Results for Eric Beam

Eric Beam has released Analog Doubler, a collection of programs for Nebula by Acustica Audio.

Analog slapback doubler delay effect captured from the ADA TFX4 time effects.

Three delay time programs sampled @ 24/96

Analog Doubler is available to download at no cost.

More information: Eric Beam

Eric Beam has released RCA/A-iron Line EQ, a collection of programs for Nebula by Acustica Audio featuring the vintage RCA 56E two-channel passive line equalizer and “American Iron” preamp gain stage of the API 312.

RCA/A-iron Line EQ features

• Vintage stereo passive program line EQ + Classic American 312 preamp gain stage.
• One knob program “tilt” style EQ.
• Captured via API conversion @ 24/96 & 24/44100 (both 96k & 44100 programs available).
• Ideal for adding highend sheen or de-mudding a lowend heavy mix.

The RCA/A-iron Line EQ for Nebula is available to purchase for $10 USD.

More information: Eric Beam

Eric Beam has released MPCee3k, a collection of texture programs for Nebula by Acustica Audio.

MPCee3k features

• A capture of the 3000′s sampled signal path/process.
• Hardware samplers AD/sample/DA signal paths can add grit or presence to whatever they process (depending how hard they are driven). A common quality found in countless Electronic & HipHop productions.
• Captured via Lynx conversion.

The MPCee3k (44.1kHz/10 kern) for Nebula is available to purchase for $10 USD.

More information: Eric Beam

Eric Beam has released Classic Shelf EQ, a collection of programs for Nebula by Acustica Audio.

Overview

• Musical Low & High Frequency Shelf EQ’s
• Input transformer gain stage.
• Captured via Lynx conversion @ 24/96.

Programs

• CS Low Shelf – 40-80Hz -/+ 10db
• CS High Shelf – 8khz-12kHz -/+ 10db

The Classic Shelf EQ programs for Nebula are available to purchase for $6 USD each.

More information: Eric Beam / Classic Shelf EQ

Eric Beam has released 3500 Studio Sampler Color/Texture (Eventide) and DME 1968 FET/Tube Compressor (Drawmer) programs for Nebula by Acustica Audio.

3500 Studio Sampler Color/Texture

• Loop Thru of the h3500 DFX sampling board.
• Hardware samplers & lofi AD/DA signal paths add a grit/crunch to whatever they process. A common quality found in countless Electronic & HipHop productions.
• Captured via Lynx conversion
• Programs:
  • 3500 Samp 32-8
  • 3500 Samp 32-16
  • 3500 Samp 441-8
  • 3500 Samp 441-16

DME 1968 FET/Tube Compressor

• A modern studio classic known for it’s big open sound & solid low end.
• Captured via Lynx conversion @ 24/96.
• Programs:
  • DME 1968 STD – Attack Time = 2-50ms Release Time = 100-1000ms
  • DME 1968 BIG – “Big” switch engaged (side-chain filter) – Attack Time = 2-50ms Release Time = 100-1000ms

The 3500 Studio Sampler programs are available to purchase for $4 USD, DME 1968 STD & BIG are $10 USD each.

More information: Eric Beam

Eric Beam has posted a number of free audio test files from a Prism dScope III audio analyzer and a Dolby SDU4 surround decoder.

For everyone that designs, tests, creates, calibrates, or has an odd preference for what they consider “listening enjoyment”, This is for you.

Having calibrated utility & test files is a must for any audio engineer. The corner stone being pink noise. When it comes to generating tones/noise ITB I have found most DAW to be severely lacking in this area. After much frustration with the incorrect Protools signal generator “Pink”. I’ve captured Tones/Noise from a calibrated DScope & Dolby SDU4.

More information: Eric Beam