Spitfire Audio has announced the release of Enigma, a collection of inspirational DNA for your tracks created exclusively for Spitfire by Leo Abrahams.
Leo Abrahams is a trailblazing musician, composer, and producer who has recorded and toured with such successful artists as; Imogen Heap, Ed Harcourt, Roxy Music, Grace Jones, and Pulp. Leo began to write and produce for a catalogue of aspiring singers and bands, which led him to creating his own records including The Unrest Cure, featuring the vocal stylings of; Brian Eno, KT Tunstall, Ed Harcourt, Foy Vance, and Bingo Gazingo. Leo has produced for a number of artists including Paolo Nutini, Wild Beasts, Frightened Rabbit and Carl Barat of the Libertines; he has composed such incredible soundtracks as that of The Lovely Bones (with Eno) and Hunger (with David Holmes); and he is also credited as the guitarist in such fantastic film scores as that of Oceans 12, Twilight and Green Zone. Leo’s talent has extended across multiple genres of music, and it is his devotion along with his raw talent that has brought him the success he has today.
We’re delighted to announce today’s release of “ENIGMA” a collection of awe inspiring sounds and tools created exclusively by Leo in conjunction with Spitfire Audio. As composers ourselves we have been itching to get our hands on what we know will become essential DNA for future compositions and productions.
Created largely on a rusty Trussart guitar plugged into Leo’s infamous pedal array, with over 300 presets including weird and wonderful sounding guitars, synths, pads, atmos, phrases and over 200 loops. This library is 5GB (compressed from 10GB) of pure inspiration.
The sample library is available to purchase for the introductory price of £75 GBP until December 2nd, 2013 (RRP £99 GBP).
Spitfire has also announced that HZ01, the first volume of Hans Zimmer Percussion, will be shipping on November 26th, 2013.
HZ01 ships in November as over 160GB of compressed content (from over 600GB of mixed and edited WAV data) and the initial release has material from Hans Zimmer, Alan Meyerson, and Geoff Foster. Two free updates are following with Steve Lipson and Junkie XL’s material. The final library will be north of 200GB of compressed content (from over 700GB of mixed and edited WAV data)
The library consists of microphone positions, ‘perspective elements’ and full mixes (as detailed below) mixed in stereo and 5.1 by Grammy and Oscar winning engineers and producers: Alan Meyerson, Steve Lipson, Junkie XL, Geoff Foster and Hans Zimmer himself.
The library will be available to purchase for the introductory price of £299 GBP for the first two weeks (RRP £399 GBP). It will include an additional 25% off voucher for future purchases.
Users of Zebra have no shortage in sounds for this virtual modular synthesizer. Thousands of patches are available in both free and commercial soundsets. U-he’s latest offering – The Dark Zebra, is a little more than just a collection of patches.
A bank of over 400 presets, a collaboration between Hans Zimmer and Howard Scarr. Practically all Zebra sounds in the The Dark Knight as well as The Dark Knight Rises soundtracks are included, plus several more that didn’t quite fit into the scores.
The pack also includes Hans’ custom built update from a licensed Zebra2.x to the version you can see in this video, ZebraHZ. Many of the more recent patches make use of the extra features available in ZebraHZ.
Demonstration of The Dark Zebra with its custom ZebraHZ synthesizer plugin.
So not only does this soundset for Zebra 2.5 include hundreds of sounds straight from the brilliant minds of Hans Zimmer and Howard Scarr, it also comes with a custom Zebra version that was made specifically for Hans’ scoring of the Dark Knight movies.
Additional features of ZebraHZ include:
analog filter models such as the ones found in Diva,
2 additional modulation mappers,
and a Polymoog-like resonator effect module.
The new filters are available from the DIVA VCF tab in the bottom bar of the GUI.
You get 4 highpass filters and 4 lowpass/multimode filters. The HP filters include two models – Pre and Bite, and the 2 pairs of lowpass filters have Ladder, Cascade, Multimode and Bite models. Controls for cutoff, resonance and key follow are available, and three unlabelled knobs can be used to set modulation depths for assigned sources (two for cutoff, one for resonance) for each filter.
