Results for Peter Kirn

Below are the posts that should have something to do with 'Peter Kirn'.

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Short links for July 12th, 2011

Some interesting things I found recently:

# PERSPECTIVE LYRIQUE via Make:Blog

An interactive architectural mapping.
Fete des Lumieres / Lyon / France / 2010

A mapping by 1024 Architecture, projected on the facade of former Lyrical theater the “Celestins”. The building deformations and figures were controlled by the audience, using a microphone and an audio analysis algorythm.

More info at 1024architecture.net and 1024d.wordpress.com

# Dan303: Tenori-On iPad app review

Dan Weatherall on the TNR-i for iOS:

Yamaha TNR-i

The official Tenori on iOS app enter the app store the other week but at £12 I was a little hesitant to buy it. After a little thought and a bit of googling I decided it was indeed worth the price.

The cheapest hardware Tenori-On (the TNR-O) is roughly £500 where as the current price of the iPad 2 is £499 (cheapest wifi only model) so considering that both the devices are pretty much exactly the same price (and I already own an iPad) it makes sence to get the iOS version.

# Thumbs Up for Madrona Labs AALTO Software Synthesizer (Modulate This! – A Blog for Electronic Music Artists)

Madrona Labs Aalto

Mark Mosher shares some info on the Aalto semi-modular software synth.

Peter Kirn over at Create Digital Music did a post on a new synth by Madrona Labs last month. Even though I wasn’t in the market for a new synth right now I ended up buying this Aalto within an hour or so of downloading the demo so I wanted to pass this along and help promote Madrona’s great work. At $99 this is an incredible value.

# From the Trenches of the Loudness Wars, A Broad Survey of Research
Peter Kirn writes:

You’ve heard the gripes, and heard and seen the somewhat unscientific demos. Now it’s time to examine the over-compression of music with – science! Earl Vickers of STMicroelectronics examines the Loudness Wars in an academic paper, as noted to us by reader photohounds.

# Flickr: LEGO Album Covers via wire to the ear

Flickr LEGO Album Covers

# little-scale: Tau Percussion Sample Pack

Sebastian Tomczak has posted a nice free sample pack.

I made a small set of percussion samples using a waveform generated from the first 614 digits of 2π. Download it here: http://milkcrate.com.au/_other/downloads/sample_sets/Tau_Kit.zip

# Talking About The Upcoming Sound Packs With Elliott Fienberg

Nick of Nick’s Tutorials:

Elliot Fienberg aka MrTunes

I just finished recording a really enjoyable conversation with Elliott Fienberg, the man behind the Wobble Tech Radio podcast.

We chatted about some recording industry news and talked a bit about my upcoming Ableton Live packs that I’ll start releasing in the next month or so.

Check out the recording here, and be sure to check out Elliott’s other episodes: http://mixlr.com/mrtunes/wobble-tech-radio-10-with-the-ableton-tutor

# Dan303: Analog acid/minimal bass stabs (multisample)

More free samples from Dan303:

These multi samples were taken from my FreeBass FB383 bassline synth. It’s a rackmount analog bass synthesizer (clone of the Roland TB303).

Rockit 8-bit Synth Kit

# Open-Source Rockit 8-bit Synth Kit Coming

Peter at Create Digital Music:
Chicago-based hacker and synthesist Matt Heins is working on an open source synth kit. As a co-creator of the MeeBlip open source-synth hardware, I’m biased — I want more open synth hardware! So this is looking like some great company. The instrument is 8-bit, with analog filter circuitry, coded in C.

Short links for June 17th, 2011

Some interesting things I found recently:

# Muze by Joshua Maruska and Adam Kumpf

Muze is an Arduino instrumentalist who creates melodies that evolve over time.

Muze has a palette of notes that it can in-turn interpret and compose into various rhythms and phrases that are strung together to form something musical. The user can then influence these strings of notes and rhythms to create entirely new compositions. Much like you would a tune a radio to get a new song, Muze can be tuned to provide new and different melodies.

In the interest of keeping Muze from becoming another knob laden techno-fest of an instrument, interaction has been limited to just one input.

# The Stretta Procedure: vcvi maxforlive

Matthew Davidson’s vcvi is a suite of maxforlive devices to control your modular synth with a dc coupled audio interface.

# Rainlith 2 – Kinectic sound art piece via CDM

On Rainlith, the primitive naturally granular sound of a big rainstick gets explored in real-time by cyber-age sound manipulation tools.

It's an interactive piece in witch the movement of the audience's body activates an electric motor, making a reflex movement on the structure that embraces the instrument.
The sound of the rainstick is captured and processed in realtime, and sent 24 meters above, filling the empty space of a old industrial cereal container. The reverberated acoustic mix is then received back by the audience in the spot right below the opening of the container.

Poul Vestergaard Neuron

# NeuronDrum for Reaktor

NeuronDrum is a sample based rhythm composer by Poul Vestergaard.

It has 512 audio samples 32MB. Most of the sounds are made for electronica music. All rhythms is made of a neuron based approach with 8 neurons.

