Justin Windle at Soulwire posted a nice particle node sequencer created in Flash using the Tonfall Audio Engine, the new open source AS3 audio engine produced by Andre Michelle.
This sequencer is based around physical nodes, which connect to produce a variety of tones. There are two types of node, a neuron and a receptor, which are connected by synapses (apologies for the trite analogies). Neurons fire periodically, and if within a certain proximity of a receptor, this message is sent at a fixed speed along the bridging synapse. When the message arrives, the receptor is activated and responds by queuing it’s individual tone within the audio engine. Each receptor owns a randomly assigned note, and each neuron a randomly assigned octave; therefor a receptor will play it’s note in several different octaves depending on which neuron causes it to fire.
The Particle Sequencer is available to download from Soulwire.
Tracker goes online with a Flash based web version.
Skale Tracker is a music tracker developed by Ruben Ramos Salvador (baktery) in the year 1998. The first version was released for Windows, later a Linux version was presented and now a web version is here.
Skale Tracker web version
Brings me right back to my FastTracker 2/GUS days. I feel like pulling up some of my old .xm files and doing some remixes.
Robert Henke of Monolake and one of the creators of Ableton live came through Denver and performed his work "Intersection" on Monday and then delivered a lecture at Denver University on Tuesday. This invitation only event was hosted by The Digital Media Studies program at the University of Denver.<br /> <br /> This was a real treat as this was one of only a small number Robert's performances in the US. Here is a show report.
Strings a fraction of the thickness of a human hair, with microscopic weights to pluck them: researchers and students from the MESA+ Institute for Nanotechnology of the University of Twente have succeeded in constructing the first musical instrument with dimensions measured in mere micrometres – a 'micronium' – that produces audible tones. A composition specially written for the instrument will be performed in Enschede on Sunday 26 September.
"A recent project saw little-scale collaborate with electronic music composer and researcher Poppi Doser. Antia – the resultant eight track EP – is best described as ambient and smooth sonic landscapes, interrupted by harsh and rhythmically complex lo-fi beats.
A work of contradiction, Antia manages to create a convincing merger of various stylistic elements. Poppi provides field recordings, plays piano and sings, and little-scale is on the SEGA Mega Drive and Atari 2600."
Plan8 has introduced SoundController, a new sound engine for Flash.
SoundController is just a fancy name for our proprietary sound engine. It is created for us as sound-and music makers so that we can be as creative and professional as when we deal with sound in linear media such as film or radio.
It lets us mix and control the audio of the site in real time, even if the site consists of mixture of different techniques such as video and 3D etc. It also enables us to create the musical soundtrack that adapts to the user in a musical way, the soundtrack develops as if the user were the bandleader.
And all this is done without sending files to busy developers, it’s all managed on our side.
Lightweight – The core engine weight is under 60 kB.
Remote management – You add the events, and we do all the other work.
Asset management – We can divide our sound assets in as many pieces as you want, and load them when they are needed.
Adaptive music – The system handles both vertical (mixing of layers) and horizontal (adding musical pieces after one and other) composition. All in time, and perfect synch with the beat..
Beat Event – The system can send an event for when the next beat will occur, to sync the visuals to the music.
Sound in Movies – Keep your films silent! The system supports audio in films, FLV’s or movies in time lines, it doesn’t matter..
Custom functions – We can adapt our system to handle specific functions for each need.
Livid Instruments has announced the Ohm64 Customizer, a web-based Flash application which lets you style and customize your own Ohm64 with over 100 different combinations.
We are really happy to now offer you the ability to create your own Ohm64 design in real-time, and order it directly from our shop.
The Customizer lets you design, preview, and order a custom Ohm64 and have it made-to-order and shipped in just ten days. Custom options include multiple color body finishes, LED colors, and faceplate colors. Since we make everything in-house, we have the ability to customize, create, and build everything under one roof, which is rare for an electronic music hardware product. The customizer allows you to stylize and design your Ohm64, and order it direct from Austin, Texas.
As an introductory offer and a way for us to test the process, each custom element is only, $10.
This is my MIDI piano instructor. This thing (top left in the picture) drives a bar of LEDs placed on top of a piano keyboard (electronic or regular). MIDI messages play a MIDI melody through the electronic piano or a MIDI box and also drive the MIDI piano instructor which turns on and off the LEDs according to the notes played.
The new episode of Electric Independence documents a rare look inside Devo’s studio. Mark Mothersbaugh himself gives us a tour through the space and shows us some of his favorite (and strangest) synths and circuit bending noisemakers. The guys even tell us some funny stories of their early Akron days, like the large girls (or “mother hens” as they like to call them) who would circle their equipment to warm it up before playing on those cold Ohio nights.
