Create Digital Music has announced WretchUp, a handheld effect and instrument app for the iPhone.
Developed by Mouse on Mars, it’s easy to learn, but also sophisticated enough that it’s heavily used in their live shows and new albums – on vocals, on drums, with feedback, and more. Now with your help, we want to bring it to everyone as an open source project.
What WretchUp does: WretchUp is inspired by analog hardware effects, translated into something you can hold in your hand. You can use it on drums. You can use it to transform music tracks, or playing with feedback from a speaker. You can just have fun speaking or singing into it. But whatever you do, it’s designed around the handheld. In place of a complex interface, the focus is on a broad range of sound possibilities and quick exploration beneath your fingers. You can concentrate on listening and experimentation, as the app produces a range of sounds, fast.
Why we need your help: We want your help to expand adventurous sound-making on the iPhone and other devices, and get this tool from Mouse on Mars’ studio and stage setup into your hands. And we want to share all our work as an open source project, so other people can learn from how the tool produces sound and make their own creations.
The app already works, but it relies on a now-defunct player app called RjDj, and lacks some features that make it something anyone can use. We want to build a standalone app with a richer set of functionality, and make it easy-to-use for novice and advanced users alike.
The project campaign is looking to raise $5,000 USD by November 28th, 2012. Project contributors can opt to receive the app, exclusive Mouse on Mars tracks and albums, or become an “Exclusive Producer” of the WretchDub app.
Muze is an Arduino instrumentalist who creates melodies that evolve over time.
Muze has a palette of notes that it can in-turn interpret and compose into various rhythms and phrases that are strung together to form something musical. The user can then influence these strings of notes and rhythms to create entirely new compositions. Much like you would a tune a radio to get a new song, Muze can be tuned to provide new and different melodies.
In the interest of keeping Muze from becoming another knob laden techno-fest of an instrument, interaction has been limited to just one input.
On Rainlith, the primitive naturally granular sound of a big rainstick gets explored in real-time by cyber-age sound manipulation tools.
It's an interactive piece in witch the movement of the audience's body activates an electric motor, making a reflex movement on the structure that embraces the instrument.
The sound of the rainstick is captured and processed in realtime, and sent 24 meters above, filling the empty space of a old industrial cereal container. The reverberated acoustic mix is then received back by the audience in the spot right below the opening of the container.
NeuronDrum is a sample based rhythm composer by Poul Vestergaard.
It has 512 audio samples 32MB. Most of the sounds are made for electronica music. All rhythms is made of a neuron based approach with 8 neurons.
The first neuron works as a kind off metronome. All neuron can send impulses to each other. Every neuron has a threshold value. If the threshold is 3 then it will need 4 impuses to fire the sample, and send impulses to other neurons.
Electronic musician, vocalist, and inventor Tim Exile is back; while the Google Doodle today of an interactive Les Paul inspired lots of people to invest some time fiddling and hacking, in Tim’s case, it inspired a whole song. And, to my knowledge, it’s the first time the homepage of Google got its own ode.
Bluebrain's The National Mall will only work within the physical boundaries of the National Mall park in Washington DC. It is a location-specific album and is not intended for use outside of the designated area. Please follow us on Twitter (@bluebrainmusic) to learn more about when a location-aware album might be coming to a location closer to you. While on the Mall, we recommend you quit other applications from the multi-tasking bar on your phone for best performance. If you are having difficulties, force quit or restart your phone. Make sure to quit the app fully once you leave the area to avoid it draining your battery when it isn't being used.
Good people, unfortunately due to circumstances beyond our control, the "clean" version of our new album, The Hot Sauce Committee pt 2 has leaked. So as a hostile and retaliatory measure with great hubris we are making the full explicit aka filthy dirty nasty version available for streaming on our site. We hope this brings much happiness, hugs, and harmony. Enjoy Kikoos for life!
The armies of the earbuds are everywhere, as people – since the dawning of the Walkman – tune out their surroundings. What if, instead, your surroundings became soundtracks? That’s the question posed by a mobile app research project, partnering between New York’s Times Square and a creative team at the Georgia Institute of Technology.
UrbanRemix invites users to capture geo-tagged sounds with a free iOS and Android app, then to string them together into sound compositions on the Web
Codebending is the exploration of software with “patch points.” Patch points expose the inner workings of computer programs, and allow for atypical connections between things like games, music making software, office suites, etc.
Every movie blogger is obligated to devote a post to The Wilhelm Scream AT LEAST once in their lives. And they’re all pretty much the same: A quote from wikipedia, the compilation video on YouTube, and the latest movie they found it in. This post is a little different. Starting last year I started collecting Wilhelm Screams, planning on making a video showing some favorites. That project spiraled out of control, and the result is a (pretty) complete collection.
Max Mathews is best known for his involvement in the debut of digital synthesis, but he contributed much more. His Radio Baton predicted gestural controllers that arrived much later from Nintendo, Sony, and Microsoft, and it may be his code design ideas that outlast even the memory of the computer’s first musical utterances.
Slewpi is a new type of app that lets you create music and synthesized sound and animation by painting on the screen with your fingers.
Slewpi is super easy to use, just paint with your fingers and choose different colors and brushes to change the strokes and sounds. Slewpi records what you do and plays it back in a loop.
Choose different brushes to change the visual style as well as the sound of your strokes in real-time. The different brushes correspond to different synthesizer waveform and vibrato settings allowing you to create new and diverse audio/visual compositions.
