Review: Native Instruments Maschine

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Audio production software has come a long way. Where as in the past one would typically use a number of traditional instruments, synthesizers, drum machines, mixing panels, etc., software has opened the door for many home studio musicians to produce music on a budget.

Although you could easily get along using software exclusively, you may still want to use a controller when recording music, so you can actually “play it” instead of programming everything.

Native Instruments Maschine

Native Instruments has recently introduced Maschine, a powerful combination of software and hardware, or as they put it, a complete Groove Production Studio.

MASCHINE combines the flexibility of computer-based music production with the ease of a groove box into one powerful creative tool. Utilizing onboard samples or your own audio files, MASCHINE’s symbiosis of hardware and software not only ensures a fast and fun workflow, but lets you easily turn your ideas into professional productions.

So let’s take a looks at what this Maschine is all about!

Where’s the installation disk?

I generally don’t read manuals anyway, but Native Instruments doesn’t encourage me much either. I open the box and the first thing I see is this lovely control surface. All I can think is “hook it up man, let’s get going!”

I am a long time Windows user though, so I know better than to just hook up anything USB without checking for drivers first. The installation disc was all the way in the bottom of the box, so I almost missed it.

The installation of the drivers and Maschine software was a breeze; it just takes a while to copy all the content from the DVD. After authorizing Maschine in the Service Center, I figured it was a good idea to download the latest update as well. All set to go, let’s see what we have here!

The Hardware

16 pads, transport controls, LCD displays… The Maschine controller does a convincing MPC impersonation, doesn’t it?

Maschine Controller

The controller is quite compact and has a sturdy, high quality feel to it, even though it is only partly metal. Hooking it up to your computer with a USB cable, the Maschine controller powers up with its lovely backlit LEDs. Groovy! I know design is a matter of taste, but I feel NI did a smashing job with the looks of this thing.

The illuminated pads feel nice and responsive (velocity and aftertouch can be configured to your liking) and all of the 41 buttons are backlit. Great for working in a setup with little light, e.g. a live performance.

The controller features 11 endless rotary encoders, which have a smooth feel to them. The two LCD displays are clear and easy to read (as long as the angle is steep enough; the contrast can be adjusted) and have plenty of space to display the parameter pages.

Besides using the controller with the Maschine software, you can also control external MIDI hardware (via MIDI in/out on the back panel) and other software. The pads, knobs and buttons can all be customized with the included controller editor application.

The cool thing is that pretty much everything in Maschine can be done from this dedicated controller. You would almost forget that there is a piece of software doing all the actual work.

The Software

The Maschine software is basically an advanced pattern-based sequencer application which allows you to create patterns, group them, and arrange them in “scenes”. It can be used standalone or as a plug-in, so you can integrate it into your current setup.

Maschine softwareMaschine software, a complete music production environment

Some key features of the Maschine software:

  • Browser – the browser provides an interface to all your projects, scenes, instruments, samples, effects, etc. Searching is easy with tag-based searches, key words, and attributes, quite much like KORE.
  • Sequencer & Arranger – the advanced sequencer, or pattern editor, features both step programming and real-time recording. 8 groups of 64 patterns each can be arranged in up to 64 scenes in the arranger section. The sequencer supports live automation for effects, sampler and mixer parameters.
  • Effects – there are 21 effects (or FX) which can be used as insert effects to each group, sound, or the master (in 2 FX slots). You can also create send effects and multi-effects, or route an effect to external gear.
  • Sampler (engine) – records both internal and external audio, audio editing & slicing, resampling, extensive playback features including various envelope and modulation options, and 8 individual stereo outputs (16 mono outs).

Maschine comes with a sound library featuring 5 GB content in 15,000 samples.
It includes 300 drum kits, 280 multi-sampled instruments, 400 sliced loops, 6,500 one shot samples, 100 FX presets and 55 FX chains. You’ll also get 50 projects which are a good way to explore what Maschine can do.

The included sounds were provided by numerous sound designers and artists, including Matthew Herbert, Montana B, Amon Tobin, Goldbaby, Denaun Porter, Sonic Specialists and many others.

The library features a good variety of sounds, mostly suitable for electronic music, i.e. urban, hip hop, R&B, techno, house, dubstep, etc.

