ToneBoosters has released TB IsoneSurround, a 5.1 multi-channel surround sound loudspeaker setup including environment simulation.
TB IsoneSurround targets multimedia enthusiasts using headphones. It can be used on stereo content (simulating a virtual stereo loudspeaker setup) and 6-channel (5.1) multi-channel surround content (simulating a full surround experience). Besides binaural source simulation, the plugin also includes four different listening environments to optimally match the environment to the audio material.
TB IsoneSurround is the perfect extension for any multimedia player that supports VST plugins. Experience full surround-sound when watching movies using headphones.
TB IsoneSurround features
Low-latency processing (511 samples).
Support of all sampling rates from 44.1 to 192 kHz.
Mastering-grade integrated peak limiter to prevent clipping artefacts.
Four different virtual environments (Movie theater, home cinema, audiophile, live concert).
Customizable distance.
Based on the VST 2.4 specification to allow compatibility with virtually all host programs.
ToneBooster has also released updates for its current plugins:
VU meter GUI fixes (peak values not always visible).
Performance improvements for intel-based Macs.
[XY Tool] Resolved bug of incorrect storage of linking and angle parameters.
[Ferox] Bug fix resulting in clicking artefacts for Cubase 6 on Mac.
IsoneSurround for Windows and Mac (VST) is available as freeware.
TC Electronic has announced the addition of a dual radar display to the LM6 loudness radar meter algorithm for TC TouchMonitors with software version 1.11.
With the optional LM6 algorithm installed, users can load two independent Radar meters simultaneously on their TC TouchMonitor TM7 or TM9. This opens a number of highly valuable configurations. For example, it is possible to let one Radar meter instance display a pre-processing signal while the other instance shows a post-processing signal – and best of all, both can be monitored at the same time for the ultimate audio overview. Another scenario could be having two Radar meters display both a stereo and a 5.1 signal simultaneously – or two stereo or two 5.1 signals, of course. Finally, both instances also provide 24 hour history for the audio being monitored.
Other instruments have been updated as well – for example, it is now possible to run multiple instances of the Surround Sound Analyzer. Also, the on-screen help feature has been improved as has the general UI expeience with e.g. enhanced mouse sensitivity and new slider functions. Finally, the software release also features improvements with regard to general stability and performance.
In essence, TC TouchMonitor TM7 & TM9 is the ultimate loudness meter solution, featuring touch screen, an extremely consistent loudness readout and compatibility with e.g. American, European and Japanese broadcasting standards.
For decades, TC Electronic has explored and pioneered the field of digital audio and loudness metering, offering state of the art tools for measuring, correcting and converting audio for a wide variety of applications. For instance, the amazing Radar Meter is available as a software plug-in (LM5D) for Pro Tools HD and TC Electronic’s award-winning System 6000 MKII platform, DB4 MKII and DB8 MKII broadcasting processors and the newly introduced LM2 rack based stereo loudness meter.
The TC TouchMonitor TM7 & TM9 is a full-featured stereo and multichannel loudness and true-peak level meter, which is perfect not only for broadcast ingest and transmission, but also for post, film and live production. To comply with a given international broadcasting standard, the numbers representing loudness are paramount, and these all-important digits are displayed instantly on the large color touch screen.
Just uploaded a video preview of Discord3's highlights. I think I touched on all the major features; I'll do a full tutorial series once I have a 100% working OS X VST. The quality of Snaggit's video capture is fairly lacking; nothing to compare with Screenflow. But this should give you a good idea of what's going on with the three engines.
If you're interested in the early history of ROLAND, the Japanese manufacturer of electronic musical instruments and the TB-303 Bassline, you'll enjoy this 20-minute video. The TB-303 and its design are described in depth, and many examples of popular music made with the machine are presented.
Tom Shear at Waveformless shares some tips on how to create the illusion of distance:
Even when one is talking about mixing to stereo (as opposed to 5.1), a song's mix can be very three dimensional. Perhaps not literally, but in the same sense that a painter can simulate the way an image diffuses the further it is away from the viewer, it is not terribly difficult to simulate the characteristics of a sound that is far from the listener. This can be brilliant at setting a mood and creating a real sense of depth. Here's two easy steps that when used together can really give them a sense of three dimensional space.
Every once in a while something quite special comes along in the crazy sonic world of the Dirty Electronics Ensemble.
In the past our leader John Richards has arranged for us to collaborate with some great names in the world of experimental music, including Pauline Oliveros, noise legend Merzbow and Nic Bullen amongst others. Our recent performance with Chris Carter (Throbbing Gristle, Carter Tutti) at Phoenix Square, Leicester was no exception.
The core of the performance revolved around the Dirty Carter E.S.G.I. a postcard sized instrument designed by John and Chris and built by the members of the ensemble in an earlier workshop. Six pieces we’re performed in total by various members of the ensemble.
Ok, this is not really a carillon but can be creepy :-). It's a sound that I came up with while noodling on my DIY synth, I tought that it could sit nicely in some dark sci-fi music, so I sampled it.
This library is for the free Proteus Vx by E-mu; other than the bare samples, a number of modulation and effects are provided, so you can tweak some knobs while playing.
