Adventure Kid has released AKWF Waveforms, a free collection of single cycle waveform samples.
I have been making and collecting one cycle waveforms for years. They have been one of my best weapons to use when making sounds. If you have a wavetable synthesizer that can load single cycle waveforms you might find them useful as well.
If you are familiar with basic subtractive synthesizers you probably know the saw, square, sinus and triangle shape that are the most common shapes a oscillator can produce pretty well. Single cycle waveforms are tiny audio files (.wave) that a synthesizer can read to use as oscillator shapes. What it means is new sounds. Some kind of grey area between sampling and synthesis. A raw waveform is very rarely what makes a whole sound but you can see it as presets for oscillators. Happy sound designing!
This kind of technique is also called Wavetable synthesis if the oscillator switches waveform.
The AKWF Waveforms collection is available as a free download (Creative Commons Attribution 3.0 Unported License).
SoundCloud gets advanced search, browse by tag, and Creative Commons integration.
Choice is good, right? We just love that we can pick our favorite ice cream flavor or favorite color for a new shirt. When it comes to audio creation, it’s even better when your choice creates more choice for others.
Today, SoundCloud is opening up a bit more to allow you to find and share more sounds to use and reuse. With new search and discovery features for Creative Commons tracks, your creations can go much further. More options give you more freedom over your audio content on the web. It helps expose your work and find people to collaborate with that you perhaps wouldn’t normally find. We’re excited about this update and we hope you are too. We say “New features!” you say “Yay!”
Some of my music and samples (both Creative Commons licensed) are available from SoundCloud as well.
Over at ye olde Submitterator, Pea Hix points us to this magnificent c.1970 lucite Wersi Digital DX500 organ and speakers for sale.
“The Delta Digital DX500 organ comes replete with all manuals, control panel templates, music stand, amplified speakers, lucite dollies, pedal board, adjustable bench and chromed keys. And it works beautifully!!!” Just $85,000 at 1stdibs.com.
We have a little something different instead of Free Sample Friday this week. Instead, we have Free Synth Patch Friday. Below are 12 weird, original patches for Camel Audio Alchemy programmed by yours truly. Enjoy!
For my original music album “I Hear Your Signals” (download the album free) I use Percussa Audiocubes as performance controllers. In this post I’ll give you all the geeky details about how the controllers were applied in the project.
I used 4 AudioCubes plus Percussa’s free MIDIbridge app on Windows to configure and route AudioCube signals to Ableton Live. I use the same MIDIbridge patch for every song which allows for consistent and predictable data mapping from the cubes to Ableton Live.
In general, I play a lot of the notes on you hear on the album via keyboards, Theremin and Tenori-On live. I tend to use the cubes as controllers, for scene launching, and for real-time modulation of effects and synth parameters and only use them for triggering notes from time to time.
Faithful to my Eigenharp Pico unboxing video, I also recorded one right after I received my Eigenharp Alpha. I hope you like it!
Until now I haven’t been able to find an unboxing video that showed what I personally always wanted to see about the Alpha and its accessories. I hope this video satisfies the drool-lust of people like me now ;-)
What if you could have any musical technology you wanted – if you had only to imagine something, and it appeared? That was the somewhat insane notion behind the Dreams Competition CDM organized with Rui Penha of Casa Da Musica’s Digitópia research and education program in Porto, Portugal. Earlier this week, Rui and I sat down on the banks of Porto’s famed Douro River with Paulo Maria Rodrigues to pour through stacks of imaginary instruments. Some proposals read like wish lists composed to Santa Claus. Others included exquisite renderings, mock-ups, and even video that made them into serious, near-finished product designs. In the end, we attempted to choose the ideas that seemed the most surprising and original, including a winner that – with some limitation of its scope – would be feasible to actually build.
Far from just being idle fantasy, the winner will be realized by a team of developers as an open-source, free project. And I suspect some of the other entries may yield real tools, too. The line-up offers plenty of indications of what matters to people, and what’s possible. Here are some of our favorite entries out of an impressively high-quality bunch, plus, of course, our winners and the grand-prize selection that will inspire a real project.
As you can see, it's based on Boss's perennially popular DS-1 distortion pedal, with the 'Tone' and 'Dist' knobs operating as the left and right mouse buttons. There's also a scroll wheel on the side and the 'check' L.E.D. lights up when it's plugged in!
