PreSonus intros StudioLive 64AI & 48AI Mix Systems

PreSonus has announced two new StudioLive AI Mix Systems that deliver large-format channel counts, recording, powerful DSP, and more for under $7,000.

PreSonus StudioLive AI Mix Systems

Available in 48- and 64-channel frame sizes, StudioLive AI Mix Systems consists of two cascaded StudioLive AI consoles, a joining bracket that locks the two mixers together, a PreSonus PRM1 Precision Reference Microphone, and a custom dust cover.

StudioLive AI Mix Systems perform as a cohesive mixer and offer a familiar, surface-driven workflow with one-to-one control over every parameter. Every channel is routed through the bus outputs of the Master mixer and every global setting is controlled from the Master to provide seamless integration between the two cascaded consoles. All the power and performance available to a single StudioLive AI mixer are available to cascaded StudioLive AI Mix Systems.

Each StudioLive AI Mix System provides a robust audio interface, making it easy to record and playback audio as well as to use your favorite plugins as inserts on any of channel. Connect each mixer to a wireless router with a standard Ethernet cable and you’re ready to remote control your StudioLive AI Mix System from an iPad or iPhone or go wireless using the included USB WiFi LAN adapters.

The StudioLive 64AI Mix System cascades two StudioLive 32.4.2AI mixers to create a 64-channel system with 80 x 66, continuously bidirectional FireWire 800 recording interface; 26 mix buses, including 8 effects buses (for 4 reverb and 4 delay processors), and a whopping 558 discrete EQ and dynamics processors. This feature-rich, 64-channel mixing system is a fraction of the size, weight, and price of a conventional large-format digital console yet offers features no console anywhere near its price class can match.

The StudioLive 48AI Mix System consists of two cascaded StudioLive 24.4.2AI mixers, giving you a 48-channel console with an onboard 64 x 50 FireWire 800 recording interface; 22 total mix buses, including 8 effects buses; and DSP processing on every channel and bus for a total of 438 EQ and dynamics processors.

Like every StudioLive AI mixer, the StudioLive 64AI and 48AI Mix System include the StudioLive Software Library. The library includes PreSonus’ Capture™ live recording software, Studio One® Artist DAW, VSL-AI with Smaart Measurement Technology™ for Mac® and Windows®, SL Remote-AI for iPad®, and QMix™-AI for iPhone®/iPod® touch, plus a free account with PreSonus’ Nimbit® online direct-to-fan marketing and distribution service.

PreSonus StudioLive 64AI and 48AI Mix Systems are available for an expected street price of $6,999.95 USD and $5,499.95 USD, respectively.

More information: PreSonus

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PreSonus announces 96 kHz support for StudioLive AI-series Mixers & Nimbit

Related: , , , , , , , Posted in news on Dec 01, 2014 - comment 0 comments
PreSonus StudioLive AI 96kHz

PreSonus has announced the availability of HD mode for StudioLive AI-series mixers. Once updated, any StudioLive AI-series mixer can record and play back audio streams at sample rates up to 96 kHz over the onboard FireWire 800 interface. The number of recording and playback streams is unaffected.

Designed with recording in mind, HD mode limits cascading and output processing while retaining bus mixing, Fat Channel processing on every input channel, and one reverb and one delay processor. Since included Capture™ and Studio One® Artist for Mac® and Windows® already record high-definition audio, no updates to these applications are required.

Registered StudioLive AI-series mixer owners can update their StudioLive AI-series mixer firmware free by downloading the firmware from their My PreSonus account or by connecting their mixer to an Internet-capable network and updating over the Web. Information on how to update the firmware is available from the online PreSonus Knowledgebase.

PreSonus also announced that its Nimbit® online, direct-to-fan music marketing, promotion, and sales service now supports high-definition (24-bit, 96 kHz) audio.

Only PreSonus offers a complete, “riff to release” music recording, production, and delivery solution for high-definition audio. Record, mix, and master in 24-bit, 96 kHz with a PreSonus StudioLive AI-series mixer and Capture or Studio One, then upload your HD files directly to Nimbit for promotion and delivery.