The library is composed of 122 mono samples at 44.1/16 and there is a README pdf file included, with detailed explanations and info.
The Musical Table is a toy table that allows kids to play musical phrases by moving toys around the surface.Each of seven switches can play different musical phrases in four bases, making 27 different musical phrases in total. Some of the phrases are musically related and some of them are not. This toy table can help kids to develop musicality by playing phrases in logical order. The table also allows you to play two phrases at the same time. Depending on which phrases are played together, the sounds can be melodic or chaotic.
I’ve been experimenting lately with programming Ableton Analog from “init”. I have a rich set of VSTs so I’ve not given Analog much attention but after spending some time with it recently, I’m finding when you rack it up and add some effects and assign params to Macros you can achieve some pretty interesting sounds.
These days, everyone loves hip-hop. But how much does the average fan really know about the building blocks that formed the foundation of the genre's entire sound? That's right, before it was all-808-everything, hip-hop used a secret (and sometimes not-so-secret) selection of classic soul, funk rock, and jazz records from the ’60s and ’70s to create their sound. From tiny, obscure snippets to instantly-recognizable loops, the sample-based producers of the late ’80s and early ’90s uncovered some truly classic musical gems that are still sought after and used today.
Thank god we’ve got folks like Kon + Amir to keep us digging deeper. The veteran record collectors, DJs, and producers (yeah, they basically they do it all) recently released their latest compilation of slept-on vinyl rarities called Off Track Vol. 3, so we decided to call them up and get them to select their all-time favorite samples. Check out their countdown, complete with audio examples and commentary from the guys themselves…
zplane has released version 2.11.1 of PPmulator+, a cross-platform plug-in meter for digital audio workstations which exactly mimics the look and feel of a professional broadcast Peak Program Meter (PPM).
By adding this plugin to the master output of your audio editing program, you can record, edit, mix and export your audio within a precisely-calibrated workspace – something which is often impossible to do when working in a non-studio environment.
Changes in PPMulator+ v2.11.1
(Win) Make sure to install the latest VC++2005 Redistributable, it’s part of the new installer.
(Win) Fixed: the ASIO Bug of the PPM+ standalone app.
(Win) Fixed: the non-visibility on some systems of the VST plugin version.
(Mac) Fixed: failure in the AU validation.
(Mac) Better support for PowerPC.
PPMulator+ is available for PC and Mac, priced at $99 USD / 79 EUR.
zplane development has released version 2.11 of PPMulator+, a cross-platform plug-in meter for digital audio workstations, developed by Raw Material Software.
zplane development, a recognized leader in audio software tools, is pleased to announce a new partnership with Raw Material Software, the developers of PPMulator+
PPMulator+ is a cross-platform plug-in meter for digital audio workstations which exactly mimics the look and feel of a professional broadcast Peak Program Meter (PPM)
By adding this plugin to the master output of your audio editing program, you can record, edit, mix and export your audio within a precisely-calibrated workspace – something which is often impossible to do when working in a non-studio environment.
Version 2.11 adds features such as surround (5.1) capability, user-configurable colours and layouts, a fully-featured phase-correlation meter, surround peak-logging, RTAS-compatibility and several other features.
PPMulator+ features
RTAS, VST and AU plug-in for Windows/OSX, 100% compatible with Pro Tools, Nuendo, Logic & other hosts.
Mono/Stereo/Mid-Side/Surround (5.1) metering options, with overload LED.
Color-assignable and user-configurable meter layouts and channel labeling.
Fully-resizable single, dual or multi-meter display.
Built-in reference tone generator for meter alignment and calibration.
Monitor both input level when recording and output level when mixing.
Assignable phase-correlation meter, to check mono compatibility.
PPMulator+ is available for PC and Mac, priced at $99 USD / 79 EUR.
Steinberg has announced Advanced Integration Updates for Cubase 5, Cubase Studio 5, MR816 CSX/X and CC121.
“This is a further step along the road of integrating software and hardware in ways that offer major benefits in terms of workflow, intuitiveness and sheer smoothness of the whole customer experience,” comments Helge Vogt, Product Marketing Manager for Cubase.
Advanced Integration Updates
CC121 Advanced Integration USB controller includes new control options. The AI Knob now offers control for VST2 plug-ins, allowing ultra-quick “point and control” of any parameter accessible supporting use of the mouse wheel. The CC121 EQ section now features optional control over the eight Cubase 5 Quick Controls. Furthermore, the resolution of the encoders has been refined, while folder tracks can now be opened and closed directly from CC121, aiding navigation through large projects.
MR816 CSX and MR816 X updates come with metering and workflow enhancements, including faster access to MR settings directly in Cubase. In addition, the Hardware Setup menu has been expanded to offer more information and control within one window.
Cubase 5.1 supports the new functionality available in the MR816 CSX/X and CC121 updates, also extending connectivity with Yamaha’s MOTIF XS. Project Tagging has been introduced to the MediaBay, the rating functionality has been extended to all preset browser windows and many other, smaller functional enhancements are also included.
All three updates are available now as a free download for all registered customers of the respective products.
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