PowerFX has announced its first ever Soundation Studio social remix contest on Google+ Hangouts with +Daria Musk.
After Spotify and SoundCloud another small Swedish music tech company, PowerFX Systems, is hoping to impact the digital music world with their cloud-based music making app Soundation Studio for Google+ Hangouts. Soundation combined with the multi-person video calling feature in Google+ Hangouts allows you to create or remix music with up to nine users in separate geographical locations and video chat together in real-time.
“Digital music making is usually a solitary affair”, states Bil Bryant of Soundation. “You sit in front of your computer and make your music or your remix, but with the Soundation in Hangout combination, a whole new collaborative experience is available. The video element and the potential of engaging anyone with an internet connection really expands the possibilities.”
To kick off this development, Soundation is teaming up with the exciting, new artist and web sensation, Daria Musk, for the first ever social music making remix contest. Daria Musk is one of the most successful artists on Google+, with over 3 million followers and has provided her song “Ghost” for the contest. Participants can login with their Google+ or Soundation account and launch Soundation Studio for Google+ Hangout and invite friends in the Google+ community. Once a remix is complete it is published to a Soundation group where each remix can be listened to and voted on with likes. Daria and dancer Karen Cheng will select the winner from the top ten most voted submissions and they will receive a Meet and Greet with Daria and Karen to explain the remix which will be broadcast via Hangout On Air to YouTube. Karen will make a video of herself dancing to the winner remix and post it on YouTube and Soundation will supply a Chromebook Pixel.
Deadline for remix submissions is November 10th 2013 6:00 pm EST (24:00 CET). The winning remix will win a Meet and Greet Hangout on Air with +Daria Musk to talk about how the remix was made.
Orange Tree Samples has announced it will be offering free Kontakt sample libraries through its social networks.
Starting today we’re sharing freebies every week of this holiday season through the Orange Tree Samples social networks.
Although it’s not a requirement in order to download the freebies, if you subscribe to the Orange Tree Samples page, you’ll get notification when each freebie is released, and be able to download them the moment they appear in your news feed.
Subscribing to Orange Tree Samples’ social networks is also a great way to meet other Orange Tree Samples fans, get feedback your music, ask questions, and so on. It’s also a great way to get inside information on upcoming Orange Tree Samples libraries, including sneak peeks at upcoming projects, behind-the-scenes photos, and much more.
We’re on Facebook, Twitter, and Google+, so head over to one of these links now to download the first freebie!
n-Track Software has announced the release of n-Track Tuner for Android devices.
Tune your guitar, bass or other instrument with n-Track Tuner. Just put your Android device next to your instrument and play each string, the tuner will automatically recognize the note you’re playing and tell you whether you need to lower (green bar) or increase (red bar) the string’s pitch.
The spectrum analyzer provides a visual feedback of the notes played by the instrument and shows a small arrow to highlight the harmonic whose pitch the tuner is tracking.
For those who prefer to manually tune their instrument the ‘Diapason’ view lets you play a reference tone, ‘A’ (440 hz) or any other note that you can select dragging the frequency slider.
Already available for iOS, the free Tuner app is now available on Google Play.
Plan8 and 14islands have launched Bandcontroller, an experimental audio game for the Chrome browser.
Control music and sound in Google Chrome, using your iPhone as a game controller.
This is a demo showing our little Chrome Experiment with Web Audio API, Googles fantastic Audio API for the Chrome browser. It lets you do stuff you couldn´t do before in a browser. It takes shape as a little game, where you control certain aspects of a song using your iphone as a control unit. Very handy for doing synth solos.
Muze is an Arduino instrumentalist who creates melodies that evolve over time.
Muze has a palette of notes that it can in-turn interpret and compose into various rhythms and phrases that are strung together to form something musical. The user can then influence these strings of notes and rhythms to create entirely new compositions. Much like you would a tune a radio to get a new song, Muze can be tuned to provide new and different melodies.
In the interest of keeping Muze from becoming another knob laden techno-fest of an instrument, interaction has been limited to just one input.
On Rainlith, the primitive naturally granular sound of a big rainstick gets explored in real-time by cyber-age sound manipulation tools.
It's an interactive piece in witch the movement of the audience's body activates an electric motor, making a reflex movement on the structure that embraces the instrument.