More information: PreSonus / StudioLive AI

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RME intros Fireface 802 audio interface

Related: , , , , , , Posted in news on Mar 12, 2014 - comment 0 comments

RME has introduced the Fireface 802, a new USB 2.0 and FireWire 400 audio interface at the Musikmesse 2014.

RME Fireface 802

60 channels of audio, high-end microphone preamps, reference class converters, a complete effects section and operation at up to 192 kHz are the base for many more features:

Ultra-low latency operation with USB or FireWire, combined with the legendary RME driver stability and maintenance. Active jitter suppression, individually switchable reference levels for all inputs and outputs, full stand-alone functionality, RME’s unique DIGICheck metering and analysis toolbox, and identical operation on Windows PC and Mac.

New in Fireface 802

  • New look with improved usability.
  • Dedicated Control Room section for the main output (e. g. studio monitors) and other monitoring outputs (e. g. phones). All existing stereo output channels can be freely assigned as source for the control room section channels.
  • Four definable groups for Solo, Mute and Faders.
  • Switchable Mono and Stereo channel view.
  • Channel Options: Stereo Width, MS Processing, Phase L/R.
  • Trim mode: Adjusts the volume for all routed signals of a channel simultaneously, equalling a hardware’s trim functionality as well as a Post-FX Send function.
  • Unlimited Undo and Redo.
  • FX Sends and Returns: One send bus for every input/playback channel with Reverb/Echo.
  • Expandable channel view for channel settings, EQ and Dynamics.
  • Slim channel mode for selected or all channels, to save space or give a meter bridge view.
  • 2 Row Mode: reduces the height of the mixer to two rows for smaller displays.
  • Reworked Matrix with mono/stereo mode, Undo/Redo, display of phase and mute.

More information: RME / Fireface 802

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Allen & Heath intros ICE-16D multi-track recorder

Allen & Heath ICE-16D

Allen & Heath has introduced the ICE-16D, an alternative version of the ICE-16 multi-track recorder launched last year.

Both units are 16 In/16 Out audio interfaces, allowing performers and audio engineers to easily capture high quality multi-track recordings direct to a USB drive or interface to a computer. Additionally, the ICE-16D has balanced I/O, designed for those customers using the unit in a studio environment or requiring fully balanced inputs & outputs on AES59 standard D Sub connectors.

​Fitted into a compact 1U rack design, ICE-16 and ICE-16D are capable of studio quality interfacing, converting and bi-directional streaming of 16 channels over high-speed USB or FireWire at 24 bit, 96kHz resolution. Alternatively, 16 channels can be simultaneously recorded straight to a USB hard drive or memory stick at up to 24bit 48kHz resolution as a .wav file. The unit is expandable, so you can link units together and synchronize recording of many channels.

Signal and peak metering is provided for each channel and can be switched to show input or output. Headphone monitoring is also included and switches on each channel enable checking of individual or multiple channels. ASIO drivers and Core Audio compliance ensure full compatibility with all the main DAWs, including Logic, Sonar, Cubase and Pro Tools.

ICE-16D features

  • 16 analogue Inputs, 16 analogue Outputs.
  • Front USB socket for quick capturing to USB mass storage devices.
  • Hybrid FireWire (IEE1394) / USB2 .0 16×16 audio interface.
  • Industry standard wav file format.
  • Up to 6 hours of 16 channel audio on a 32GB USB stick.
  • Signal Present and Peak LED metering on each channel.
  • Mono headphone bus for Input or Output monitoring.
  • Daisy chain multiple units over FireWire.
  • Familiar Transport buttons and intuitive control.

The ICE-16D will be available in September 2013, priced at SRP £825 ex. VAT.

More information: Allen & Heath / ICE-16D

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PreSonus announces StudioLive AI-Series Digital Mixers with Active Integration

PreSonus has announced its new series of StudioLive AI hardware/software digital mixing and recording systems, each with Active Integration technology.

StudioLive AI-series mixers retain the same surface-driven functionality that made StudioLive mixers famous, while adding even more processing power, enhanced workflow features, and Active Integration technology. Like the original StudioLive series, they’re incredibly intuitive and easy to learn and use.