Strings of numbers are everywhere in our world, tucked just outside our awareness alongside identifiers like bar codes. Dutch media artist and inventor Leo van der Veen simply plucks that information and brings it to the fore.
A few months ago I published a post on how to make a MIDI Ribbon Controller with Arduino. In the meantime I had a few ideas to improve both hardware and software and also felt the need to change many parameters without having to reprogram every time Arduino. Finally I placed the controller in a case, thanks to Laura who built it. So this is version 2.0 of my MIDI Ribbon Controller, which finally becomes a much more practical tool.
Number stations, making their appearance in the post-war radio landscape, were shortwave radio stations of streams of symbols, mysterious to their listeners and apparently code.
Here, the idea of lost and indecipherable broadcasts inspires a wonderfully-varied collection of reflective artists, in a free, Creative-Commons licensed compilation by PublicSpaces Lab. That Barcelona-based netlabel has been reliably curating some of the smartest, most forward-thinking music collections around. This time, the artists are impressive not only in their output but in their range of backgrounds and extra-musical sources of inspiration.
Instructables user capricorn1 shows how to create your own antique light bulb organ to add nostalgic ambiance to any midi instrument.
12 light bulbs correspond to the 12 notes in an octave (minus the octave note). The rectangular box unfolds to position the light bulbs vertically for display, while at the same time providing a platform for the keyboard in use. Playing a note on the keyboard directly via midi, or through the usb port illuminates the light bulb for a particular key. Releasing the note, releases the key. Pedal presses are also recognized and keep the bulb maintained. The bulbs can be controlled without a computer by using the front mounted midi port, or via computer which allows for remote control via midi or osc messages.
Peter Kirn rounds up some music making tools that take the circular approach.
There’s no reason apart from the printed score to assume music has to be divided into grids laid on rectangles. Even the “piano roll” as a concept began as just that – a roll. Cycles the world around, from a mechanical clock to Indonesian gamelan, can be thought of in circles.
Imagine an alternate universe in which Raymond Scott’s circle machine – a great, mechanical disc capable of sequencing sounds – became the dominant paradigm. We might have circles everywhere, in place of left-to-right timelines now common in media software. Regardless, it’s very likely Scott’s invention inspired Bob Moog’s own modular sequencers; it was almost certainly the young Moog’s exposure to the inventions in Scott’s basement that prompted that inventor to go into the electronic music business, thus setting the course for music technology as we know it.
Get more out of your Launchpad + Ableton combination.
The aurex sequencers for the Novation Launchpad are devices and tools to compose, sequence, alter and remix music within Ableton Live. You don't need M4L / Bome / … to use them, just make sure you have a Launchpad and Live 8.1.3 or higher.
This pack contains a selection of loops perfect for the creation minimal, acid and techno music (Or whatever you want really).
In the pack: 8 303 loops (Square), 8 303 loops (Saw), 8 303 loops (Dist), 8 909 loops, 8 808 loops, 8 Acid bass loops. All the musical parts are in Am and the tempo of all the samples are at 120bpm. All the loops and samples in this pack are free to use in whatever project you want.
Mark Mosher takes Green Oak’s Crystal for a spin on both the desktop and iOS, and shows how to share patches between both synths in a useful “Patch Sharing Step-by-Step”.
These instructions are in an edit of the original instructions at the bottom of this page. Green Oak’s instructions are accurate but assume you know your way around iTunes and Crystal so there are some gotchas. I’ve added some more detailed notes and steps (in red) to help fill in the gaps. Even if you only want to transfer patches from desktop to mobile, I recommend you go through steps 1-3 anyway so you’ll have a bank with the proper name an in the proper format.
Spoon Organ is an instrument that I created to show at the Make Tokyo Meeting 06 this past weekend. The user can play musical tunes simply by touching a row of spoons sitting on a table, with a fork added in for good measure. A microcontroller is used to detect changes in capacitance caused by a finger pressing against the metal, which are then sent to a computer using the MIDI protocol.
Mark Mosher is preparing a holiday gift and you can let him know which synth format has your preference.
The elves at Modulate This are working on a holiday gift for you – a free sound pack! As you know it's a busy time of year for elves, so we need some feedback on where to focus our sound design magic. Ableton Live 8 Livepack format is a given. Also, you can download last year's holiday gift here.
She’s a composer, a sound designer, a performer, and a violinist; she’s recognized as an expert in Ableton Live and has worked with artists ranging from Cirque du Soleil to Kanye West. But now we really get to hear Laura Escudé’s musical vision as a complete picture in her debut album this year, Pororoca. That seemed the perfect time to talk to Laura about her work, particularly as it lies at the intersection of vectors in sound, visuals, and technology that matter so much to so many of us. Laura shares where she sees the music scene going, her own evolution in finding her sound and performance style, and what still lies ahead, and proves – as expected – a fantastic resource for thinking about issues artistic and technological.
Looks like some of Laura’s favorite software instruments are the same as mine, including Rob Papen synths (especially BLUE), Native Instruments Massive and Reaktor, and u-he’s wireless virtual modular Zebra synth.
Jethroe has posted a free Ableton FX rack which will help you get some of those dirty dub sounds.
He also posted a couple of other interesting Ableton related things recently. Wondering how to warp multitrack audio files in Ableton Live? Check here. Also, a variphrasing in Ableton Live step-by-step here.