Results for audio interface

Below are the posts that should have something to do with 'audio interface'.

Note: Use the search form in the top right if you're looking for something specific.

  

RME intros Fireface 802 audio interface

Related: , , , , , , Posted in news on Mar 12, 2014 - comment 0 comments

RME has introduced the Fireface 802, a new USB 2.0 and FireWire 400 audio interface at the Musikmesse 2014.

RME Fireface 802

60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features:

Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.

New in Fireface 802

  • New look with improved usability.
  • Dedicated Control Room section for the main output (e. g. studio monitors) and other monitoring outputs (e. g. phones). All existing stereo output channels can be freely assigned as source for the control room section channels.
  • Four definable groups for Solo, Mute and Faders.
  • Switchable Mono and Stereo channel view.
  • Channel Options: Stereo Width, MS Processing, Phase L/R.
  • Trim mode: Adjusts the volume for all routed signals of a channel simultaneously, equalling a hardware’s trim functionality as well as a Post-FX Send function.
  • Unlimited Undo and Redo.
  • FX Sends and Returns: One send bus for every input/playback channel with Reverb/Echo.
  • Expandable channel view for channel settings, EQ and Dynamics.
  • Slim channel mode for selected or all channels, to save space or give a meter bridge view.
  • 2 Row Mode: reduces the height of the mixer to two rows for smaller displays.
  • Reworked Matrix with mono/stereo mode, Undo/Redo, display of phase and mute.

More information: RME / Fireface 802

comment

Universal Audio releases UAD Powered Plug-Ins Software v7.5 (incl. Dangerous BAX EQ and UA 610 Tube Preamp & EQ)

Universal Audio has released UAD Powered Plug-Ins Software v7.5, unveiling UA’s new Unison™ technology to Apollo QUAD and Apollo DUO interfaces and adding several key features for Mac users.

Universal Audio UAD Software v7.5

Unison Mic Preamp Technology for Apollo QUAD and DUO Audio Interfaces

Introduced with Apollo Twin, Unison technology is an exclusive analog/digital integration system that allows for realtime bi-directional control and interplay between Apollo’s physical mic preamps and new UAD preamp plug-ins — including the now-updated API Vision Channel Strip Plug-In and new Universal Audio 610 Tube Preamp & EQ Collection. With UAD Software v7.5, Apollo DUO and QUAD users can immediately take advantage of Unison with a free 610-B Tube Preamp & EQ plug-in provided on install.

Full AAX 64 Support for Macs and OS X 10.9 Mavericks Compatibility

UA is pleased to announce full compatibility with Apple’s latest operating system, as well as full AAX 64 support for Mac users, with AAX 64 support coming for Windows 7 users this spring.

These new enhancements are part of new UAD Software v7.5, which also includes the new UA 610 Tube Preamp & EQ Collection and the Brainworx-developed Dangerous BAX EQ Plug-In Collection.

610 Tube Preamp & EQ Collection

610 Tube Preamp & EQ Collection

More than three years in the making, the UA 610 Collection represents the first comprehensive modeling of the legendary 610-A tube preamp and its modern variant, the 610-B — including their tube and transformer components and all of the unique distortion characteristics of the originals.

The 610-A is modeled on a channel from the storied Wally Heider “Green Board,” used to record Neil Young, Ray Charles, Elvis Presley and Jimi Hendrix, and offers simple 10 kHz high-shelf and 100 Hz low-shelf EQ. The modern 610-B offers selectable input impedance, adjustable high- and low-shelf EQ, and expanded gain range.

Dangerous BAX EQ Collection

Dangerous BAX EQ Plug-In Collection

The Dangerous BAX EQ Plug-In Collection is a powerful tool for shaping and enhancing the tonality and character of your music.

Designed as a “finishing EQ,” the BAX EQ Collection is the first and only authentic plug-in emulation of this studio staple, available exclusively for UAD-2 and Apollo hardware.

The 610 Tube Preamp & EQ collection is available to purchase for $299 USD; The Dangerous BAX EQ collection costs $249 USD.

More information: Universal Audio

comment

Focusrite announces RedNet D16 AES – 16-channel AES3 I/O for Dante audio networks

Related: , , , , Posted in news on Feb 07, 2014 - comment 0 comments

Focusrite has announced RedNet D16 AES, a 1U 19in rack-mount interface featuring 16 channels of AES/EBU connectivity to and from a Dante audio network, with Ethernet redundancy for maximum network reliability.

