Results for Csound

Below are the posts that should have something to do with 'Csound'.

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Boulanger Labs releases csGrain for iPad

Boulanger Labs has released csGrain, a audio tool for the iPad 2 and the new iPad.

Boulanger Labs presents csGrain – the first in a new line of innovative and imaginative Csound-based audio tools for the iPad.

csGrain is a real-time audio processing and recording tool that lets you create sounds and textures by transforming your voice, instrument, or iTunes library.


csGrain real-time audio processing and recording tool for iPad

csGrain features

  • Remix your iTunes library.
  • Process, record and save audio.
  • Manipulate audio with SyncGrain, a real-time granular synthesizer.
  • Connect a MIDI controller and turn csGrain into a live performance tool.
  • Create ever-evolving soundscapes with the Randomize Settings feature.
  • Choose from ten built-in effects, including: pitch shift, ring mod, chorus, flanger, delay, reverb and more.
  • Import/export your audio via Dropbox, AudioCopy, or Email.

csGrain for iPad is available to purchase for $9.99 USD.

More information: Boulanger Labs

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CsoundForLive real time audio-plugins introduced

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CsoundForLive is a suite of audio plugins that combines the real time performance capabilities of Ableton Live, the stable and customizable interface design of Max/MSP (through Max For Live), and the synthesis power of Csound.

CsoundForLive is a collection of over 120 real time audio-plugins that brings the complexity and sound quality of Csound to the fingertips of ANY Ableton Live user – without ANY prior Csound knowledge.

Capitalizing on the design power of Max For Live, what once took pages of text in Csound can now be accomplished in a few clicks of your mouse.

More information: CsoundForLive

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Grame updates Faust to v0.9.43

Faust

Grame – Centre National de Creation Musicale – has released version 0.9.43 of Faust (Functional Audio Stream), a functional programming language specifically designed for real-time signal processing and synthesis.

This version provides a major reorganization of the architecture system for better modularity and Open Sound Control (OSC) support. The code generation has been improved and the compiler offers new output possibilities for example the complete graph of the internal signal expressions as a .dot (graphviz) file.

The libraries and the examples have been extended: Julius Smith’s libraries provides several new filters and effects (including various reverbs) and Romain Michon has ported the Synthesis Tool Kit (STK) to FAUST.

Faust is available to download under the GNU General Public License (GPL).

More information: Faust

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Partikkel Audio releases Hadron Particle Synthesizer + Time Dilation Effects pack

Partikkel Audio has released the Hadron Particle Synthesizer, a free granular synthesis tool.

Partikkel Audio
Partikkel Audio Hadron Particle Synthesizer

It can be used as a synthesizer or an audio effect. It can also seamlessly morph between different sound processing methods, so you can take the plugin gradually from being a synthesizer to an audio effect for live input. This self-modifying morph behavior might give you an idea of exactly how different this plugin is.

Its synthesis and processing engine is extremely versatile. In fact Hadron is such a complete implementation of granular synthesis we’ve renamed the technique to particle synthesis. Once you come to terms with the operating concepts of Hadron, vast new territories of sound transformation opens up.

Hadron is available as a free download (open source) for Windows and Mac, currently in Max For Live format, and as a Csound orchestra. A VST version can be expected during 2011.

Partikkel Audio Hardron expansion pack

Partikkel Audio has also released Time Dilation Effects, an expansion pack for Hadron consisting of reverbs, time freezing effects, pitched delays and more.

This expansion pack contains a number of hadron state and preset files. The focus of this pack is on using Hadron as an effects processor for live audio input, expanding the number of effects available.

The states in the expansion may easily be combined with previously installed Hadron states. Even though the states have been specifically designed for use as audio effects, the user is encouraged to experiment combining them with states designed for other purposes (e.g. synth states), as this kind of combinatorial abuse may reveal unexpected and unheard sounds.

The Time Dilation Effects expansion pack is available to purchase for 29 EUR.

More information: Partikkel Audio

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Cecilia v 4.1b released, cross-platform sound production environment

Related: , , , , , , Posted in news on Nov 10, 2010 - comment 0 comments
Cecilia

Cecilia is an audio signal processing environment using Csound as its audio engine.