Since these filters can consume quite a bit of CPU, it’s good to have some quality parameters so you can work in draft mode and render with high audio quality. You can also get some random cutoff values on the filters with an additional “CutoffSlop” control.
ZebraHZ comes with an individual polyphonic compressor for each one of the 4 lanes. Polyphonic means that these will apply compression for each single note! You can imagine this takes some processing power so you can deactivate them to save some CPU.
The lane compressor modules are particularly useful for doing percussion/drum type sounds where transients matter.
With two additional modmappers in ZebraHZ (also included in the latest regular Zebra plugin) you now have a total of 4 flexible modulation map modules to add even more modulation to your sound.
The new Resonator module (Res1) is available from the effects grid on the Global/FX tab. This emulates the 3-band peaking filter found on Moog Music’s Polymoog analog synthesizer.
One of the very first polyphonic synthesizers ever included a 3-band peaking filter that could be used to dramatically shape the overall sound.
The resonator module in ZebraHZ.
ZebraHZ takes this concept and extends it with an extra full range band (60Hz-7.5kHz). The Resonator has various filter color modes, and the filter mode includes lowpass, bandpass, a bandpass variation with inverted second pole, and highpass.
Interestingly enough, many of the patches in The Dark Zebra don’t use any of these new features. Regardless, the additions are great to have.
As for the sounds, The Dark Zebra has a total of 400 patches which are categorized as follows:
Basses and Drones (33)
Bells and Metallurgy (26)
Drums and Clocks (64)
Effects and Chaos (38)
HighArps and Chords (72)
Lead and Horns (47)
LowArps and Stomps (50)
Pads and Keys (46)
As you would expect with sounds that were used in the soundtracks for The Dark Knight and The Dark Knight Rises, many of them have a dark and cinematic feel to them.
Howard programmed most of the sounds to be performed with mod wheel, pitchbend, pressure and breath control, making them very dynamic. The patches come with information on the sound, how to use it and which controls are assigned to which parameters so you get an idea of how they were intended to be played.
Check Jarkko Hietanen’s amazing demo below to hear some of the sounds of The Dark Zebra in action. Only Zebra was used for this track!
So what do I think?
Product: The Dark Zebra by u-he Format: .h2p patches + ZebraHZ VST/AU plug-in Price: $99 USD incl. VAT (EU) Like: Brilliant sounds, excellent for studying Zebra sound design Don’t like: Costly for new Zebra users (since Zebra 2.x is required) Verdict: 9/10
It is a real testimony to u-he’s Zebra, that a famed composer like Hans Zimmer chooses to use this particular synthesizer for his soundtrack scoring. Browsing the sounds of The Dark Zebra it is clear that see why this flexible, high quality instrument was used. But a good synth only gets you so far.
I reckon a decent sound designer can make a bad synth look pretty good. How much more can a brilliant sound designer do with a fantastic synth? Howard Scarr is a true master of synthesizer programming, and in this collaboration with Hans Zimmer his skill, knowledge and dedication bears much fruit.
The sonic range of The Dark Zebra offers small and beautifully intricate to gripping, fast-paced and chaotic. Highly cinematic, but not limited to film scoring, this soundset is both an archive of hundreds of beautifully designed sounds ready for use in your own productions, as well as a peek into top notch sound design with Zebra. It is well worth studying the patches to learn how particular sounds were achieved.
Though the soundset didn’t actually end up using the new features in a whole lot of its patches, it’s still great to have the Diva filters, resonator, and lane compressors in ZebraHZ for your own sound design.
The only downside is perhaps the price tag. Even though ZebraHZ comes as its own plugin, you do need a license of Zebra 2.x to use ZebraHZ and the soundset. I personally think that The Dark Zebra is well worth the price, but new users will have to pay a considerable sum to get the whole package. That said, Zebra *is* a most excellent synthesizer, so it’s not a bad thing to pick it up anyway.
