Results for chiptune

Below are the posts that should have something to do with 'chiptune'.

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Xenos Soundworks releases Videogame Mania for NI Massive

Xenos Soundworks has released Videogame Mania, a soundset for the Massive software synthesizer by Native Instruments.

Videogame Mania is a fine collection of 50 retro chiptune style patches for Native Instruments Massive in both KSD and NMSV file formats. This soundset contains classic SID arps, authentic videogame sound effects, gritty 8-bit basses and quirky leads which fans of such systems as the NES, Commodore64 and others will instantly recognize. Macro Controls have been assigned in each patch for maximum versatility and tweakability.

Videogame Mania is available to purchase for the introductory price of $5.45 USD.

More information: Xenos Soundworks / Videogame Mania

Monster Sounds releases Drumstep & Mutant Bass V1 by Kanji Kinetic

Monster Sounds Drumstep & Mutant Bass V1 by Kanji Kinetic

Monster Sounds has released Drumstep & Mutant Bass V1, a sample library by Kanji Kinetic.

Kanji Kinetic is a guy who has managed to sculpt his own take on the 140bpm mash up game. His first foray into the world of bass and beats came back in 2008 when his debut release was put out by Rag & Bone Records. This saw him grab the attention of Drop The Lime Starkey, Taz Buckfaster, Tayo, Mary Anne Hobbs, B Rich, Chrissy Murderbot, Akira Kiteshi, Reso and DZ with its fresh, energetic mix of bassline, techno, dubstep and chiptune influences.

Continuing to evolve his sound with a wide range of releases and remixes, Kanji’s brutal remix of 16Bit’s dubstep anti-anthem ‘Chainsaw Calligraphy’ brought a new wave of fans into the mutant bass sound along with further remixes for Figure, Roisin Murphy, Mustard Pimp & Alec Empire, Kid606, Rico Tubbs, Si Begg, Drop The Lime, Acid Jacks, Jeuce, Egyptrixx, Mikix The Cat, Temper D and Blackmass Plastics!!! Not a bad portfolio for such a young guy with such a focused vision.

Kanji Kinetic began experimenting with different tempos and genres, most notably drumstep with 2010′s ‘New Era’ EP, while remaining in high demand for live shows all over the globe. In January 2011 he started Mutant Bass Records to bring attention to both established and upcoming artists making this fresh hybrid dance music.

Drumstep & Mutant Bass V1 features

  • 580 MB content, includes 534 samples (24-bit).
  • 250 Loops between 140 – 175 Bpm, plus 284 One Shot Samples.
  • Includes 49 ready to play patches for Halion, Kontakt, EXS, SFZ and Reason NNXT compatible soft samplers.
  • Ableton Live, Apple Loops and Reason Refill versions are also available.

Drumstep & Mutant Bass V1 is available to purchase for £19.95 GBP.

More information: Monster Sounds / Drumstep & Mutant Bass V1

vxxy announces DCM8 chip tune drum machine

Related: , , , , , , , , , Posted in news on Oct 31, 2011 - comment 0 comments
vxxy DCM8

vxxy has announced the production of the DCM8, a dedicated chip tune drum machine.

We announce the production of our first electronic musical instrument the DCM8 Digital Chiptune Drum machine, born from a desire to have chip music sounds in an easy to use studio desk sequencer and live performance package after wearing out our Gameboys with manic button bashing, and also wanting a few other sound styles thrown in for good measure.

DCM8 features

  • 64 Patterns in 8 banks of 8.
  • Selectable 8, 16 or 32 steps per pattern with half, normal and double speed timing scales.
  • Adjustable instrument volume, decay and pitch on per step basis.
  • Dual channel architecture with wide range of retro and unique preset sounds generated by a scripted synthesis engine.
  • 255 digitally synthesized chip sounds, consisting of 223 presets and 32 user generated patches.
  • 8 Levels of live undo on each pattern.
  • 8 Songs with 128 pattern selections.
  • Clear, Copy and Paste 8, 16 or 32 steps between patterns.
  • EEPROM based storage of all patterns and user data, with SYSEX backup.
  • MIDI input and output.

