Short links for March 11th, 2009
Some interesting things I found recently:
# Reaktor Tips – Peter Dines recently posted some nice new Reaktor stuff.
Tada! The initial release of the Frame looper, made to emulate the realtime-manipulable start and loop points of Ableton’s Simpler instrument. It’s a powerful and convenient way to play with samples, which makes the dearth of samplers that can do it so shocking.
There's also a peek at a Reaktor drum machine he has been working on. Sounds lovely to me!
Insructables user dingolishious created a cigar box sitar:
This is an easy variation of the cigar box guitar but with a buzzing bridge to make sounds reminiscent of a sitar drone. One of the great things about this project is that there are no critical measurements, almost any configuration will work just fine. The resonating cavity doesn't have to be a cigar box, It can be anything from cookie tins, hardhats to the traditional gourd.
Inspiration for the project: http://dennishavlena.com/tamboura.htm
Wonderful rendition of Radiohead’s Paranoid Android by Adolfo Baez.
Radiohead is one of my favorite bands and this is their best song IMO, This song is from the album Ok Computer, it´s considered by many one of the best rock albums of all time.
This is the most difficult song I´ve made using Mario Paint Composer but because of the hype that I´ll see Radiohead live on March I decided to make it.
I slightly modified some chords in the middle part to make them sound better with the original MPC soundfont and I left out 15 seconds of the end because that part just didn´t sound right with the MPC instruments, oh and I also made the song a little bit faster, more like when they play it live.
Peter Kirn writes:
Guiliano Cantini sends this patch he’s put together with Kore Player and Pd. He uses transient detection in Pd to trigger randomized parameter changes in Kore Player. That rig is entirely free (as in beer), but the same ideas could apply to Kore, too – and if you’re not into the clap metaphor, you could find other audio-reactive or controller-reactive approaches. (You can also just slap the mic on your laptop.)