Unfortunately it doesn't work as an actual distortion pedal, but that's probably a good thing, because it's made out of plastic and it would be crumpled by our huge ROCK feet.
If you woke up this morning thinking, "Gee, I wish I could download two gigabytes of 120 BPM modular synth loops", I have some good news for you.
I've been using the TipTop Audio Z8000 for a while now, collecting material for a video, but I also kept a DAW file handy and recorded bursts of interesting output at various intervals. This process generated a lot of materal, but it is clear to me it would be more useful in someone else's hands.
Beatseqr is an arduino mega based computer interface by Steve Cooley.
It is aimed at electronic musicians and visualists. By itself, it connects to a desktop app that runs on mac or windows and can send out OSC messages to arbitrary network ports. However, combine beatseqr with a tightly integrated sequencer like Dajis Systems' Steppa (included in the price) and you have a powerful interface to create a MIDI loop which you can use to control sounds from pretty much any music software that accepts incoming midi data.
We've tested it out with Logic, Live, Reason, Quartz Composer, Max/MSP, PureData, and Processing. It works great!
The CodeOrgan analyses the "body" content of any web page and translates that content into music. The CodeOrgan uses a complex algorithm to define the key, synth style and drum pattern most appropriate to the page content.
Matt Pacyga and I have teamed up to release some free sample downloads resulting from our respective field recording experiments. Matt has put together a superb set of crunches and splats which originally emanated from his kitchen and some very unlucky food items. The recordings are high quality and super-creative, so I highly encourage you to take advantage of his generosity and download these sounds!
I've also got a number of samples on offer here that came from some contact microphone experiments, but I'll defer to the official description (after the jump) for the details
Hubert is small but powerful device to use with your modular synthesizer.
On each hand side there is one force sensing resistor turning applied pressure into a steady CV output. Each channel has three outputs: CV Out, Inverted CV Out and Gate out. Each side is capable of holding the current voltage on CV Out, whereas the inverted CV appears on Inverted CV Out. If a CV is held in the CV Out you still can use the inverted out, even switching from positive to negative voltage as often as you want without disturbing the held CV output. In addition each of the two channels fires a gate signal every time pressure is applied to the pressure pad. The CV can go from 0V to +/- 8V and can be controlled in sensitivity.
Mark Mosher of Modulate This! talks with AudioCubes inventor Bert Schiettecatte:
I recently conducted a phone interview with Percussa founder and AudioCube inventor Bert Schiettecatte.
I think music artists, visual artists, sound designers, those interested in tangible interfaces for installations, and music technology fans will all enjoy this interview – even if you are not in the market for a tangible interface.
The monome Community has released HAITI2010, an album available to the public with 100% of the sale proceeds being donated to Médecins Sans Frontières (msf.org).
The monome user base is a collection of people from across the world (Pin drop map here: http://tinyurl.com/yh53lwf), brought together via the innovative, open source music production hardware that is the monome (monome.org), They pride themselves on a tight-knit, proactive, and helpful community (post.monome.org), where collaborations and projects are frequently happening, the outputs of which range from new software patches to share, to Creative Commons track and album collaborations.
When the community came up with the idea of a compilation album to generate charity donations in light of the terrible disaster in Haiti, einpuls started gathering tracks for the album and the monome community answered swiftly with more than 25 tracks being submitted in just a couple of days.
The community teamed up with Summer Rain Recordings (summerrainrecordings.net) to compile the compilation, with the end result being a 27 track album, each track contributed for free.
The minimum price for the compilation has been set to $1 with no upper limit. Every penny helps, so please donate what you can.
The 27-track HAITI2010 album is available as an immediate download in your choice of 320k mp3, FLAC, or just about any other format you could possibly desire.
Karlheinz Essl has released version 3.3 of Lexikon-Sonate, an interactive realtime composition environment for musical composition and live performances.
Lexikon-Sonate is a work-in-progress which was started in 1992. Instead of being a composition in which the structure is fixed by notation, it manifests itself as a computer program that composes the piece – or, more precisely: an excerpt of a virtually endless piano piece – in real time. Lexikon-Sonate lacks two characteristics of a traditional piano piece:
there is no pre-composed text to be interpreted, and
there is no need for a pianist or an interpreter.
Instead, the instructions for playing the piano – the indication “which key should be pressed how quickly and held down for how long” – are directly generated by a computer program and transmitted immediately to a player piano (or the built-in Quicktime synthesizer) which executes them.