Incident has posted a video of a live performance with the gTar app-enabled smart guitar in Ableton Live.
Are you curious to see some more technical capabilities of the gTar? We’ve made this video to demo some of the versatility the our Ableton Remote Scripts and the gTar’s ability to track note input!
First, we highlight the different functionalities of the gTar when it is paired with Live via these scripts. Then we show you how easy it is to toggle between and play different instruments using only the gTar. Finally, we use one of the patches and some other clips (all of which except for the drums were recorded using the gTar) to create a short improvisational performance.
The Ableton Remote Scripts for gTar are available to download here.
First there was the Maschine, then came Maschine Mikro, and now Native Instruments has updated both to mk2 with new software features, an improved controller, and additional hardware accessories.
For those who have never heard of Maschine before, it is basically a combination of music production software with a dedicated hardware controller. A tightly integrated system that can be used standalone – including hosting of 3rd party plugins, or as a plugin in another host. The groovebox-like hardware controller can also be used to control external hardware and software via MIDI with Maschine’s MIDI mode.
Now, I realize I am a bit late to the party with this review, and to be honest after checking some earlier reviews I found pretty much everything I would like to say has already been written at Oh Drat. So I’ll try my best not to ruminate and list everything you can already find at the Native Instruments website anyway, and instead just mention a few things I found particularly interesting when using the new Maschine.
Multi-colored pads and group buttons on the Maschine mk2 controller.
While the rainbow colored, toy-like appearance did not appeal to me a whole lot at first, I found myself using color coding on sounds and groups pretty much from day one. I already did the same thing in other music production software to indicate groups of instruments, sounds, effects, etc. and having the same kind of thing in Maschine is a definite workflow improvement for me.
Besides having multi-color LEDs, the pads also have a much improved sensitivity. I thought the pads on the original Maschine were really good, but to me the Mk2 is an order of magnitude better still. The sensitivity is just amazing, even at really low velocities. I can now confidently tap away the night without worrying about waking up my kids in the next room.
I also enjoy the new screens a lot better, easier on the eyes and improved readability. It has helped me to do more from the hardware controller where before I would jump to the computer screen. The fact that you can now audition samples from the hardware before committing helps a lot too.
The new screens on the mk2 are very good in places where you have very little light.
On the whole many of these changes are seemingly minimal improvements, but in fact they are most useful. Like the little click response on buttons, something I didn’t even know I wanted until the mk2 came along, what a lovely improvement.
On the software part I feel that Native Instruments has an extremely difficult job. Besides implementing some of the new features to go with the hardware, there are tons of feature requests from existing and potential customers. It is not likely you’re ever going to be able to please everyone with any update, much less a point update.
Time stretch/pitch shift is a much requested feature that was implemented, but… for some reason it is not a real-time process. While the results of processed audio is impressive, it kind of stumps me why can’t just have a preview and commit function?
The additions of the Transient Master module, some new tape and tube saturation models for the Saturator module, and a free copy of the Massive software synthesizer are nice bonus.
With MASCHINE 1.8, all MASCHINE users get the full version of the modern legend MASSIVE – the synth that gave birth to the earth-shuddering bass tones and speaker-troubling leads that have defined the bass music genre. This monster synth contains 1,300 ready-to-go sounds, all instantly browseable via the MASCHINE hardware. MASCHINE’s eight control knobs offer direct access to MASSIVE’s eight Macro controls, for perfect synergy between hardware and synthesizer, and a lightning-fast workflow.
It is my guess that over time, Native Instruments is going to be integrating more and more of its sounds & effects into the Maschine package.
There are a bunch more improvements, of which I want to mention one that may seem minor but it certainly made my day. You can now use both your hands for recording automation of parameters by pinning down the “Auto Write”. I record automation a whole lot so this little feature is a godsend to me.
What didn’t get much attention is MIDI. I work pretty much completely in the box so it’s no big deal to me, but if you use a lot of external gear and need full MIDI implementation with MIDI CC and multiple outputs, version 1.8 does not yet bring what you’re looking for. Native Instruments never said they would implement this in the update so can’t blame them really, but it would be good to see full MIDI support nonetheless. I haven’t a clue how much work it is to get it implemented, perhaps it will take version 2.0 to get it…
The custom kits are available in a variety of colors.
