Robert Henke has released Granulator II, a free Max for Live synthesizer based on the principle of quasi-synchronous granular synthesis.
The Granulator II instrument for Max For Live & Ableton Live 9.
It creates a constant stream of short crossfading sections of the source sample, and the pitch, position and volume of each grain can be modulated in many ways to create a great variety of interesting sounds.
Granulator II also offers two multimode filters in series to further shape the resulting timbre. Granulator II is the latest incarnation of a series of granular based synthesizers I wrote for my own usage since the invention of MaxMSP in 1997.
The instrument is a free download (CC BY-NC 3.0 license).
More information: Robert Henke / Granulator II
, field recording
, Mark Mosher
, random posts
, Robert Henke
Posted in random posts
on Oct 01, 2010
Some interesting things I found recently:
# Skale Tracker
Tracker goes online with a Flash based web version.
Skale Tracker is a music tracker developed by Ruben Ramos Salvador (baktery) in the year 1998. The first version was released for Windows, later a Linux version was presented and now a web version is here.
Skale Tracker web version
Brings me right back to my FastTracker 2/GUS days. I feel like pulling up some of my old .xm files and doing some remixes.
# Show Report: Two Days in Denver with Robert Henke (aka Monolake)
Mark Mosher of Modulate This! writes:
Robert Henke of Monolake and one of the creators of Ableton live came through Denver and performed his work "Intersection" on Monday and then delivered a lecture at Denver University on Tuesday. This invitation only event was hosted by The Digital Media Studies program at the University of Denver.<br />
This was a real treat as this was one of only a small number Robert's performances in the US. Here is a show report.
# Making music on a microscopic scale – University of Twente
Strings a fraction of the thickness of a human hair, with microscopic weights to pluck them: researchers and students from the MESA+ Institute for Nanotechnology of the University of Twente have succeeded in constructing the first musical instrument with dimensions measured in mere micrometres – a 'micronium' – that produces audible tones. A composition specially written for the instrument will be performed in Enschede on Sunday 26 September.
# little-scale and Poppi Doser: Antia (2010)
"A recent project saw little-scale collaborate with electronic music composer and researcher Poppi Doser. Antia – the resultant eight track EP – is best described as ambient and smooth sonic landscapes, interrupted by harsh and rhythmically complex lo-fi beats.
A work of contradiction, Antia manages to create a convincing merger of various stylistic elements. Poppi provides field recordings, plays piano and sings, and little-scale is on the SEGA Mega Drive and Atari 2600."
Available as a free download.
# Fallon and Timberlake give rap history lesson
Robert Henke has released a number of free devices for Max For Live.
MaxForLive is a flavor of the Max programing language that only works in conjunction with Ableton Live and allows users to create their own devices and to share those. In order to use these effects, one needs to own Ableton Live Version 8.1 or higher and the MaxForLive extension.
Depending on my time and the feedback I consider uploading more devices, including some tricky Live.API stuff. However, this might not happen very soon.
Robert Henke Max For Live Devices
- PX-18 — Step sequencer originally written by Robert Henke and Gerhard Behles around 1995. More or less all rhythmical Monolake tracks have been sequenced with the PX-18 and a lot of inspiration for the way how Ableton Live deals with ‘clips’ and ‘scenes’ came from our experience with the PX-18. This version here offers the functionality of a single track of the original PX18.
- Black — A simple device which does two things: It displays songtime in hours:minutes:seconds- at least as long as you are working with a constant song tempo. And it allows to black out the computer screen while listening to the music.
- Distance — This audio effect device is for those who are into careful placement of sonic events in the stereo field. Its main parameter is a big ‘distance’ control. It affects volume, filtering, pan and stereo width of the incoming audio signal.
- Circular Doppler — Two virtual microphones rotate around a single sound source. Doppler delays, distance dependent amplitude modulation and filtering included. Movement of source and microphones synced to song position. This allows 100% reproducible effects.
- Grain Freeze — A granular audio freezer effect. Creates lush textures out of everything.
Robert Henke’s Max For Live devices are available to download at no cost, and can be modified in any way you want.
More information: Robert Henke’s Max For Live Devices