vxxy has announced the production of the DCM8, a dedicated chip tune drum machine.
We announce the production of our first electronic musical instrument the DCM8 Digital Chiptune Drum machine, born from a desire to have chip music sounds in an easy to use studio desk sequencer and live performance package after wearing out our Gameboys with manic button bashing, and also wanting a few other sound styles thrown in for good measure.
64 Patterns in 8 banks of 8.
Selectable 8, 16 or 32 steps per pattern with half, normal and double speed timing scales.
Adjustable instrument volume, decay and pitch on per step basis.
Dual channel architecture with wide range of retro and unique preset sounds generated by a scripted synthesis engine.
255 digitally synthesized chip sounds, consisting of 223 presets and 32 user generated patches.
8 Levels of live undo on each pattern.
8 Songs with 128 pattern selections.
Clear, Copy and Paste 8, 16 or 32 steps between patterns.
EEPROM based storage of all patterns and user data, with SYSEX backup.
MIDI input and output.
The DCM8 is scheduled for release in early November. A special limited time pre-order price of €349 + delivery, with a choice of white, blue or red LEDs will be available soon.
de la Mancha has announced the release of basic 65, a monophonic synth, inspired by the classic 80s home computer, the Commodore 64 and its legendary SID chip.
Building on the waveforms and signal path of this famous chip, basic 65 adds further features and options to take things a step further.
The double arpeggiator allows complex versions of that retro 8-bit game sound and the modulation options inspire experimentation via the mod envelope and 2 comprehensive LFOs. Pulse width modulation, ring modulation and oscillator detune/sync are key ingredients in the signature sound. Throw in some pitch drift, bit drift, a sprinkle of dirt and randomisation and you have a wide range of lofi, chiptune, retro-tastic sounds at your disposal.
This version is the update to the popular basic 64, redesigned from scratch, with many improvements, new features and all new presets. basic 65 was co-developed with sink, who also made the amazing presets.
Basic 65 features
Monophonic synth in VST format for Windows based hosts.
3 oscillators with pulse, saw, triangle and noise waveforms.
Pulse width can be modulated by envelope or both LFOs [NEW - pwm modulated by envelope].
Each oscillator can be sync’d to another and/or ring modulated by another.
Each oscillator has its own ADSR envelope and can be routed to filter individually.
Resonant filter with low pass, high pass, band pass and notch modes [NEW - notch mode added].
2 tempo-sync Arpeggiators in series for complex arp sounds [NEW - 2nd arp, added arp patterns].
Arp tempo, range and note length can be adjusted [NEW - more tempo-sync options, note length knob].
Modulation envelope can control pulse width and pitch of individual oscillators as well as filter and dirt [NEW - modulates pwm, cut-off, res, dirt].
2 tempo-sync LFOs with wide range of waveforms, including random [NEW - more waveforms, more tempo-sync options, added phase].
Both LFOs can control pulse width and pitch of individual oscillators [NEW - individual oscillator pitch and pwm].
One LFO also controls filter and dirt, the other can modulate the depth and speed of the first LFO [NEW - modulates res, dirt and LFO1].
Envelopes are non-linear and can be retriggered from zero or smoothed on each new note [NEW - separate smooth for amp and mod envelopes].
Pitch drift models instability with variable depth and frequency [NEW - depth and frequency added].
Options for 4, 6, 8, 12 or 16 bit audio with randomising feature [NEW - added randomising, added 4 bit and 12 bit].
Developed with SE 1.1, so no problems with multiple instances [NEW].
128 presets by sink covering arps, leads, bass, drums and lofi sounds [NEW - all new presets].
basic 64 is also included in the download.
Basic 65 for Windows (VST) is available to purchase for $24 USD. A free copy of dirty harry and PULS is included with a purchase until October 7, 2011.
Engadget reports on an animated gif which holds a collection of 88 Roland synths:
You know how much we love our vintage MIDI gear, and apparently our friend Ronny from Das Kraftfuttermischwerk is every bit as big a fan as we are. To that end, he's taken Music Radar's recent guide to all-things Roland and turned it into an awesome (and headache-inducing) animated GIF.
Apparently the collection lacks the TR and TB series instruments, otherwise everything the company has produced between 1973 and 2010 should be there.
A small sample pack of The Kitten by Octave. This was recorded and compiled by me. I would like to do some more packs with this synth. So please let me know what you think of this curent pack and how it can be improved.
Today's free samples are various sounds made with a washer & dryer. I slammed lids, dropped coins on it, twisted the knobs, removed the lint trap, and a bunch of other stuff to provide a bunch of metallic percussion sounds or just good fodder for sample manipulation. 8 24-bit, stereo WAVs weighing in at 3.3 MB.
Here's some new samples for all of you music production lovers out there.
It's just a small pack this time but I hope you'll find them usefull.
This pack contains: 10 basslines made by running the Microkorg through the filter on the Korg Monotron. There's a little bit of background noise from the Monotron filter but a little bit of grit never hurt anyone.
One of the unique features of the Nerdle kit is the use of touch-sensitive capacitive-sense buttons, made from copper foil pads inside the case. While meeting with the camp directors to prepare these activities, we decided to try linking the raw information from the capacitive sensors to the on-board piezo speaker.
We added two lines of code, uploaded, and jaws dropped. It sounded like the computers of the future were supposed to sound.
