Percussa has announced the launch of its AudioCubes Discussion Mailing List, a chance to discuss and learn more about the AudioCubes musical interface, and related hardware of software.
A few minutes after launching it, the first emails from the AudioCubes user community arrived in the mailing list.
The goal of the discussion mailing list is to discuss topics about AudioCubes, Max/MSP, and any geeky stuff related to electronic music production and sound design. So people can exchange ideas as well as learn from AudioCubes experts.
Of course, me and Bert will be actively involved into the discussion as we want to talk to our users and fans personally.
If you woke up this morning thinking, "Gee, I wish I could download two gigabytes of 120 BPM modular synth loops", I have some good news for you.
I've been using the TipTop Audio Z8000 for a while now, collecting material for a video, but I also kept a DAW file handy and recorded bursts of interesting output at various intervals. This process generated a lot of materal, but it is clear to me it would be more useful in someone else's hands.
Beatseqr is an arduino mega based computer interface by Steve Cooley.
It is aimed at electronic musicians and visualists. By itself, it connects to a desktop app that runs on mac or windows and can send out OSC messages to arbitrary network ports. However, combine beatseqr with a tightly integrated sequencer like Dajis Systems' Steppa (included in the price) and you have a powerful interface to create a MIDI loop which you can use to control sounds from pretty much any music software that accepts incoming midi data.
We've tested it out with Logic, Live, Reason, Quartz Composer, Max/MSP, PureData, and Processing. It works great!
The CodeOrgan analyses the "body" content of any web page and translates that content into music. The CodeOrgan uses a complex algorithm to define the key, synth style and drum pattern most appropriate to the page content.
Matt Pacyga and I have teamed up to release some free sample downloads resulting from our respective field recording experiments. Matt has put together a superb set of crunches and splats which originally emanated from his kitchen and some very unlucky food items. The recordings are high quality and super-creative, so I highly encourage you to take advantage of his generosity and download these sounds!
I've also got a number of samples on offer here that came from some contact microphone experiments, but I'll defer to the official description (after the jump) for the details
Hubert is small but powerful device to use with your modular synthesizer.
On each hand side there is one force sensing resistor turning applied pressure into a steady CV output. Each channel has three outputs: CV Out, Inverted CV Out and Gate out. Each side is capable of holding the current voltage on CV Out, whereas the inverted CV appears on Inverted CV Out. If a CV is held in the CV Out you still can use the inverted out, even switching from positive to negative voltage as often as you want without disturbing the held CV output. In addition each of the two channels fires a gate signal every time pressure is applied to the pressure pad. The CV can go from 0V to +/- 8V and can be controlled in sensitivity.
Mark Mosher of Modulate This! talks with AudioCubes inventor Bert Schiettecatte:
I recently conducted a phone interview with Percussa founder and AudioCube inventor Bert Schiettecatte.
I think music artists, visual artists, sound designers, those interested in tangible interfaces for installations, and music technology fans will all enjoy this interview – even if you are not in the market for a tangible interface.
There are those who will throw away their old record covers but there are those that will use them to create some mind blowing artistic stuff.
One of them is definitely Christian Marclay, a New York visual artist, DJ and composer who used record covers of Michael Jackson , Doors, Donna Summer, David Bowie and many others for this piece of art. The relationship of sound, vision, music, art and performance is the focus of his work.
It's hard to believe another weekend is upon us, but it is, so here are some more free samples to get your weekend off to a good start. This time, it's a set of 21 24-bit synthetic percussion sounds I made on my Sequential Pro One
Say you’re an up-and-coming crew with a turntable and some mics. You’ve got a gig this Friday at the middle school gym (the janitor has been bribed appropriately) and the boys on the corner have been passing out your flyers to all the lovely ladies. Everything’s set, except you heard that Kool Herc is coming to battle. Herc and his mighty sound system schooled you last go-round, so you know you need something fresh to rock the bodies proper. Your DIY solution? The 55-gallon drum sound system.
The Control Centre has posted a sample pack features 38 piano samples in 44k 16 bit mono format.
This samplepack contains 3 pianos I recorded to tape in 1998. A Baby Grand, a Fender Rhodes and an old upright a friend of mine had in her back kitchen. I recorded the pianos using a Tascam 244 Cassette Portastudio and a Shure SM58 microphone. The Fender Rhodes was recorded to tape directly from it's line output. The recordings were then sampled using a Yamaha A3000 sampler.
I recently exported the samples from the A3000 sampler to my laptop computer via floppy disk, and then imported them into Ableton Live's Sampler. To save each piano into your Live Library, load the project, then save each sampler as a preset inside Sampler's preset browser. Live will copy the samples to your library automatically.
If you don't have Live 8 and Sampler, you can still use the samples to recreate these pianos in your choice of software.
The "Octapult" is a kinetic sculpture designed and built on commission by Bradley N. Litwin of Philadelphia, PA. With 8 synchronized catapults, 160 plastic balls per minute are launched, caught, and recirculated. Made mostly of wood, the work is ~36 inches in diameter. On permanent display in the lobby of Lower Merion Elementary School, Merion Station, PA. Also a performing jazz musician, more of Litwin's work may be seen and heard at www.bradlitwin.com.