Reader question: Torley wanted to know how much of the sample content is new material.

I asked Native Instruments and they told me that even though a few kits were taken from the Battery library, those were remastered through a special mastering setup of high-quality analog outboard gear. The vast majority of the library is brand spanking new material.

Besides using the sound library, you can also use your own samples in Maschine (currently only wav/aiff, but I think REX support will follow). In order to have them available for selection on the hardware controller you will need to import the samples into Maschine’s library (it will create a reference to the sample, not a local copy/move).

It is probably a good idea to tag your imported samples as well. It may take some time to do, but you will be able to find your samples much faster in future projects. If you are familiar with Kore, you will know the power of this type of browser system.

The Magic

However cool the controller might be, without the software you would only be able to use it as a regular MIDI controller. And although the sequencer works fine without the controller, it is when using the complete package that the magic happens.

Reader question: Benebomber wondered if working with Maschine is intuitive, more specifically when digging a bit deeper (e.g. recording your own samples or tweaking them).

I would definitely say it is. When I got the Maschine I opened the box, installed the software, hooked up the controller and a few minutes later I was creating beats. For more advanced things — like recording and editing your own samples — you might want to work on the screen, but you could also do it on the controller itself. Whatever fits your workflow best.
I personally prefer to use the menus on the controller and leave my computer keyboard and mouse alone as much as I can. Maschine is perfect for this.

Native Instruments has a number of excellent Maschine videos showcasing its features, including live recording, sampling, automation, and how to control Ableton Live. Here’s the Maschine introduction video.

An even better way to understand what Maschine is all about though is to actually get some hands-on experience with it. Maschine is just a lot more fun to work with than it is to write about it, so I would advise you to go check it out at your local music shop. You need to tap those pads, browse the sound library and play with some of the demo arrangements to see how you like it.

Maschine retails for an MSRP of $669 USD / 599 EUR, and is available from the NI Online Shop and dealers worldwide.

So what do I think?

From the moment I held it in my hands I loved Maschine’s control surface. I really like the black finish and backlit pads & buttons, and overall it feels like a quality piece of hardware. I’m a bit of a compulsive tapper — tapping beats on my desk all day long — so I am not surprised that I enjoy using these pads to record my beats a lot more than having to construct them with my computer mouse.

Working with the controller is a delight. Incidentally I would have to look something up, but most of the time I could find everything right away, which is telling of Maschine’s intuitiveness. I like the Maschine controller so much that I find myself using it in MIDI mode with other virtual instruments and effects as well.

Maschine’s software is deep, offering much more than the simple pattern-based sequencer it might appear to be. You have detailed control over your sequences, and a vast amount of quality effects and modulations are available, as well as a quality sound library and extensive editing features.

In standalone mode it basically provides you with all you need to create your music from scratch.

Of course, there is still room for improvement as well. I personally did not encounter any real problems, but it is good to know that Native Instruments is working on some important changes for the version 1.1 update, which should make a lot of people happy (e.g. MIDI in/out, REX support, better slicing options).

In short, Maschine is a powerful piece of software bundled with a superb controller. The two work together seamlessly and it truly feels like a proper instrument. Plus, it is tons of fun to work with!

Visit Native Instruments for more information.

Free samples at Loopmasters

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73 Comments on "Review: Native Instruments Maschine"

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Cheddar Man
Cheddar Man

This was a good review. I may end up making a purchase after it’s been out a good while. By that time, it should be well seasoned with updates and improvements.

I’m about to purchase NI’s Komplete5. It’s on sale at Sam-Ash, for $399 man! I hope it’s not an error in the sale book.

karen
karen

So where the review? All I saw was 99% marketing copy and 1% gushing about the hardware.

The software sucks. You don’t have the guts to say it because you’re taking money from them. But you don’t have any qualms for passing off an advert as a review. Shame on you.

chromatic
chromatic

very interesting and Hands on review :)
strangely, even you dont go deep into details your review is more useful than many magazine review…. very cool :)

chromatic

Cheddar Man
Cheddar Man

I really don’t know what people expect from the review. It’s simply one persons opinion. You may feel differently about the package than Ronnie does.

