Results for Mark Mosher

Below are the posts that should have something to do with 'Mark Mosher'.

Note: Use the search form in the top right if you're looking for something specific.

  

Short links for February 26th, 2010

Some interesting things I found recently:

# Neurosonics Live (Vimeo)

Chris Cairns of Neurosonics Audiomedical Labs Inc. posted another Neurosonics video, the Holographic Drumkit and Turntables test.


DRUMS: WILL CLARK, TURNTABLES: JFB, HEADS: BEARDYMAN

# GroovePacks Free Stuff

GroovePacks has released a new sampler freebie featuring 10 Sampler instruments (Live 8 and Sampler required).

The instruments were made using samples from our Foundation 1 & 2 sample packs, and also some waveforms from the default Ableton library. Open the info view to see additional information on each rack. You get some great sounding sfx, bass, pad and rhythmic sounds. Install instructions are on the zip file. Enjoy!

# OTO machines – Biscuit

Hardware unit with real 8-bit A/D and D/A converters, true analog multimode filter with resonance control, an FX section with Waveshaper, Delay, Pitch Shifter and Step Filter, and more…

OTO Biscuit
OTO Biscuit

Add depth, texture and organic behavior to synths, basslines, drum machines and virtual sounds from computers with BISCUIT !

By using 8-bit converters, digital processing and analog resonant filters, Biscuit opens up a wide range of sounds from harsh distortion, digital and aliasing artifacts to warm and fat 8-bit sounds.

Producers, deejays, musicians and sound lovers can use BISCUIT to extend their sound creation possi- bilities.
BISCUIT will find its place in studios, on stages or even in clubs.

via CDM, where you can also find an interview with creator Denis Cazajeux.

# SNOOKY001 DRUMKIT « timothyJ:

Free drumkit by Timothy Preut:

new drumkit called SNOOKY001. It is a combo of some kinda retro meets grimey meets elctronic. Have fun using these sounds.

Drumaxx & Ableton @ ModulateThis!

# Image Line Drumaxx Tutorial – Routing Pad Output to Separate Audio Tracks in Ableton Live

Mark Mosher posted a tutorial on how to route pad output of Image-Line's Drumaxx percussion synth to separate audio tracks in Ableton Live.

Image Line has just released a new Percussion Modeling Instrument called Drumaxx made by Maxx Claster. Drumaxx includes 130 drumkits, 900 drum patches, 200 drum patterns. If you use Sawer, Sakura, Morphine, Poizone, or Toxic Biohazard instruments, then you are familiar with Maxx’s work.

Image Line is offering Drumaxx as a “name your price” download for limited until March 31st,2010 with a minimum price of $13 USD with $1 going to support Haiti earthquake victims. With a deal like this I thought it was a “no brainer” so I picked it up.

One of the coolest features is that each of the 16 physically modeled drums can be routed to individual tracks within your host so you can add additional effects. Below I’ll show you how to set this up on Ableton Live.

# Studio Wormbone

Trevor Dutton wrote in to let us know that he’s hiring out the services of his electronic music studio.

Studio Wormbone is a compact and efficient state of the art recording and production facility located in a quiet forest setting just outside the Emerald City of Seattle.

Owned and managed by sound designer/producer Trevor Dutton, Wormbone Studio specializes in all aspects of electronic music, sound design, and cutting edge audio production.

Trevor has also released a number of sample packs, now available from Producer Loops.

Short links for February 22nd, 2010

Some interesting things I found recently:

# The Stretta Procedure: Free 2GB modular synth sample library

Matthew Davidson writes:

If you woke up this morning thinking, "Gee, I wish I could download two gigabytes of 120 BPM modular synth loops", I have some good news for you.

I've been using the TipTop Audio Z8000 for a while now, collecting material for a video, but I also kept a DAW file handy and recorded bursts of interesting output at various intervals. This process generated a lot of materal, but it is clear to me it would be more useful in someone else's hands.

Beatseqr

# Beatseqr

Beatseqr is an arduino mega based computer interface by Steve Cooley.