The sound of the rainstick is captured and processed in realtime, and sent 24 meters above, filling the empty space of a old industrial cereal container. The reverberated acoustic mix is then received back by the audience in the spot right below the opening of the container.
NeuronDrum is a sample based rhythm composer by Poul Vestergaard.
It has 512 audio samples 32MB. Most of the sounds are made for electronica music. All rhythms is made of a neuron based approach with 8 neurons.
The first neuron works as a kind off metronome. All neuron can send impulses to each other. Every neuron has a threshold value. If the threshold is 3 then it will need 4 impuses to fire the sample, and send impulses to other neurons.
Electronic musician, vocalist, and inventor Tim Exile is back; while the Google Doodle today of an interactive Les Paul inspired lots of people to invest some time fiddling and hacking, in Tim’s case, it inspired a whole song. And, to my knowledge, it’s the first time the homepage of Google got its own ode.
Bluebrain's The National Mall will only work within the physical boundaries of the National Mall park in Washington DC. It is a location-specific album and is not intended for use outside of the designated area. Please follow us on Twitter (@bluebrainmusic) to learn more about when a location-aware album might be coming to a location closer to you. While on the Mall, we recommend you quit other applications from the multi-tasking bar on your phone for best performance. If you are having difficulties, force quit or restart your phone. Make sure to quit the app fully once you leave the area to avoid it draining your battery when it isn't being used.
Miguel Isaza introduces Designing Sound TV, Television for Sound Designers.
Could you imagine the concept of television re-imagined for sound designers only? How would that be?
How would be a Field Recording TV channel? or can you imagine a show where you can see how the sound of a recent film was done? or what about watching some channels where you can find other guys like you recording sounds outside the world? What if you could watch interviews with different sound designers each night while you drink a cup coffee?
Well, I’ve created something like that, but using the Internet. It’s called Designing Sound TV, a new website packed with lots videos about sound for films, video games, tv, and more. There you can find all kind of stuff on sound design, field reording, foley, mixing, and more.
# Hiphop Experience vol.4
Dmitry Vasilyev aka Cyberworm brings the fourth part in series of free hiphop drum loops (36 loops in stereo wav format, 24bit/44.1kHz, 43 MB).
Music Thing is back! (though Tom notes that “Normal service will not, I’m afraid, be resumed…”)
After almost two years since the last blog post Tom Whitwell returns with a list of 23 DIY guitar effect pedal kits.
Over the last couple of years, I’ve spent a few evenings building DIY guitar effects. It's fun to build things that you can use. If you want to get started, one of the hardest things is buying components. Try to buy a 10Ω resistor from Farnell, and you’re faced with a choice of 345 items. So, starting out buying a kit is a good idea. At least you’ll know the parts are right, even if when your soldering isn’t.
However, not many people sell kits. Despite the potential markup on a handful of bulk components, the customer service is – presumably – a nightmare. Here are 23 companies who will sell you complete component kits for guitar effects – many more people produce PCBs, or sell finished pedals. Stay tuned for similar lists on synths/noise boxes and tube amplifiers.
# Google Translate Beatboxing – If you haven’t heard about Google Translate’s beatboxing skills yet you probably spend a more than healthy amount of time away from the interwebs. Check it out, it’s cool.
Jon Tidey at Audio Geek Zine shares some useful tips on editing & workflow as part of a series of 9 interviews with recording engineers from around the world.
What is Home Recording Tactics? This is a collection of audio interviews with 9 hard working, successful home studio engineers (including me). The interviews were led by Joe Gilder of Home Studio Corner. He got these guys to share all their secrets on a variety of home recording topics.
Who says technology has to move fast and die young? Leon Theremin may have been a full century ahead of his time, before computers, before transistors, before jet engines or atomic power or rockets.
ReacTable creator Martin Kaltenbrunner has a virtual Theremin prototype built with Microsoft’s depth-sensing, 3D Kinect camera. And what he really needs is some players of the real Theremin to help develop it.
SoundCloud’s iPhone app makes it easy to record and share your sounds from anywhere.
Today, we’re excited about the release of the recording feature.