Focusrite RedNet D16 AES

Perfect for bridging between digital consoles, power amplifiers or any other AES3 equipped audio equipment and a Dante network, RedNet D16 AES has a Sample Rate Convertor (SRC) on each input pair allowing instant operation with any AES3 source. Word Clock and Digital Audio Reference Signal (DARS) connections provides synchronisation with a wide range of hardware, while S/PDIF I/O allows the integration of equipment such as CD or solid state recorders/players.

Two DB25 connectors each provide eight channels of combined I/O to the AES59 standard, allowing speedy interconnection with other DB25-connected or XLR-based equipment by use of standard DB25 to XLR cables. The rear-panel XLR female input can be used either as a DARS sync source for the Dante system, or as an AES3 audio source replacing input channels 1–2 on the DB25 connectors. An XLR male socket provides a duplicated AES3 outlet for output channels 1–2. The RCA S/PDIF input can similarly replace input channels 3–4 of the DB25 connectors, while the S/PDIF output can replicate any adjacent odd/even pair of the 16 output channels.

The two network connectors on the rear of the unit allow two modes of operation. They can be used either as a primary/redundant network interface, allowing seamless switchover in the case of network failure, or as a daisy-chain port allowing the connection of multiple units.

All the clocking and input/output options of RedNet D16 AES are remotely-controlled by the RedNet Control software application for Mac and PC.

Focusrite RedNet will be discussing and demonstrating the full range of RedNet products at the AV Networking World event, taking place 4th February at the Amsterdam Holiday Inn during ISE.

The RedNet D16 AES has a U.S. MSRP of $1899.99 USD.

More information: Focusrite / RedNet D16 AES

comment

Native Instruments launches Heavy Valentine – Limited-time TRAKTOR KONTROL Z2 sales special

Native Instruments Traktor Kontrol Z2 Sale

Native Instruments has launched a limited-time February special on TRAKTOR KONTROL Z2, the highly acclaimed 2+2 channel DJ control mixer that unites analog and digital DJing techniques.

Featuring two standalone channels each with Remix Deck controls, and an integrated 24-bit audio interface, TRAKTOR KONTROL Z2 is the perfect pro-mixer for TRAKTOR DJs. Rear panel inputs provide connectivity for both turntables and CDJs, offering connectivity for purely analog as well as timecode-based setups. With a robust aircraft-grade aluminum enclosure, the Z2 is equipped with top-notch knobs and buttons, multi-colored cue point controls, and advanced Innofaders™ for durable, tactile mixing. TRAKTOR PRO 2′s Macro FX and Flux Mode are also directly accessible from the Z2′s dedicated buttons. An integrated USB hub even allows connectivity for multiple TRAKTOR KONTROL F1 and X1 controllers with plug-and-play simplicity.

TRAKTOR KONTROL Z2 includes the latest version of the flagship TRAKTOR PRO 2 software. Trusted by countless professionals, TRAKTOR PRO 2 offers DJs up to four virtual decks, intuitive looping and cueing functionality, and a wide range of over 30 effects. In addition, integrated Remix Decks technology allows DJs to instantly record, loop and sample audio for on-the-fly remixing. For DJs who combine the flexibility of digital DJing with classic analog systems, the Z2 also comes with TRAKTOR SCRATCH PRO 2* timecode vinyl and CDs.

TRAKTOR KONTROL Z2 is available to purchase for $599 USD/599 EUR/£499 GBP until February 28, 2014 (regular $799 USD/799 EUR/£679 GBP).

TRAKTOR PRO 2 and TRAKTOR SCRATCH PRO 2 software are provided as a download following registration of the TRAKTOR KONTROL Z2 mixer.

More information: Native Instruments / TRAKTOR KONTROL Z2

comment

Steinberg UR44 Audio/MIDI interface now shipping

Related: , , , , , , , , , , Posted in news on Jan 27, 2014 - comment 0 comments

Steinberg has announced the release of its UR44 USB audio and MIDI interface.

Steinberg UR44
The Steinberg UR44 — 6 x 4 USB 2.0 audio & MIDI interface.

With six inputs and four outputs, D-PRE mic preamps and MIDI I/O in a rugged full-metal chassis, the UR44 is designed to suit a huge range of recording and production situations.

The ultra-flexible interface works with PC and Mac computers and can also be used with the iPad for mobile recording. The onboard DSP effects — REV-X Reverb, Sweet Sport Morphing Channel Strip and Guitar Amp Classics* — provide latency-free monitoring and are also included as VST 3 effects.