In this guest column, we turn to veteran synthesist and music tech expert Jim Aikin. When Jim wants to do digital synthesis, one of the tools to which he turns is a veritable favorite with a direct-line legacy to the beginnings of computer sound. That doesn’t mean Csound hasn’t kept with the times, though, or that it has to be unfriendly. If you’ve been looking for a way to dive into sound and code, this could be an ideal path.
The Chipophone is a homemade 8-bit synthesizer, especially suited for live chiptune playing. It has been built inside an old electronic organ.
All the original tone-generating parts have been disconnected, and the keys, pedals, knobs and switches rerouted to a microcontroller which transforms them into MIDI signals. Those are then parsed by a second microcontroller, which acts as a synthesizer.
The Morphwiz app from Jordan Rudess takes the concept of the Hakan Continuum – which Jordan was also involved with, and applies it to the touchscreen of the iPhone/iPad to create a totally new instrument, while adding some trippy visuals, effects and a healthy synth engine. Dream Theatre are currently on tour with Iron Maiden in the US, we caught up with Jordan the morning after the night before at his hotel while on the road. He gives us an insight into the features and thinking behind the app.
Musikame has a beta of the souncloud dj player, the easiest way to dj your soundcloud tracks, allowing you to mix tracks from SoundCloud.
The soundcloud dj player includes various controls like pitch control, dj fx, looping, etc.
At this stage all the mixing is done automatically by the app itself: the user just picks the tracks and the length of the crossfade between them. While it's not actually possible to beat-match tracks as yet, the software does have pitch control with adjustable range, FX, looping and reverse capabilities, hinting at more advanced functionality in the future.
Create Digital Music has some exclusive photos of Griid, the controller for iPad that offers four fluid ways to navigate clips in your Ableton Live set.
Peter Kirn writes:
The developers of Griid, the Ableton Live controller on iPad created in association with Richie Hawtin, have shared photos and screen captures early with CDM to give us a look at the upcoming app. Just over a decade after its original inception, Ableton Live itself remains a ground-breaking user interface design. Love it or hate it, it’s a benchmark in thinking about how music apps might look.
Griid is compelling in part because it re-imagines how that central Session View and clip launching might work, now in the context of a touch tablet. Personally, I like the results. As on the Lemur, bold, saturated colors and contrast on a black background are central, of course. It’s also nice to see extraneous visual information removed. And for anyone with epic-sized sets of clips in Live, you’ll like the massive overview.
A closer look at the OP-1 portable synthesizer and controller (no release date yet though).
Last week, Ihavesynth.com got the chance to meet up with Teenage Engineering to get a closer look at the OP-1 synthesizer/sampler/controller/you-name-it. Teenage Engineering revealed their eye-catching OP-1 at Musikmesse in 2009 and the hype around the synthesizer has been massive, even though it is not yet released. We have posted about the OP-1 before and offcourse we are as curious about the OP-1 as the rest of the world seems to be.
Teenage Engineering is a great gang of 7 tech guys in a white painted garage filled with wonderful stuff like computers, synthesizers, all sorts of tech gear, an electronics shop, 3D printers, bikes, mopeds and a little dog which you can hear in the interview. The Teenage Engineering crew has experience from a lot of different areas, like the gaming industry, programming, electronic music – and it all comes together in their cozy garage.My mate Bjorn had a chat with David at Teenage Engineering, check it out in this clip.
One of my favorite hacks at last weekend’s Music Hack Day is Tristan’s Swinger. The Swinger is a bit of python code that takes any song and makes it swing. It does this be taking each beat and time-stretching the first half of each beat while time-shrinking the second half. It has quite a magical effect.
This project demonstrates how to use the Xbox Rock Band Stage Kit with Micro framework using GHI's USB Host feature….no Xbox is necessary!
This kit uses USB and it has special requests to set the strobe speed, LEDs and fog. But no worries! This still works with GHI NETMF devices. We use USB host on a low level using USBH Raw Device. This allows us to control the Stage kit as we like! It is actually easy if you know how USB works.
Tom Shear is back with another pack of free samples:
Today's selection is what used to be one of my favorite bass sounds I'd programmed for my old SQ-80 back in the day. It's very digital sounding and can add a nice bite to other bass sounds when layered. (The name of the patch was inspired by the liner notes of a Shriekback album that listed not only the gear used, but the name of the synth patches they used which pleased the hell out of me for some reason…)
The download includes 8 mono 24-bit/44.1k WAV samples of the C and G keys for 4 octaves.
Diego Stocco @ Soundcloud: In the past months I've been working on some new tracks with my Experibass. Since I built it, I discovered many new ways of interacting with it
Take a look at this gallery to know more about the Experibass: http://www.behance.net/Gallery/Experibass/312989
David M. just sent us useful information on how to add internal pitch controls for both Kaossilator and the Kaoss Pad, below are his words of wisdom…
After reading about the GetLoFi Tutorial for 1799 oscillator circuit mod on the KORG Mini KP/KO and with a few of the LTC Modules on hand I decided to give it a go on a brand new Kaossilator. The conversion took about 45 minutes to do, but the results just blew me away. A real transformer for this instrument.
The Creators Project event series—a roving global celebration—launches this summer on June 26, when The Creators rolls into 80,000-square-feet of display and performance space honeycombed throughout the legendary Milk Studios in New York’s Meatpacking District.
The event is going to be a groundbreaking combination of interactive art and installations, panels, workshops, screenings, and live performances. As much as The Creators Project is a digital archive of our digital world, it is also a testament to the enduring appeal of the Real. Many of the artists within the program explore the way that digitally manipulated images, sounds, and motions converge in real time, in real spaces.