It is aimed at electronic musicians and visualists. By itself, it connects to a desktop app that runs on mac or windows and can send out OSC messages to arbitrary network ports. However, combine beatseqr with a tightly integrated sequencer like Dajis Systems' Steppa (included in the price) and you have a powerful interface to create a MIDI loop which you can use to control sounds from pretty much any music software that accepts incoming midi data.

We've tested it out with Logic, Live, Reason, Quartz Composer, Max/MSP, PureData, and Processing. It works great!

# C O D E O R G A N

The CodeOrgan analyses the "body" content of any web page and translates that content into music. The CodeOrgan uses a complex algorithm to define the key, synth style and drum pattern most appropriate to the page content.

# Bliptronome v2 w/ ADCs complete! – Bliptronic to Monome Conversion (YouTube)

The final working version of the Bliptronic 5000 hacked into a low cost Monome clone, with Bliptronome V2 firmware.

More info at Stray Technologies

# Want Some Free Samples for your Multimedia Project?

Nick @ Nick's Tutorials:

Matt Pacyga and I have teamed up to release some free sample downloads resulting from our respective field recording experiments. Matt has put together a superb set of crunches and splats which originally emanated from his kitchen and some very unlucky food items. The recordings are high quality and super-creative, so I highly encourage you to take advantage of his generosity and download these sounds!

I've also got a number of samples on offer here that came from some contact microphone experiments, but I'll defer to the official description (after the jump) for the details

Pressure Controller Hubert

# Pressure Controller "Hubert"

Hubert is small but powerful device to use with your modular synthesizer.

On each hand side there is one force sensing resistor turning applied pressure into a steady CV output. Each channel has three outputs: CV Out, Inverted CV Out and Gate out. Each side is capable of holding the current voltage on CV Out, whereas the inverted CV appears on Inverted CV Out. If a CV is held in the CV Out you still can use the inverted out, even switching from positive to negative voltage as often as you want without disturbing the held CV output. In addition each of the two channels fires a gate signal every time pressure is applied to the pressure pad. The CV can go from 0V to +/- 8V and can be controlled in sensitivity.

# Interview with Bert Schiettecatte Inventor of Percussa AudioCubes

Mark Mosher of Modulate This! talks with AudioCubes inventor Bert Schiettecatte:

I recently conducted a phone interview with Percussa founder and AudioCube inventor Bert Schiettecatte.

I think music artists, visual artists, sound designers, those interested in tangible interfaces for installations, and music technology fans will all enjoy this interview – even if you are not in the market for a tangible interface.

# TAPETRONIC demo video 2009 (YouTube)

Reaktor modular sequencing

# Reaktor Modular Sequencing, Pt. 2

John Fisher writes:

Well, looks like my weekend project has been working on my modular sequencing application for Reaktor.

I’ve detailed what this is all about in my previous blog. I’ve updated the sequencer and added some detailed comments on all the GUI elements to help people get up to speed with using it.

Short links for February 1st, 2010

Virtual Piano

Some interesting things I found recently:

# The Virtual Piano for Songwriters, Singers, Producers and aspiring musicians

Not Only is The Virtual Piano a Virtual instrument that you can play chords and melodies on, it also shows you how to play all the chords (triads) in all twelve keys.

It's an excellent tool for you to learn to play piano, to transpose songs into any key or for writing songs.

# Kent ‘sound sculptor’ unveils ‘sharpsichord’

From the BBC:

A self-styled "sound sculptor" is looking for a home for an unusual musical instrument that he has spent almost four years making. Henry Dagg created the pin barrel harp, nicknamed a sharpsichord, at his workshop in Faversham, Kent. Pegs put into one of 11,520 holes on a metal roll push levers which pluck strings to create the music. It was commissioned for a garden in London but Mr Dagg now feels it is too precious to be left outside.

Mark Mosher's AudioCubes in Ableton Live

# In-Depth Review of Percussa AudioCubes in Use with Ableton Live

Mark @ Modulate This! reviews Percussa's AudioCubes in Ableton Live:

Back in November I purchased a set of four Percussa AudioCubes. I've spent quite a bit of time working with them as a an interface to Ableton Live.

In this hands-on review I'll explain what they are, how they work, how I'm using them with Live and also offer some tips along the way.