The Record button will make it easy for you to capture all kinds of sounds right on SoundCloud & with the iPhone app and share them from anywhere to everywhere on the web: your website, social network profiles or simply between friends & family.
There are those who will throw away their old record covers but there are those that will use them to create some mind blowing artistic stuff.
One of them is definitely Christian Marclay, a New York visual artist, DJ and composer who used record covers of Michael Jackson , Doors, Donna Summer, David Bowie and many others for this piece of art. The relationship of sound, vision, music, art and performance is the focus of his work.
It's hard to believe another weekend is upon us, but it is, so here are some more free samples to get your weekend off to a good start. This time, it's a set of 21 24-bit synthetic percussion sounds I made on my Sequential Pro One
Say you’re an up-and-coming crew with a turntable and some mics. You’ve got a gig this Friday at the middle school gym (the janitor has been bribed appropriately) and the boys on the corner have been passing out your flyers to all the lovely ladies. Everything’s set, except you heard that Kool Herc is coming to battle. Herc and his mighty sound system schooled you last go-round, so you know you need something fresh to rock the bodies proper. Your DIY solution? The 55-gallon drum sound system.
The Control Centre has posted a sample pack features 38 piano samples in 44k 16 bit mono format.
This samplepack contains 3 pianos I recorded to tape in 1998. A Baby Grand, a Fender Rhodes and an old upright a friend of mine had in her back kitchen. I recorded the pianos using a Tascam 244 Cassette Portastudio and a Shure SM58 microphone. The Fender Rhodes was recorded to tape directly from it's line output. The recordings were then sampled using a Yamaha A3000 sampler.
I recently exported the samples from the A3000 sampler to my laptop computer via floppy disk, and then imported them into Ableton Live's Sampler. To save each piano into your Live Library, load the project, then save each sampler as a preset inside Sampler's preset browser. Live will copy the samples to your library automatically.
If you don't have Live 8 and Sampler, you can still use the samples to recreate these pianos in your choice of software.
The "Octapult" is a kinetic sculpture designed and built on commission by Bradley N. Litwin of Philadelphia, PA. With 8 synchronized catapults, 160 plastic balls per minute are launched, caught, and recirculated. Made mostly of wood, the work is ~36 inches in diameter. On permanent display in the lobby of Lower Merion Elementary School, Merion Station, PA. Also a performing jazz musician, more of Litwin's work may be seen and heard at www.bradlitwin.com.
XEROWorld is the next phase in the evolution of online arts & entertainment — a totally new and unique web destination that seamlessly integrates social networking, interactive events, magazine style-news, and online malls.
Kyle Evans modified a didgeridoo to experiment in the combination of the organic sound qualities of a didgeridoo with the advanced signal processing capabilities of modern computer programming and sound synthesis.
This custom built didgeridoo features externally mounted modules that allow the performer to process and manipulate the sound of the instrument in real time. All control data is transmitted wirelessly via blue tooth and is controlling several audio processes created in a custom-built software environment.
Synchronization is, by definition, a tough thing to do. But musical engineering is replete with challenges; it’s no longer acceptable to simply say “live with it” and walk away. It seems we need both better shared knowledge about what sync is how to make it work, and better engineering solutions on the software and protocols side to support the way users want to work. And yes, we need a new sync standard that goes beyond what’s presently available in MIDI alone
Tunited is a groundbreaking new independent music website which will assist new and independent artists and labels gain increased exposure, challenging the flagging music business’ growing reluctance to invest in this exciting area.
The top 100 artists will upload their music catalogue onto the website prior to launch; it will then be made available to the press and music industry for showcasing before the site goes live.
To become a profile artist, please click on the button below to enter your details and upload your track before midnight on 11.12.09. Your music will be judged by Tunited's panel of experts including Midge Ure OBE.
Josh made a LED sign which displays voicemails from his Google Voice account.
I made the LED sign following instructions from this tutorial on Nerdkits.com. The hardware is some LED’s, a nerdkit, a piece of cardboard and a bit of wire that I got from some Cat 5 cable laying around. I cut out the cardboard and printed a grid to help me lay out the LED’s. I think mine were 1 cm apart. The soldering took forever and it was the first real time I did any soldering so it looks kinda crappy. Oh well. It works. The sign itself is powered by a 9 volt battery and receives data from my laptop through the serial port via a USB adapter. All that stuff was included in the Nerdkit when I bought it. The microcontroller is running code from the tutorial I mentioned earlier. One of these days I’m going to make an enclosure for this thing.
