Results for Create Digital Music

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MeeBlip anode bass synth launched – Pre-order available

MeeBlip anode

Create Digital Music has introduced the MeeBlip anode, a compact synthesizer that combines an analog filter with unique digital sound sources.

The all-new MeeBlip anode is part analog, part digital, capable of producing a range of uniquely aggressive, bass-heavy sounds. And inspired by the best classic synths of the past, getting your hands on that sound is always simple, direct, and intuitive. Simply plug in a keyboard, computer, iPad (via adapter), or controller via the MIDI port to play notes. Then, adjust sounds via knobs and switches – you don’t need to navigate a single menu.

Its digital side reproduces the sound and architecture of classic synthesizers, but with an emphasis on adding personality, especially in the low end. Its all-new analog filter with resonance can range from smooth to raunchy – perfect for shaping sound or making squelchy basslines.

MeeBlip anode features

  • Unique 8-bit oscillators meet an original analog filter.
  • Compact, 4” x 4” case (approx. 100 x 100 mm).
  • Modulation, envelope, tuning, and pulse width controls.
  • Open source hardware, but fully-assembled and ready to play.
  • MIDI input for compatibility with vintage and modern hardware, computers, and (with a compatible adapter) iPad and iPhone.

The MeeBlip anode is available to pre-order for $129.95 USD / 129.95 EUR / £109.95 GBP. They are built to order (ships within 7 weeks).

More information: MeeBlip

Mouse on Mars and Create Digital Music team up for WretchUp instrument for iPhone


Create Digital Music has announced WretchUp, a handheld effect and instrument app for the iPhone.

Developed by Mouse on Mars, it’s easy to learn, but also sophisticated enough that it’s heavily used in their live shows and new albums – on vocals, on drums, with feedback, and more. Now with your help, we want to bring it to everyone as an open source project.

What WretchUp does: WretchUp is inspired by analog hardware effects, translated into something you can hold in your hand. You can use it on drums. You can use it to transform music tracks, or playing with feedback from a speaker. You can just have fun speaking or singing into it. But whatever you do, it’s designed around the handheld. In place of a complex interface, the focus is on a broad range of sound possibilities and quick exploration beneath your fingers. You can concentrate on listening and experimentation, as the app produces a range of sounds, fast.

Why we need your help: We want your help to expand adventurous sound-making on the iPhone and other devices, and get this tool from Mouse on Mars’ studio and stage setup into your hands. And we want to share all our work as an open source project, so other people can learn from how the tool produces sound and make their own creations.

The app already works, but it relies on a now-defunct player app called RjDj, and lacks some features that make it something anyone can use. We want to build a standalone app with a richer set of functionality, and make it easy-to-use for novice and advanced users alike.

The project campaign is looking to raise $5,000 USD by November 28th, 2012. Project contributors can opt to receive the app, exclusive Mouse on Mars tracks and albums, or become an “Exclusive Producer” of the WretchDub app.

More information: Create Digital Music / WretchUp

Create Digital Music launches Meeblip SE open source synthesizer

Create Digital Music has announced the MeeBlip SE, an updated version of the hackable digital synthesizer in collaboration with Reflex Audio.

Today, at last, we’re building and shipping MeeBlip SE. Whatever the “SE” stands for – seconda edizione, or a meaning of your own choosing – the MeeBlip SE is the original MeeBlip, but better.

Building on the first version of our open source synthesizer, we’ve worked with feedback from users to make the MeeBlip more usable and more sonically versatile.

Meeblip SE
Meeblip SE monophonic virtual analog synth: better, easier-to-use, MIDI-controllable

Changes in Meeblip SE

  • A more intuitive, playable control layout.
  • Patch storage, save and recall up to 16 patches.
  • Variable pulse width to adjust the timbre of the first oscillator.
    A “pwm sweep” switch enables automated PWM envelope.
  • Anti-aliasing option for more pristine anti-aliased waveforms (or turn it off for other timbral effects).
  • Controllable MIDI parameters for all switches and knobs.
    Use a tracker or sequencer to program detailed MeeBlip sounds.

The Meeblip SE is available to purchase for the introductory price of $139.95 USD (Quick Build kit) / $119.95 USD (Build Everything kit). Regular prices $149.95 / $129.95 USD.

More information: Meeblip

tkrworks PICratchBOX 2-channel DJ mixer + pad controller

Related: , , , , , , , , , Posted in news on Oct 13, 2011 - comment 0 comments

tkrworks has introduced the PICratchBOX, a 2-channel DJ mixer and pad controller.

