This pack contains a selection of loops perfect for the creation minimal, acid and techno music (Or whatever you want really).
In the pack: 8 303 loops (Square), 8 303 loops (Saw), 8 303 loops (Dist), 8 909 loops, 8 808 loops, 8 Acid bass loops. All the musical parts are in Am and the tempo of all the samples are at 120bpm. All the loops and samples in this pack are free to use in whatever project you want.
Mark Mosher takes Green Oak’s Crystal for a spin on both the desktop and iOS, and shows how to share patches between both synths in a useful “Patch Sharing Step-by-Step”.
These instructions are in an edit of the original instructions at the bottom of this page. Green Oak’s instructions are accurate but assume you know your way around iTunes and Crystal so there are some gotchas. I’ve added some more detailed notes and steps (in red) to help fill in the gaps. Even if you only want to transfer patches from desktop to mobile, I recommend you go through steps 1-3 anyway so you’ll have a bank with the proper name an in the proper format.
Spoon Organ is an instrument that I created to show at the Make Tokyo Meeting 06 this past weekend. The user can play musical tunes simply by touching a row of spoons sitting on a table, with a fork added in for good measure. A microcontroller is used to detect changes in capacitance caused by a finger pressing against the metal, which are then sent to a computer using the MIDI protocol.
Mark Mosher is preparing a holiday gift and you can let him know which synth format has your preference.
The elves at Modulate This are working on a holiday gift for you – a free sound pack! As you know it's a busy time of year for elves, so we need some feedback on where to focus our sound design magic. Ableton Live 8 Livepack format is a given. Also, you can download last year's holiday gift here.
She’s a composer, a sound designer, a performer, and a violinist; she’s recognized as an expert in Ableton Live and has worked with artists ranging from Cirque du Soleil to Kanye West. But now we really get to hear Laura Escudé’s musical vision as a complete picture in her debut album this year, Pororoca. That seemed the perfect time to talk to Laura about her work, particularly as it lies at the intersection of vectors in sound, visuals, and technology that matter so much to so many of us. Laura shares where she sees the music scene going, her own evolution in finding her sound and performance style, and what still lies ahead, and proves – as expected – a fantastic resource for thinking about issues artistic and technological.
Looks like some of Laura’s favorite software instruments are the same as mine, including Rob Papen synths (especially BLUE), Native Instruments Massive and Reaktor, and u-he’s wireless virtual modular Zebra synth.
Jethroe has posted a free Ableton FX rack which will help you get some of those dirty dub sounds.
He also posted a couple of other interesting Ableton related things recently. Wondering how to warp multitrack audio files in Ableton Live? Check here. Also, a variphrasing in Ableton Live step-by-step here.
Over 25 years later, portions of MIDI introduced early on in the spec remain relevant. And if you want to connect your MIDI-equipped gear to Apple’s iPod touch, iPhone, and iPad mobiles, you will soon have an array of choices.
In iOS 4.2, best known for leveling the playing field between Apple’s handhelds and tablet, you’ll get full-blown MIDI support. It was clear in leaked details from earlier releases that Apple’s Core MIDI framework was finding new life on the mobile OS, but not directly what that would mean for hardware. Now, the hardware picture is clear.
Korg has published a reference schematic for their excellent Monotron analog synth. Folks in the circuit bending community have been hacking this thing since it came out, but now we have a schemo to follow. Yet another tool in the neverending quest for a fat, tasty bassline. r0ck!
Konkreet Performer is a control instrument for live music performance. Its unique and intuitive multi-touch interface reconnects the musician’s actions directly with the music.
Taking full advantage of the possibilities created by the latest multi-touch technology, Konkreet Performer delivers a revolutionary new way to control your DAWs, synthesizers, samplers (anything that receives MIDI/OSC). More than a studio controller, Konkreet Performer has been designed from the ground up to be a superior live performance instrument, bringing the dynamic audio and visual connection between the musician and the audience to the stage.
Konkreet Performer is scheduled for release as an iOS App at the beginning of 2011.
Adobe Audition for Mac, coming in a future release, will bring modern audio post-production to the platform of your choice. Familiar tools for audio editing, multitrack mixing and recording will meet expanded device support, greater workflow flexibility, and optimized performance. Plus, best-of-breed audio restoration tools make it easy to clean up production audio. With the essential tools you rely on for fast-turn projects, Audition for the Mac brings a fresh face to audio post-production.
A public beta of Audition for the Mac is expected for Winter 2010.
Check out this awesomely practical little guitar pick punch. You could buy a huge pile of picks for what it retails for, but then you wouldn't get the satisfaction of creating your own custom picks out of flat pieces of plastic and other pick-worthy scraps you've got laying around.
This past Friday, I posted some samples of a resonant, metallic synth sound I made in Native Instruments FM8. A reader asked if I would post the actual FM8 patch, and I thought, "hey, why not?" As you can hear, the actual patch is a lot more lively and fun to play than the sample. 2 variations are included.
There’s really nothing about this video that isn’t brilliant. Be sure to keep watching for the final line; it’s what I think is a transformative quote about the nature of music production. From Pork Magazine‘s Dick Flash – that outlet is of course better known in the UK than here Stateside. I could say more, but — really, just watch.
