RME intros Fireface 802 audio interface

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RME has introduced the Fireface 802, a new USB 2.0 and FireWire 400 audio interface at the Musikmesse 2014.

RME Fireface 802

60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features:

Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.

New in Fireface 802

  • New look with improved usability.
  • Dedicated Control Room section for the main output (e. g. studio monitors) and other monitoring outputs (e. g. phones). All existing stereo output channels can be freely assigned as source for the control room section channels.
  • Four definable groups for Solo, Mute and Faders.
  • Switchable Mono and Stereo channel view.
  • Channel Options: Stereo Width, MS Processing, Phase L/R.
  • Trim mode: Adjusts the volume for all routed signals of a channel simultaneously, equalling a hardware’s trim functionality as well as a Post-FX Send function.
  • Unlimited Undo and Redo.
  • FX Sends and Returns: One send bus for every input/playback channel with Reverb/Echo.
  • Expandable channel view for channel settings, EQ and Dynamics.
  • Slim channel mode for selected or all channels, to save space or give a meter bridge view.
  • 2 Row Mode: reduces the height of the mixer to two rows for smaller displays.
  • Reworked Matrix with mono/stereo mode, Undo/Redo, display of phase and mute.

More information: RME / Fireface 802

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Allen & Heath intros ICE-16D multi-track recorder

Allen & Heath ICE-16D

Allen & Heath has introduced the ICE-16D, an alternative version of the ICE-16 multi-track recorder launched last year.

Both units are 16 In/16 Out audio interfaces, allowing performers and audio engineers to easily capture high quality multi-track recordings direct to a USB drive or interface to a computer. Additionally, the ICE-16D has balanced I/O, designed for those customers using the unit in a studio environment or requiring fully balanced inputs & outputs on AES59 standard D Sub connectors.

​Fitted into a compact 1U rack design, ICE-16 and ICE-16D are capable of studio quality interfacing, converting and bi-directional streaming of 16 channels over high-speed USB or FireWire at 24 bit, 96kHz resolution. Alternatively, 16 channels can be simultaneously recorded straight to a USB hard drive or memory stick at up to 24bit 48kHz resolution as a .wav file. The unit is expandable, so you can link units together and synchronize recording of many channels.

Signal and peak metering is provided for each channel and can be switched to show input or output. Headphone monitoring is also included and switches on each channel enable checking of individual or multiple channels. ASIO drivers and Core Audio compliance ensure full compatibility with all the main DAWs, including Logic, Sonar, Cubase and Pro Tools.

ICE-16D features

  • 16 analogue Inputs, 16 analogue Outputs.
  • Front USB socket for quick capturing to USB mass storage devices.
  • Hybrid FireWire (IEE1394) / USB2 .0 16×16 audio interface.
  • Industry standard wav file format.
  • Up to 6 hours of 16 channel audio on a 32GB USB stick.
  • Signal Present and Peak LED metering on each channel.
  • Mono headphone bus for Input or Output monitoring.
  • Daisy chain multiple units over FireWire.
  • Familiar Transport buttons and intuitive control.

The ICE-16D will be available in September 2013, priced at SRP £825 ex. VAT.

More information: Allen & Heath / ICE-16D

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PreSonus announces StudioLive AI-Series Digital Mixers with Active Integration

PreSonus has announced its new series of StudioLive AI hardware/software digital mixing and recording systems, each with Active Integration technology.

StudioLive AI-series mixers retain the same surface-driven functionality that made StudioLive mixers famous, while adding even more processing power, enhanced workflow features, and Active Integration technology. Like the original StudioLive series, they’re incredibly intuitive and easy to learn and use.

PreSonus StudioLive AI 32.4.2 mk2

The series consists of three models: the 32-channel StudioLive 32.4.2AI, with 24 dedicated mix buses; 24-channel StudioLive 24.4.2AI, with 20 dedicated mix buses; and 16-channel StudioLive 16.4.2AI, with 16 dedicated mix buses.

Unrivaled sound quality is provided by premium Burr-Brown A/D/A converters and new DSP architecture based on the acclaimed 64-bit Studio One® audio engine. Robust DSP performance, direct Wi-Fi and LAN communication, fast and intuitive workflow, an onboard FireWire s800 interface, and a tightly integrated software suite for Mac®, Windows®, and iOS® create a streamlined working environment for both live and studio use.