The PICratchBOX is scheduled for release later this year.

More information: tkrworks (via Create Digital Music)

Short links for July 12th, 2011

Some interesting things I found recently:


An interactive architectural mapping.
Fete des Lumieres / Lyon / France / 2010

A mapping by 1024 Architecture, projected on the facade of former Lyrical theater the “Celestins”. The building deformations and figures were controlled by the audience, using a microphone and an audio analysis algorythm.

More info at and

# Dan303: Tenori-On iPad app review

Dan Weatherall on the TNR-i for iOS:

Yamaha TNR-i

The official Tenori on iOS app enter the app store the other week but at £12 I was a little hesitant to buy it. After a little thought and a bit of googling I decided it was indeed worth the price.

The cheapest hardware Tenori-On (the TNR-O) is roughly £500 where as the current price of the iPad 2 is £499 (cheapest wifi only model) so considering that both the devices are pretty much exactly the same price (and I already own an iPad) it makes sence to get the iOS version.

# Thumbs Up for Madrona Labs AALTO Software Synthesizer (Modulate This! – A Blog for Electronic Music Artists)

Madrona Labs Aalto

Mark Mosher shares some info on the Aalto semi-modular software synth.

Peter Kirn over at Create Digital Music did a post on a new synth by Madrona Labs last month. Even though I wasn’t in the market for a new synth right now I ended up buying this Aalto within an hour or so of downloading the demo so I wanted to pass this along and help promote Madrona’s great work. At $99 this is an incredible value.

# From the Trenches of the Loudness Wars, A Broad Survey of Research
Peter Kirn writes:

You’ve heard the gripes, and heard and seen the somewhat unscientific demos. Now it’s time to examine the over-compression of music with – science! Earl Vickers of STMicroelectronics examines the Loudness Wars in an academic paper, as noted to us by reader photohounds.

# Flickr: LEGO Album Covers via wire to the ear

Flickr LEGO Album Covers

# little-scale: Tau Percussion Sample Pack

Sebastian Tomczak has posted a nice free sample pack.

I made a small set of percussion samples using a waveform generated from the first 614 digits of 2π. Download it here:

# Talking About The Upcoming Sound Packs With Elliott Fienberg

Nick of Nick’s Tutorials:

Elliot Fienberg aka MrTunes

I just finished recording a really enjoyable conversation with Elliott Fienberg, the man behind the Wobble Tech Radio podcast.

We chatted about some recording industry news and talked a bit about my upcoming Ableton Live packs that I’ll start releasing in the next month or so.

Check out the recording here, and be sure to check out Elliott’s other episodes:

# Dan303: Analog acid/minimal bass stabs (multisample)

More free samples from Dan303:

These multi samples were taken from my FreeBass FB383 bassline synth. It’s a rackmount analog bass synthesizer (clone of the Roland TB303).

Rockit 8-bit Synth Kit

# Open-Source Rockit 8-bit Synth Kit Coming

Peter at Create Digital Music:
Chicago-based hacker and synthesist Matt Heins is working on an open source synth kit. As a co-creator of the MeeBlip open source-synth hardware, I’m biased — I want more open synth hardware! So this is looking like some great company. The instrument is 8-bit, with analog filter circuitry, coded in C.

Short links for June 17th, 2011

Some interesting things I found recently:

# Muze by Joshua Maruska and Adam Kumpf

Muze is an Arduino instrumentalist who creates melodies that evolve over time.

Muze has a palette of notes that it can in-turn interpret and compose into various rhythms and phrases that are strung together to form something musical. The user can then influence these strings of notes and rhythms to create entirely new compositions. Much like you would a tune a radio to get a new song, Muze can be tuned to provide new and different melodies.

In the interest of keeping Muze from becoming another knob laden techno-fest of an instrument, interaction has been limited to just one input.

# The Stretta Procedure: vcvi maxforlive

Matthew Davidson’s vcvi is a suite of maxforlive devices to control your modular synth with a dc coupled audio interface.

# Rainlith 2 – Kinectic sound art piece via CDM

On Rainlith, the primitive naturally granular sound of a big rainstick gets explored in real-time by cyber-age sound manipulation tools.

It's an interactive piece in witch the movement of the audience's body activates an electric motor, making a reflex movement on the structure that embraces the instrument.
The sound of the rainstick is captured and processed in realtime, and sent 24 meters above, filling the empty space of a old industrial cereal container. The reverberated acoustic mix is then received back by the audience in the spot right below the opening of the container.

