Results for amplifier

Ochen K. has released A-Series 1 and A-Series 2, two modular synthesizer Rack Extensions for Propellerhead Reason.

The A-Series 1 and 2 modular synth Rack Extensions by Ochen K.

The A-Series Modular Synth is the first fully modular synth for Reason, where you can design your synths however you want for whatever sound you can imagine. And because all the modules are mix-and-match, all those Reason effects and devices that you already have can go right inside your custom synth.

A-Series Modular Synth features

• The A-Series 1 rack extension contains the following modules:
  • A-19SEQ – A midi-to-CV converter, receiving midi signals from a midi keyboard or the Reason sequencer, of from rack sequencers like the Matrix, and converts the signals into CV (note) data and gate (velocity) data. These signals can then be routed to control any other device, such as a VCO or envelope generator.
  • A-11VCO – A voltage controlled oscillator generating four waveforms – saw, square, triangle, and sine – all at the same time. The A-11VCO has a 7-octave range with coarse and fine tuning, can accept and mix a second pitch modulation signal to create FM-like effects, and can modulate the pulse width of square waves. Each parameter can be controlled by CV input.
  • A-14ADSR – An envelope generator with three speed ranges and standard attack, decay, sustain, and release parameters. Each parameter can be controlled by CV input.
  • A-13VCA – A voltage controlled amplifier allowing multiple signals to control a sound’s gate shape, with two gain CV ins and a two-in audio mixer. Each parameter can be controlled by CV input.
  • A-14LFO – An LFO with four signal waveforms – saw, square, triangle, and sine, three cycle speed ranges, with both free-running and tempo-synced cycles, and pulse width modulation of the square wave signal. Each parameter can be controlled by CV input.
• The A-Series 2 rack extension contains the following modules:
  • A-19POLY – A polyphonic to monophonic splitter allowing for the creation of polyphonic synths. The A-19POLY supports up to eight voices, each with independent gate and CV data, and three note assign modes: lowest first, sequential (round robin), and random.
  • A-14SH – A sample and hold module allowing the sampling of CV data and holding that sample constant until a new sample period is triggered.
  • A-11NOISE – An audio noise generator and a random CV generator. The audio noise generator can generate white noise, pink noise, brown noise, and any blend in between. Each parameter can be controlled by CV input.
  • A-12VCF – A voltage controlled filter with a four-poll high-pass and low-pass filter, a band-pass filter when used in combination, and CV control over each frequency cutoff.
  • A-11RM – A ring modulator taking two audio signals and modulating them to produce a single audio result.
  • A-13MIXER – A six channel mixer with six audio ins and one master audio out. The level of each in and out can be controlled by CV signals.

The A-Series Rack Extensions are available to purchase for 7.50 EUR each.

More information: Ochen K.

PreSonus has announced its new StudioLive AI-series Active Integration Loudspeakers, the first active loudspeakers that deliver studio-monitor accuracy onstage and are equipped with complete wireless or wired remote control and monitoring using an iPad or laptop.

All StudioLive AI-series speakers incorporate Fulcrum Acoustic’s TQ™ Temporal Equalization algorithms. TQ employs multiple, fully addressable Finite Impulse Response (FIR) filters to eliminate horn reflections and to correct linear time and amplitude anomalies. Collaborating with Fulcrum Acoustic co-founder, Dave Gunness, PreSonus software designers incorporated custom TQ algorithms with dynamics processing, FFT tools, and performance monitoring into the onboard DSP – quite possibly the most powerful suite of tools ever available in a loudspeaker system. The result is a PA system with remarkably clear, coherent, studio-quality sound: Studio…Live!

Another key component of the StudioLive AI’s distinctive design is its use of Active Integration technology. Active Integration combines wireless and wired networking and communications with the aforementioned powerful DSP to create a unified working environment.