# Illuminated Sounds » Roland TR-626 Sound Library

From Illuminated Sounds:

Recently I picked up a used Roland TR-626 from ebay. I finally got around to sampling beeps and buzzes that this guy makes. Here is a sound library of all the sounds this drum machine makes. Each sounds has 15 different pitch levels that I label -7 to +7, 0 being the original sample. All the samples were recorded into Pro Tools at 44.1/16 bit. Also I circuit bend the hell out of this thing, so expect future posts with pictures and samples of it glitched out.

SIDstick

# SIDstick – 100,000 chiptunes in your pocket!

The SIDstick is a pocket-sized chiptunes player featuring:

  • Removable Storage supporting microSD cards, 1 card can hold 20,000 songs
  • 20+ hour battery life
  • Super Hi-Quality hardware-based playback at 31kHz sample rate, >16 bit resolution
  • Completely Open, hardware and software are available under the MIT license
  • Upgradable with connections on the board

# Hiphop Orchestra

A generous pack of free samples by Cyberworm:

Acoustic cellos and violins, pianos, ensembles. 54 loops at all. 80-120 bmp, all keys in filename. Good for hiphop and similar styles. Basically it was commercial pack, but I change my mind and release it for free. :) wav format, 24 bit, 44100 hz, stereo, 154 mb

Bleep Labs Nebulophone

# Nebulophone Kit Pre-Order

Now available to pre-order from Bleep Labs:

The Nebulophone is an Arduino based synth with a Stylophone like keyboard. It has adjustable waveforms, a light controlled analog filter, LFO, and arpeggiator that can be clocked over IR.

This is a beginner kit and does not require an Arduino programmer board.

# Free Nebula Power distortion effect

Hnery Olonga shares another effect for Acustica Audio’s Nebula:

Mega distortion is a distortion type effect that adds power and warmth to any instrument or mix. I made it using a unique signal chain. There is a slight levelling that happens as well allowing details buried deeper in the mix to come to the front. This effect is also useful in beefing up thin recordings. Try it on lame drums or a weak piano.

Sampled at 96 khz using Prismsound Orpheus convertors this is a no nonsense – no compromise effect. Ten distortion kernels means that this is a CPU hog so if you don’t have a fast machine – God bless you.

# Multichord Hybrid Musical Instrument, a single-stringed instrument that plays multiple notes via varied tensioning rather than fretting.

Multichord

From the project page:

The Multichord musical instrument is an acoustic stringed instrument with a single string, constructed from wood, a hard drive, 20-lb monofilament, and assorted electronic components. It was the culmination of a project to build an acoustic instrument capable of playing multiple notes without fretting or manual, time-consuming retuning. The Multichord achieves this by attaching a hard drive read/write head assembly between the resonant string and a tensioning spring to adjust the tension of the instrument's string. Careful adjustment was made to the tension of both the string and the spring with the hard drive head in a neutral, unpowered position to ensure a bipolar application of voltage within the safety ratings of the hard drive's coil could cause the string to cover a full musical octave. In the end, the Multichord was tuned to a C-major scale (no flats or sharps) running from A at 220Hz through (but not including) A at 440Hz.

Short links for December 22nd, 2009

Some interesting things I found recently:

# Make: Online : Open source hardware 2009

Make’s definitive guide to open source hardware projects in 2009.

Make:Online open source hardware 2009

Welcome to definitive guide to open source hardware projects in 2009. First up – What is open source hardware? These are projects in which the creators have decided to completely publish all the source, schematics, firmware, software, bill of materials, parts list, drawings and "board" files to recreate the hardware – they also allow any use, including commercial. Similar to open source software like Linux, but this hardware centric.

Each year we do a guide to all open source hardware and this year there are over 125 unique projects/kits in 19 categories, up from about 60 in 2008, more than doubling the projects out there! – it’s incredible! Many are familiar with Arduino (shipping over 100,000 units, estimated) but there are many other projects just as exciting and filled with amazing communities – we think we’ve captured nearly all of them in this list. Some of these projects and kits are available from MAKE others from the makers themselves or other hardware manufacturers – but since it’s open source hardware you can make any of these yourself, start a business, everything is available, that’s the point.

# fridgebuzzz electronics MK1 MIDI controller

fridgebuzzz MK1

The MK1 prototype is a user programmable midi controller featuring 32 LED pushbutton switches and 6 touch sensitive copper plate switches.

