Bedroom Producers Blog has released Game Boy LSDJ Noise And Glitch Sessions, the fifth pack in a series of free sample collections.
Ok, here’s a brand new free bpb sample pack. It’s called Game Boy LSDJ Noise And Glitch Sessions, and contains sounds recorded from a black Game Boy running LSDJ software. I’ve created the sounds using LSDJ’s awesome synth engine, combined with the built-in pattern editor.
You’ll probably notice that the included sounds are much more aggressive than what you’d expect to hear in a standard Game Boy video game, for example. I was going for a glitchy, noisy vibe, and the LSDJ synth engine turned out as a great tool for creating such sounds.
All included sounds are 100% clean recordings of the Game Boy sound output, no post FX added. This is also my first sample set recorded in 24bit.
The Game Boy LSDJ Noise And Glitch Sessions sample pack is available as a free download.
Bedroom Producers Blog has released Korg Electribe ER-1 mkII Drums And FX, the fourth in a series of free sample packs.
The sample pack contains around 50 drum hits, carefully chopped in order to avoid any bad endings and similar issues. The included drum hits have a nice retro feel to them, I’ve tried emulating various classic drum machine sounds and adding a bit of Korg ER-1′s modern taste to them. The resulting samples are not exactly breathaking, but I like them and I guess you’ll find a use for them too.
That said, my favorite sounds in this collection are the atmospheric FX samples which I’ve made using the Tribe’s awesome built-in delay.
The sample pack includes 71 WAV samples (16-bit) and is available as a free download from the bpb website (donations appreciated).
The bedroom producers blog is back with another great round-up, this time it's all about pianos:
I have to admit I wasn’t always a huge fan of acoustic pianos. Even though my family used to own a piano when I was a kid, I almost never played it, rocking my broken 3-string guitar instead. Quite frankly, I simply found the piano to be a very boring instrument.
Now, was I abducted by the aliens, or did something heavy fall on my head, I don’t remember, all I know is that something really weird must have happened because I love the sound of piano now. The problem is, though, that I don’t own my old piano anymore, and I can only dream about having an electric one like a Wurli or Rhodes. But with all the kind people sharing the samples of their instruments online for free, can we still consider not owning an instrument to be a problem?
This a CV sequencer i built (with an arduino microcontroller). It Sequences the pulse width of my guitar through the Control Voltage input jack on the Pulsemonger pedal.
I got the idea from tracking (composing) in famitracker, LSDJ and Goattracker. When you compose for the NES or the Gameboy, there are tons of effects you can choose from to make square waves more complex and interesting sounding – i always wanted to apply those effects to my guitar. So, once i saw that the Pulsemonger guitar pedal had a CV input for the pulsewidth i had to buy it. Sequencing the pulsewidth is one of the fundamental sounds of chiptune music – the ability to recreate this sound through my guitar was way too exciting.
Johan Larsby made himself a portable sound system so he can do shows wherever he goes.
It should be able to work without being connected to an outlet. It should have lights and it shouldn't be to heavy to move around. Ateast not by a small wagon. And it should be loud. Not Mötorhead loud but loud enough. It should also be cheap enough so that I would not cry if it got trashed or stolen after a few gigs/parties.
I'm one of the lucky few beta testers of the new TipTop Audio Z-DSP eurorack module, and boy is it a lot of fun. The Z-DSP is a lot like the TipTop Audio Z5000, except embiggened. A lot. There are three CV controlled parameters per program. There is a feedback loop that you can tap into on the front panel so you can insert a filter or whatever module you can think of inside a part of the DSP process that is usually closed to tinkering. You can change the personality of the DSP by inserting a different card on the front panel. You can even voltage control the clock. This is serious sound-mangling mayhem.
The short audio files I produced represent only one patch idea using one program on one card on this module. I could spend a great deal of time exploring various options without even changing the DSP program on the Z-DSP. The fact that I could load another program is another whole world of possibilities. If, somehow you got bored of that, you can load a card with a different batch of programs. Egads, this thing is endless.
Video showing how to emulate a scratch-like effect in Ableton Live 8 using the new delay Modes available in the Ping Pong Delay. This is not meant to replace vinyl, nor will it produce a totally authentic sounding scratch sound, but it is a Ableton Live only solution and is a nice add on to your effects arsenal.
Drum machines are cool. Toy drum machines are way cooler though. Is it the cheeziness of the samples or some strange drugs hidden under the pads, i’m not sure, but playing these old Yamaha drums has always been a great pleasure for me.
So in order to share some of the fun, here’s a free samplepack with all of the samples available in the machine, from kicks and snares to lions and scratches. Below is a quick and lame demo i made. Have fun!
the sonic fabric neckties are a limited-edition project made in collaboration with my designer friend julio cesar. sonic fabric is woven from 50% recorded audio cassette tape and 50% colored thread the fabric is actually audible if you run a tape head over it! (if you’d like a demo, please visit my youtube channel at alyceobvious.
the idea behind the tie is that the wearer becomes a beacon for other-dimensional, intangible, subtle forces of good…much in the manner of a superhero. only this part of the superhero garb can be worn on the outside in the most conservative environment without detection! looks equally great with dress shirt or t-shirt. this tie is the thinner version – 2" wide at the widest point. i also make a slightly wider version for more mature audiences.
the sound collages recorded onto the tape for this batch of ties comes from my cd between stations, and is based on looped and layered samples collected on and under the streets of nyc.
Many of my friends had toy synths when they were kids. Yes, and I’ve never had one. Not even a cheap chinese model. Can you imagine how happy I was when I got this little 80’s Casio a few days ago? Well anyway, the same moment I heard it’s cheap and dirty sounds, I new I had to record them and make a new sample pack.
Casio SA-10 Sample Pack features
20 drum samples.
1 SoundFont with 9 instruments.
19 rhythm loops.
11 super accompaniment loops.
1 demo song.
The Casio SA-10 Sample Pack is available as a free download.
In case you missed it earlier, make sure to also check the free Commodore 64 [SID 8580] MSSIAH Drummer Drum Kit here.