Bleep Labs updates The Bleep Drum with MIDI input

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Bleep Labs has announced that its The Bleep Drum drum machine with sequencer and pitch-adjustable samples, is now also available with a MIDI input.

The Bleep Drum with MIDI
The Bleep Drum is an Arduino based drum machine designed by Dr. Bleep.

The Bleep Drum has been upgraded with full MIDI control.

Now you can trigger the four samples, toggle noise and reverse modes, as well as change the pitch of all four samples with any device that can send MIDI.

Retrofit kits available to upgrade any previous Bleep or Dam Drum.

The kit with MIDI is available to purchase for $75 USD (DIY) / $110 USD (assembled). The MIDI versions ship in mid November, 2013. The MIDI retrofit kit is available to purchase for $17 USD.

More information: Bleep Labs / The Bleep Drum

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Bleep Labs launches The Bleep Drum

Related: , , , , , , Posted in news on Feb 08, 2013 - comment 0 comments

Bleep Labs has announced The Bleep Drum, a drum machine with sequencer and pitch-adjustable samples.

The Bleep Drum is an Arduino based lo-fi rad-fi drum machine designed by Dr. Bleep.

Bleep Labs The Bleep Drum
The Bleep Drum is the same hardware as the Dam Drum 2.0, but it has different sounds as well as HYPERNOISE 30XX mode.

The Bleep Drum features

  • Four sounds, two with pitch control.
  • Four selectable sequences.
  • Record patterns just by playing them.
  • Tap tempo.
  • Reverse mode.
  • Hyper Noise 30XX mode.
  • Stereo 1/8″ output.

The Bleep Drum is available to purchase as a kit for $60 USD. It is also available to preorder as a fully ully built device for $80 USD (shipping in April, 2013).

More information: Bleep Labs / The Bleep Drum

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Short links for January 11th, 2011

Some interesting things I found recently:

# OP-1, NAMM 2011

Teenage Engineering: If you're at NAMM, please come by our booth, we'll be showing alot of new crazy features!

# BLEEP – The Top 100 Tracks of 2010

The Top 100 Tracks Of 2010 features 100 MP3s in 320 kbps. Over 9 hours of music, over 1.2 GB, available to purchase until February 10th 2011, priced at £30 / $50 / €35

# Open Thread: What is Virtuosity on a Drum Machine?

Peter Kirn at Create Digital Music:

Electronic music has always had a funny relationship with musicianship. It isn’t playing a traditional instrument; instead, it lies somewhere between instrumentalism and composition, between playing and conducting. Sometimes, that scale is tipped away from virtuosity of any kind.

But lately, I’ve had an increasing number of conversations with people who make the tools with which we make music about what this all means. I’ll be able to share one of those conversations in a bit, but I’m curious to hear what readers think.

Jeff Mills comes to mind. He doesn’t just DJ with three decks, he also uses a TR-909 in his live sets.

# Radium Audio Labs

Radium Audio Labs is a blog with some interesting sound design articles on things like frozen contact mics, recording guns, coil pickup and printer recordings, and more.

Explorative adventures in sound – Part of Radium Audio, a leading music and sound design company based in London. We work with agencies, cg & animation houses, digital agencies, game developers, brands and manufacturers.

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Short links for November 12th, 2010

Some interesting things I found recently:

# The Bit Blob 2 and Bit Blob Jr.

Bleep Labs is back with some more Bit Blob noise makers.

The Bit Blob 2 and Bit Blob Junior are now available to order ($225 and $55-$80 USD respectively), ships by December 6th.

# Handmade Music NYC 11/14

Handmade Music is part party, part science fair. Come meet people who make things that make music.

Glockhand

This month:

  • A duo of classical guitarists who play video games with their instruments
  • A project that sequences beats as you play a game of checkers
  • Chip music on Game Boy
  • Surf rock meets speed metal on glockenspiel, Casio, drums, bass

…plus

The official launch party for the MeeBlip, new, affordable open source synth hardware for everyone.

More info at the Handmade Music blog.

Korg iMS-20

# Korg iMS-20 Review

Synthtopia rounds up some first impressions, like this one from ipaddj:

Anyone who has used the Korg Legacy plug-in will know what they are in for and the fact that you can grab patch cables and route them using the touchscreen is almost mind-melting. Like a childhood fantasy come true.

The huge sound of the MS-20 is totally there and I couldn’t stop making Daft Punk patches for the first few hours using the beast.

# Free Sample Friday: Virus Drums

Access Virus

Tom at Waveformless celebrates his birthday (happy birthday, Tom!) with another free sample pack:

Today is my birthday, and in the spirit of "it's better to give than to receive", here are some free synthesized drum sounds from the Access Virus. I made these quite some time ago, so they were recorded at 16-bit through an E-mu E6400. As a result, some of them have a little noise in them, but around these parts, we like to call that "character". The source of the sounds is a mix of factory patches and third party patches.

u-he ACE

# U-HE ACE TIP: Pulse Width Modulation Basics

Mark at Modulate This! explains how to the OSC modulate pulse width on u-he's splendid ACE synth.