# satrap activ portable analog synthesizer (YouTube)

Flo Kaufmann shows his “satrap activ” portable analog synthesizer made out of a vacuum cleaner.

It contains 2 cmos based VCO’s , a Moog ladder filter, a 555 based ADSR, a cmos based 8 step sequencer, a PIC based vc to midi interface and a PIC based auto trigger unit. There are 4 tunable knobs on top, mostly to play base lines, and 2 conductable wires, which act as voltage dividers to generate variable tones. the wires do not vibrate. so it is not a cord instrument. satrap activ can also control other synthesizers either by midi or cv/gate interface.

Mark Mosher's Audio Cubes

# Percussa Audio Cubes: Lights & Tangible Interface with Ableton Live and Alchemy

Mark Mosher writes about his Audio Cubes:

I recently added Percussa AudioCubes to my studio and performance rig.

While I’m planning a longer post offering an overview of how AudioCubes work, this is a quick post to mention two applications of AudioCube technology I’ve been experimenting with.

# Larry Cotton’s MIDI Marimba

Larry Cotton’s 3-octave “player marimba” was featured in MAKE, Volume 4. Larry added two MD24 MIDI Decoders and the marimba can now be controlled by any MIDI sequencer or keyboard.

L2Ork (image by CDM)

# An Orchestra of Linux Laptops, and How to Make Your Own Laptop Instrument

Peter Kirn @ Create Digital Music:

For a generation of musicians of nearly every genre, the laptop has become an instrument. It’s easy to take for granted, but the rise of the computer for music has been remarkable. Less than twenty years ago, real-time digital synthesis and audio processing was the domain of expensive, specialized workstations. Now, $700 per seat can buy you a full-blown musical rig, with the computer hardware, gestural input courtesy the Nintendo Wii controller, and even a DIY speaker made from IKEA salad bowls. The next challenge is to make this setup as flexible and reliable as possible. Enter Linux.

Marblephone

# Marblephone

g000ze @ Let's Make Robots writes:

Inspired by Animusic's bodacious films, I was wondering whether a music robot in a much more simple way would be possible to make. Here is what my little boys and I created.

Still unfinished, but already working. Thank you Animusic for activating my imagination building the music machine that I am calling Marblephone.

# Line 6 JM4 Looper Review (with Video)

Joe Glider of Home Studio Corner has a reivew of the Line 6 JM4 Looper pedal:

I’ve always been absolutely fascinated with looper pedals. Any time an artist uses one in a performance, I’m spellbound. As soon as you introduce a looper pedal into your setup, suddenly all the rules change. You’re no longer a solo performer, you’re an entire ensemble. It’s like you brought a recording studio right on stage with you, and now you’re doing an overdub session for all of us to see. Fascinating.

Needless to say, I’ve wanted a looper pedal for years. Thanks to the good folks at Line 6, now I have one!* What I love about the JM4 is that it’s not JUST a looper. It’s an entire guitar workstation. It has both amp modeling and three different selectable effects.

PongThatBeat! (Vimeo)

PingPong sequencer made with max/msp and processing.

# Langjokull, Snaefellsjokull, Solheimajokull – Three glacier ice records, played until they melt.

Short links for November 23rd, 2009

Some interesting things I found recently:

# MidiFighter Kit

Ean Golden at djtechtools writes:

I am pleased to announce that in 2 weeks time we will be selling DIY MidiFighter kits in the web-store. This kit will be the first incarnation of our brand new controller line that allows several different levels of customization. Everything from creating original color combos to adding more analog interfaces and customizing the open-source firmware is possible with this exciting new tool.

MidiFighter
MidiFighter Kit

MidiFighter kit details

  • Release Date: November 30th.
  • Price: Aprox $125 for the Kit + Arcade Buttons ($2.50 each) optional wood case- $40.
  • Plug and Play-compatible device, compliant MIDI controller.
  • USB powered.
  • Must be assembled (no expertise required).
  • 16 programmable buttons.
  • 16 programmable LEDs.
  • Expandable to 20 programmable buttons and 4 analog controls.
  • Limited-edition 200-piece run in this configuration (black PCB with blue LEDs).