Redesigned from the ground up, these state-of-the-art mixers provide analog workflow with extensive dual signal processing on every channel and bus and actively integrated software that solves real-world problems and lets you record and distribute what you mix. All signal processing-Fat Channel processing, reverb and delay effects, graphic EQs, the works – is available on all channels and buses at all times. Configurable networking and communications option cards ensure your investment won’t be outdated as new technologies emerge.

Active Integration is the difference

PreSonus Active Integration (AI) is a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system communicates to enhance the user experience and solve practical problems in ways not previously possible.

PreSonus StudioLive AI

In StudioLive AI-series digital mixers, Active Integration technology provides wireless or wired (Ethernet) remote control over nearly every feature, thanks to tight integration with the newly redesigned PreSonus StudioLive AI Software Library for Mac®, Windows®, and iOS®, which is included free with StudioLive AI-series mixers. The new mixers sport a FireWire s800 interface and an Ethernet control port on an upgradeable card that can be swapped for optional Dante, AVB, or Thunderbolt.

Thanks to Active Integration, StudioLive AI-series digital mixers deliver an extended feature set, including twice as many internal effects buses as first-generation StudioLive mixers (two reverbs and two delays on dedicated buses), the ability to create two complete sets of parametric EQ and dynamics-processor settings for each channel and bus and make quick A/B comparisons at the touch of a button, and more.

Seamlessly integrated software

The StudioLive AI Software Library has been redesigned for the Active Integration platform and includes the latest versions of PreSonus’ tightly integrated software bundle for Mac and Windows: Capture™ 2.1 multitrack-recording software, Studio One Artist® 2.6 DAW, and Virtual StudioLive-AI editor/librarian/control software with Smaart Measurement Technology™.

In addition, StudioLive Remote-AI control software for iPad® and QMix™-AI aux-mix control for iPhone®/iPod® touch will be available free from the Apple App Store.

All of these applications are designed to communicate with each other and with the mixer. For example, channel names entered in SL Remote-AI are broadcast throughout the network (including Capture), so you only have to name a channel once-and you can name it from anywhere, including the StudioLive AI mixer.

Here’s a level of integration you won’t get anywhere else: When you record with Capture 2.1, you have the option of saving the StudioLive AI mixer scene along with the Capture Session. Studio One 2.6 can open Capture Sessions natively, and when you open a Capture Session that includes a StudioLive AI mixer scene, the Studio One mixer is set to match your StudioLive AI mix scene, including fader values, mutes, pan, and FX send mixes. Fat Channel settings are loaded into Studio One’s new Fat Channel Native Effects™ plug-in. Now you can listen to your mix on your laptop, just as it sounded during the gig, even if the StudioLive AI mixer is packed and on its way to the next gig.

Last and far from least, PreSonus’ award-winning Studio One® DAW has been updated to version 2.6. In addition to the aforementioned ability to import StudioLive AI scenes from Capture 2.1 and apply the scene to its own mixer and new Fat Channel plug-in that can share presets with VSL-AI, version 2.6 adds Nimbit® and SoundCloud™ dashboards to the Start page, extended hardware-controller support, major metronome enhancements, and much more.

StudioLive AI digital mixers are expected to be available at PreSonus dealers in the third and fourth quarters of 2013, with the StudioLive 32.4.2AI coming first, followed quickly by the other two models. MAP/street price is expected to be $3,999.95 USD for the StudioLive 32.4.2AI, $2,999.95 USD for the 24.4.2AI, and $1,999.95 USD for the 16.4.2AI.

More information: PreSonus / StudioLive AI

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Universal Audio ships Apollo 16 audio interface

Universal Audio has announced it is shipping the Apollo 16 Audio Interface and new UAD Software v.7.0, which provides multi-unit cascading, Virtual I/O, and other enhancements to both the Apollo 16 and Apollo audio interfaces.

UAD Apollo 16
Universal Audio’s Apollo 16 audio interface provides 16 x 16 analog I/O with world-class sound and realtime UAD processing.

Apollo 16 is Universal Audio’s flagship 24-bit/192 kHz audio interface, delivering world-class conversion with 16 x 16 analog I/O. This uncompromising FireWire/Thunderbolt-ready* interface combines superior sound and flexible routing with powerful onboard UAD-2 QUAD processing. So you can track audio in real time through the full range of classic UAD analog emulation plug-ins — from Neve, Studer, Manley, Lexicon and more — on both Mac and Windows 7.*

Building upon decades of UA hardware expertise, Apollo 16 features meticulous analog circuit design, top-end converters, and DC-coupled outputs — providing the lowest THD and highest dynamic range of any converter in its class. Two Apollo 16 units can be cascaded over MADI for an expanded system with eight UAD processors and 32 x 32 simultaneous analog I/O, capable of handling large professional mixes.

