AfroDJMac has released a new free library for Ableton Live: Tape Hiss Vinyl Crackle.
Last week I received an email from Oliver Chesler, aka The Horrorist, who writes an extraordinarily useful and informative blog called “Wire to the Ear.” He is always amazingly on point and up to date, whether with production advice, great music, or the latest audio/ iOS gear. Oliver asked if I do request for Ableton Live Instruments (which of I try my best on); he was looking for samples of cassette tape hiss. While there’s an assortment of plugin emulators of the tape sound (including Ableton’s Vinyl distortion which I used on this freebie), as we all know, there’s nothing quite like the original. Funnily enough, just the day before I was looking for samples from vinyl records, and one of the samples I got the most use out of was just the vinyl crackle right before the music starts playing. So, naturally I thought Oliver’s suggestion was a good one.
After busting out my old Ka-Boom Box, and dusting off what remains of my cassette tape collection, I started sampling empty sections of the tapes. While I was at it, I took out some vinyl records of varying condition, sampled those, and grabbed a few minutes of tape noise from my Tascam Reel to Reel (the bad boy used on the Super Tape Drums Ableton Pack). I’ve used those samples to create a pretty excellent Ableton Live Pack for you all!
AfroDJMac’s Ableton Live Instrument #60: Tape Hiss Vinyl Crackle.
Good people, unfortunately due to circumstances beyond our control, the "clean" version of our new album, The Hot Sauce Committee pt 2 has leaked. So as a hostile and retaliatory measure with great hubris we are making the full explicit aka filthy dirty nasty version available for streaming on our site. We hope this brings much happiness, hugs, and harmony. Enjoy Kikoos for life!
The armies of the earbuds are everywhere, as people – since the dawning of the Walkman – tune out their surroundings. What if, instead, your surroundings became soundtracks? That’s the question posed by a mobile app research project, partnering between New York’s Times Square and a creative team at the Georgia Institute of Technology.
UrbanRemix invites users to capture geo-tagged sounds with a free iOS and Android app, then to string them together into sound compositions on the Web
Codebending is the exploration of software with “patch points.” Patch points expose the inner workings of computer programs, and allow for atypical connections between things like games, music making software, office suites, etc.
Every movie blogger is obligated to devote a post to The Wilhelm Scream AT LEAST once in their lives. And they’re all pretty much the same: A quote from wikipedia, the compilation video on YouTube, and the latest movie they found it in. This post is a little different. Starting last year I started collecting Wilhelm Screams, planning on making a video showing some favorites. That project spiraled out of control, and the result is a (pretty) complete collection.
Max Mathews is best known for his involvement in the debut of digital synthesis, but he contributed much more. His Radio Baton predicted gestural controllers that arrived much later from Nintendo, Sony, and Microsoft, and it may be his code design ideas that outlast even the memory of the computer’s first musical utterances.
Slewpi is a new type of app that lets you create music and synthesized sound and animation by painting on the screen with your fingers.
Slewpi is super easy to use, just paint with your fingers and choose different colors and brushes to change the strokes and sounds. Slewpi records what you do and plays it back in a loop.
Choose different brushes to change the visual style as well as the sound of your strokes in real-time. The different brushes correspond to different synthesizer waveform and vibrato settings allowing you to create new and diverse audio/visual compositions.
Strings of numbers are everywhere in our world, tucked just outside our awareness alongside identifiers like bar codes. Dutch media artist and inventor Leo van der Veen simply plucks that information and brings it to the fore.
A few months ago I published a post on how to make a MIDI Ribbon Controller with Arduino. In the meantime I had a few ideas to improve both hardware and software and also felt the need to change many parameters without having to reprogram every time Arduino. Finally I placed the controller in a case, thanks to Laura who built it. So this is version 2.0 of my MIDI Ribbon Controller, which finally becomes a much more practical tool.
Oliver Chesler puts together a track with some iPhone apps (Audiorealism technoBox, Tapestri and Andriod FX by Pure Profit).
I was having some music fun on my iPhone and I put together a quick Acid track. I recorded three apps into Ableton Live. There really is something to be said for bringing in audio from the outside world, even if it’s from another computer. I like the slight noise and live interaction the iPhone apps forced. The combined price of all the applications I used here was $11.97. Imagine what a Roland TB-303, Roland TR-808, Akai S950 and Sequential Circuits Prophet 5 would have cost you 15 years ago?
AudioTag.info allows you to identify almost any unknown piece of music quickly and easily. Its use is very simple: you upload a short audio fragment or an entire song, the robot analyzes it and provides you with the information about the track title, artist name, album title, etc. Your audio fragment can be in almost any file format and of almost any quality (aurally recognizable, of course) — it can be an MP3 file downloaded from the Internet or a short recording made with your old tape recorder and stored as a low-quality .WAV-file.
Former NIN drummer Josh Freese is promoting his new album with some limited edition deals.
There's a lot of funny stuff between the regular $7 digital download of Since 1972, and the $75,000 limited edition which includes things like going on tour with Josh for a few days, have Josh write, record and release a 5-song EP about you and your life story and taking a flying trapeze lesson with Josh and Robin from NIN.
As of 2009, Apogee Electronics will no longer develop products for the Microsoft Windows platform. Apogee has made this decision in order to focus all research, development, and support resources on the Apple platform with its unparalleled power and stability. Apple offers a wide range of affordable, powerful desktop and laptop solutions ideally suited for music creation and audio production.
Ryan Gruss has a cool blog where he posts some free drum tracks.
I am a drummer based in Boston, Massachusetts. I previously lived in NYC and Los Angeles where I had the chance to record, collaborate and tour with a wide range of artists. I started this blog with the intention of sharing, transferring and exploring musical ideas with my friends around the world… as well as anyone else who might stumble across this site.
All of the drum tracks (unless credited) are recorded at my studio using Logic Pro 8. I include mp3s of all my recordings for quick previews as well as a separate link to the original, multitracked Logic files. Feel free to download, cut-up, eq, compress, distort, and mutate my drum parts and use them for your own projects. All I ask is that you send me a link to the final product when you’re finished. Let’s see what happens…
Currently at Loop #17.
# AT-AT Boom Box – Combining an AT-AT Walker with an old skool boom box, AT-AT Boom Box FTW!