Some companies were already offering custom stickers and modifications for the original Maschine, so Native Instruments cleverly pulled the market towards themselves by offering a custom kit with faceplate and knobs in various colors. Granted, the pricing of these kits is a bit steep, but I have to say they look really good. Great quality and replacing the magnetic faceplate and knobs is really easy.
The stand is also something you could probably do yourself for less money, but again, great quality piece of hardware and it looks sleek. It can be mounted on standard drum hardware with the included Mounting Adapter.
Alright, to finish I want to show the obligatory Jeremy Ellis video. It should be said that this makes me want to sit down with my Maschine all day, but realize that it is not likely you will ever get anywhere near the amazing stuff he does. At least, this is truth in my case.
Also, for a great overview of everything new in Maschine mk2 and the 1.8 software, check out this excellent video by Dubspot’s Matt Cellitti.
So what do I think?
Product: Native Instruments Maschine mk2 Format: VST/AU/RTAS/Standalone Price: 599 EUR / $669 USD Like: Amazing pads, great screens, many workflow improvements, fun! Don’t like: No real-time time stretch, No full MIDI implementation Verdict: 9/10
Improved pads, screens & workflow, new effects and the Massive synth included. No earth shaking features perhaps, but with mk2 the Maschine platform is moving along rather nicely.
At the same retail price of the first model, Native Instruments is definitely offering a superior package with Maschine mk2. For those who already have the original Maschine, the software update is free. Personally, I enjoy the pads and colored LEDs so much to justify getting the mk2, but whether the controller improvements are worth the upgrade or not is up to you.
There is still a lot of room for Maschine to grow, and I am pretty confident that Native Instruments is going to tackle some of the top feature requests in future upgrades, but as is, Maschine mk2 remains an amazing piece of gear. Native Instruments calls it fast, intuitive, powerful and flexible. I call it a joy to work with.
Maago has released the Maago 4×4 Virtual App, the first product in a new controller family for the Traktor DJ software platform by Native Instruments.
The 4×4 Virtual App has been designed to wirelessly control Native Instruments TRAKTOR PRO or any other application or device that supports the MIDI protocol through a wireless connection directly from your iPad or iPhone.
The App lets you control the four decks of TRAKTOR PRO, the Effects and all the Browsing features of the software.
The 4×4 Virtual App is available to purchase for $16.99 USD (iPad) / $2.99 USD (iPhone/iPod touch).
Maago is also developing the Maago 4×4 hardware unit, a 4-decks USB/MIDI DJ controller.
Maago’s 4×4 new generation hardware midi controller unit for Traktor Pro.
Maago 4×4 features
Buttons and knobs:
40 high quality back lit buttons
71 high quality buttons
42 high quality small buttons
11 high quality rotary enconders
8 high quality knobs
Connections: 2 USB ports / 1 Midi out + 1 Midi in
Dimensions: 120 mm (4.7″) x 52 mm (2″) x 294mm (11.5″)
Weight: 691 grams (1.5 lb)
Power Supply: bus power via USB 2.0 interface and/or external power supply (not included)
Note: specifications subject to change.
The hardware unit will be demonstrated at the East Ender Festival (Sonar Off 2012) on June 14th. The controller is expected to ship late 2012/early 2013.
Steinberg has announced a software update to version 1.1 for its CMC controllers.
The CMC set of controllers comprise six units: the CMC-CH channel controller, CMC-FD fader controller, CMC-QC quick control unit, the CMC-PD pad controller, the CMC-TP transport controller and the CMC-AI controller with Advanced Integration capability. The controllers perfectly complement Steinberg’s highly acclaimed CC121 remote control unit.
“We’ve listened carefully to customer demands and have therefore implemented new and improved functionality to our CMC controller range,” said Stefan Schreiber, product marketing manager for hardware.
With the new LED dimming option, the button illumination on all CMC units can now be switched on and off for improved visibility while using the controllers in dimmed studios and stages. Other features and enhancements include new Key Repeat capability on the CMC-CH, CMC-FD and CMC-QC controllers that allows users to move sequentially through channels with ease. In addition, the CMC-CH now provides mute, solo, monitor and record-enable control for all tracks inside folder tracks while the CMC-CH and CMC-FD boast a wider detection range of their touch-control sensitivity.