XEROWorld is the next phase in the evolution of online arts & entertainment — a totally new and unique web destination that seamlessly integrates social networking, interactive events, magazine style-news, and online malls.
Kyle Evans modified a didgeridoo to experiment in the combination of the organic sound qualities of a didgeridoo with the advanced signal processing capabilities of modern computer programming and sound synthesis. He writes:
This custom built didgeridoo features externally mounted modules that allow the performer to process and manipulate the sound of the instrument in real time. All control data is transmitted wirelessly via blue tooth and is controlling several audio processes created in a custom-built software environment.
Synchronization is, by definition, a tough thing to do. But musical engineering is replete with challenges; it’s no longer acceptable to simply say “live with it” and walk away. It seems we need both better shared knowledge about what sync is how to make it work, and better engineering solutions on the software and protocols side to support the way users want to work. And yes, we need a new sync standard that goes beyond what’s presently available in MIDI alone
Tunited is a groundbreaking new independent music website which will assist new and independent artists and labels gain increased exposure, challenging the flagging music business’ growing reluctance to invest in this exciting area.
The top 100 artists will upload their music catalogue onto the website prior to launch; it will then be made available to the press and music industry for showcasing before the site goes live.
To become a profile artist, please click on the button below to enter your details and upload your track before midnight on 11.12.09. Your music will be judged by Tunited's panel of experts including Midge Ure OBE.
Josh made a LED sign which displays voicemails from his Google Voice account.
I made the LED sign following instructions from this tutorial on Nerdkits.com. The hardware is some LED’s, a nerdkit, a piece of cardboard and a bit of wire that I got from some Cat 5 cable laying around. I cut out the cardboard and printed a grid to help me lay out the LED’s. I think mine were 1 cm apart. The soldering took forever and it was the first real time I did any soldering so it looks kinda crappy. Oh well. It works. The sign itself is powered by a 9 volt battery and receives data from my laptop through the serial port via a USB adapter. All that stuff was included in the Nerdkit when I bought it. The microcontroller is running code from the tutorial I mentioned earlier. One of these days I’m going to make an enclosure for this thing.
In my last blog, I was discussing the idea of being a two-hit wonder, and wrote about the song “Luka.” The other hit AOL cited in its story (called “Two-Hit Wonders”) was “Tom’s Diner,” which was a hit for me in 1990. This wasn’t just a plain ordinary hit, if there is such a thing. To this day it is sticky with the modern issues of technology and copyright law.
What a lovely read. In the article Suzanne also mentions the Luka cover by the Lemonheads, one of my favorite covers of a Vega song ever. Nice to read that she liked it too, I wonder if Evan knows. (link via Synthtopia)
We could do what those other supposedly geeky apparel companies do and print a regular t-shirt with a cool looking picture of a drum kit on the front… then say it was trendy, make a few Rock Band references and try to convince you to buy it. But we don't roll like that. At ThinkGeek we know you expect innovative new products and we're here to pony up the goods. So, how about an electronic t-shirt with a picture of an actual playable drum kit on the front? That's right. Hit the drums on this shirt with your finger and they play through the built in speaker… simple but amazing. With 7 different drum sounds you're ready for a personal drum solo on your chest.
# Rhythm Ring: Interactive Rhythm Sequencer – The Rhythm Ring interactive rhythm sequencer is an engaging musical device that enables the user to create a plethora of rhythms and beat patterns with the touch of their own fingers.
Besides being fun to play with, the Rhythm Ring provides a tangible method of arranging a musical rhythm. In our design, the user can arrange beats and modify them in real time by moving steel ball bearings between holes—a physical representation of notes on a musical staff. The Rhythm Ring continuously loops up to three tracks, each with its own voice. A central ring of LEDs provide the user with live feedback for current "playhead" position, and bright LEDs pulse when a note is played due to a detected bearing. The three tracks allow the playback of three different percussion sounds: snare, hi-hat, and bass drum.
The Rhythm Ring is the ECE 476 Final Project by Brian Yung (bmy5) & Hanson Jiang (hcj4).
# Randy George Music – Randy George is a classical thereminist. The theremin, invented in 1919 by Russian physicist, Lev Sergeyevich Termen, is an electronic musical instrument, played entirely without physical contact. Randy aims to share the theremin with the world and restore its reputation as a serious musical instrument.
Ableton Live looped cover of Something About Us by Daft Punk, performed on Nintendo DS Ubisoft Jam Sessions, Midi controlled software electric bass, drums, synth, vocoded vocals, and solo theremin, recorded in a single pass, with a single camera.
Some interesting things I bookmarked on del.icio.us on November 27th, 2007:
Wiinstrument – Ever wanted to have a cheap external MIDI controller that’s wireless? Or to play a groovy drum loop in your sequencer without having to set note delays manually? Wiinstrument is a MIDI instrument that is controlled by a connected Nintendo Wii remote.
human after all: about daft punk’s bearbricks for alive 2000 – A limited edition pair of Daft Punk Bearbricks, meant to coincide with the release of Daft Punk’s Alive 2007 CD. Medicom will release 3000 of these toys on December 5, package them with a copy of the CD and sell it for 5250 Yen ($48), presumably in Japan.