The Dual SP0256 vocal synthesizer is the descendant of an earlier circuit of mine, Analog Controlled Speech Synthesizer. I crammed in all the features I’d want from a singing robot. It was a good challenge because it inspired some analytical thinking about the relationship between speech and singing.
The features of this circuit are:
2 trigger inputs to step through pitch and vocal sequences independently
speech data stored cartridge-style on EPROM
2-oscillator richness using dual SP0256-AL2 speech chips with crossfade mixer
optimized low-pass filtering for less strident tone
SP0256 crystal oscillators replaced with VCOs for pitch control
each chip has an independent / linkable 4-step analog step sequencer for pitch
lower step sequencer has switchable clock divider (divide/2 to divide/16)
glide and LFO functions
speech rate (slur) control
built-in realtime programmable sequencers for pitch and speech trigger
IR Sync input for wireless infrared tempo matching
Hello, my name is Matt. I record, edit, and mix music for a living. My profession requires an extremely discerning ear. This little listening test is to see if you can pick up subtle differences in pitch.
For all the hype around mobile music creation, here’s a story with an ending in the opposite direction. Independent developer Olivier Gillet is the reason a lot of people see handheld gadgets as potential music making devices; he’s the creator of the brilliant Bhajis Loops for Palm. But, as if to prove that hardware can be a digital platform, too, his latest creation, while it will fit in your palm, isn’t for a device like the overcrowded iPhone.
Sonic Wire Sculptor is based on a musical instrument by Amit Pitaru which has been shown in museums and galleries world wide. A great effort has been placed in reworking the app to take advantage of the the iPhone's unique audio and input capabilities. The Sonic Wire Sculptor turns your 3D drawing into sound. It introduces a simple yet deep connection between visual and audio composition.
John Fisher has released a free VOSIM synth for Reaktor.
Well, for all you poor bastards who don’t own a G2 modular, and can’t use the VOSIM patch I made for mine, I have put together a VOSIM patch in Reaktor. Actually, part of the reason I made it was just to implement some features I couldn’t get in the G2, and because I thought it might sound different in reaktor.
AudioCubes designer Bert Schiettecatte will be hosting a series of one day workshops at his private workspace, for a select number of artists, starting November 10th 2009.
Workshop description: Starting with some theory, you will discover the history of AudioCubes, tangible interfaces, and their applications. The practical part of the workshop will let you master the technical aspects of using AudioCubes in sound, music and visual creation, and let you work on your own project using AudioCubes.
history of audiocubes
overview of tangible interfaces
why were audiocubes created / fundamental ideas
how audiocubes work
the audiocubes hardware
audiocubes software for live performance, sound design and music production
how to use audiocubes to control MIDI software and hardware
Google plans to launch a music service, Wired.com has confirmed with sources familiar with the situation. Next to nothing is known about the service at this point, rumored to be called “Google Music,” “Google Audio,” or “One Box,” although we have confirmed that it will be announced next Wednesday, and that it will link out to two music services: Lala and iLike.
What excites me most about Chipsounds is the possibilities for the future. I’d love to see a couple options that weren’t present in the original machine introduced here. A filter section would definitely expand the possibilities (a handful of chips have filters available as their chip-specific settings), a more useful and flexible Portamento function would be great, and, as mentioned before, a wider array of effects would be a nice addition. That said, imposing the limitations of the original chips is not a bad thing in my opinion. It encourages the same kind of creative thinking and workarounds the original programmers used to use back in the day to get sounds you wouldn’t expect to be possible with such limited means. Plogue has approached this softsynth with a palpable sense of reverence and their affection for these outdated sound makers shines through in abundance. An exceptionally fun and unique instrument! [8/10]
This demonstration uses my crude DIY flux capacitor for the Livewire AFG, basically 5 switches and 10 jacks corresponding to the flux cap pins. Two pin pairs are attenuated by two VCA's controlled by the makenoise/wiard wogglebug, crosspatched with the malekko/wiard noisering, which drives the melodic noodling, via a A-189-1 used as a bitcrusher, to perform cheap quantizing.
The sine output is sent to an input of a makenoise QMMG, driven by the A-143-1 envelope. About halfways through, a feedback path from the animated pulses, animated by A-143-1 LFOs, into the A-106-6 xpander filter (wogglebug controlled) goes into one of the pins on the flux cap expander, resulting in strange noises and unpredictable overtones.
This is a simple sequencer machine which uses Capacitative Sensing Code for input to the Arduino. It is is a combination drumpad and sequencer. It has just two modes, record, and playback, and needs very few components; an Arduino (of course), and just 3 resistors and a piezo speaker. If you're feeling decadent, you can add an LED (with a resistor) for more "ooomph".
For those starting out in electronics as a hobby there are some tools that are required for the job. To begin with, a soldering iron, some screw drivers, perhaps tweezers and of course a multi-meter are probably what you would consider essential.
After a while though, you are going to be looking for more. Amongst the other goodies out there to help you on your way are oscilloscopes. In the past, advice on forums has always tended more towards purchasing a second hand scope. These tend to be had for around £100 on places like E-bay and most certainly will be a few years old if available at this sort of price. Well that is changing and I was excited yesterday to get my hands on a “Scope” that may just re-write the forum advice. Meet the Nano DSO from Seed Studio…
Eric posts some samples of his mini space rockers analog percussion synthesizer.