# PyMT

PyMT is a python module for developing multi-touch enabled media rich applications. Currently the aim is to allow for quick and easy interaction design and rapid prototype development. PyMT is written in Python, based on pyglet toolkit. We are about 10 contributors and ~40000 lines of code (version 0.3).

Speak & Math

# Audio Geek Zine Free Sound Of The Week 04

Jon at Audio Geek Zine offers some free samples from his circuit bent Speak & Math in his weekly series of free sounds.

This time I’m digging into the archives. What I’ve got this week is sounds from my circuit bent Speak & Math, from a few years ago. These are taken straight from my Toys Breaking library, if you like glitchy weird samples check that out.

There are 89 wave files, mono, 16 bit, 44.1kHz.

# James’ Circuit Bent Library

James at Illuminated Sounds also shares some free samples from circuit bent toys.

Here is a Collection of samples from a few of my own circuit bent toys. I’ve made a quick couple of videos that will show you the method of how I captured these samples. I edited them in Protools at 16bit 441khz as mono WAV files. Feel free to comment or request any more. Enjoy.

Hardware Random7

# Hardware version of Random7

More from Illuminated Sounds. Miketron's random MIDI note generation software (MAC/PC) goes hardware:

A couple of months I took my MAX/MSP code for Random7 and rewrote so I could embed it into a hardware version. Random7 Hardware Version 1 (R7H) is a very basic version of the Random7 software. The core element of R7H is still the same, the program pick from 7 different midi notes randomly. As of now the key R7H is preset to the key of A Major, and the only control is a potentiometer that controls the speed of R7H. Output for R7H is a midi port, an on/off switch, and there is also a red led the flashes everytime a note is sent. The some of the next additions I plan to the hardware are a midi input to provide midi sync options, a small lcd to provide useful information such as tempo and key, and allow user to pick from any diatonic major key. The microcontroller I am using for this is the arduino built into a d.i. box housing.

# Ohm Force studio pic contest, powered by Sample Magic !!!

All you need to do is post a picture of you in your studio for a chance to win some Sample Magic libraries.

The only two requirements are: the computer screen must show some Ohm plugins interfaces and you must be in an “audio magician” pose. Each of the three winners will be able to pick three Sample Magic libraries of choice, for free, worldwide shipping or instant download through www.soundstosample.com. The pictures will be judged by the Sample Magicians themselves in their London HQ. Make-up and dressing up allowed. Rabbits and all domestic animals not allowed. The picture (or the link to it) must be posted on the comments section of this blog post, until November 30th 2009.

Tenori-On @ Modulate This!

# Hands-On with the Tenori-On: First Impressions + Integration with Ableton Live

Mark Mosher shares his first impressions of the Tenori-On.

Now that REBOOT has released, I’m gearing up to perform these songs live. One of my goals it to make the performances more visually interesting, help the audience connect with what I’m doing musically, and not spend an entire set hunched over a laptop.

I just added a Tenori-On White to my rig to help achieve this goal and to use as a controller and sequencer for composition. In this post I’ll offer some first impressions and notes on use.

# Little Gem Guitar Amp

garagemonkeysan's take on the famous Little Gem mini guitar amp.

All details on the electronics can be found at runoffgroove.com. http://www.runoffgroove.com/littlegem.html
The case came from Jameco p/n 11886. The speaker bezel is the rim of a tin can that was epoxied to the case. The disk in the rear serves as a cord reel.

Audiomulch (with Metasurface), Novation Remote Zero SL and the Launchpad

# Launchpad, No Live: Novation Launchpad Review

John Fisher reviews the Launchpad.

I recently picked up a Novation Launchpad because I wanted the control options of a grid controller, even though I don’t use Ableton live. I plan on using the Launchpad with Reaktor, Audiomulch, and possibly Processing. The price wasn’t hard to swallow either. I’ve seen very little info thus far on people using the Launchpad with anything besides Ableton Live, except for people who are using the “nonome” max/msp patch that allows you to load up other monome applications via the Launchpad. So, I thought I would do a write-up on my thoughts. The way I prefer to work is making my own custom midi mappings with my controllers. Novation’s Automap system might be interesting for others, but I always prefer to have my own configurations because I’m picky about those sorts of things. So I’ll be detailing how I went about that.