Poul Vestergaard Neuron

# NeuronDrum for Reaktor

NeuronDrum is a sample based rhythm composer by Poul Vestergaard.

It has 512 audio samples 32MB. Most of the sounds are made for electronica music. All rhythms is made of a neuron based approach with 8 neurons.

The first neuron works as a kind off metronome. All neuron can send impulses to each other. Every neuron has a threshold value. If the threshold is 3 then it will need 4 impuses to fire the sample, and send impulses to other neurons.

# Les Paul Google Doodle Gives Us… Google Homepage, The Song, by Tim Exile

Peter Kirn writes:

Electronic musician, vocalist, and inventor Tim Exile is back; while the Google Doodle today of an interactive Les Paul inspired lots of people to invest some time fiddling and hacking, in Tim’s case, it inspired a whole song. And, to my knowledge, it’s the first time the homepage of Google got its own ode.

# [namethemachine]_Kinect_2011,05,24

Matt Davis hacks a Kinect using OpenNI & Max/MSP. With it mapped to Ableton live and Henry Strange's MIDI to DMX Laser Control System, Matt demonstrates this fun a/v control system.

# Amon Tobin : ISAM Live : Mutek Premiere (Official)

A quick wrap up of the debut of Amon Tobin's ambitious 'ISAM' Live show which launched itself to the public on June 1st as part of Montreal's Mutek Festival.

Bluebrain The National Mall

# bluebrain | THE NATIONAL MALL

Bluebrain's The National Mall will only work within the physical boundaries of the National Mall park in Washington DC. It is a location-specific album and is not intended for use outside of the designated area. Please follow us on Twitter (@bluebrainmusic) to learn more about when a location-aware album might be coming to a location closer to you. While on the Mall, we recommend you quit other applications from the multi-tasking bar on your phone for best performance. If you are having difficulties, force quit or restart your phone. Make sure to quit the app fully once you leave the area to avoid it draining your battery when it isn't being used.

Short links for May 30th, 2011

Some interesting things I found recently:

# Hey You! What Song are you Listening to?

Asking random New Yorkers with headphones on what song they are listening to.


OUTLOUD.FM lets you create rooms where you can chat and listen to music with your friends with a real time collaborative playlist. Just sign in, pick a room name, and start uploading music!

# STACKED by Royal Sapien – 300+ tracks mixed into one hour of electronic music soundtrack


# End of Train Device, New Album from Your Editor, and an Experiment in Releasing Music

Peter Kirn writes:

Yes, I create digital music, too. One of the things I’ve loved about CDM is the chance to share music making, from the construction of the tools to the production of performances and recordings. If that’s all we ever get out of music – getting to share with someone else – that’s already more than enough for me.

This week I’ve released my own End of Train Device, a full-length ambient / leftfield electronic album.

Namm Oddities 2011

# NAMM Oddities 2011

Barry Wood is back with another selection of interesting products showcased at the NAMM show.

Welcome to the 2011 edition of the NAMM Oddities …finally

This year the show went smoothly but due to a perfect storm created by of a pile of work (the paying variety), local politics, and the writing of my first now published book, the Oddities were nearly 4 months late.

There was no shortage of Oddities-worthy items at the show this year. Even though this is probably the last NAMM report to go online, I'm certain that there are a number of products that will see their press debut on these pages.

# Massive Subwoofer Chair

Still not satisfied with the bass of the average chair? If so, check out this insane 1000 Watt Subwoofer Chair from Canadian designer John Greg Ball.

# Vinyl Poised to Make Further Gains; Time To Ask, “What Does it All Mean”?

Photo by Karola Riegler Photography

At first, it seemed like it might be just a blip: amidst generally declining sales of physical music, down sharply from their 1990s boom, vinyl sales were trending up. The reversal started with a slight uptick in 2007 – already noticeable as the CD had begun its collapse. That slight uptick has turned into a small boom. From a tiny 300,000 units in US sales in 1993, the vinyl record is projected to do some 3.6 million units in sales.

# Dan303: New Sample Pack ‘Toys’

Dan has posted another free sample pack: “The sounds in this sample pack are made to replicate the sound of old broken children’s toys.”

# The Radiumphonic Workshop « Radium Audio Labs

Radium is inviting you to have a look behind the scenes at the Radiumphonic Workshop. In the video below we delve under the bonnet of Radium to have a look at what makes it all tick – the sound lab operated by the fine team at Radium. It demonstrates a rare glimpse of how we work, as well as showing off some of the machines, technology, people and creative approaches we use to manipulate sound!