Stephan Müsch aka rsmus7 has released Darkend Bank, a free collection of 32 patches for ZebraHZ, the software synthesizer that is part of u-he’s Dark Zebra soundset featuring sounds by Howard Scarr and Hans Zimmer.
I made these patches as a „thank you“ contribution the ZebraHZ release. I hope you’ll enjoy them.
All Patches have the modwheel and the XY controls assigned, some also aftertouch.
u-he has announced the release of the Dark Zebra, a soundset for Zebra 2 featuring patches by Hans Zimmer and Howard Scarr.
The Dark Zebra soundset with the custom ZebraHZ synthesizer plugin.
A bank of over 400 presets, a collaboration between Hans Zimmer and Howard Scarr. Practically all Zebra sounds in the The Dark Knight as well as The Dark Knight Rises soundtracks are included, plus several more that didn’t quite fit it into the scores.
Furthermore, the pack includes Hans’ custom built version of Zebra, dubbed ZebraHZ. Many of the more recent patches make use of the extra features available in ZebraHZ.
The Dark Zebra soundset is available to Zebra 2 users for $99 USD (incl VAT).
Note: The included ZebraHZ is currently VST2 and AU only (AAX and VST3 are in development).
u-he has posted a video of “The Dark Zebra”, a soundset for Zebra 2 featuring sounds by Hans Zimmer and Howard Scarr.
A walk through some of THE DARK ZEBRA synth presets – a Zebra2 soundbank created by Hans Zimmer and Howard Scarr. A few of the clips reveal extra “ZebraHZ” features that are not present in the regular Zebra2.
The Dark Zebra is expected to be released on Monday, July 23rd.
u-he has announced details on the upcoming ZebraHZ, a special version of Zebra that Hans Zimmer used in the soundtracks of the Dark Knight trilogy of Batman films.
As you know, next week premieres the final part of The Dark Knight trilogy. For the soundtrack HZ used a custom built Zebra with Diva filters and some prototype features originally planned for Zebra3. He got us to do this in return for some rights. Now the gist is, part of what we’re releasing requires that pimped version of Zebra, hence it will be bundled. It isn’t perfect, e.g. the “Diva” filters are mono, there’s no multicore support, significant CPU drain if the extras are used. We call it ZebraHZ, and it will run nicely as a *separate* plugin!
So, hehe, I can’t hold back anymore, and it has been guessed rightly a few times – all Zebra patches by HZ/HS designed for Batman Begins, The Dark Knight and The Dark Knight Rises, accompanied by ZebraHZ. Sells for 99$, requires an existing Zebra license.
This I think is the best way to celebrate 11 (i.e. one more!) years of u-he, and a great way to bridge the gap until we release Zebra3. I’m also very happy that we can finally and officially make these sounds heard.
Eastwest has announced the release of Quantum Leap Solo Violin, a world-class solo violin for the most demanding virtual orchestrations.
Produced by Nick Phoenix, Quantum Leap Solo Violin is a virtuoso solo violin recorded at Remote Control Productions, a film score facility in Santa Monica, California run by veteran film composer Hans Zimmer and home to the scores of many of today’s top films.
Quantum Leap Solo Violin includes 5 passes of true legatos sampled intervals, Legato soft, legato forte, expressive legato, portamento and fast legato/ trill/ run.
Quantum Leap Solo Violin features round robin up and down bowing on most articulations and is the first violin virtual instrument that can handle very fast playing and live trill playing with ease. All of the basic articulations were sampled as well as various expressive articulations, vibrato styles, and non vibrato.
Quantum Leap Solo Violin has a sound and character ideally suited for film and classical work.
Quantum Leap Solo Violin includes the latest version of EastWest’s PLAY software featuring 2 new solo violin reverb impulses designed to make Quantum Leap Solo Violin blend well with other EastWest/Quantum Leap collections.
Eastwest/Quantum Leap Solo Violin is available to purchase for $99 USD.