creator Explains

Peter Kirn writes:

“Gem Drops” is a rich, varied compilation covering “experimental electronic hip-hop inspired” music, with artists such as Anenon, yuk., Juj, Devonwho, Shigeto, and Sumsun. The 21 tracks were selected by curator Aaron Meola. It’s the sixth release from the collective Dropping Gems, and 100% of revenue will go to the American Cancer Society.

Pay what you want for the download; a “very limited” run of handmade CDs with artwork will go to people who donate US $15 or more.

# Using EXE files to create found audio

Turning data strings like DNA and what-not into audio can produce interesting results. YouTube user r2blend says, "If you import an EXE file into an audio program as audio data, you hear all kinds of cool stuff. The most awesome by far for me was MS Paint." Fisco130 then made a club remix of the MS Paint data audio. Wonder if any scans of great works of art contain secret music? Does malware translate to sad trombone sound, or Rick Astley?

# 10 Handy Programming Tips for ReFX Vanguard

Tom at Waveformless is sharing programming tips:

If you haven't checked it out yet, head on over to the Programming Tips section of the Waveformless-Soundware site for 10 random programming tips on programming your own sounds for ReFX Vanguard.

The plan is to post programming tips for different softsynths as I release new soundsets. And yes, I am hard at work on the next release. No idea when it will be done. I'd rather get it right then get it out right now.

# Chaircrusher – For Delia Derbyshire 2010-03-10

Free 5-track album by Kent Williams.

Chairchruser For Delia Derbyshire 2010-03-10

This EMS Putney came into my hands when I purchased it from Iowa City South East Junior High School in 1997. It is one of the unique artifacts of electronic music. The Putney & it’s close relative, the attache-case-housed Synthi, were workhorse synths at the BBC Radiophonic Workshop, and was a favorite of musicians like Brian Eno, Pink Floyd, and other Space Rock bands of the 70s.

It’s sonic character derives in large part from the cheapness of the design and construction. Moog Synthesizers were laboratory grade audio equipment; the Putney is cheap and difficult to use in a traditional musical context. And yet it was seductive. It’s limitations and imperfections enlarged musican’s ideas of what sounds could be musical.

Delia Derbyshire was one of the pioneers of electronic music during and after her tenure at the BBC Radiophonic Workshop. She was both a gifted composer and an audacious and precise engineer. Since seeing her in documentaries, and hearing her music I’m both awed by her and have a synth-geek’s crush on her. She was on my mind as I recorded these pieces, and I dedicate them to her memory.

The 5 parts of this piece were recorded in one evening, with no editing or overdubbing. The Putney was plugged into the Stereo Memory Man pedal, and the pedal was plugged into my computer.

The only post processing applied was normalization. These recordings are as close to the original, raw sound of the instrument as I could make them.

# Somatic Circuits VC-303

The VC-303 modular bass synthesizer, the worlds first and only TB-303 synth module.

100% clone of the classic bassline synth in a modern modular format. just like a 303 only modular.

Short links for March 7th, 2011

Some interesting things I found recently:

# Mike Cook Hexome

A hexagonal monome – a Hexome, made using an Arduino. Containing RGB LEDs

More info at Mike’s website: Hexome

# Metasonix R54 Supermodule

From navs.modular.lab:

Tracks like a zombie, but kicks like a mule – my first taste of yellow.

Metasonix R54

As Metasonix own video makes hilariously clear, you're never going to play Switched on Bach with the R54. Feed the Supermodule with the appropriate combination of CVs, however, and you can coax deep drums, watery plops, rubber basslines and tortured-animal sounds from this unruly, tube-based VCF/ VCO.

# Imagining a Tablet Synth: Developer Christopher Penrose Shows Us SynthTronica for iPad

Leisuresonic SynthTronica

Peter at CDM writes:

What can a new digital synth be in 2011? How will it work and sound? And given access to so many excellent tools, how can it stand apart?

In place of a press release and some marketing-speak, developer Christopher Penrose (Leisuresonic, Cosmovox) sent us an extended essay explaining his thinking behind his imminent SynthTronica synth for the iPad. Aside from getting into the nitty-gritty technical details, it cuts to the crux of the issue: how to make something personal and new that nonetheless can work for other people, and how that idea can be tailored to a tablet.

SynthTronica for iPad is now available, iTunes link.

# Tibetan Singing Bowl

More free samples at Waveformless’ Free Sample Friday:

Today's free sample is a single sample of a Tibetan singing bowl. The singing bowl is essentially an inverted bell that is used by Buddhists to accompany meditation or chanting. It can be played either by rolling the padded mallet along the inside rim, or by striking it. The sample I'm providing is of a single strike. It's an extremely long sample that reveals just how this instrument got the name "singing bowl". The note of the strike is an E. 24-bit, 44.1k WAV sample. [6.07 MB]

Plus, a bunch of Absynth patches by Alan Stuart.

A little something different this Friday… instead of free samples, today we have 50 free patches for Native Instruments Absynth submitted by reader Alan Stuart. You can download them directly from his website. Thanks, Alan!

# Dustland – Real-time Live performance by Diego Stocco.

"Dustland" is a cinematic sounding improv that I recorded with the Fence Bass. This instrument has a rough and edgy sound since it's all made of metal, so I imagined a piece that could work in a modern Western film, I'm a fan of the genre.

Everything is created in real time, no pre-existing loops, additional tracks or post-efx involved. I built a chain of processors in Live that I control with a pedal board, all rhythmic parts and ambiences are derived from whatever sound/noise comes from the Fence Bass. I hope you'll like it!

# Tower Bawher by Théodore Ushev

This animated short by Theodore Ushev is like a whirlwind tour of Russian constructivist art and is filled with visual references to artists of the era, including Vertov, Stenberg, Rodchenko, Lissitsky and Popova.

# Beep-it! – Michael Una's Beep-it! device, an optical theremin.

It outputs a square wave whose pitch is controlled by the amount of light striking a photoresistor. You control the pitch by casting shadows over the light sensor, or by pointing it towards/away from a light source. Flashing lights induce an interesting oscillating effect. A single momentary button turns Beep-it on or off.

There is an 1/4″ output jack for connecting to audio equipment like amplifiers, guitar pedals, recording, etc.

Details on Beep-it! at Michael’s website here

# Photo Journaling for Electronic Music Artists

Mark Mosher writes:

I’ve been a bit “heads down” working on all sorts of fun music projects over the last month and half and of course learning lots of new things along the way. As I work away, I always take a moment to shoot photos.

# Derek Enos deMIDulator

Short: MIDI-controlled 8-bit digital synthesizer and audio sampler

Long: Device generates several different sounds based on incoming MIDI Note On/Off, Pitch Wheel and Control Change messages. Default waveforms are Sine and Square. An audio sampling function is available to record custom waveform samples that can then be played-back similarly to Sine and Square waveforms (think Impulse Tracker or Scream Tracker or any other tracker from 1997). Audio input is switchable between on-board microphone and external 4-conductor headset jack.

# Dark Energy Kick Samples (Analog)

Free sample pack by dubstep forum user Project EX:

A small collection of kicks, recorded and collected by me. No processing on the kicks, just normalized. Will try to make some more samples at some point. Will get it on the sample swap when it's back up.