Results for Max/MSP

Below are the posts that should have something to do with 'Max/MSP'.

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Johan Looijenga MIDI real-time Harmonizer 2, professional features for serious MIDI-based harmonizing

Related: , , , , , Posted in news on Jul 12, 2010 - comment 1 comment
Johan Looijenga MIDI real-time Harmonizer

Johan Looijenga has released version 2 of his MIDI real‐time Harmonizer, a MIDI-based harmonizer software application for Windows and Mac.

The MIDI real-time Harmonizer will take input notes via MIDI and generate 4-note chords that can be harmonized towards any key and scale. The result is send out to a physical or virtual MIDI port in real-time to drive any host plugin synths or external synths. In the MIDI real-time Harmonizer you can program 8 different chords that will be played one at a time, each time you play a note. The MIDI real-time Harmonizer can then harmonize these chords towards any key and/or scale in real-time. By designating a special (lower) keyboard area to be used as key switches, you can switch to have all generated notes harmonized towards a particular programmable key/scale as you play. You can also play a chromatic above/below or below/above approach in your solo line to switch key/scale harmonizing in real-time.

The MIDI real-time Harmonizer allows you to play a solo line with additional note harmonics generated in real-time that will always fit to the right key and scale at the right moment. The application is designed with the performing musician in mind.

MIDI real‐time Harmonizer 2 features

  • Individual notes can trigger chords containing up to 4 notes.
  • More than one note can be played at the same time, triggering multiple (harmonized) chords.
  • Chords are automatically transposed depending on note played.
  • Rotation through in total 8 chords triggered by every note played.
  • Possibility to define velocity offset for chord notes and decrease number of chord notes to 3, 2 or 1.
  • Force/harmonize chords to fit within a certain key and scale including tensions.
  • Bypass as well as key/scale forcing/harmonizing can be switched on/off from any keyboard/controller.
  • Real-time switching of key/scale using key switches in lower keyboard area.
  • 12 key switches with any key/scale can be programmed within each preset.
  • Real-time switching of key/scale by using chromatic above/below or below/above approach.
  • MIDI in ports, MIDI out ports, MIDI out channel can be set.
  • 128 presets can be saved, MIDI program change recognition.

MIDI real‐time Harmonizer 2 is available to purchase as a standalone (Max/MSP) application for PC and Mac, priced at 29.95 EUR excl. VAT.

More information: MIDI real‐time Harmonizer 2

Audiobulb Records Ambient, unique ambient soundscape generator (standalone Max/MSP application)

Audiobulb Records Ambient

Audiobulb Records has released Ambient, a multi-effect standalone software module by Christopher Hipgrave and Mike Podolak.

A unique ambient soundscape generator. AMBIENT is capable of producing a vast array of ambient textures, from the bizarre to the beautiful. AMBIENT processes any sound you care to load into it. The possibilities are endless.

Ambient features

  • Granular sampler with random pitch function.
  • Amplitude envelope with a trigger speed control.
  • Three pitch shift controls for adding extra layers to the sound.
  • Tape delay.
  • Multi-mode filter.
  • Ambient reverb.

Ambient is available to purchase as a standalone Max/MSP application for £9.99 GBP.

More information: Audiobulb Records

Skinnerbox sbx 2049, powerful drum machine made with Max for Live

Related: , , , , Posted in news on Jun 28, 2010 - comment 0 comments
Skinnerbox sbx 2049

Ableton has announced the release of sbx 2049, a free Max for Live drum machine from electronic artists Skinnerbox.

sbx 2049 is a six-voice synthesis-based drum machine with an integrated pattern sequencer. Its powerful sound design capabilities are easy to use, and provide an infinite variety of sounds perfectly suited for all styles of electronic music.

sbx 2049 is available as a free download for all Max for Live owners (Requires Live 8.1.3 or higher and Max For Live).

More information: Skinnerbox @ Ableton

Roger Linn Design LinnStrument

Roger Linn has posted his research project LinnStrument, a new musical instrument prototype.

If you’ve read my (Roger’s) New Musical Instruments page, you know that I’m interested in the idea of new musical instruments that overcome the limitations of traditional mechanical instruments. My particular interest is in a new instrument that while capable of entirely new sounds and playing techniques, is also able to reproduce the sounds, virtuosic performance capabilities and subtleties that we’ve come to know and love from traditional musical instruments, but without all their problems and limitations.