The DCM8 is scheduled for release in early November. A special limited time pre-order price of €349 + delivery, with a choice of white, blue or red LEDs will be available soon.

More information: vxxy / DCM8

de la Mancha releases Basic 64 synthesizer plugin

Related: , , , , , , , Posted in news on Sep 06, 2011 - comment 0 comments

de la Mancha has announced the release of basic 65, a monophonic synth, inspired by the classic 80s home computer, the Commodore 64 and its legendary SID chip.

de la Mancha Basic 65

Building on the waveforms and signal path of this famous chip, basic 65 adds further features and options to take things a step further.

The double arpeggiator allows complex versions of that retro 8-bit game sound and the modulation options inspire experimentation via the mod envelope and 2 comprehensive LFOs. Pulse width modulation, ring modulation and oscillator detune/sync are key ingredients in the signature sound. Throw in some pitch drift, bit drift, a sprinkle of dirt and randomisation and you have a wide range of lofi, chiptune, retro-tastic sounds at your disposal.

This version is the update to the popular basic 64, redesigned from scratch, with many improvements, new features and all new presets. basic 65 was co-developed with sink, who also made the amazing presets.

Basic 65 features

  • Monophonic synth in VST format for Windows based hosts.
  • 3 oscillators with pulse, saw, triangle and noise waveforms.
  • Pulse width can be modulated by envelope or both LFOs [NEW - pwm modulated by envelope].
  • Each oscillator can be sync’d to another and/or ring modulated by another.
  • Each oscillator has its own ADSR envelope and can be routed to filter individually.
  • Resonant filter with low pass, high pass, band pass and notch modes [NEW - notch mode added].
  • 2 tempo-sync Arpeggiators in series for complex arp sounds [NEW - 2nd arp, added arp patterns].
  • Arp tempo, range and note length can be adjusted [NEW - more tempo-sync options, note length knob].
  • Modulation envelope can control pulse width and pitch of individual oscillators as well as filter and dirt [NEW - modulates pwm, cut-off, res, dirt].
  • 2 tempo-sync LFOs with wide range of waveforms, including random [NEW - more waveforms, more tempo-sync options, added phase].
  • Both LFOs can control pulse width and pitch of individual oscillators [NEW - individual oscillator pitch and pwm].
  • One LFO also controls filter and dirt, the other can modulate the depth and speed of the first LFO [NEW - modulates res, dirt and LFO1].
  • Envelopes are non-linear and can be retriggered from zero or smoothed on each new note [NEW - separate smooth for amp and mod envelopes].
  • Pitch drift models instability with variable depth and frequency [NEW - depth and frequency added].
  • Options for 4, 6, 8, 12 or 16 bit audio with randomising feature [NEW - added randomising, added 4 bit and 12 bit].
  • Developed with SE 1.1, so no problems with multiple instances [NEW].
  • 128 presets by sink covering arps, leads, bass, drums and lofi sounds [NEW - all new presets].
  • basic 64 is also included in the download.

Basic 65 for Windows (VST) is available to purchase for $24 USD. A free copy of dirty harry and PULS is included with a purchase until October 7, 2011.

More information: de la Mancha / Basic 65

HyperSynth releases Soundset-01 for SIDizer

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HyperSynth Soundset-01 Bryan Lee Xenos

HyperSynth has released Soundset-01, a soundset for its SIDizer virtual SID chip synthesizer instrument.

Soundset-01 contains 70 brand new presets programmed by Bryan “Xenos” Lee for Hypersynth SIDizer.

The sounds cover Dubstep, House, Dance, Old School, and Chiptune. All patches are equipped with full modwheel parameter assignments allowing you to modify and tweak the sounds easily.

Presets are available in different formats : FXB, FXP and SIZ. (SIDizer version 1.1 is required for all patches to work perfectly)

The Bryan Lee Soundset-01 for SIDizer is available to purchase for $18 USD.