Software is like food….Taste varies. I may like a burger from a certain restaurant that you feel sucks. NI’s site, has videos about every aspect of Maschine. Have you checked them? Have you tried one at a music dealer?

chromatic
chromatic

so many gear, computer etc etc smell chemical when you first open the box… :)

The software seem ok to make loops, then maybe it lack some things as its very new… but Ni usually follow their software and update them well…

I think if the HARDWARE PART was really lacking that would be a bigger problem… but i saw the Maschine control surface and its very good quality, 2 screens, many knobs, buttons feels ok etc etc…. with that they just have to update the software well and they have a winner….

chromatic
chromatic

By the way i have kore2 controler and i feel the rotary encoder feel fragile….
Maschine seemed better quality…

Torley
Torley

@Karen That was rude and useless.

@Ronnie Thanks a lot for doing this review and answering my question! I’m sure if you felt disappointed about anything, you’d share with us (as you have in the past).

Maschine looks nifty and altho I’m not sure where it’d go in my current workflow, I look forward to seeing where it grows.

derrick
derrick

The review WAS insightful.
I have outdated stuff so I am in the market to update. or rather replace.

I think the unit looks quite interesting, so the “marketing” in the comment above does pay.

Has there been any mention of specific module units for Maschine?
Since it uses MIDI and USB, I figured this could be accomplished with my pc.

Karen, buy one and post YOUR review.
If you have VALID objections about it, I’ll buy your unit.

badflavor1056@yahoo.com

Nikolaj S
Nikolaj S

I’m very interested in this combo. However, my old 12″ powerbook doesn’t meet the system requirements:

Mac OS® X 10.4, Intel® Core™ Duo 2 GHz, 2 GB RAM , USB 2.0 Port, DVD drive, 5 GB free disk space for full installation

My old PB is only a 1.5 GHz G4 with 1.25 GB Ram. Has anyone tried to run the Maschine on a similar setup?

(I know this sounds like a stupid question, but I’ve often had success running software on my old mac even if it didn’t meet the minimum system requirements…)

Thanks,

MATT B
MATT B
Owned the Mashine for 2 months now and couldnt be happier. Besided the over 15,000 samples it comes with i’ve loaded it with a tons more storing and labeling with ease. Tracks flow to easily….if you think it you can make it with Mashine. The only downsides is theres no way to multi-track record within the software…but a seperate recorder will take care of that. Also theres SO many samples sometimes its tedious to preview so many till you find one that sounds good. Also make sure you have alot of ram…..the more the better…trust me. Overall a true powerhouse… Read more »
nevermind
nevermind

This product could be amazing but only if NI delivers on the 1.1 update. If they fail to do this I think the maschine will really take a blow.

I really want them to get this right as I will definitely buy one if they do.

flux302
flux302
I can sort of see where karen came from as I didn’t see any of the down sides of maschine on here. I’m a long time mpc user (about 8 years now) and recently picked up maschine about 2 months ago. I can say I love it. to the point that i actually haven’t been touching my mpc! however there are draw backs at the moment (the updates will be greatly appreciated.) here are the draw backs 1) sample editing is very limited, non destructed meaning NO truncating, NO timestretching, auto slicing is only 16th notes or transients which often… Read more »
novem
novem

So…can you load samples in this thing
and gig it or do I need my laptop also?

novem
novem

If they would have put 1/4 inputs/outs, a power supply and a hard drive, so you could load samples (your own and stock) this would
have been the best thing out there.

N.I. please do this in the next version.

N

big kuzz
big kuzz
ok, first let me start out by saying ive never even put a beat together at all. ive always loved music and had dreams of producing but always thought it would be too expensive for me. i went to the guitar center today for some basic q and a about starter equipment and the sales rep said the maschine was the future of music producing. he also gave me a demo on how easy it was to use, although the beat sucked i wanted to buy the maschine right there on the spot. im just looking for some advice. is… Read more »
flux302
flux302
I’m typing from my phone so Bare with me. First off maschine doesn’t need inputs because that’s what ur sound cars is for. As far as starting equipment… First u need to consider 1do u have a computer and sound card capable of running it. 2 do u have a seperate harddrive to store year samples and projects (highly recommended). 3 are u willing to take the time to learn the software . If u say yes to those than yeah I would buy it over an mpc if not then get an mpc as all u need is an… Read more »
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