Results for ASIO

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MOTU Audio Express, personal studio interface

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MOTU Audio Express

MOTU has announced the Audio Express, a 6×6 hybrid FireWire/USB 2.0 audio interface and mixer for personal studio recording and live performance mixing.

The Audio Express features studio-grade sound, hands-on mixing, MIDI connectivity, and all the audio I/O needed for a well-equipped personal studio. Advanced features include front-panel control of four stereo mix busses, stand-alone mixing, digitally controlled analog trim, DDS (Direct Digital Synthesis) audio clocking for exceptionally low jitter performance, and an instrument tuner.

Audio Express features

  • 6-input, 6-output audio interface for Mac and Windows.
  • 6 x 8 physical input/output channels — all channels are available simultaneously and operate independently.
  • Hybrid FireWire/USB 2.0 connectivity — connect to your Mac or PC via either bus-powered Firewire or hi-speed USB2.
  • 8-bus digital mixer — routes and mixes all six inputs to any output pair.
  • Four separate mixes — each output pair (main outs, line outs, S/PDIF out, and phones) can have a completely different mix of all six inputs, with or without computer tracks.
  • Two mic/guitar combo jacks — provide hi-Z 1/4” guitar input or XLR mic input with phantom power, 20 dB pad, Precision Digital Trim™, and plenty of gain.
  • Stereo analog inputs — on line-level, balanced TRS quarter-inch jacks. Connect to synth or or other line-level input signal.
  • Stereo main outs — on balanced TRS quarter-inch jacks. Connect directly to powered speakers (or other line-level analog destination).
  • Stereo 24-bit 96kHz S/PDIF digital in/out.
  • Stereo headphone output on quarter-inch jack with independent volume control.
  • Support for standard sample rates up to 96 kHz.
  • Precision Digital Trim™ — digitally controlled analog trim on all inputs provides adjustments in approximately 1 dB increments. Fine-tune the balance of all inputs and then save/recall trim configurations.
  • Front-panel mixing and control — each input has its own dedicated volume knob. Control multiple mixes with clear feedback from front panel LEDs and metering.
  • CueMix FX cross-platform mixing software — attractive on-screen graphic mixing with a tuner and audio analysis tools including real-time FFT display, spectrogram “waterfall” display, oscilloscope, X-Y plot and linear or polar phase analysis.
  • Stand-alone operation — bring the Audio Express to a gig, with or without a computer. Just plug in the included power adapter and you are ready to go. Need to tweak the mix? Just turn the front-panel knobs.
  • Front panel volume control of main outs and headphone jack.
  • Expandable — add additional interfaces for more I/O as your needs grow.
  • Time code support — directly resolves to (or generates) time code via any quarter-inch input or output, without the need for an extra synchronizer.
  • Direct Digital Synthesis™ (DDS) — a DSP-driven phase lock engine and internal clock source that produces imperceptibly low jitter characteristics (below the noise floor), even when the Audio Express is resolved to an external clock source via SMPTE time code.
  • Sample-accurate MIDI — connect a MIDI controller and/or sound module with no separate interface needed. MIDI I/O is sample-accurate with supporting software.
  • Foot switch input — connect a standard foot pedal switch (sold separately) for hands-free punch-in and punch-out while recording. Or map the pedal to any keystroke function in your host software.
  • DC-coupled TRS outputs — can be used with Volta™ (sold separately) to manipulate and sequence voltage-controlled modular synthesizers from a host DAW.
  • Plug-and-play operation with your Mac or PC via FireWire or USB2 — compatible with all current and recent generation Macs and PCs.
  • Includes native 32- and 64-bit drivers for Mac OS X and Windows 7/Vista, including ASIO, WDM, Wave, Core Audio, and Core MIDI. Supports all popular Mac and Windows audio software.
  • 100% compatible with all host-based effects processing in today’s popular audio programs.
  • Includes AudioDesk full-featured sample-accurate workstation software for the Mac with recording, editing, mixing, real-time 32-bit effects processing & sample-accurate sync.
  • Bus-powered FireWire operation. No need for external power when operating as a FireWire interface connected to a computer. A power supply is included for stand-alone operation.
  • Half-rack form factor with removable rack brackets (included) for portable desktop operation or rack-mount installation.

The Audio Express ships this month (March, 2011), priced $449 USD.

More information: MOTU / Audio Express

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Stanton SCS.1, major update for mixer control surface

Stanton has announced several new update developments to the SCS.1, the Stanton Control System1 mixer control surface.