All StudioLive AI-series loudspeakers include a USB Wi-Fi module to connect to SL Room Control software over a wireless network. SL Room Control is an impressive system-configuration application for Mac OS X®, Windows®, and iPad that provides both individual and grouped speaker control and includes a 31-band graphic EQ and an 8-band parametric EQ, muting, soloing, and level control, in addition to performance monitoring (over temperature, click detection, and excursions). A network-setup wizard is also included to quickly connect each speaker to your wireless network. An included Ethernet port on each speaker can be replaced with an AVB option card, which is expected to available in late 2013.

Full-range AI-series loudspeakers are available in three configurations. Each compact, powered, 3-way loudspeaker relies on a custom-designed, 8-inch coaxial speaker with a 1.75-inch titanium compression driver to reproduce the mid and high frequencies. The triamplified, Class D power amplifiers in each model (quad-amped in the 328AI) deliver an astonishing combined 2,000 watts of power.

The StudioLive 312AI comes equipped with a 12-inch ferrite speaker to handle low-frequency reproduction. This model is a great choice for venue owners who need high-quality speakers that offer enough coverage for normal bar needs (such as game broadcast and canned music) and are powerful enough for a band or a karaoke night.

Featuring dual 8-inch ferrite speakers for low-frequency reproduction, the StudioLive 328AI delivers full-range, high-powered performance, yet is streamlined and compact- just right for the club that needs a compact PA with the frequency range, sound, and power of a large system.

For the large venue that needs a bigger low-end, the StudioLive 315AI provides 3-way coverage, with a 15-inch speaker for the lows.

Each full-range system has a combo XLR/TRS line input and an XLR microphone input with an XMAX™ Class A mic preamplifier and 12V phantom power, as well as an XLR audio throughput. The full-range speaker systems are pole-mountable and have two ergonomic side handles, interlocking stacking, and M10 fly points. All enclosures are of lightweight plywood construction. Three operation modes allow the user to choose DSP presets for their application, such as MP3 playback, live performance, or stage monitoring. Users can also create a custom preset using SL Room Control and store it onboard for use later.

In addition to the full-range, 3-way systems, PreSonus is offering the StudioLive 18sAI, a powered, 18-inch, ferrite subwoofer designed to complement the full-range StudioLive AI speakers while still being flexible enough to work with other powered loudspeakers. A 1,000W amplifier powers the subwoofer. The StudioLive 18sAI offers stereo line inputs (XLR/¼-inch combo) and full-range stereo line outputs (XLR) that can be summed to mono. An alignment delay can be set to 0, 2, or 4 feet, allowing the subwoofer to combine perfectly with a full-range system.

Each full-range, three-way speaker system includes a switch that engages an External Subwoofer mode. In this mode, a custom low-cut filter ensures that the bottom frequency range of the woofer and the top range of the StudioLive 18sAI subwoofer overlap, and an alignment delay and phase correction are enabled, creating a true time- and phase-aligned, four-way system.

The StudioLive 18sAI subwoofer offers an additional alignment delay that can be set to 0, 2, or 4 feet, allowing the full-range system to be placed on the subwoofer pole (the 0 setting) or with the subwoofer in front, or with the full-range system onstage and the subwoofer on the floor.

Custom accessories for the AI-series speakers include a mountable Sub Dolly to make hauling the 18sAI subwoofer easy and a pull-tested Sub Pole to mount a full-range system atop the 18sAI. An M10 Kit, which contains four M10 eyebolts, lets you fly any full-range model in a permanent installation. Protective covers for the 312AI, 328AI, 315AI, and 18sAI are also available.

All models are expected to ship late in the first quarter of 2013.

More information: PreSonus / StudioLive AI-series

Universal Audio has announced the debut of Softube’s Vintage Amp Room, Metal Amp Room, Bass Amp Room, and Acoustic Feedback Deluxe plug-ins for the UAD Powered Plug-Ins platform and Apollo High-Resolution Audio Interface.