UR44 features

  • 24-bit/192 kHz USB 2.0 audio interface with 6 analog Inputs, 4 line outputs plus 2 main outputs and MIDI I/O.
  • 4 Class-A D-PRE mic preamps supporting +48 V phantom power and two Hi-Z.
  • Rugged full-metal casing for ultimate durability.
  • Latency-free DSP-powered monitoring with effects and bundled Basic FX Suite VST 3 plug-ins.
  • Cross-platform compatibility for Windows, Mac OS X and iOS (with the Apple iPad Camera Connection Kit), and Cubase AI music software included.

The UR44 interface is now available to purchase for 349 EUR inc. VAT.

More information: Steinberg / UR44

comment

Alesis announces CORE Series USB audio interfaces

Related: , , , , , , , Posted in news on Jan 24, 2014 - comment 0 comments

Alesis has announced the new CORE Series of 24-bit USB Audio Interfaces providing complete, fully integrated recording solutions.

Alesis CORE Series

CORE Series interfaces offer a full range of recording solutions including XLR+1/4″ combo inputs, Mic/Line or Guitar level switching, headphone outputs with level controls for efficient monitoring, and each model ships with a Cubase® 7 LE.

CORE 1, a single input/dual output inline interface, is ideal for on-the-go recording or the budget-conscious producer. CORE 2 offers both audio and MIDI connections for full studio integration. Topping out the series is the CORE 8, an eight-channel rack mount interface suited for live or studio applications.

CORE Series features

  • CORE 1 – 1-Channel In-Line USB Audio Interface:
    • 2-channel mini USB, 24-bit/48 kHz output.
    • 1 XLR+1/4″ TRS combo input with gain knob.
    • Mic/Line or Guitar level switch.
    • Stereo headphone out with level control.
    • Modern sand-blasted aluminum housing.
  • CORE 2 – 2-Channel Desktop USB 2.0 Audio+MIDI Interface:
    • 2-channel USB 2.0 24-bit/96 kHz output.
    • 2 XLR+1/4″ TRS combo input with gain knobs.
    • 2 Mic/Line or Guitar level switches; phantom power.
    • Stereo headphone out with level and input/USB monitoring.
    • 2 Powered USB hub ports; MIDI In and MIDI out.
    • Stereo 1/4″ outs.
    • LED segment metering.
    • Sand-blasted aluminum housing.
    • ERP Compliant – Auto off.
  • CORE 8 – 8-Channel Rack Mount USB 2.0 Audio Interface:
    • 8-channel USB 2.0, 24-bit/96 kHz output.
    • 8 XLR+1/4″ TRS combo input with gain knobs.
    • 2 Mic/Line or Guitar level switches; phantom power.
    • Dual stereo headphone out with level and input/USB monitoring.
    • Stereo main + monitor outs.
    • LED segment metering.
    • 2U metal rack mount enclosure.
    • ERP Compliant – Auto off.

The CORE Series will be available to purchase for $49.99 USD (CORE 1), $149.99 USD (CORE 2), and $299.99 USD (CORE 8).

Alesis will present the CORE interface lineup at the 2014 NAMM Show in Hall A, Booth 6700, January 23-26 in Anaheim, California.

More information: Alesis

comment

M-Audio announces M-Track Eight audio interface

Related: , , , , , , , , Posted in news on Jan 24, 2014 - comment 0 comments

M-Audio has announced M-Track Eight, an eightchannel, 24-bit USB audio interface designed for expanded recording capabilities with an ultralow-noise signal path, 112 dB signal-to-noise ratio, and zero-latency monitoring.

M-Track Eight
M-Track Eight will include Avid® Pro Tools Express with an iLok® USB key.

“The M-Track line is all about equipping recording musicians at every level with professional capability,” said JC Sutherland, M-Audio Product Manager. “It has the best-quality microphone preamps on the market for the cost and it comes with Pro Tools, so, right away, musicians are equipped with pro-level hardware and software.”

M-Track Eight has 24-bit / 96 kHz (max.) digital audio for recording audio higher than CD quality and, as its name implies, M-Track Eight includes eight XLR+1/4-inch combo inputs to accommodate any source. All inputs are combo jacks with mic/line auto-sensing capabilities, and Channels 1 and 2 add an instrument level switch in addition to being front-facing, which allows for easy access when the unit is rack-mounted.

Two banks of 48V phantom power are onboard for use with condenser microphones. Outputs include eight 1/4-inch TRS, two pairs of 1/4-inch monitor outputs with A/B control, and two 1/4-inch headphone outputs, which are switchable between Outputs 1 and 2 or 3 and 4. M-Track Eight is class-compliant with Mac and a driver is included for PC.

M-Audio will exhibit M-Track Eight for the first time in Hall A, Booth 6700 at the 2014 NAMM Show, January 23-26 in Anaheim, California.

More information: M-Audio

comment