Free synth bass Saturday! Just add water! Ok maybe not water, but here are 8 synth bass grooves just waiting for you to add drums, melodies, other parts, etc. Give them a shot, you might find they'll fit into your mix nicely. Or build up something brand new around them! If you make something cool with it, share it with me if possible. No rights reserved on these samples. The number in the track title indicates the BPM.
Amazing collection of live sets collected by +dB. Includes Boards of Canada, Radiohead, DJ Shadow, Flying Lotus, Squarepusher, Jeff Mills, Goldie, Aphex Twin, Autechre, Orb, Amon Tobin… just to name a few!
Peter Kirn takes a more serious look at the Rock Band’s Keytar.
What if a gaping product hole for musicians were filled by a game company instead of a musical instruments company? There’s no need to imagine: pick up the new Rock Band 3 keyboard, and you’ll see what I mean.
Tracker goes online with a Flash based web version.
Skale Tracker is a music tracker developed by Ruben Ramos Salvador (baktery) in the year 1998. The first version was released for Windows, later a Linux version was presented and now a web version is here.
Skale Tracker web version
Brings me right back to my FastTracker 2/GUS days. I feel like pulling up some of my old .xm files and doing some remixes.
Robert Henke of Monolake and one of the creators of Ableton live came through Denver and performed his work "Intersection" on Monday and then delivered a lecture at Denver University on Tuesday. This invitation only event was hosted by The Digital Media Studies program at the University of Denver.<br /> <br /> This was a real treat as this was one of only a small number Robert's performances in the US. Here is a show report.
Strings a fraction of the thickness of a human hair, with microscopic weights to pluck them: researchers and students from the MESA+ Institute for Nanotechnology of the University of Twente have succeeded in constructing the first musical instrument with dimensions measured in mere micrometres – a 'micronium' – that produces audible tones. A composition specially written for the instrument will be performed in Enschede on Sunday 26 September.
"A recent project saw little-scale collaborate with electronic music composer and researcher Poppi Doser. Antia – the resultant eight track EP – is best described as ambient and smooth sonic landscapes, interrupted by harsh and rhythmically complex lo-fi beats.
A work of contradiction, Antia manages to create a convincing merger of various stylistic elements. Poppi provides field recordings, plays piano and sings, and little-scale is on the SEGA Mega Drive and Atari 2600."
Sean Duncan demonstrates how to use Slicex and Edison to extract kicks:
Have you ever wanted to cut a kick drum out of a loop but found it difficult to do so without bringing the other instruments with it? Even if you’re dealing with loops that are drums-only, the vast majority of the kicks in these loops have cymbals and hats playing at the same time.
But there are ways to extract the kicks cleanly, without the hats and cymbals. This tutorial will demonstrate three surprisingly effective techniques, useful for three different situations ranging from simple to difficult.
“Ok, I was fed-up of searching around for decent Hi-Hat and Shaker REX Loops to use in propellerheads Reason, So I put a few together myself.”
This micro-pack contains 20 REX loops; 10 Shaker and 10 Hi-Hat loops.
Brilliant for glitch, electronica, IDM and experimental music. All the loops are completely royalty free and ready to use in your productions. The .REX files will load up perfectly in reasons DR.REX player [Or just about any DAW you could think of].
Machine – a single metaphor which has dictated the imagination of electronic music for decades. One word that has captured the attention of the electronic music makers from the early pioneers to big stars of today. As relevant as ever, we have chosen this term to provide a starting point for the Machine compilation album. With this compilation we have chosen to investigate various aspect of this worn term and bring some new interpretations on the table.
The album consists of 15 magical tracks of contemporary electronic music, crafted by artists from all corners of the world. The tracks and artists are united by the Machine concept, and the loud and proud use of Elektron musical instruments. The love of Elektron instruments has been a primary inspiration behind the album, and what united us in the first place.
Machine is the second compilation crafted by the Elektron-users community, and we hope it will bring as much joy as our first compilation, The 45 Tribute, did.
All proceedings of the album will go to the World Wildlife Foundation.
For some time, I’ve been a champion of Livid Instruments’ controller hardware, because I like the principles behind it. The devices are handmade in Texas using sustainable woods and environmentally-friendly stains, are standards-compliant with open specifications, open source software, and driverless class-compliant operation on Mac, Windows, and Linux, and lend themselves to programmability and customization. They certainly have some of the spirit of the open source monome devices, but for anyone who wished the monome grid also had knobs, faders, and such, and didn’t require weird serial-over-USB drivers, it’s nice that we have Livid, too. This is not by way of advertising Livid, either. I really believe that generally, open configurability and small-batch construction result in hardware that’s more fun to own and use.
But, oh yeah – there’s also the question of what you can actually do with your music using these controllers. With grids, crossfaders, and faders at the ready, the Ohm64 and more compact Block each have plenty of control possibilities. The gang at Livid, and the community of users this niche line has attracted, have been hard at work over the past months inventing new ways of controlling musical and visual applications. Here are a few of the best of those examples.