Softube’s Vintage, Metal & Bass Amp Room Plug-ins.

With the addition of renowned Softube Amp Room plug-ins to the UAD platform, owners of UAD-2 DSP Accelerator hardware now have industry-leading guitar and bass amp modeling at their fingertips. And, when used with the award-winning Apollo Audio Interface, the Softube Amp Room plug-ins allow musicians and producers to jam, write, and record through stunning guitar or bass sounds with near-zero latency.

“We’re delighted to see our very popular Amp Room products finding their way to the UAD platform,” says Softube Product Manager, Niklas Odelholm. “They are a perfect match for Apollo, where you can use Amp Room for directly recording guitar, bass, electric pianos, and other instruments through these world-class amplifiers.”

“It’s extraordinary to have Softube onboard as a UAD Direct Development partner,” says UA CEO and Founder Bill Putnam, Jr. “The Amp Room plug-ins are truly best-in-class, and will put some very inspiring tools in the hands of UAD and Apollo users.”

Softube’s Acoustic Feeback Deluxe Plug-In.

Available as part of an upcoming UAD Software release, the following plug-ins and bundles will be available for purchase via UA’s Online Store:

• Softube Vintage Amp Room — $199US
  • Three versatile and classic vintage amps from the 1960s.
  • White amp model delivers classic, distorted rock n’ roll grit.
  • Brown amp model provides warm clean tones, breaking up at higher volumes.
  • Green amp model offers chimey-to-distorted tones, plus vibrato/tremolo.
  • Detailed speaker cabinet modeling with adjustable stereo mic positioning.
• Softube Metal Amp Room — $149US
  • Extreme high gain amplifier model delivers burly, aggressive metal guitar sound.
  • Two speaker cabinet models with fully adjustable stereo mic positioning.
  • Fast, program-dependent one-knob noise gate — ideal for palm muting.
• Softube Bass Amp Room — $149US
  • Superior model of a versatile 1970s bass amplifier.
  • Thick, solid preamp distortion and power amp distortion at extreme settings.
  • Includes three distinctive speaker cabinets (Classic, Rocker, and Oddbird) with adjustable stereo mic positioning.
  • Separate DI controls allow for blending of direct vs. amped signal.
• Softube Amp Room Bundle — $299US
  • The ultimate collection of Softube Amp Room plug-ins for UAD-2 and Apollo hardware.
  • Vintage Amp Room showcases three iconic guitar amps from the 1960s.
  • Metal Amp Room adds raw, aggressive metal guitar sound to any recording.
  • Bass Amp Room delivers the dead-on sound of a classic 1970s bass amp.
• Softube Acoustic Feedback Deluxe — $149US
  • True physical modeling of rich, inspiring guitar feedback effect.
  • Fully responsive to vibrato, bends, slides, and more.
  • Simple controls for level, tolerance, harmonics and subharmonics.

More information: Universal Audio

PreSonus announces the Sceptre-series CoActual studio reference monitors.

Featuring an advanced coaxial design that works integrally with a 32-bit, 96 kHz, dual-core processor using Fulcrum Acoustic’s TQ™ Temporal Equalization technology, Sceptre CoActual monitors deliver clarity and coherence that has previously only been available in ultra-high-end systems. Yet they are an affordable investment for project-studio owners-a first for DSP-controlled, TQ-based systems.

The series includes two models. The Sceptre S8 CoActual Studio Monitor combines an 8-inch low/mid-frequency driver and a 1-inch (25 mm), horn-loaded, high-frequency transducer into a single coaxial unit with aligned voice coils. The Sceptre S6 CoActual Studio Monitor’s coaxial speaker integrates a 6.5-inch low/mid-frequency driver and a 1-inch (25 mm), horn-loaded, high-frequency transducer. Both models have acoustic ports.