More information: HyperSynth / Soundset-01

Short links for February 16th, 2011

Some interesting things I found recently:

# Visualized: 37 years of Roland synths in one awesome animated GIF

88 Roland synthesizers

Engadget reports on an animated gif which holds a collection of 88 Roland synths:

You know how much we love our vintage MIDI gear, and apparently our friend Ronny from Das Kraftfuttermischwerk is every bit as big a fan as we are. To that end, he's taken Music Radar's recent guide to all-things Roland and turned it into an awesome (and headache-inducing) animated GIF.

Apparently the collection lacks the TR and TB series instruments, otherwise everything the company has produced between 1973 and 2010 should be there.

Check the Das Kraftfuttermischwerk site for the animated gif and a large image with all synths included.

# The Kitten sample pack (analog synth)

gnome at dubstepforum.com writes:

A small sample pack of The Kitten by Octave. This was recorded and compiled by me. I would like to do some more packs with this synth. So please let me know what you think of this curent pack and how it can be improved.

# KVR: new skin (Triple Cheese)

New skin for u-he's freeware Triple Cheese software synthesizer.

u-he Triple Cheese
u-he Triple Cheese in a new skin

Download Triple Cheese for Windows and Mac (VST/AU) from u-he

# 72 New Hacks From Music Hack Day NYC 2011

Synthtopia has a round-up of the 72 hacks fro mthe Music Hack Day NYC, held this weekend in New York, NY.

The events are an opportunity for music geeks to get together and create new hacks, combining music + software + mobile + hardware + art + the web.

# The MC-20 Controller

The MC-20 Controller. Special build for iMS-20 APP from Korg, to use with the iPad.

MC-20 Controller

With iPad Slot to keep the iPad inside the case, and remove it, when ever you want, without opening the case.

# Waveformless: Free Sample Friday: Washer & Dryer

More free samples from Tom Shear:

Today's free samples are various sounds made with a washer & dryer. I slammed lids, dropped coins on it, twisted the knobs, removed the lint trap, and a bunch of other stuff to provide a bunch of metallic percussion sounds or just good fodder for sample manipulation. 8 24-bit, stereo WAVs weighing in at 3.3 MB.

… and some more free samples from Dan303

# Microkorg and Monotron Basslines

Dan writes:

Here's some new samples for all of you music production lovers out there.
It's just a small pack this time but I hope you'll find them usefull.

This pack contains: 10 basslines made by running the Microkorg through the filter on the Korg Monotron. There's a little bit of background noise from the Monotron filter but a little bit of grit never hurt anyone.

# MPC Poster

MPC users rejoice with this lovely poster by Hip Hop Makers.

Hip Hop Makers MPC poster

# C64 LIVE DEMO – SID bassline (commodore cynthcart mssiah prophet64)

Live demo of one of my songs.
Bassline is played by an good old C64 equipped with Cynthcart.
Tune is called "we ain't finished yet" and has been featured on DEAD PIXELS long play.

In 2009 I began experimenting with SID chiptune (built-in sound generator chip of Commodore 64), and Cynthcart to create a blend of original 8bit sound from the 80's and Rock music.

More info at SH Music

Plogue Chipsounds, 8-bit sound chip emulator updated

Related: , , , , , , , , , , , Posted in news on Aug 24, 2010 - comment 0 comments
Plogue Chipsounds

Plogue has released version 1.5 of Chipsounds, a virtual synthesizer which authentically emulates vintage 8bit-era sound chips.

The most advanced 8-bit sound chip emulator is doing even more to save endangered sound chip species!

In addition to having a totally new Interface and improved sound authenticity, Plogue is saving 3 new sound chips from extinction and adds many additional features.

Changes in Chipsounds v1.5

  • Totally different skin (fits on all monitors and ebooks).
  • Current mixer strip is always available.
  • You can now enter some values using keyboard.
  • New Amplitude LFO added.
  • Two asignable drawable user LFOS.
  • New: uPD1771C (as used in the Super Cassette Vision).
  • New: uPD65010G (as used in the PV-1000).
  • New: M5232 (as used in the Poly-800).
  • DMG-01′s wave channel now has extra phase modulation (Pmode) and vertical offset (VPOS) settings.
  • Added new MIDI Delay Module.
  • Added Swing to Arpeggiator.

