The past two years the sound industry raised over $23000 for Save the Children, in a charity event on the forum of KVR Audio. Companies donating software and hardware on auction to the highest bidders.
This year, my aim is to raise $20000 for Save the Children, marked to the emergency fund for the Syrian children.
Auctions include products by Moog Music, FabFilter , Camel Audio, Goldbaby, Cableguys, FXpansion, Propellerhead, D16 Group, and many more.
All auctions end on October 31st, 2013, 11:59:59 pm Central European Time (CET).
ToneCarver has entered the Boids hybrid granular and delay effect plug-in into KVR’s Developer Challenge 2012.
It features a 2D “Boid” swarm as a set of modulators for the grain and delay parameters. This plugin grew out of an interest to accomplish two different goals:
Finding a way to manage grain swarms visually.
Creating delay-based ambiance that has subtle, not quite random, variations.
The Boid Swarm represents a set of flocking boids (a boid is a “Bird Android” – see Craig Reynolds work: www.red3d.com/boids). There are a few simple rules that each boid uses to determine where it will fly to on the next swarm advance. These include rules for how fast to fly, how near to fly to other boids, how strongly to move to the center of the flock, how strongly to follow a leader boid, and how strongly to match the position and direction of nearby boids.
The swarm space that the boids fly in is treated as a 2D coordinate system where the X (horizontal) and Y (vertical) position of each boid can be used to modulate controls. A swarm may contain up to 200 boids.
The plugin supports multiple grain streams and multiple delay taps (up to 200 each). Each grain stream and delay tap is associated with one of the boids in the swarm. The X position, Y position, Radius position and ID number of that boid associated with the grain stream or tap can be assigned to modulate the controls that define how that specific grain or tap will be produced.
For example, the X position of a boid can be assigned to control the pan value for the delay taps. For each delay tap, the X position of the boid associated with that delay tap will determine its pan position in the output stereo field. Different taps will have different pan values depending on the location of the boid associated with the tap. In this configuration delay tap signals will move through stereo positions as the boids move through the swarm space.
Each of the parameters for the grain streams and delay taps can be modulated using the position of the boid associated with the grain/tap (and/or traditional LFO modulators).
Boids demonstration by harryupbabble.
The plugin is a free download at KVR (Windows VST).
Distorque’s entry to the KVR Developer Challenge 2012 is Azurite, a free chorus effect plug-in for Windows.
My goal in designing it was to make as flexible a chorus as possible without losing great tones and ease of use. The result is an effect that will be handy for producers, guitarists, and glitch lovers alike.
Unlike most choruses, Azurite allows for multiple simultaneous voices. Each of these voices has its own delay line that is modulated by a separate LFO. Adding multiple voices leads to a thicker, smoother, and less wobbly tone. It also makes vivid stereo spreading possible with a mono signal. The Voices control chooses how many voices the chorus uses: one, two, four, or eight.
Azurite is a multi-voice chorus with a focus on rich sounds and versatile controls.
Stereo or mono operation.
Fidelity control emulates vintage analog choruses.
Acrobatics has released the Minisynth series, a collection of three instruments: FRET, GRIT and PEAK.
As an overall concept, Acrobatics simplified controls and packed implementations to the highest grade to push-up users creativity first and give steady look and maximum usability to the three polyphonic synthesizers.
WHY A COLLECTION? Common look and feel and standardized location of knobs and switches goes in the direction of helping musician when in a busy musical work, when certainly requires fast access to basic synthesis controls and settings to fit in the mix. The Minisynth series collection is also suitable for educational purpouses for its separate interpretations of most important synthesis methods and applications.
The Minisynth series for Windows (VST) is available as freeware as part of the KVR Developer Challenge 2012.
Noizefield’s has released the Particle of God ensemble effect for Native Instruments Reaktor as part of the KVR Developer Challenge 2012.
Particle of God: a time-synced sequenced bounce glitch delay for NI Reaktor 5.
The idea behind this effect is to create a delay where the delay time is accelerated. The single delays are getting faster (or even slower) for each time the delay is repeated. To get a “musical” result, the delay time and also the delay acceleration is synchronized in time and tempo.
Several parameters can be changed in real-time an tweaked by the step-sequencers.
The ensemble is a free download; a template for hexler touchOSC is available as well.
Total Composure has released the Total Composure Orchestra free Kontakt sample library, its entry for the KVR Developer Challenge 2012.
The Total Composure orchestra (TCO) is a full orchestral sample library created using only samples that are in the public domain. Total Composure is the first to offer such a library exclusively for the Kontakt format; making use of Kontakt’s scripting capabilities to greatly enhance the playability, realism, and functionality of these public domain samples.
The scripting aims to provide similar functionality across the different instrument groups, whatever the instrument; while more specific settings play to the strength of each instrument.
LVC-Audio’s entry to the KVR Developer Challenge 2012 is Clip Shifter, a plugin designed to provide saturation and clipping effects to your audio.
This can be useful for individual tracks such as kick, snare, room mics, bass, etc.; on mix busses such as drums; and on overall mixes. The sonic characteristics of the clipping distortion can be altered from hard, brickwall-style clipping, to softer saturation with compression.
The threshold controls for Clip Shifter’s clipping dynamically responds to the transient characteristic of the incoming audio. Distortion/Saturation can be selectively applied to part of the audio signal.
Clip Shifter is available as a Windows 32-bit or 64-bit VST plugin.