Stanton SCS.1

The SCS.1, with its built-in FireWire® audio interface, assignable encoders, and tight, two-way software control is now better than ever, offering expanded presets, new ASIO drivers, updated firmware and DaRouter software.

Tim Dorwart CEO of Stanton comments: “Our team is very pleased to be able to announce these updates. The new capabilities of the SCS.1d enhance the performance of both scratch and general platter control. This should certainly help those migrating from traditional DVS turntables, to controllers who require the additional features integrated into the platter, right next to the place their fingers are when manipulating the platter. The new presets for both SCS.1d and SCS.1m extend this functionality to a whole host of other applications for DJ’ing live, composing and mixing”

Development Updates features

  • NEW Presets – Stanton has released a new preset for Native Instruments Traktor Pro® application, updating it to match the new features. Additional new presets include new Generic presets (4 in all) that allow the SCS.1 to be mapped into most DJ software packages; an Ableton Live preset for the SCS.1m, which fully supports clip and scene launching, mixing control, sends/groups, and FX control; a HUI preset that allows the SCS.1m to be used as a DAW controller for many common software packages (ProTools®, Nuendo™, Cubase™, Logic™, Sonar™, etc). Because Stanton utilized the HUI protocol, there is little to no mapping needed on the user’s part.
  • NEW ASIO Driver – This new ASIO driver for Windows® fully supports not only Windows 7 (32- and 64-bit varieties), but also is backwards compatible with Vista64 and XP. They also separated this installer from the DaRouter installer to make it easier on the end user to update components.
  • NEW DaRouter Software – A new SCS.1 DaRouter has been developed, which implements a better scratching algorithm. In response to user requests, it also allows for multiple instances of DaRouter to run simultaneously, which allows for the use of (for instance) 4 SCS.1ds at once. Of course, this version of DaRouter will also bundle in all the new presets so users have instant access to the new features.
  • NEW SCS.1M Firmware – Stanton has also updated the SCS.1d firmware, which not only improves the scratching performance of the SCS.1d, but also makes it more compatible with current DJ software. Like the ASIO driver, they’ve also separated this from the DaRouter installer to make installation and updating straightforward and error-free.

More information: Stanton / SCS.1

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Peavey debuts Xport USB Guitar Interface

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Peavey has introduced the Xport, a high-fidelity, ultra-portable 1/4″ jack-to-USB audio interface for electric guitar and bass.

Peavey Xport

The Xport’s high-quality ASIO™ and Core Audio™ drivers offer rock-solid performance for both Windows® and Mac® OS X. Powered by the USB bus and featuring both Headphone and Line outputs, the Xport provides musicians with a simple, hassle-free digital recording solution.

Included with Xport is Peavey ReValver™ amp modeling software, the only virtual amplifier that captures the true tone characteristics of vacuum tubes. This state-of-the-art software can be used as a stand-alone virtual amplifier or with your favorite recording software.

REAPER™ digital audio workstation software, an advanced multi-track audio production and recording environment for Windows and OS X, is also included with the Xport.

Xport features

  • USB bus powered.
  • 1/4″ guitar instrument input.
  • Headphone output with volume control.
  • Line output with volume control.
  • USB cable included.
  • ASIO™/OS X (Core Audio™) drivers.
  • Windows® XP/Vista/7 – Mac® OS X.
  • Includes ReValver™ and REAPER DAW software.

More information: Peavey

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Rane introduces MP25 Classic DJ Mixer with USB

Rane has announced the MP25, a USB club mixer with audio interface.

Rane MP25

The MP25 satisfies the audio and ergonomic demands of performing DJs, in a 19” rack format preferred by nightclubs, with a compact 4U design that drops easily into a mobile rig. Sporting two microphone inputs, four studio-grade phono preamps, four analog aux inputs, four low-latency stereo USB inputs, analog and USB effects insert loops, and a variety of analog and digital outputs; the MP25 remains rooted in analog tradition while reaching new heights of digital connectivity.

Integrating a twenty-two channel USB audio interface, the MP25 enables simultaneous playback of four stereo sources, recording five stereo channels, and inserting computer-based VST effects. Reliable, low-latency, multi-client ASIO and Core Audio drivers interface the MP25’s twenty-two USB audio channels directly to your favorite multi-track mixing, beat-making, looping, effects, and recording applications. Additionally, the MP25’s front panel controls are MIDI enabled, allowing manipulation of software parameters directly from the mixer’s control surface.