Chipsounds is available to purchase an instrument plug-in for PC and Mac (VST/AU/RTAS) for $95 USD.

More information: Plogue / Chipsounds

Short links for July 28th, 2010

Some interesting things I found recently:

# Nerdle Theremin Video

Wayne and Layne:

One of the unique features of the Nerdle kit is the use of touch-sensitive capacitive-sense buttons, made from copper foil pads inside the case. While meeting with the camp directors to prepare these activities, we decided to try linking the raw information from the capacitive sensors to the on-board piezo speaker.

We added two lines of code, uploaded, and jaws dropped. It sounded like the computers of the future were supposed to sound.

# Deep Synthesis Made Free, Easy: QuteCsound

Peter Kirn at Create Digital Music writes:

In this guest column, we turn to veteran synthesist and music tech expert Jim Aikin. When Jim wants to do digital synthesis, one of the tools to which he turns is a veritable favorite with a direct-line legacy to the beginnings of computer sound. That doesn’t mean Csound hasn’t kept with the times, though, or that it has to be unfriendly. If you’ve been looking for a way to dive into sound and code, this could be an ideal path.

# The Chipophone

The Chipophone is a homemade 8-bit synthesizer, especially suited for live chiptune playing. It has been built inside an old electronic organ.

All the original tone-generating parts have been disconnected, and the keys, pedals, knobs and switches rerouted to a microcontroller which transforms them into MIDI signals. Those are then parsed by a second microcontroller, which acts as a synthesizer.

# Interview: Jordan Rudess and Morphwiz

From Sonic State:

The Morphwiz app from Jordan Rudess takes the concept of the Hakan Continuum – which Jordan was also involved with, and applies it to the touchscreen of the iPhone/iPad to create a totally new instrument, while adding some trippy visuals, effects and a healthy synth engine. Dream Theatre are currently on tour with Iron Maiden in the US, we caught up with Jordan the morning after the night before at his hotel while on the road. He gives us an insight into the features and thinking behind the app.

# :: soundcloud dj player 1.0 beta

Musikame has a beta of the souncloud dj player, the easiest way to dj your soundcloud tracks, allowing you to mix tracks from SoundCloud.

musikame soundcloud dj player
The soundcloud dj player includes various controls like pitch control, dj fx, looping, etc.

At this stage all the mixing is done automatically by the app itself: the user just picks the tracks and the length of the crossfade between them. While it's not actually possible to beat-match tracks as yet, the software does have pitch control with adjustable range, FX, looping and reverse capabilities, hinting at more advanced functionality in the future.

via MusicRadar

# Resistor EP – Some Numbers…

Chris Randall shares details on the number of plays and sales of his latest Micronaut EP "Resistor", which was released as a pay-what-you-like download.

As promised, here's some initial numbers for Resistor, the EP I put out on Bandcamp last week. (If you're just joining us, scroll back a couple posts for the full skinny.)

# NXT-606 LEGO Drum Machine

A new video from Peter Cocteau’s 8bits Sample Based LEGO Drum Machine.

Liine Griid

# CDM: Griid, iPad Ableton Controller

Create Digital Music has some exclusive photos of Griid, the controller for iPad that offers four fluid ways to navigate clips in your Ableton Live set.

Peter Kirn writes:

The developers of Griid, the Ableton Live controller on iPad created in association with Richie Hawtin, have shared photos and screen captures early with CDM to give us a look at the upcoming app. Just over a decade after its original inception, Ableton Live itself remains a ground-breaking user interface design. Love it or hate it, it’s a benchmark in thinking about how music apps might look.

Griid is compelling in part because it re-imagines how that central Session View and clip launching might work, now in the context of a touch tablet. Personally, I like the results. As on the Lemur, bold, saturated colors and contrast on a black background are central, of course. It’s also nice to see extraneous visual information removed. And for anyone with epic-sized sets of clips in Live, you’ll like the massive overview.