When the x0xb0x first came out in 2005 it was a exciting and unusual for a few reasons. First it was the first synth that really sounded like a TB-303, Second it was a Kit that you had to build yourself. Due to the cult status of the 303 a lot of musicians started getting into DIY just so they could get there hands on a x0xb0x. This was a boom to the DIY synthesizer community. After 5 years Adafruit has had a wildly successful run with the x0xb0x. Adafruit Industries shipped out 1,000 kits and there are countless others who self sourced there own. My goal is to keep the x0xb0x alive and relevant to the DIY community for years to come. We have an amazing project that was given to us by Adafruit Industries. I plan to keep the original spirit of sharing. In the coming months you will see more open source project’s that are derived from the x0xb0x but not necessary tb-303 related. Transistorize the World!
The Audiotool Team has released Audiotool 1.0 Firestarter, an online music making platform.
Two years ago we started with a simple idea: Everyone should be able to make music online through their browser without the need to install any additional software. This proof of concept was a great success and since then we have continually updated Audiotool with new features, as well as, pocketing a Red-Dot Award and a German Design Award.
However we have never considered any of the updates worthy of the being the 1.0 release, until now.
We have spent the last year developing the technical breakthroughs necessary for the release of 1.0. Try new devices like the amazing Pulverisateur synthesizer to enhance the spectrum of your tracks and even create audio tracks with high-quality loops delivered by LoopMasters.com. Publish your tracks to the new Audiotool community or work on them privately for as long as you like. Publish them after finalising and let other musician remix your tracks, depending on the license you specify.
I have made a copyright-free and license-free sample pack of the Phillips SAA-1099 sound generator chip. It is a very straightforward sample pack, consisting of 96 pitched samples and 16 noise samples, across a range of frequencies. These samples have been recorded from hardware. The audio output stage of the sound chip has not been filtered.
Sebastian has also announced a music contest:
It's time to get your chipmusic on! This is your chance to win a SEGA Master System MIDI Interface. Be the coolest musician in your town with this brand new tool that lets you control the sound chip in your SEGA Master System with MIDI data.
The legend of the early sounds of the Mac remains, apparently, an alluring one. Here, Jim Reekes talks to a Dutch documentary crew (though in English) about his thought process in designing sounds for the Mac, including the famous Mac startup sound.
Jon at Audio Geek Zine lists his top 10 free RTAS plug-ins for Pro Tools.
I see this topic come up a lot, “what are the best free rtas plugins?” I’ve answered the question so many times but I’ve never addressed it on the site.<br /> Below is my list of 10 (in no particular order) free 3rd party RTAS plugins I think everyone should have on their system. There are many more out there but these are the ones I use on a regular basis, they are useful and are stable.
Improving on a design and sharing the results with our users is always at the top of our list at Livid. The Block controller has been a great success and we have just made some minor design changes to make it even better. Originally milled from a solid block of wood, the square body with thin bottom has had its challenges, mostly warping and cupping. We have experienced a bit higher reject rate for bodies at the shop before they were built then we would like. Thus, the up and coming stash of rejected bodies in the Livid Graveyard that were never meant to be!
When sampling technology finally became accessible to mere mortals and not just uber-rich Fairlight and Synclavier enthusiasts, the race was on to increase fidelity and leave behind the limitations of those first 8-bit samplers. Bit depth and sampling rates increased and memory capacity expanded until the average sampled sound was indistinguishable from the same sound recorded on a CD.
But sure enough, after many years of enjoying the pristine sound quality of the new sampling technology, musicians began to explore and exploit the limitations of the old school samplers. Suddenly the grain of low bit-rate samples and the metallic grit of aliasing is very much in style. So how can you emulate the sonic artifacts of some of the long forgotten vintage samplers? I'm glad you asked…
This is the plugin I am currently working on. It's called "Intello". Basically it's a glitch producing plugin and in this first short demo I'm showing you one of the 5 planned glitching modes. The plugin will be controllable by an iPhone application from a listening audience. So the listeners can interact with a performer.
I receved an email last night from the good people at audiotool. For those of you that dont know audiotool is a browser based music production platform that features emulations of the classic drum machines and bassline synth origanally made by roland. Along with the drum machines and bass line synthesiser, the audiotool also features emulations of guitar effects. The email I receved contained a link to test the BETA version of audiotool 1.0 [codename: Firestarter]. The BETA version of the audio tool has lots of intresting new freatures, such as a timeline, piano roll, automation and a new synthesiser.