The MP25 also features Rane’s powerful FlexFX architecture, allowing DJs to apply a variety of effects to any combination of mic and program inputs. Insert effects into individual channels, a sub-mix of channels, or the entire main mix. Combine outboard effects processors with VST effects running on your computer. FlexFX makes it easy to create unique, compelling mixes in a variety of mixing styles.

Two microphone inputs put the DJ and entertainer in direct contact with the audience. Each microphone includes independent Talkover control. Engage a mic to put it into the mix, or engage Talkover to put the mic in the mix and duck all other sources. Talkover makes it easy to jump into the mix for quick, intelligible announcements.

The Rane MP25 ships March 2011.

More information: Rane Corporation / MP25

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Propellerhead Software updates Record to v1.5.1 and Reason to v5.0.1

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Propellerhead Software Record/Reason

Propellerhead Software has released updates for Record and Reason, its music production applications for Windows and Mac.

We are happy to announce the immediate release of Record 1.5.1 and Reason 5.0.1 — free maintenance updates that resolve several minor issues in Reason and Record.

Changes in Record v1.5.1 / Reason v5.0.1

  • Record
    • CodeMeter has been updated to version 4.20b. This version provides better handling of various installation issues.
    • The MClass Mastering Suite Combinator appeared on the Create menu when the Japanese language was selected in Record. It has been removed (the way to use mastering combi patches in Record is to load them as Master Insert FX).
    • The EQ, Filter and Input Gain settings in the main mixer were not chased properly. This could cause clicks or slight fades in the beginning of bounced or played back tracks.
    • There was an audible hiccup (a small pause in the audio) whenever an effect (Wah or Compressor) was switched on or off on a Line 6 Amp device. The Line 6 components have been updated to fix this.
    • An interpolation issue could cause a very slight loss of high frequency content when processing audio in Neptune.
    • The size of Kong devices in the Record rack navigator was slightly incorrect.
    • In rare cases users had to authenticate twice when starting Record.
    • Normalize Clip did not work on clips with extremely long audio recordings.
  • Reason & Record
    • The handling of bad sound drivers has been improved, lessening the risk of a crash due to faulty drivers.
    • Added Remote support for M-Audio Oxygen 88.
    • Added localized help and documentation in German, Japanese and French. Note: The localized help and documentation files are automatically included when Reason or Record are installed from the DVD. When downloading Reason or Record, you need to download and install localized help and documentation separately.
    • During certain circumstances, if a MIDI control surface was locked to a device and the user deleted any device from that song, the program could crash. This would happen if there was another song open and that song was playing back in the background.
    • The “Arpeggio Notes to Track” function on the RPG-8 could cause the program to crash if some of the RPG-8 parameters had been automated.
    • Saving a patch could in rare cases cause the program to crash. This happened if the user loaded a patch from a folder containing a huge number of patches, then moved the patch file to another folder and finally attempted to resave the patch by Alt-clicking the Save Patch button on the device.
    • In some cases, after copying and pasting a sample-based device from one song to another, the pasted device could refer to the wrong samples if the samples were self-contained.
    • Cable drawing has been slightly improved.
    • Thor’s step sequencer in random mode triggered two voices. This could happen when the “Step” run mode was selected and the direction was set to “Random”.
    • The program will occasionally check the available hard disk space. On some systems, these checks could make the user interface temporarily unresponsive.
    • Duplicating devices a large number of times could cause a graphical bug in the rack.
    • A number of localized (translated) text strings were cut off.
    • Voice handling for the NN-XT has been optimized slightly.
    • Dr. OctoRex slice numbers were not shown correctly in Edit mode when using the application in German.
    • If a song used SoundFonts under Windows Vista or Windows 7, the program could store the wrong path to the referenced samples. As a result, there would be missing sounds next time the song was opened.
    • Switching from MIDI sync to internal sync could result in an “Unknown Exception” alert.
    • The program could become very unresponsive when working with songs with a large number of self-contained samples.
    • Songs or combi patches could load with incorrect settings. This happened if a Combi rotary or button had been programmed to control a certain device parameter, and this parameter had been changed “manually” so that its state conflicted with the Combi rotary/button. After saving and loading, the setting of the device parameter was reset to match the Combi settings.
    • When stopping after recording in ReWire mode, the program could freeze for a few seconds.
    • Updated some Japanese translations.
    • The program could assert when changing to virtual MIDI input settings.
    • Kong’s Nurse Rex in Slice Trig mode within a Mute Group would not mute the voice when another pad was triggered.
    • A crash could be caused by dragging one or more half width devices and hovering over a Disk Channel device that doesn’t show inserts.
    • The function of bouncing several audio clips to new samples or to a new recording could take longer than expected.
    • The remote override mode was not completely blocked while the program tried to quit.
    • Muted audio clips in Blocks while adjusting the Block Clip offset could look a bit peculiar.
    • Sample Editor now handles samples with a sampling frequency below 8000 HZ correctly.
    • Names of Mix Channels could become blank in certain cases.
    • Bug in the Mix/Disk-channel, which could occur whenever a device was added or removed in the combi of a channel device (insert effects). This bug might show itself by some short clicking sound, artifact or short freeze when adding or removing devices in a channel device. The Combinator was not affected, and also not the master section.
    • There was a bug when the user tried to move the notes that were being recorded either by scaling the tempo in the tool window or nudging them with Ctrl-left/right.
    • Handling of ReGrooved blocks has been improved.
    • NN-Nano now uses High Quality Interpolation when pitching samples.
    • Converting pattern automation to notes disregarded pattern offsets incorrectly.
    • Automation of aftertouch, expression and breath are now smoothed in Thor.
  • ReFill Packer
    • ReFill Packer will now preserve tempo maps in AIFF and WAV files.
    • The previous version of ReFill Packer didn’t handle files with leading and trailing spaces in their names properly.
    • Better handling of how ReFill Packer works when invoked using non privileged accounts.
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MusicDevelopments releases RapidComposer LE, RapidComposer updated to v1.4