The legendary front-end and sound production platform for the Csound language is back in a fresh set of duds. Cecilia was first launched in 1996 to take advantage of the then emerging real-time audio capabilities of Csound. It has seen a number of iterations since then, because, well, nothing quite does what it does as well as it does. Cecilia is a complete sound production environment for the adventurous audio designer. It proposes dozens of complex and troubling sound-processing modules that invite the composer to revisit the notion of what constitutes spirited sonic matter.

Beyond these highly desirable qualities, Cecilia is also known to cause mild skin rashes and turn small dogs into pickles.

Cecilia is free. Thus you can’t complain if it hurts your feelings. But, with due diligence, Cecilia will bring smiles and good cheer to the most jaded musical mind.

More information: Cecilia

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Short links for July 28th, 2010

Some interesting things I found recently:

# Nerdle Theremin Video

Wayne and Layne:

One of the unique features of the Nerdle kit is the use of touch-sensitive capacitive-sense buttons, made from copper foil pads inside the case. While meeting with the camp directors to prepare these activities, we decided to try linking the raw information from the capacitive sensors to the on-board piezo speaker.

We added two lines of code, uploaded, and jaws dropped. It sounded like the computers of the future were supposed to sound.

# Deep Synthesis Made Free, Easy: QuteCsound

Peter Kirn at Create Digital Music writes:

In this guest column, we turn to veteran synthesist and music tech expert Jim Aikin. When Jim wants to do digital synthesis, one of the tools to which he turns is a veritable favorite with a direct-line legacy to the beginnings of computer sound. That doesn’t mean Csound hasn’t kept with the times, though, or that it has to be unfriendly. If you’ve been looking for a way to dive into sound and code, this could be an ideal path.

# The Chipophone

The Chipophone is a homemade 8-bit synthesizer, especially suited for live chiptune playing. It has been built inside an old electronic organ.

All the original tone-generating parts have been disconnected, and the keys, pedals, knobs and switches rerouted to a microcontroller which transforms them into MIDI signals. Those are then parsed by a second microcontroller, which acts as a synthesizer.

# Interview: Jordan Rudess and Morphwiz

From Sonic State:

The Morphwiz app from Jordan Rudess takes the concept of the Hakan Continuum – which Jordan was also involved with, and applies it to the touchscreen of the iPhone/iPad to create a totally new instrument, while adding some trippy visuals, effects and a healthy synth engine. Dream Theatre are currently on tour with Iron Maiden in the US, we caught up with Jordan the morning after the night before at his hotel while on the road. He gives us an insight into the features and thinking behind the app.

# :: soundcloud dj player 1.0 beta

Musikame has a beta of the souncloud dj player, the easiest way to dj your soundcloud tracks, allowing you to mix tracks from SoundCloud.

musikame soundcloud dj player
The soundcloud dj player includes various controls like pitch control, dj fx, looping, etc.

At this stage all the mixing is done automatically by the app itself: the user just picks the tracks and the length of the crossfade between them. While it's not actually possible to beat-match tracks as yet, the software does have pitch control with adjustable range, FX, looping and reverse capabilities, hinting at more advanced functionality in the future.

via MusicRadar

# Resistor EP – Some Numbers…

Chris Randall shares details on the number of plays and sales of his latest Micronaut EP "Resistor", which was released as a pay-what-you-like download.

As promised, here's some initial numbers for Resistor, the EP I put out on Bandcamp last week. (If you're just joining us, scroll back a couple posts for the full skinny.)

# NXT-606 LEGO Drum Machine

A new video from Peter Cocteau’s 8bits Sample Based LEGO Drum Machine.

Liine Griid

# CDM: Griid, iPad Ableton Controller

Create Digital Music has some exclusive photos of Griid, the controller for iPad that offers four fluid ways to navigate clips in your Ableton Live set.

Peter Kirn writes:

The developers of Griid, the Ableton Live controller on iPad created in association with Richie Hawtin, have shared photos and screen captures early with CDM to give us a look at the upcoming app. Just over a decade after its original inception, Ableton Live itself remains a ground-breaking user interface design. Love it or hate it, it’s a benchmark in thinking about how music apps might look.

Griid is compelling in part because it re-imagines how that central Session View and clip launching might work, now in the context of a touch tablet. Personally, I like the results. As on the Lemur, bold, saturated colors and contrast on a black background are central, of course. It’s also nice to see extraneous visual information removed. And for anyone with epic-sized sets of clips in Live, you’ll like the massive overview.