I’ve come up with a prototype of an instrument design that I like. Here’s a brief video of what I’ve got so far:

The low cost multi-touch, pressure-sensitive, high-resolution input surface used in this prototype comes from TouchCo, which was bought by Amazon in January 2010 in order to add touchscreen technology to Kindle.

Roger writes:

Alas, until someone else comes up with a similar touch technology or Amazon decides to make the TouchCo technology available, development of our product will be limited to refining our Max/MSP patch. One promising new technology we’ve evaluated is a touchscreen from Stantum (same company as JazzMutant, makers of the Lemur) that senses surface area of your fingers, which is not a bad alternative to sensing pressure because your finger surface area increases as you increase pressure. However, I found that their current resolution wasn’t high enough for what I’m trying to do, plus true pressure sensing is better for musical control.

More information: LinnStrument

Short links for April 9th, 2010

Eskamon - Fine Objects

Some interesting things I found recently:

# ESKAMON "Fine Objects"

ESKAMON is the new colaboration project between Amon Tobin (Ninja Tune) & Eskmo (Warp, Planet Mu, Ancestor). “Fine Objects” is the first single by the duo that’s set for release on Eskmo’s own imprint “Ancestor.”

“Fine Objects” is the result of the pair’s unique take on sonic exploration and the manipulation of field recordings. From the onset, the two went out with a recorder, gathering sounds from around the house, yard and studio. Material recorded out of the studio included sounds from a parking garage elevator, a broken harp and the droning tones from a discarded piano. These were combined with more home-centric sounds to form the central theme to the song. With lumbering alien bass and intentionally dry, off-kilter percussion, “Objects” quickly grew into it’s own symbolic representation of taking “odd pieces” and allowing them to grow into something a bit more “refined and ablaze.”

Fine Objects is out now, just $1 USD for the mp3, $2 USD for a wav copy.

A wav sample pack of the sounds created for the song + an Ableton pack and 10 minute tutorial video by ill. Gates utilizing the material from the original pack are available to download at no cost (in exchange for your email address). A remix competition is apparently in the works as well.

# Should rekkerd.org have a general (email) newsletter?

I thought it would be interesting to see if you think a general rekkerd.org newsletter would be a good idea. After a few days of having the poll up it seems there isn't much interest at all (judging by the low response rate) but I have decided to set up this newsletter anyway. It will occasionally go out with info on contests, new sample packs, promotions and more.

Visit rekkerd.org/newsletter to subscribe.

Note: since there were already separate announcement lists for contests/giveaways and sample packs I have merged these with the general newsletter. There is now only one announcement/newsletter list.

Knowledge Sabre Remix Competition

# Knowledge Sabre Remix Competition

Kmag, Sabre and Critical Music are running a competition for producers to remix Sabre's One Hundred Teeth. Not only do you get to download the original tune for free but also all the stems needed for remixing.

The winning remix will receive £1000 of Addict clothing and a SoundCloud Pro Plus and three runners up will get SoundCloud Lite accounts. Deadline for entries is Sunday May 2nd 2010 and the winner will be announced by May 12th.

Sabre recently spoke about the track he made for the competition and his new album. He also gives a brief to point producers in the right direction for the competition and talks about how he approaches remixes himself.

# Free Loops.us – 500 (royalty) free drum, bass, synth and other loops, in wav 16-bit 44.1 khz format.

Little-Scale Periodic Waveform Editor for iPhone via TouchOSC

# Periodic Waveform Editor for iPhone via TouchOSC

Sebastian @ little-scale writes:

This is a simple periodic waveform editor for the iPhone / iPod Touch made using TouchOSC. The waveform has sixteen steps. There is also a slider that controls the frequency of the waveform. This is not supposed to be something useful; rather, it further explores the idea of touching sound, something that I have been fascinated with. If someone wants the Max/MSP patch or the TouchOSC template, please let me know.