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MusicDevelopments RapidComposer

MusicDevelopments has announced the release of RapidComposer LE, a Light Edition of the rapid music prototyping software designed for composers, song-writers and musicians of all musical styles.

The new RapidComposer LE is aimed to serious hobbyist musicians and composers.

RapidComposer LE features

  • Core functionality: creating, editing, generating phrases, phrase and rhythm generators, variations…
  • VSTi 2.4 and soundfont (.SF2) support.
  • Sophisticated MIDI CC editing and recording.
  • Audio tracks.

MusicDevelopments has also released version 1.4 of RapidComposer.

The latest major update with fully customizable user interface, and rewritten VSTi plug-in handling that fixes all stability problems and made VSTi support rock solid! Other changes: improved loop playback and recording, tap tempo, fractional tempo can be specified for any structural unit, ASIO configuration improvements.

Changes in RapidComposer v1.4

  • New rhythm generator: Subdivision (great for percussion).
  • Customizable user interface (colors, button shapes, shading…) with preset themes.
  • Tempo can be overridden by any structural unit.
  • Fractional tempo allowed.
  • Tap Tempo.
  • Loop and range playback and recording improved.
  • Playback/recording tempo can be quarter/half/normal/twice/four times.
  • VSTi handling was rewritten, no plug-in crashes anymore.
  • ASIO driver settings (sample rate, latency) are not overridden by default.
  • ASIO configuration window can be opened.
  • Dozens of other small improvements and fixes.

RapidComposer LE for Windows PC is now available to purchase for $99 USD, RapidComposer is $295 USD.

More information: MusicDevelopments

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MOTU announces Pro Tools 9 compatibility for its audio interfaces

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MOTU Pro Tools 9

MOTU has announced that its audio interfaces are now compatible with Pro Tools 9.

Are you a Pro Tools user? Have you always wished you could use a MOTU audio interface with your Pro Tools software? Now you can. All current MOTU FireWire, USB, and PCI audio interfaces are compatible with Pro Tools 9, including the UltraLite-mk3 Hybrid, 828mk3, 896mk3, 8pre, Traveler-mk3, 2408mk3, and MicroBook. A whole new world of compatibility and interoperability has opened up between Pro Tools software and MOTU hardware. Getting them going together is easier than ever, too.

MOTU’s currently shipping Core Audio and ASIO drivers for Mac OS X and Windows 7 are already compatible with Pro Tools 9. So if you already have them installed, you are ready to go. If you are just getting started with a current MOTU audio interface product, simply install the latest MOTU FireWire/USB or PCI audio driver package and follow the instructions for operation with a standard Core Audio or ASIO host application.

As always, be sure to consult the Avid web site for Pro Tools 9 Mac and Windows system requirements. All MOTU audio interfaces are fully compatible with the systems recommended by Avid for Pro Tools 9.

Pro Tools 9 is offered in several different packages. As of this writing, every available Pro Tools 9 offering supports MOTU interfaces via Core Audio and ASIO driver support.

More information: MOTU

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