Les Productions Zvon has released Memory Collection Pack 02, a sample library featuring public domain samples.
The samples in this collection are taken from Public Domain video documents: 36 TV ads, 7 feature movies, 19 documentaries and 6 short films. Many of the documentaries are from and about the early days of radio and television.
It’s named Memory Collection because by definition works in the Public Domain are from the past, a past often not very distant but sadly also often forgotten or ignored. This collection brings back some of the sounds from the past.
The Memory Collection sample pack 02 has 3,313 (1.32 GB) including voice/spoken word/dialogs, sfx/foley, and music.
Memory Collection Pack 02 is available to purchase as donationware (minimum $17.50 USD). A free preview (101 samples) can be downloaded from the product page.
Just uploaded a video preview of Discord3's highlights. I think I touched on all the major features; I'll do a full tutorial series once I have a 100% working OS X VST. The quality of Snaggit's video capture is fairly lacking; nothing to compare with Screenflow. But this should give you a good idea of what's going on with the three engines.
If you're interested in the early history of ROLAND, the Japanese manufacturer of electronic musical instruments and the TB-303 Bassline, you'll enjoy this 20-minute video. The TB-303 and its design are described in depth, and many examples of popular music made with the machine are presented.
Tom Shear at Waveformless shares some tips on how to create the illusion of distance:
Even when one is talking about mixing to stereo (as opposed to 5.1), a song's mix can be very three dimensional. Perhaps not literally, but in the same sense that a painter can simulate the way an image diffuses the further it is away from the viewer, it is not terribly difficult to simulate the characteristics of a sound that is far from the listener. This can be brilliant at setting a mood and creating a real sense of depth. Here's two easy steps that when used together can really give them a sense of three dimensional space.
Every once in a while something quite special comes along in the crazy sonic world of the Dirty Electronics Ensemble.
In the past our leader John Richards has arranged for us to collaborate with some great names in the world of experimental music, including Pauline Oliveros, noise legend Merzbow and Nic Bullen amongst others. Our recent performance with Chris Carter (Throbbing Gristle, Carter Tutti) at Phoenix Square, Leicester was no exception.
The core of the performance revolved around the Dirty Carter E.S.G.I. a postcard sized instrument designed by John and Chris and built by the members of the ensemble in an earlier workshop. Six pieces we’re performed in total by various members of the ensemble.
The Musical Table is a toy table that allows kids to play musical phrases by moving toys around the surface.Each of seven switches can play different musical phrases in four bases, making 27 different musical phrases in total. Some of the phrases are musically related and some of them are not. This toy table can help kids to develop musicality by playing phrases in logical order. The table also allows you to play two phrases at the same time. Depending on which phrases are played together, the sounds can be melodic or chaotic.
I’ve been experimenting lately with programming Ableton Analog from “init”. I have a rich set of VSTs so I’ve not given Analog much attention but after spending some time with it recently, I’m finding when you rack it up and add some effects and assign params to Macros you can achieve some pretty interesting sounds.
These days, everyone loves hip-hop. But how much does the average fan really know about the building blocks that formed the foundation of the genre's entire sound? That's right, before it was all-808-everything, hip-hop used a secret (and sometimes not-so-secret) selection of classic soul, funk rock, and jazz records from the ’60s and ’70s to create their sound. From tiny, obscure snippets to instantly-recognizable loops, the sample-based producers of the late ’80s and early ’90s uncovered some truly classic musical gems that are still sought after and used today.
Thank god we’ve got folks like Kon + Amir to keep us digging deeper. The veteran record collectors, DJs, and producers (yeah, they basically they do it all) recently released their latest compilation of slept-on vinyl rarities called Off Track Vol. 3, so we decided to call them up and get them to select their all-time favorite samples. Check out their countdown, complete with audio examples and commentary from the guys themselves…
I have made a copyright-free and license-free sample pack of the Phillips SAA-1099 sound generator chip. It is a very straightforward sample pack, consisting of 96 pitched samples and 16 noise samples, across a range of frequencies. These samples have been recorded from hardware. The audio output stage of the sound chip has not been filtered.
Sebastian has also announced a music contest:
It's time to get your chipmusic on! This is your chance to win a SEGA Master System MIDI Interface. Be the coolest musician in your town with this brand new tool that lets you control the sound chip in your SEGA Master System with MIDI data.