# Design to Address Visual Performance in Music, Explained by a Giant Robot Face

Computing technology is an inherently disruptive thing, wonderfully so. It solves problems you didn’t know you had. It creates problems, then creates new problems in even trying to understand those problems. Simply using a computer is a kind of design statement.

You’ve seen questions about what happens with computer performance and audience interaction. But, in AMALGAM, design student Jacob Lysgaard asks those questions, and proposes solutions, in a new way: with a giant talking robot face.

Short links for April 1st, 2011

Some interesting things I found recently:

# AnalogTelePhonographer

Christopher Locke made an Analog Tele-Phonographer, a sound amplifier for his cell phone/portable music player.

I made it from a broken trumpet and a fistful of scrap metal. The unit uses no external power or batteries, has no moving parts, and is entirely self-contained.

More info: Heartless Machine

# Music from Numbers: An Eclectic, Free (CC) Compilation of Numbers Station-Inspired Tracks

Peter Kirn writes:

Number Stations Part 2

Number stations, making their appearance in the post-war radio landscape, were shortwave radio stations of streams of symbols, mysterious to their listeners and apparently code.

Here, the idea of lost and indecipherable broadcasts inspires a wonderfully-varied collection of reflective artists, in a free, Creative-Commons licensed compilation by PublicSpaces Lab. That Barcelona-based netlabel has been reliably curating some of the smartest, most forward-thinking music collections around. This time, the artists are impressive not only in their output but in their range of backgrounds and extra-musical sources of inspiration.

# Antique Light Bulb Organ – MIDI/OSC Controlled

Instructables user capricorn1 shows how to create your own antique light bulb organ to add nostalgic ambiance to any midi instrument.

Antique Light Bulb Organ

12 light bulbs correspond to the 12 notes in an octave (minus the octave note). The rectangular box unfolds to position the light bulbs vertically for display, while at the same time providing a platform for the keyboard in use. Playing a note on the keyboard directly via midi, or through the usb port illuminates the light bulb for a particular key. Releasing the note, releases the key. Pedal presses are also recognized and keep the bulb maintained. The bulbs can be controlled without a computer by using the front mounted midi port, or via computer which allows for remote control via midi or osc messages.

# Dan303: Free hand played percussion loops

Dan Weatherall has posted a new sample pack featuring 10 hand played percussion loops in .wav format.

I'm not saying I'm the best percussionist in the world but I played these percussion loops myself.
These loops are an ideal way to give your track a little bit of human feeling.

All loops are played at 120 bpm.

# Circles and Euclidian Rhythms: Off the Grid, a Few Music Makers That Go Round and Round

Peter Kirn rounds up some music making tools that take the circular approach.

Create Digital Music

There’s no reason apart from the printed score to assume music has to be divided into grids laid on rectangles. Even the “piano roll” as a concept began as just that – a roll. Cycles the world around, from a mechanical clock to Indonesian gamelan, can be thought of in circles.

Imagine an alternate universe in which Raymond Scott’s circle machine – a great, mechanical disc capable of sequencing sounds – became the dominant paradigm. We might have circles everywhere, in place of left-to-right timelines now common in media software. Regardless, it’s very likely Scott’s invention inspired Bob Moog’s own modular sequencers; it was almost certainly the young Moog’s exposure to the inventions in Scott’s basement that prompted that inventor to go into the electronic music business, thus setting the course for music technology as we know it.

# aurex › Launchpad Sequencers

Get more out of your Launchpad + Ableton combination.

The aurex sequencers for the Novation Launchpad are devices and tools to compose, sequence, alter and remix music within Ableton Live. You don't need M4L / Bome / … to use them, just make sure you have a Launchpad and Live 8.1.3 or higher.

# Cry Baby: The Pedal That Rocks The World on Vimeo

Cry Baby: The Pedal That Rocks The World tells the story of the wah wah effect pedal, from its invention in 1966 to the present day.

# Waveformless: Free Sample Friday

Some recent goodies Tom posted about on his blog:

  • Korg Radias samples from Waveformless reader Psyche Poppet.
  • A small selection of free one shot samples from Studio Wormbone’ Animal Robotix release is available from Producer Loops.
  • Alchemy Snares 02: ten snare sounds built, destroyed, mangled, and layered in Camel Audio’s Alchemy.