Here are over 80 different electro drum / noise samples from the mini space rockers circuit… but you should really build it because its analog and it sounds a little different every time. and its cheap, so no excuses. I am offering these samples under a Creative Commons Attribution license. That means you are free to use them for whatever, but please credit me where appropriate.
Kseniya Simonova is an Ukrainian artist who won Ukraine's Got Talent 2009. She uses a giant light box, dramatic music, imagination and "sand painting" skills to interpret Germany's invasion and occupation of Ukraine during WWII.
Testing m4l interfacing capabilities with arduino through max's [serial] object. A simple 4-sensor controller for an FM synth. Analog and digital information is mapped onto midi control messages that can be routed inside live for events or modulation.
From Instructables: Music is absolutely essential for creativity – it inspires new ideas, helps us to create and build, and provides a soundtrack for life.
That's why we've teamed up with Zalytron, Create Digital Music, and Bleep Labs to bring you the Art of Sound Contest. Show us something amazing and music-related, and win an awesome set of hand-built custom speakers or a musical instrument kit!
The contest is open to any project that creates something beautiful with or around sound. Entry Deadline: 26-jul-2009.
# BITWIG, next generation music creation software for composers, producers and DJs around the world.
Within the virtual environment of a computer anything is possible, yet on a fundamental level, the way music is created today with computers is still very similar to how hardware studios were used. With an entirely new approach, we want to take the next step in the evolution of the computer music studio and create the music software we always wanted to use ourselves.
Bitwig is based in Berlin and founded by Claes Johanson, Pablo Sara, Nicholas Allen and Volker Schumacher. Our experience in the computer music software industry includes Ableton, where we were all part of the development team behind the successful music software Live, and Vember Audio, creator of the critically acclaimed software synthesizer Surge.
As part of the Home Recording 101 class at Revolution Audio, this past Thursday we did a shootout of 6 vocal mics. The mics selected were some of the top sellers at the store and ranged in price from the M-Audio Nova at $119 to the AT4060 at $1905.
M-Audio Sputnik, one of the mics featured in this shootout
Sound files of the recordings are available for download from AudioGeekZine.
The Record micro tutorials is a series of short and focused tutorial videos that will highlight one aspect of Record in each installment. We will add to this continously during Record's beta test period.
Tutorials currently available
Part 1 – Basics
The first micro tutorial explains the basic layout of Record, how to move between them and how to go about making your first recording.
Part 2 – Reason & Record integration
The second micro tutorial shows how Reason and Record work together as one when installed on the same computer.
# Gotharman’s Deformer a granular effects processor, a polyphonic filterbank synthesizer, a MIDI note randomizer.
It's an analogue style 2-track MIDI sequencer. It's the first machine in the world (I think), that can do REALTIME TIMESTRETCH ON A LIVE INPUT AUDIO SIGNAL. Add to this a granulator that cut's the input audio signal up in fragments, and lets you move these fragments around with the 16 step pots to rearrange beats and others in realtime. Use the two fully programmable filterbanks to tweak the sound further. Or create complete synth-patches by combining the internal polyphonic oscillator section with one or both of the filterbanks. Create two note and controller sequences and run them thru the note randomizer to create enddless non-mechanical variations. Store your arrangement in one of the 512 program locations for instant recall. That's the Deformer!
The Drum Kit – Kit lets you turn your Arduino into a drum kit. Imagine the fun you could have building a drum kit and then “rocking the house”.
The kit contains the electronic parts required to make a drum kit. This includes the circuit board, resistors, diodes and pins. You supply the Arduino and the material to make the actual drum pads. Below you will find the easy instruction on how to make traditional looking drum pads, but you could also stick the piezos (the part the sense the hits on the drum) to many different surfaces. Imagine, playing your desk, lamp and telephone!
# LITE2SOUND – This is a sensitive lightwave reciever that lets you explore the hidden sounds of modulated light. LITE2SOUND is a simple kit with 24 parts that solder to the board. It has a ¼” line output jack and runs on a coin cell battery.
If you want to register a song at GEMA (RIAA, ASCAP of Germany) you have to fill in a form for each sample you use, even the tiniest bit. On 12 Sept 08, German Avantgarde musician Johannes Kreidler will —as a live performance event—register a short musical work that contains 70,200 quotations with GEMA using 70,200 forms.
# Audio Cookbook – AudioCookbook.org is a non-profit resource for music and sound enthusiasts made possible by contributions from Unearthed Music. The content has a slant toward the avant-garde or experimental side of audio production. Whether you have years of technical experience or you are just getting your feet wet doing sound design, you’ll find unique, interesting and useful information that might inspire you, give you an idea, or simply entertain.
# “Bird Box” sequencer – LFSR (linear feedback shift register) for drum sequencing. “Bird Box” is loosely based on the Triadex Muse architecture, but stripped down to two feedback taps and one variable-modulus divider.
Phil Durrant is familiar to most Reaktor users as Sowari on the NI messageboards, a helpful and knowledgeable presence there. He’s also a renowned experimental musician, having performed with, among others, Ticklish, Trio Sowari and MIMEO, the music in movement orchestra – a collective that includes Christian Fennesz, Peter Rehberg and Keith Rowe.
# JamStudio – Create Music Beats – The online music factory – Jam, remix, chords, loops.
# Apocatastasis (feedback return for cheap digital delays) – Most expensive analog delay pedals have a feedback knob that lets you drive the output of the delay effect back into the input. My Ibanez DL5 Digital Delay did not have this feature, so I decided to make one and make it cheap. :-)