The legend of the early sounds of the Mac remains, apparently, an alluring one. Here, Jim Reekes talks to a Dutch documentary crew (though in English) about his thought process in designing sounds for the Mac, including the famous Mac startup sound.
Jon at Audio Geek Zine lists his top 10 free RTAS plug-ins for Pro Tools.
I see this topic come up a lot, “what are the best free rtas plugins?” I’ve answered the question so many times but I’ve never addressed it on the site.<br />
Below is my list of 10 (in no particular order) free 3rd party RTAS plugins I think everyone should have on their system. There are many more out there but these are the ones I use on a regular basis, they are useful and are stable.
Improving on a design and sharing the results with our users is always at the top of our list at Livid. The Block controller has been a great success and we have just made some minor design changes to make it even better. Originally milled from a solid block of wood, the square body with thin bottom has had its challenges, mostly warping and cupping. We have experienced a bit higher reject rate for bodies at the shop before they were built then we would like. Thus, the up and coming stash of rejected bodies in the Livid Graveyard that were never meant to be!
When sampling technology finally became accessible to mere mortals and not just uber-rich Fairlight and Synclavier enthusiasts, the race was on to increase fidelity and leave behind the limitations of those first 8-bit samplers. Bit depth and sampling rates increased and memory capacity expanded until the average sampled sound was indistinguishable from the same sound recorded on a CD.
But sure enough, after many years of enjoying the pristine sound quality of the new sampling technology, musicians began to explore and exploit the limitations of the old school samplers. Suddenly the grain of low bit-rate samples and the metallic grit of aliasing is very much in style. So how can you emulate the sonic artifacts of some of the long forgotten vintage samplers? I'm glad you asked…
This is the plugin I am currently working on. It's called "Intello". Basically it's a glitch producing plugin and in this first short demo I'm showing you one of the 5 planned glitching modes. The plugin will be controllable by an iPhone application from a listening audience. So the listeners can interact with a performer.
I receved an email last night from the good people at audiotool. For those of you that dont know audiotool is a browser based music production platform that features emulations of the classic drum machines and bassline synth origanally made by roland. Along with the drum machines and bass line synthesiser, the audiotool also features emulations of guitar effects. The email I receved contained a link to test the BETA version of audiotool 1.0 [codename: Firestarter]. The BETA version of the audio tool has lots of intresting new freatures, such as a timeline, piano roll, automation and a new synthesiser.
10 MPH – an indie documentary about an ambitious cross-country trip (Seattle to Boston) via Segway, is now available for your viewing pleasure…free of charge!
Feltron Eight – Nicholas Felton posted his 2007 Annual Report. I happen to have a copy of the 2006 Annual Report and I have to say it’s even lovelier in print.
the stribe – an 8-channel multi-touch controller for music or video software.
Jun Murakoshi _ noisy instrument 01 – When you put a seashell on your ear, you can hear something strange noise. It is noise but it makes us feel good. This product is a wearable instrument for listening the noise like seashell makes.
It was watching sea creatures choke on plastic bags in the Pacific Ocean that finally persuaded Rebecca Hosking that enough was enough. The British filmmaker had already recoiled in disgust at deserted Hawaiian beaches piled up with four feet of rubbish, the jetsam of Western consumerism washed up by an ocean teeming with plastic. Now, filming off the coast, she looked on aghast as sea turtles eagerly mistook bobbing translucent shapes in the water for jellyfish
A good reminder to bring my own bag when going shopping and to decline extra bags if I can carry the items (or stick them in the bag I got with something I bought earlier). When doing groceries without a bag, I like to use discarded product boxes (the ones they stock from) which later serve as “old paper” recycling storage boxes in my home.
Yesterday, CNN proudly announced that it has scored the first post-jail interview with Paris Hilton. To make room for Paris on Wednesday, CNN canceled its interview with Michael Moore about his new health care documentary SiCKO
What’s more important? Coverage of America’s broken health care system, or an interview with Paris Hilton? It’s all about ratings and money isn’t it…
It is reported that a stingray barb that went through his chest and into his heart, leaving Steve dead on the scene.
When I first saw Steve on the Discovery Channel I thought this guy had a death wish. He was one of the first people I saw on TV taking on crocodiles, spiders and other animals you wouldn’t want to go near. But Steve seemed to have no problem at all getting up close and personal with these animals. “Crikey! A big spider just crawled over me arm!”.
Even though similar shows sprung up after the Crocodile Hunter’s success, Steve and his shows were one of a kind.