Short links for February 9th, 2010

Some interesting things I found recently:

# MStretchSynth Demo – Kevin Schlei (2010)

'MStretchSynth' uses multi-point (multi-touch) data streams to create a synthesis instrument driven by the relationships between points. Instead of mapping touch positions (X and Y coordinates) directly to synthesis parameters, relationships such as angle, distance, and velocity compared to other points are used.

'MStretchSynth' uses angle, distance and total velocity between points to map to synthesis parameters pitch, amplitude and delay depth.

Harmonic Ratio Arpeggiator

# Harmonic Ratio Arpeggiator

John Fisher writes:

This is my first system for making melodies and chords in just intonation: a harmonic arpeggiator. There are two different tables containing numbers for the numerator and denominator, and these tables can be moved through independently, at different speeds. Midi input triggers notes, but only the time and octave of the input notes is taken, and the rest is controlled by the ratio sequencers. I have implemented this system in both my Nord g2 modular and in Reaktor, so I can make them work together.

# Gotta Groove Records – "Groove With Us"

Nick Cavalier’s short documentary about a new vinyl pressing plant in Cleveland Ohio, called "Gotta Groove Records".

They specialize in 7" and 12" Vinyl creation/manufacturing using PVC molding. Check them out here: gottagrooverecords.com

# Five EQ mistakes and how to avoid them

Kim Lajoie writes:

EQ is one of the most important tools available to audio engineers. Used correctly, instruments sound great and seem to fit together effortlessly. Used incorrectly, the mix resembles a battlefield with every instrument trying to destroy the others while fighting to be heard. One of the difficulties of EQ is that it is relative – the right settings depend entirely on the raw sound and the mix; there are no specific settings that will work every time. The key to using EQ effectively is to learn how to listen to the raw sound and identify what tonal changes will emphasise its best qualities and make it work in the mix.

# K-Def x Beaterator

Wax Poetics partnered with Rockstar Games to create a series of short films showcasing the new mobile studio/beatmaker for the PSP, Rockstar’s Beaterator.

More from Wax Poetics Beaterator videos here.

  • http://www.reverbnation.com/nomaly Nomaly

    I like the MStretchSynth. It’s hard to imagine that 20 years from now we might look back at our Knob and Slider-based VSTs and see it as being an old way of doing things. I bet that things like this are the future of computer music.

u-he Uhbik plugins

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