Short links for October 30th, 2009

Some interesting things I found recently:

# Robot playing Rockband on the iPhone

Joe Bowers combines light sensors, servos and Arduino to build a robot that plays Rock Band on his iPhone.

He writes:

Rock Band has been released on the iPhone, and even though its a lot of fun, I would rather have something play it for me. Preferably a robot!

# Waveformless: Free Sample Friday: Synthetic Kick Drums

Tom has another set of free samples: Here's 20 synthesized kicks created on the Virus, Microtonic, Reaktor, and Ultrabeat and processed with a Focusrite Liquid Mix. Enjoy!

Mark Mosher REBOOT

# Mark Mosher: REBOOT

Mark Mosher of the excellent Modulate This! blog has released REBOOT, a new album featuring some great electronic music.

Mark Mosher is an electronic music artist from Louisville Colorado just outside of Boulder. He is a BMI recording artist and composes and produces electronic music and sound completely in the digital realm using state-of-the-art virtual synthesizers and instruments within Ableton Live.

Two years in the making, REBOOT is an album containing 7 richly layered electronica songs that blend contemporary synthesizer sounds with classical music motifs. The end result is dark electronica for those who love synth "ear candy" with a “dirty” industrial edge.

While the songs on REBOOT stand alone as singles, the collection is an album in the true sense of the word. They share a common palette and when played in sequence conjure an epic and dynamic story for the listener.

Prior to the release of the album, the first three tracks were released as singles. "Midnight" and "Stealth" went to #1 and "They Walk Among Us" went to #2 on the Soundclick.com electronica charts.

REBOOT is available to download at Bandcamp. The album is currently being offered using the “pay what you will” model. Although the suggested pricing is $6 for the 7 song album + digital booklet and $1 for singles, users can name their own price including specifying 0$ for free downloads. There are future plans to make the album available on iTunes and Amazon’s MP3 store.

# little-scale: RAM Music: The Audio Contortionist

Sebastian Tomczak writes:

I have started working on what I am calling "RAM Music" after my previous exploration of EPROM Music. In many ways, this is an extension of EPROM Music, as it shares many traits. In particular, this idea of manipulating digital sound directly, without the need for pre-programmed parts, or anything that computes (such as a microcontroller).

# Filter control via light blob tracking in Processing (YouTube)

Filter control via light blob tracking in Processing This video shows how I can set and control a filter's parameters via MIDI mapping, creating a control surface via a webcam and a torch. I realized a little Processing sketch that tracks the light blob I shot in front of webcam, normalizes X and Y coordinates to MIDI acceptable values, and then sends them to a filter effect in Ableton Live. I also realized the little control panel that allows to correctly make the MIDI mapping and set some blob detection's params. My toolkit: Processing MIDI

# Crazy Celebrity Quotes File: Ricardo Villalobos Trashes Ableton, Recalls “Purer” Digital

Peter Kirn writes:

It’s been a while since we had a celebrity saying things that didn’t really make sense. It’d be unfair to ask Ricardo Villalobos live up to some of the titans – Bob Dylan saying CDs have “no stature” and “have sound all over them,” and Elton’ John’s classic call to “tear down the Internet.” (Not to mention, in the end I think we wound up agreeing with them and turned Elton’s quote into a brand-new verb.) As with Elton John and Bob Dylan, I love and respect Villalobos’ work, no less so as he says things with which I disagree. But Ricardo Villalobos does get special credit for claiming in a recent Resident Advisor interview, among other things, that what has really hurt sound quality today is the lack of cheap drum machines from the 80s, because they were analog. Or they weren’t, but it was as if they were. Or something. (If you think this might earn some ire from Ableton loyalists, you’re right.)

Are old digital drum machines better than your Ableton Live?

mixknob

# Getting Outside “The Box” – Hybrid Recording And Mixing

Jon @ Audio Geek Zine writes:

Plugins are great, they’re very close to the real hardware counterparts, sometimes better. I don’t want to debate that. This article is all about options for getting electrons flowing through gear to get better mixes.

There are very few (if any) professional mixing engineers that work 100% ITB (in the box), at some point you’ll need to get outside.