PreSonus StudioLive AI 32.4.2 mk2

The series consists of three models: the 32-channel StudioLive 32.4.2AI, with 24 dedicated mix buses; 24-channel StudioLive 24.4.2AI, with 20 dedicated mix buses; and 16-channel StudioLive 16.4.2AI, with 16 dedicated mix buses.

Unrivaled sound quality is provided by premium Burr-Brown A/D/A converters and new DSP architecture based on the acclaimed 64-bit Studio One® audio engine. Robust DSP performance, direct Wi-Fi and LAN communication, fast and intuitive workflow, an onboard FireWire s800 interface, and a tightly integrated software suite for Mac®, Windows®, and iOS® create a streamlined working environment for both live and studio use.

Redesigned from the ground up, these state-of-the-art mixers provide analog workflow with extensive dual signal processing on every channel and bus and actively integrated software that solves real-world problems and lets you record and distribute what you mix. All signal processing-Fat Channel processing, reverb and delay effects, graphic EQs, the works – is available on all channels and buses at all times. Configurable networking and communications option cards ensure your investment won’t be outdated as new technologies emerge.

Active Integration is the difference

PreSonus Active Integration (AI) is a complete, networked, tightly integrated hardware/software ecosystem in which every touch point in the system communicates to enhance the user experience and solve practical problems in ways not previously possible.

PreSonus StudioLive AI

In StudioLive AI-series digital mixers, Active Integration technology provides wireless or wired (Ethernet) remote control over nearly every feature, thanks to tight integration with the newly redesigned PreSonus StudioLive AI Software Library for Mac®, Windows®, and iOS®, which is included free with StudioLive AI-series mixers. The new mixers sport a FireWire s800 interface and an Ethernet control port on an upgradeable card that can be swapped for optional Dante, AVB, or Thunderbolt.

Thanks to Active Integration, StudioLive AI-series digital mixers deliver an extended feature set, including twice as many internal effects buses as first-generation StudioLive mixers (two reverbs and two delays on dedicated buses), the ability to create two complete sets of parametric EQ and dynamics-processor settings for each channel and bus and make quick A/B comparisons at the touch of a button, and more.

Seamlessly integrated software

The StudioLive AI Software Library has been redesigned for the Active Integration platform and includes the latest versions of PreSonus’ tightly integrated software bundle for Mac and Windows: Capture™ 2.1 multitrack-recording software, Studio One Artist® 2.6 DAW, and Virtual StudioLive-AI editor/librarian/control software with Smaart Measurement Technology™.

In addition, StudioLive Remote-AI control software for iPad® and QMix™-AI aux-mix control for iPhone®/iPod® touch will be available free from the Apple App Store.

All of these applications are designed to communicate with each other and with the mixer. For example, channel names entered in SL Remote-AI are broadcast throughout the network (including Capture), so you only have to name a channel once-and you can name it from anywhere, including the StudioLive AI mixer.

Here’s a level of integration you won’t get anywhere else: When you record with Capture 2.1, you have the option of saving the StudioLive AI mixer scene along with the Capture Session. Studio One 2.6 can open Capture Sessions natively, and when you open a Capture Session that includes a StudioLive AI mixer scene, the Studio One mixer is set to match your StudioLive AI mix scene, including fader values, mutes, pan, and FX send mixes. Fat Channel settings are loaded into Studio One’s new Fat Channel Native Effects™ plug-in. Now you can listen to your mix on your laptop, just as it sounded during the gig, even if the StudioLive AI mixer is packed and on its way to the next gig.

Last and far from least, PreSonus’ award-winning Studio One® DAW has been updated to version 2.6. In addition to the aforementioned ability to import StudioLive AI scenes from Capture 2.1 and apply the scene to its own mixer and new Fat Channel plug-in that can share presets with VSL-AI, version 2.6 adds Nimbit® and SoundCloud™ dashboards to the Start page, extended hardware-controller support, major metronome enhancements, and much more.

StudioLive AI digital mixers are expected to be available at PreSonus dealers in the third and fourth quarters of 2013, with the StudioLive 32.4.2AI coming first, followed quickly by the other two models. MAP/street price is expected to be $3,999.95 USD for the StudioLive 32.4.2AI, $2,999.95 USD for the 24.4.2AI, and $1,999.95 USD for the 16.4.2AI.

More information: PreSonus / StudioLive AI

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