Sceptre features

• CoActual technology combines DSP time-correction and point-source design for symmetrical soundstage and micro-definition imaging.
• Unique coaxial transducer integrates 8-inch (Sceptre S8) or 6.5-inch (Sceptre S6) midrange driver and 1-inch (25 mm), horn-loaded HF transducer with Coaxial Speaker Coherence Alignment.
• 32-bit, 96 kHz, dual-core, active floating-point DSP provides critical Temporal Equalization™ with multiple FIR filters.
• Acoustic-tuning controls:
  • HF Driver Adjust (0 dB, +1 dB, -1.5 dB, -4 dB).
  • Acoustic Space settings (0 dB, -1.5 dB, -3 dB, -6 dB).
  • High-pass filter (Off, 60 Hz, 80 Hz, and 100 Hz, -12 dB/octave slope).
  • Sensitivity (+4 dBu to -10 dBV).
• 200W RMS, Class D biamplification with internal heat sinkRF shielding, current-output limiting, and over-temperature protection.
• Balanced XLR and ¼-inch TRS line-level inputs with A-taper level control.
• Amplifier “soft start” feature eliminates popping on power-up.
• Brushed-aluminum faceplate.
• 102 dB maximum continuous SPL.
• Internal power supply with IEC connector.
• Power switch with on/off LED.

PreSonus Sceptre CoActual-series monitors are expected to be available in the first quarter of 2013.

More information: PreSonus / Sceptre

Nick Crow has announced version 1.2 of TubeDriver, a freeware tube amp effect plugin.

TubeDriver – tube amplifier emulation plug-in for Windows (VST 32 and 64bit) and Mac OS X (VST and AU 32 and 64bit).

Changes in TubeDriver v1.2

• Post Low Pass filter added (6 dB/oct).
• Post High Pass filter frequency control added.
• Removed drift and noise functions.
• Some changes in the interface.
• Mac OS X compatibility added.

The TubeDriver effect plugin is available to download as freeware.

More information: Nick Crow

Kemper Amps has announced its Profiler PowerHead and Profiler Rack guitar amplifier systems.

The Kemper Profiler enables you to do what generations of guitar players have been waiting for: to capture the soul of all your amps (and so many more) inside a lunchbox-sized amplifier.

Today Kemper Amps, the makers of the highly acclaimed and award winning Kemper Profiler announce the new Kemper Profiler PowerHead. The Kemper Profiler PowerHead will be shown for the first time at the NAMM Show 2013, January 24th in Anaheim, California at booth 6100 in Hall A.

The Kemper Profiler PowerHead adds a built in 600 Watt power amp to the Kemper Profiler concept and turns the former recording solution into the most versatile guitar amplification system ever. Utilizing the Kemper CabDriver mode, guitarists now have the choice of playing through regular guitar cabinets or full range monitor systems. This makes the Kemper Profiler PowerHead the complete solution for the studio, the rehearsal room and the stage.

The Kemper Profiler PowerHead will be available some time after NAMM and retails for 2100 EUR / $2730 USD. Owners of the original Kemper Profiler will be able to purchase the Amp Upgrade for a price TBA.

Kemper Amps has also announced the new Kemper Profiler Rack, which is also available in a PowerRack version with the built in 600 Watt power amp.

The Kemper Profiler in a rack, optionally with a 600 watt power amp in the PowerRack edition.

One year after the arrival of the Kemper Profiler concept to the market, it has found its place on all levels guitar players usually operate: at home, in the rehearsal room, the recording studio and on stage, even arenas.

Featuring a user interface nearly identical to the lunchbox version, the Kemper Profiler Rack is just as easy to operate. The layout is highly intuitive and already familiar to users of more traditional amps. The most important parameters, such as gain, tonestack and volume, are directly accessible. There are even dedicated knobs to control the reverb and delay from the front panel.

The Kemper Profiler Rack and PowerRack will also be available some time after NAMM, retailing for 1550 EUR / $2025 USD and 2100 EUR / $2730 USD respectively.

More information: Kemper Amps