# PaulStretch — New Build For the New Decade…

Kent Williams has released an updated version of PaulStretch for Mac:

Judging from the WP Stats, my posts about the PaulStretch extreme audio timestretching application are by far the most popular blog posts I’ve ever made, indeed I think people will be downloading it after I’m dead if this domain outlives me. Well, today I took the time to ‘refresh’ the PaulStretch stuff. This means I updated all the libraries it depends on to current versions and rebuilt the program. I don’t mess with the program source code itself — nothing has changed in appearance or tools. The one thing that has changed — and it’s a biggie! — is that it now can load MP3 files for processing without crashing. Huzzah!

Note that this one is Intel-only, a PPC version is now available here.

Symbolic Sound announces Open Sound Control (OSC) for Kyma

Symbolic Sound Corporation has expanded the list of real-time controllers and software that can communicate with its Kyma sound design environment by adding support for Open Sound Control (OSC) to its Paca(rana) sound engine.

By connecting a Paca or Pacarana to the Ethernet, sound designers, musicians, and researchers using Kyma on Windows or Macintosh computers can establish bi-directional communication with OSC-enabled devices and software on the network to control parameters of Kyma sound synthesis and processing algorithms. Open Sound Control (http://opensoundcontrol.org/introduction-osc) is an open communications protocol that delivers higher speeds, greater resolution, and more flexibility than is afforded by the standard MIDI protocol. (For a partial list of software and hardware currently supporting the OSC protocol, please see http://opensoundcontrol.org/implementations).

Doug Kraul, CEO of Harmony Systems, Inc. is enthusiastic about Kyma’s new OSC technology. “OSC is a brilliant addition to the already stellar Kyma sound design workstation”, said Kraul. “It immediately enables exciting new ways to use Kyma on stage or in the studio. But the true impact of this forward looking technology is the new, innovative controllers and applications that OSC makes possible for the Kyma platform”.

Symbolic Sound Paca(rana)
Symbolic Sound Paca(rana) with ethernet port on the back panel

Bidirectional MIDI streams over OSC is available for those who don’t have any OSC-enabled devices or software yet.

Symbolic Sound has announce that several third-party development partners are concurrently announcing new software that supports bi-directional communication with Kyma over OSC:

  • OSCulator: Known as the Rosetta Stone of music controllers, Camille Troillard’s Mac OS X application OSCulator (http://osculator.net) is already familiar to Kyma users who utilize it for sending individual MIDI controls, OSC, and HID control data over FireWire to Kyma. Now, in OSCulator 2.9.2, you can also send OSC messages directly to the Paca(rana) over the network. OSCulator 2.9.2 also implements Symbolic Sound’s Bi-Directional-MIDI-streams-over-OSC protocol, enabling you to send streams of MIDI events from your software directly to Kyma without need for a MIDI interface on your computer and without having to map each controller individually in OSCulator.
  • vM2 and PacaMidi: Harmony Systems, Inc. is offering two new Mac OS X applications in its Delora product line, vM2 and PacaMidi, that incorporate Kyma’s new “MIDI-over-OSC” technology to further enhance and facilitate real-time interaction with Kyma. vM2, a “virtual MotorMix”, enables JazzMutant Lemur owners to enjoy automatic, fully integrated tactile control over Kyma’s Virtual Control Surface. Recently updated to include several exciting new features, vM2 2.0 employs “MIDI-over-OSC” to eliminate the complication of physical MIDI cables and interfaces. PacaMidi, Harmony’s newest product, uses “MIDI-over-OSC” to create a “virtual MIDI interface and patchbay” that adds three merged MIDI inputs and one MIDI output to a Paca(rana). This expands Kyma’s connectivity options, while saving you the expense and complexity of using physical MIDI interfaces, hardware mergers, and numerous cables. For more information see http://www.delora.com.
  • Max & M4L: If you are one of the many artists using Kyma in conjunction with Ableton’s Live and/or Cycling74′s Max, you’ll be happy to hear that Andrew Capon has written a Max external for bidirectional MIDI communication over OSC that works with both Max and Max For Live. For more details, please see: http://www.symbolicsound.com/Learn/AndyCaponMaxExternalOSC

OSC-enabled Kyma X.74 is a free software update for registered Kyma X owners. OSC communication requires the Paca or Pacarana sound engine.

Kyma X.74 also comes with additional features, including an 11-times speedup in the Virtual Control Surface, support for the MOTU UltraLite Hybrid mk3, TC Electronic Impact Twin, and Prism Audio Orpheus converters, track-pad compatible menus, refinements to the Tau resynthesis, and more.