Apollo 16 also offers compatibility with Intel’s high-bandwidth Thunderbolt technology on Macs via a user-installable dual-port Thunderbolt Option Card (sold separately). Thunderbolt provides greater UAD plug-in instances, improved performance at high sample rates, and reduced UAD plug-in latency in the DAW versus Apollo’s standard FireWire connection.

Apollo 16 is available for an estimated street price of $2,999 USD. Apollo’s Thunderbolt Option Card is also now available for an estimated street price of $499 USD.

Universal Audio’s new UAD Software features enhancements for Apollo and Apollo 16.

Universal Audio’s latest UAD Software v7.0 provides significant enhancements to Apollo’s workflow and expandability and adds the new Ocean Way Studios, SPL TwinTube, and Sonnox Inflator plug-ins to the UAD Powered Plug-Ins platform. Among these enhancements is multi-unit cascading, which allows for combining two Apollo 16 interfaces (for 32 x 32 analog I/O) or two Apollo interfaces (for 16 x 16 analog I/O, with eight Apollo mic preamps) into a single elegant system via FireWire or Thunderbolt.

The boost in Apollo connectivity is navigated via a redesigned Console application, offering better visual feedback, a new PT Mode which simplifies outboard hardware integration with Pro Tools, and a new Virtual I/O feature that allows for Realtime UAD Processing of DAW tracks and virtual instruments.

More information: Universal Audio / Apollo

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Universal Audio announces Apollo 16 high-resolution audio interface

Universal Audio has announced the Apollo 16 Thunderbolt-ready audio interface.

Delivering world-class conversion with 16×16 analog I/O, this uncompromising FireWire/Thunderbolt-ready interface combines superior sound and flexible routing with powerful onboard UAD-2 QUAD processing. With its professional DB-25 connectivity and multi-unit cascading for up to 32×32 analog I/O, Apollo 16 sets a new standard in high-resolution recording with classic analog sound.

UAD Apollo 16

“Building on the success of the original Apollo interface, the Apollo 16 is our flagship audio converter,” says Bill Putnam Jr., Universal Audio founder and CEO. “Its sound quality and scalability make it ideal for pairing with mixing consoles and outboard preamps, and the ability to track through UAD plug-ins in real time provides powerful sonic options for professional studios.”

Building upon decades of UA hardware expertise, Apollo 16 features meticulous analog circuit design, top-end converters, and DC-coupled outputs — providing the lowest THD and highest dynamic range of any converter in its class. Apollo 16’s deep, wide soundstage and exceptionally open and transparent sound makes it the ideal centerpiece for professional recording facilities.

With its standard UAD-2 QUAD processing onboard, Apollo 16 allows real time processing with UAD Powered Plug-Ins — with as low as sub-2ms latency — so recordists can monitor, audition, and “print” audio through stunning analog emulations from Ampex, Lexicon, Manley, Neve, Roland, SSL, Studer, and more. Apollo 16’s onboard UAD processing is also available during mixing and mastering, so that music producers can employ UAD plug-ins (VST, RTAS, AU) throughout the creative process.

Apollo 16 boasts straightforward 16×16 analog I/O via convenient DB-25 connections. Two Apollo 16 units can be cascaded over MADI for an expanded system with eight UAD processors and 32×32 simultaneous analog I/O, capable of handling large professional mixes. Dedicated XLR monitor outputs and stereo AES-EBU digital I/O round out the Apollo 16’s rear-panel audio connections.

Apollo 16’s routing capabilities include four stereo cue mixes with individually assignable outputs, and a new “Virtual I/O” feature that allows for Realtime UAD Processing of DAW tracks and virtual instruments.

Apollo 16 also offers compatibility with Intel’s high-bandwidth Thunderbolt technology on Macs via a user-installable dual-port Thunderbolt Option Card (sold separately). Thunderbolt provides greater UAD plug-in instances, improved performance at high sample rates, and reduced UAD plug-in latency in the DAW versus Apollo’s standard FireWire connection.

The Apollo 16 is expect to ship in Q2 2013, with an estimated street price of $2,999 USD. Apollo’s Thunderbolt Option Card is now available for an estimated street price of $499 USD.

More information: Universal Audio / Apollo 16

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