After watching my YouTube video “u-he ACE Tutorial: Patch Cables 101”, I had a viewer ask “How can i modulate the pulse width of? the osciliator?”, so I thought I’d do a quick answer here in text form. Click the image above to see a larger version of the synth. Annotation numbers in diagram match steps below.

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Short links for February 1st, 2010

Virtual Piano

Some interesting things I found recently:

# The Virtual Piano for Songwriters, Singers, Producers and aspiring musicians

Not Only is The Virtual Piano a Virtual instrument that you can play chords and melodies on, it also shows you how to play all the chords (triads) in all twelve keys.

It's an excellent tool for you to learn to play piano, to transpose songs into any key or for writing songs.

# Kent ‘sound sculptor’ unveils ‘sharpsichord’

From the BBC:

A self-styled "sound sculptor" is looking for a home for an unusual musical instrument that he has spent almost four years making. Henry Dagg created the pin barrel harp, nicknamed a sharpsichord, at his workshop in Faversham, Kent. Pegs put into one of 11,520 holes on a metal roll push levers which pluck strings to create the music. It was commissioned for a garden in London but Mr Dagg now feels it is too precious to be left outside.

Mark Mosher's AudioCubes in Ableton Live

# In-Depth Review of Percussa AudioCubes in Use with Ableton Live

Mark @ Modulate This! reviews Percussa's AudioCubes in Ableton Live:

Back in November I purchased a set of four Percussa AudioCubes. I've spent quite a bit of time working with them as a an interface to Ableton Live.

In this hands-on review I'll explain what they are, how they work, how I'm using them with Live and also offer some tips along the way.

# Illuminated Sounds » Roland TR-626 Sound Library

From Illuminated Sounds:

Recently I picked up a used Roland TR-626 from ebay. I finally got around to sampling beeps and buzzes that this guy makes. Here is a sound library of all the sounds this drum machine makes. Each sounds has 15 different pitch levels that I label -7 to +7, 0 being the original sample. All the samples were recorded into Pro Tools at 44.1/16 bit. Also I circuit bend the hell out of this thing, so expect future posts with pictures and samples of it glitched out.

SIDstick

# SIDstick – 100,000 chiptunes in your pocket!

The SIDstick is a pocket-sized chiptunes player featuring:

  • Removable Storage supporting microSD cards, 1 card can hold 20,000 songs
  • 20+ hour battery life
  • Super Hi-Quality hardware-based playback at 31kHz sample rate, >16 bit resolution
  • Completely Open, hardware and software are available under the MIT license
  • Upgradable with connections on the board

# Hiphop Orchestra

A generous pack of free samples by Cyberworm:

Acoustic cellos and violins, pianos, ensembles. 54 loops at all. 80-120 bmp, all keys in filename. Good for hiphop and similar styles. Basically it was commercial pack, but I change my mind and release it for free. :) wav format, 24 bit, 44100 hz, stereo, 154 mb

Bleep Labs Nebulophone

# Nebulophone Kit Pre-Order

Now available to pre-order from Bleep Labs:

The Nebulophone is an Arduino based synth with a Stylophone like keyboard. It has adjustable waveforms, a light controlled analog filter, LFO, and arpeggiator that can be clocked over IR.

This is a beginner kit and does not require an Arduino programmer board.

# Free Nebula Power distortion effect

Hnery Olonga shares another effect for Acustica Audio’s Nebula:

Mega distortion is a distortion type effect that adds power and warmth to any instrument or mix. I made it using a unique signal chain. There is a slight levelling that happens as well allowing details buried deeper in the mix to come to the front. This effect is also useful in beefing up thin recordings. Try it on lame drums or a weak piano.

Sampled at 96 khz using Prismsound Orpheus convertors this is a no nonsense – no compromise effect. Ten distortion kernels means that this is a CPU hog so if you don’t have a fast machine – God bless you.

# Multichord Hybrid Musical Instrument, a single-stringed instrument that plays multiple notes via varied tensioning rather than fretting.

Multichord

From the project page:

The Multichord musical instrument is an acoustic stringed instrument with a single string, constructed from wood, a hard drive, 20-lb monofilament, and assorted electronic components. It was the culmination of a project to build an acoustic instrument capable of playing multiple notes without fretting or manual, time-consuming retuning. The Multichord achieves this by attaching a hard drive read/write head assembly between the resonant string and a tensioning spring to adjust the tension of the instrument's string. Careful adjustment was made to the tension of both the string and the spring with the hard drive head in a neutral, unpowered position to ensure a bipolar application of voltage within the safety ratings of the hard drive's coil could cause the string to cover a full musical octave. In the end, the Multichord was tuned to a C-major scale (no flats or sharps) running from A at 220Hz through (but not including) A at 440Hz.

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