More information: Symbolic Sound

Short links for February 22nd, 2010

Some interesting things I found recently:

# The Stretta Procedure: Free 2GB modular synth sample library

Matthew Davidson writes:

If you woke up this morning thinking, "Gee, I wish I could download two gigabytes of 120 BPM modular synth loops", I have some good news for you.

I've been using the TipTop Audio Z8000 for a while now, collecting material for a video, but I also kept a DAW file handy and recorded bursts of interesting output at various intervals. This process generated a lot of materal, but it is clear to me it would be more useful in someone else's hands.

Beatseqr

# Beatseqr

Beatseqr is an arduino mega based computer interface by Steve Cooley.

It is aimed at electronic musicians and visualists. By itself, it connects to a desktop app that runs on mac or windows and can send out OSC messages to arbitrary network ports. However, combine beatseqr with a tightly integrated sequencer like Dajis Systems' Steppa (included in the price) and you have a powerful interface to create a MIDI loop which you can use to control sounds from pretty much any music software that accepts incoming midi data.

We've tested it out with Logic, Live, Reason, Quartz Composer, Max/MSP, PureData, and Processing. It works great!

# C O D E O R G A N

The CodeOrgan analyses the "body" content of any web page and translates that content into music. The CodeOrgan uses a complex algorithm to define the key, synth style and drum pattern most appropriate to the page content.

# Bliptronome v2 w/ ADCs complete! – Bliptronic to Monome Conversion (YouTube)

The final working version of the Bliptronic 5000 hacked into a low cost Monome clone, with Bliptronome V2 firmware.

More info at Stray Technologies

# Want Some Free Samples for your Multimedia Project?

Nick @ Nick's Tutorials:

Matt Pacyga and I have teamed up to release some free sample downloads resulting from our respective field recording experiments. Matt has put together a superb set of crunches and splats which originally emanated from his kitchen and some very unlucky food items. The recordings are high quality and super-creative, so I highly encourage you to take advantage of his generosity and download these sounds!

I've also got a number of samples on offer here that came from some contact microphone experiments, but I'll defer to the official description (after the jump) for the details

Pressure Controller Hubert

# Pressure Controller "Hubert"

Hubert is small but powerful device to use with your modular synthesizer.

On each hand side there is one force sensing resistor turning applied pressure into a steady CV output. Each channel has three outputs: CV Out, Inverted CV Out and Gate out. Each side is capable of holding the current voltage on CV Out, whereas the inverted CV appears on Inverted CV Out. If a CV is held in the CV Out you still can use the inverted out, even switching from positive to negative voltage as often as you want without disturbing the held CV output. In addition each of the two channels fires a gate signal every time pressure is applied to the pressure pad. The CV can go from 0V to +/- 8V and can be controlled in sensitivity.

# Interview with Bert Schiettecatte Inventor of Percussa AudioCubes

Mark Mosher of Modulate This! talks with AudioCubes inventor Bert Schiettecatte:

I recently conducted a phone interview with Percussa founder and AudioCube inventor Bert Schiettecatte.

I think music artists, visual artists, sound designers, those interested in tangible interfaces for installations, and music technology fans will all enjoy this interview – even if you are not in the market for a tangible interface.

# TAPETRONIC demo video 2009 (YouTube)

Reaktor modular sequencing

# Reaktor Modular Sequencing, Pt. 2

John Fisher writes:

Well, looks like my weekend project has been working on my modular sequencing application for Reaktor.

I’ve detailed what this is all about in my previous blog. I’ve updated the sequencer and added some detailed comments on all the GUI elements to help people get up to speed with using it.

Leo van der Veen releases c74

Related: , , , , , , Posted in news on Feb 10, 2010 - comment 0 comments

Leo van der Veen has released c74, an iPhone / iPod Touch app that let’s you connect your device with Cycling ’74′s Max/MSP 5.

Custom interfaces are built straight from within Max, presets can be stored etc. The external features some nice attributes for receiving accelerometer, GPS, compass, shake gesture and proximity data.

Communication between the apps does not rely on OpenSoundControl but in stead uses a straight forward communication socket, which offers a reliable connection.

c74 is available to purchase from the iTunes App Store, priced at $3.99 USD.

More information: nr74.org / c74