New in CMC software v1.1
New LED dimming option for better visibility.
CMC-CH, CMC-FD and CMC-QC with new Key Repeat function for the selected channel.
CMC-CH now provides across-the-board control on all tracks residing in folder tracks.
The CMC update version 1.1 (Tools for CMC and firmware) will be available to download through the Steinberg website in May 2012.
Akai has introduced the MPC Renaissance, a new Music Production Controller.
Fusing Akai Professional’s legendary MPC layout and workflow with the power of your computer, MPC Renaissance is an unrivaled instrument for music production.
The new flagship is a fully integrated hardware/software system: MPC Renaissance allows you to create using classic hardware controls and an integrated pop-up display, while it’s exclusive MPC Software empowers you with unprecedented, expandable production capabilities on your Mac or PC.
MPC Renaissance features
MPC Renaissance Hardware
Fuses legendary MPC production with the processing power of your computer.
Vintage Mode changes output sound character to MPC3000, MPC60 and more.
Nektar has announced the Panorama, a controller for Propellerhead Software Reason 6.
Panorama is our vision of how a great controller should work. Yes, there are many ‘generic’ controllers on the market already but we have yet to find one that satisfies our criteria of operating the software, as if it’s hardware – That’s Panorama.
Panorama uses a communication protocol that has been custom designed for Reason 6, putting control – every control – at your fingertips. Panorama, in addition, of course also feature traditional MIDI controller capabilities, including a MIDI output, just in case you want to switch between your virtual and hardware instrument rack in real-time. Panorama really does access all areas.
Panorama P4 features
49-Note Keyboard Controller.
Custom designed for Propellerhead Reason.
Integrated with communication protocol.
Channel Strip Controls.
12 Velocity Pads.
Nektar has also launched a competition in which they are giving away the first Panorama P4 controller.
Yes, we are going to give away the very first manufactured Panorama P4 to the lucky winner of this competition.
The rules are simple: Answer the questions below and submit the form including your real name and email address. Only one submission is permitted per person. Multiple submissions by one person will result in that persons entry being void.
The competition ends January 31st, 2012. The Panorama is expected to ship in Q1 2012.
Keith McMillen Instruments has introduced the QuNeo, the next generation of music software and hardware controllers for electronic musicians, DJs, VJs and DIY hackers.
Redefining music production and performance, QuNeo (pronounced kyoo-ne-oh) covers all of the functionality of other controllers, while adding the power of extra dimensions. Quneo provides 27 pads, sliders and rotary sensors with 3D Multi-Touch recognition for pressure, velocity, and location sensitivity, which allows musicians playing electronic sounds to change their timbre (quality, brightness and volume) the harder or softer they are played by simply varying touch pressure. The pads are also responsive to X (left – right) and Y (up – down) and recognize multiple gestures for pinching and swiping.
Previously with first generation products, controlling music software and hardware was limited. You could only hit a pad, twist a knob or push a button to manipulate sounds and effects. KMI has resolved these restrictions with its innovative next generation line of Multi-Touch controllers: SoftStep, 12 Step, and now QuNeo, that transforms musical intent into audio through physical control of 3D Multi-touch sensor technology.
The Size of an iPad: QuNeo is the size of an iPad 2 and fits in iPad accessories such as clips, stands and more.
3D Tactile Pads, Sliders, Rotary Sensors and Switches: 27 pads, sliders and rotary sensors that are pressure, velocity, and location sensitive, with 17 switches responding to how hard you press.
LED Light Feedback: a remarkable lumination scheme combines variably diffusive elastomers with 251 multi-color variable brightness LEDs providing visual feedback that is immediately responsive and delightfully informative.
Class Compliant and Open Source Development Kit: QuNeo works with USB, MIDI or OSC and will communicate with your favorite music software environments right out of the box. More advanced users and programmers can download the development kit to create their own code to respond to QuNeo’s sensor data.
The QuNeo is scheduled for release in March 2012. It is currently priced at $200 USD for pre-sale at Kickstarter.com