Eventide ships H9 MAX stompbox

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Eventide has announced it is now shipping the H9 MAX effect pedal.

Eventide H9 MAX

Shipping NOW – H9 MAX, the studio processor in a stompbox, comes chock full of all 45 algorithms from TimeFactor, ModFactor, PitchFactor, and Space, plus the new Looper and all future H9 algorithms…forever.

H9 MAX features

  • Includes all 45 algorithms and over 500 presets from TimeFactor, ModFactor, PitchFactor, and Space PLUS all current AND future H9 exclusive algorithms including the just-released Looper.
  • H9 Control App for Windows/Mac/iOS features wireless control via Bluetooth, facilitating the creation and management of presets and control of multiple H9s.
  • Share H9 MAX algorithms with up to four additional H9s.
  • True Analog Bypass.
  • MIDI Control.
  • Simple One-knob User Interface.
  • Built-in Tuner.

The H9 MAX is now available from Eventide dealers.

More information: Eventide / H9 MAX

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Eventide releases UltraReverb effect plugin

Related: , , , , , Posted in news on Sep 16, 2014 - comment 0 comments

Eventide has announced the release of UltraReverb, an integrated bundle of 9 reverbs plus a compressor, four parametric EQs and stereo delays.

Eventide UltraReverb

UltraReverb features over 300 presets created by audio pros and artists – presets that serve as a starting point for exploiting UltraReverb’s universe of sonic possibilities.

UltraReverb features

  • Nine reverb algorithms including Ambience, Rooms, Plates, Halls, Chambers derived from the H8000 Ultra-Harmonizer.
  • Stereo delays (pre or post reverb) with Tempo sync to lock delays in time with your session.
  • Compressor (pre or post reverb) with key input.
  • Four independent three band EQs.
  • Mod rate and depth for modulation of reverb tail.
  • Session compatible with Eventide Reverb HD/TDM from our Anthology II bundle.
  • LoFi control for bit reduction.
  • Includes presets from Andrew Scheps, Brian Montgomery, Charlie May, Chris Carter, Chris Tabron, Chris Zane, Colin Newman, Damian Taylor, Dan Gillespie, Eventide, Gary Hall, Matt Lange, Peter Bischoff, Richard Devine, Richard X, Roca Sound, and Sasha & Dave Gardener.

The Eventide UltraVerb is available at the introductory price of $79 until October 17th, 2014 (regular $199 USD).

More information: Eventide / UltraReverb

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Eventide updates UltraChannel plugin to v2.0.15

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Eventide has released version 2.0.15 of UltraChannel, a channel strip effect plug-in with micro pitch and stereo delay.

Eventide UltraChannel

UltraChannel™ is Eventide’s new 64-bit native channel strip plug-in for AU, VST, and AAX64 for Mac and PC featuring micro pitch functionality from our flagship H8000, stereo delays with variable feedback paths, plus two stages of compression, gating, and five bands of parametric EQ.

Changes in UltraChannel v2.0.15

  • Fixed several bugs related to session tempo and session restore when tempo sync is on.
  • Fixed default install location for 32 bit Windows VST.
  • [v2.0.9] Fixed various issues related to Delay loading, tempo sync, and control.
  • [v2.0.9] Fixed an issue where EQ wouldn’t pass audio, or would oscillate on plug-in load in some very rare cases.
  • [v2.0.9] Fixed pop on plug-in instantiation or session load if XFormer was engaged.
  • [v2.0.9] Improved session tempo compatibility with Logic.
  • [v2.0.9] Fixed an issue which was causing extreme CPU loading on some processors in some DAWs.
  • [v2.0.9] Corrected typos and improved User Guide.

UltraChannel for Windows and Mac is available for purchase for $249 USD.

More information: Eventide / UltraChannel

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Eventide releases UltraChannel Native Channel Strip (free for limited time)

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Eventide has announced the release of UltraChannel, a native channel strip effect plug-in for Windows and Mac.

Eventide UltraChannel

UltraChannel™ is Eventide’s new 64-bit native channel strip plug-in for AU, VST, and AAX64 for Mac and PC featuring micro pitch functionality from our flagship H8000, stereo delays with variable feedback paths, plus two stages of compression, gating, and five bands of parametric EQ. UltraChannel is available as a free download through midnight July 8, 2014, after which it will cost $249.

UltraChannel features a pair of dynamics processors: the O-Pressor™, capable of extreme compression (this is the compressor section of the Omnipressor®) and a conventional compressor with de-essing and side-chain capability.

UltraChannel™ also offers Soft-Saturation, and Transformer emulation which recreates transformer core saturation. This feature adds harmonics to low frequency material while remaining relatively transparent to the rest of signal. While relatively subtle, in aggregate, Transformer can bring life to otherwise dull mixes and help glue disparate sound sources together.

FlexiPath™ routing allows drag and drop for reordering the signal path of the top level components (O-Pressor, compressor/de-esser, EQ, Gate).

UltraChannel includes a variety of factory presets tailored to signal sources such as guitar, bass, kick drum, snare, piano, strings, synths and vocals. A number of the presets were created by Eventide artists.

UltraChannel is free to download until July 8th, 2014 (regular $249 USD). Use coupon 0F736710 at checkout. Note: iLok License Manager and an ilok.com account are required (iLok dongle *not* required).

More information: Eventide / UltraChannel

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Eventide launches DDL-500 digital delay

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Eventide DDL-500

Eventide has released the DDL-500, a new digital delay for the 500 series racks.

The DDL-500 features 10 seconds of pristine delay at a 192 kHz sample rate and a unique design that strictly limits the amount of digital circuitry to the bare minimum. Soft saturation clipping, low pass filter, feedback, insert loop, relay bypass, and +20 dB boost are all analog.

“500 series is, by and large, analog and we thought long and hard about introducing a digital product to that world. Our mantra was “as analog as possible,’ said RM.

“The DDL-500s digital circuitry was kept to a minimum – just the chips necessary for delay. All of the other sound-shaping features are implemented in the analog domain. The design goal was to create a digital delay with an analog soul.”

More information: Eventide / DDL-500

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