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Short links for April 27th, 2010

Some interesting things I found recently:

# Arduino ant farm

Ants walking through IR gates manipulate the Auduino synth program. John spotted this at the RobotFest / Mid-Atlantic Mini Maker Faire. He writes:

I went to the RobotFest / Mid-Atlantic Mini Maker Faire yesterday. I saw this awesome project and thought you might like to put it on the blog. Basically it's an ant farm with optointerrupts. When the ants walk through the lightpath, they modify the audio output. The maker's name is Adam Franchino, and he was there with some of his classmates from the Maryland Institute College of Art (MICA) His website is adamfranchino.net.

# Copenhagen Institute of Interaction Design » Journey into Sound

“This is a Jouney into Sound” is a demo of the RHIFID speaker control system developed for the Physical Computing class. Using a combination of RFID technology, Processing and Arduino, the speakers work as location aware controllers, allowing the user to interact with music and the environment by moving the speakers around.

# Jordantron

Jordantron is a new iPad synth app that will include sounds by Jordan Rudess of Dream Theater.

Omenie in the comments:

The core sound generation is the Ellatron engine, and the same 'Toblerone' rotating keyboards have been retained – for now …

Inside it there’s quite a few changes, particularly trading off CPU burden against responsiveness – it’s become clear, particularly on the iPad, that it’s worth burning more CPU to get ultra-low latency for responsive playing, in Jordan’s hands this thing is *fast* and pretty amazing.

We are still shaking out details but the plan is to have different iPad and iPhone versions, slightly more voices in the iPad version as it supports apps with a bigger memory footprint than iPhone.

And yes, all new sounds, and unlike Ellatron all the sounds are stereo (and really immersive and immense) and have been pulled out of Jordan’s live rig, so these are authentic DT voices. So it’s not very much like a Mellotron at all! I think this one will turn out to be a must-have app for the DT fans, but the sounds are so damn PHAT that general synth hounds may end up picking up one of these to add to their arsenal.

I’m really pleased with how it’s shaping up.

# Four ways to use mid/side EQ

Kim Lajoie on mid/side EQ:

Several EQs now have a mid/side mode. This opens up a lot of possibilities, but can be difficult to use effectively. Instead of simply tweaking the sound or the range of the controls, mid/side mode completely changes how the EQ behaves and sets new rules for how it can be useful and effective.
It helps to stop thinking about mid/side EQ as an equaliser – but instead to think of it as a surgical frequency-focussed stereo width adjuster. It works best on complex stereo material, such as groups or the mix bus.

# Programmable Knex Piano-Playing Robot

plysaxaphone writes:

I've always been a big fan of K'nex, ever since I was a little kid. Then, when I discovered this website, I felt like I had hit the jackpot. This is a "robot" that I built out of knex, it's designed to play the piano. This version can play up to a 16 note sequence in a 12 note range. I call it "Zeeanobot" (Zach's Piano Robot), corny, I know, but I couldn't think of a better name. I spent a lot of time on this, and I'm very proud of it, so please be nice. Just to be clear, I have not tried it on a real piano, I built it to play my Yamaha DGX-230. You may need to modify the design slightly to get it to work on real pianos or other keyboards.

# Sound Grain, a graphical interface where users can draw and edit trajectories to control granular sound synthesis modules. Sound Grain is written with Python and uses Csound as its audio engine. Csound 5 must be installed on the system to allow Sound Grain to run.

Audiostry

# Audiostry Synthesis

Audiostry V1.27 is made with Sync Modular. It's structure is based on Korg MS2000 but it is not an emulation. It has:

  • it's own single cycle waveforms for the DWGS (48 waves),
  • unison in polyphonic mode: each oscillator quadruples and is internally modulated by a slow LFO.
  • dual filters.
  • 2 more patch bays.
  • 16 step modulation sequencer with 2 more lines (total of 5) and 39 parameter destinations.
  • 143 finely edited presets.
  • 16 voices by default but can be changed by user within Sync Modular. You need Sync Modular to run it.

Download it here: http://www.audiostry.com/synthesis.html

Sync Modular has been discontinued but it is now free. Get it here: http://www.syncmodular.com/

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