AudioCubes designer Bert Schiettecatte will be hosting a series of one day workshops at his private workspace, for a select number of artists, starting November 10th 2009.
Workshop description: Starting with some theory, you will discover the history of AudioCubes, tangible interfaces, and their applications. The practical part of the workshop will let you master the technical aspects of using AudioCubes in sound, music and visual creation, and let you work on your own project using AudioCubes.
history of audiocubes
overview of tangible interfaces
why were audiocubes created / fundamental ideas
how audiocubes work
the audiocubes hardware
audiocubes software for live performance, sound design and music production
how to use audiocubes to control MIDI software and hardware
Google plans to launch a music service, Wired.com has confirmed with sources familiar with the situation. Next to nothing is known about the service at this point, rumored to be called “Google Music,” “Google Audio,” or “One Box,” although we have confirmed that it will be announced next Wednesday, and that it will link out to two music services: Lala and iLike.
What excites me most about Chipsounds is the possibilities for the future. I’d love to see a couple options that weren’t present in the original machine introduced here. A filter section would definitely expand the possibilities (a handful of chips have filters available as their chip-specific settings), a more useful and flexible Portamento function would be great, and, as mentioned before, a wider array of effects would be a nice addition. That said, imposing the limitations of the original chips is not a bad thing in my opinion. It encourages the same kind of creative thinking and workarounds the original programmers used to use back in the day to get sounds you wouldn’t expect to be possible with such limited means. Plogue has approached this softsynth with a palpable sense of reverence and their affection for these outdated sound makers shines through in abundance. An exceptionally fun and unique instrument! [8/10]
This demonstration uses my crude DIY flux capacitor for the Livewire AFG, basically 5 switches and 10 jacks corresponding to the flux cap pins. Two pin pairs are attenuated by two VCA's controlled by the makenoise/wiard wogglebug, crosspatched with the malekko/wiard noisering, which drives the melodic noodling, via a A-189-1 used as a bitcrusher, to perform cheap quantizing.
The sine output is sent to an input of a makenoise QMMG, driven by the A-143-1 envelope. About halfways through, a feedback path from the animated pulses, animated by A-143-1 LFOs, into the A-106-6 xpander filter (wogglebug controlled) goes into one of the pins on the flux cap expander, resulting in strange noises and unpredictable overtones.
This is a simple sequencer machine which uses Capacitative Sensing Code for input to the Arduino. It is is a combination drumpad and sequencer. It has just two modes, record, and playback, and needs very few components; an Arduino (of course), and just 3 resistors and a piezo speaker. If you're feeling decadent, you can add an LED (with a resistor) for more "ooomph".
For those starting out in electronics as a hobby there are some tools that are required for the job. To begin with, a soldering iron, some screw drivers, perhaps tweezers and of course a multi-meter are probably what you would consider essential.
After a while though, you are going to be looking for more. Amongst the other goodies out there to help you on your way are oscilloscopes. In the past, advice on forums has always tended more towards purchasing a second hand scope. These tend to be had for around £100 on places like E-bay and most certainly will be a few years old if available at this sort of price. Well that is changing and I was excited yesterday to get my hands on a “Scope” that may just re-write the forum advice. Meet the Nano DSO from Seed Studio…
Eric posts some samples of his mini space rockers analog percussion synthesizer.
Here are over 80 different electro drum / noise samples from the mini space rockers circuit… but you should really build it because its analog and it sounds a little different every time. and its cheap, so no excuses. I am offering these samples under a Creative Commons Attribution license. That means you are free to use them for whatever, but please credit me where appropriate.
Kseniya Simonova is an Ukrainian artist who won Ukraine's Got Talent 2009. She uses a giant light box, dramatic music, imagination and "sand painting" skills to interpret Germany's invasion and occupation of Ukraine during WWII.
Testing m4l interfacing capabilities with arduino through max's [serial] object. A simple 4-sensor controller for an FM synth. Analog and digital information is mapped onto midi control messages that can be routed inside live for events or modulation.