The first neuron works as a kind off metronome. All neuron can send impulses to each other. Every neuron has a threshold value. If the threshold is 3 then it will need 4 impuses to fire the sample, and send impulses to other neurons.

# Les Paul Google Doodle Gives Us… Google Homepage, The Song, by Tim Exile

Peter Kirn writes:

Electronic musician, vocalist, and inventor Tim Exile is back; while the Google Doodle today of an interactive Les Paul inspired lots of people to invest some time fiddling and hacking, in Tim’s case, it inspired a whole song. And, to my knowledge, it’s the first time the homepage of Google got its own ode.

# [namethemachine]_Kinect_2011,05,24

Matt Davis hacks a Kinect using OpenNI & Max/MSP. With it mapped to Ableton live and Henry Strange's MIDI to DMX Laser Control System, Matt demonstrates this fun a/v control system.

# Amon Tobin : ISAM Live : Mutek Premiere (Official)

A quick wrap up of the debut of Amon Tobin's ambitious 'ISAM' Live show which launched itself to the public on June 1st as part of Montreal's Mutek Festival.

Bluebrain The National Mall

# bluebrain | THE NATIONAL MALL

Bluebrain's The National Mall will only work within the physical boundaries of the National Mall park in Washington DC. It is a location-specific album and is not intended for use outside of the designated area. Please follow us on Twitter (@bluebrainmusic) to learn more about when a location-aware album might be coming to a location closer to you. While on the Mall, we recommend you quit other applications from the multi-tasking bar on your phone for best performance. If you are having difficulties, force quit or restart your phone. Make sure to quit the app fully once you leave the area to avoid it draining your battery when it isn't being used.

Short links for May 30th, 2011

Some interesting things I found recently:

# Hey You! What Song are you Listening to?

Asking random New Yorkers with headphones on what song they are listening to.

# OUTLOUD.FM

OUTLOUD.FM lets you create rooms where you can chat and listen to music with your friends with a real time collaborative playlist. Just sign in, pick a room name, and start uploading music!

# STACKED by Royal Sapien – 300+ tracks mixed into one hour of electronic music soundtrack

Stacked

# End of Train Device, New Album from Your Editor, and an Experiment in Releasing Music

Peter Kirn writes:

Yes, I create digital music, too. One of the things I’ve loved about CDM is the chance to share music making, from the construction of the tools to the production of performances and recordings. If that’s all we ever get out of music – getting to share with someone else – that’s already more than enough for me.

This week I’ve released my own End of Train Device, a full-length ambient / leftfield electronic album.

Namm Oddities 2011

# NAMM Oddities 2011

Barry Wood is back with another selection of interesting products showcased at the NAMM show.

Welcome to the 2011 edition of the NAMM Oddities …finally

This year the show went smoothly but due to a perfect storm created by of a pile of work (the paying variety), local politics, and the writing of my first now published book, the Oddities were nearly 4 months late.

There was no shortage of Oddities-worthy items at the show this year. Even though this is probably the last NAMM report to go online, I'm certain that there are a number of products that will see their press debut on these pages.

# Massive Subwoofer Chair

Still not satisfied with the bass of the average chair? If so, check out this insane 1000 Watt Subwoofer Chair from Canadian designer John Greg Ball.

# Vinyl Poised to Make Further Gains; Time To Ask, “What Does it All Mean”?

Photo by Karola Riegler Photography

At first, it seemed like it might be just a blip: amidst generally declining sales of physical music, down sharply from their 1990s boom, vinyl sales were trending up. The reversal started with a slight uptick in 2007 – already noticeable as the CD had begun its collapse. That slight uptick has turned into a small boom. From a tiny 300,000 units in US sales in 1993, the vinyl record is projected to do some 3.6 million units in sales.

# Dan303: New Sample Pack ‘Toys’

Dan has posted another free sample pack: “The sounds in this sample pack are made to replicate the sound of old broken children’s toys.”

# The Radiumphonic Workshop « Radium Audio Labs

Radium is inviting you to have a look behind the scenes at the Radiumphonic Workshop. In the video below we delve under the bonnet of Radium to have a look at what makes it all tick – the sound lab operated by the fine team at Radium. It demonstrates a rare glimpse of how we work, as well as showing off some of the machines, technology, people and creative approaches we use to manipulate sound!

# Design to Address Visual Performance in Music, Explained by a Giant Robot Face

Computing technology is an inherently disruptive thing, wonderfully so. It solves problems you didn’t know you had. It creates problems, then creates new problems in even trying to understand those problems. Simply using a computer is a kind of design statement.

You’ve seen questions about what happens with computer performance and audience interaction. But, in AMALGAM, design student Jacob Lysgaard asks those questions, and proposes solutions, in a new way: with a giant talking robot face.

Short links for April 27th, 2011

Some interesting things I found recently:

# Beastie Boys | Hot Sauce Committee Part Two

Free stream of Beastie Boys’ latest!

Good people, unfortunately due to circumstances beyond our control, the "clean" version of our new album, The Hot Sauce Committee pt 2 has leaked. So as a hostile and retaliatory measure with great hubris we are making the full explicit aka filthy dirty nasty version available for streaming on our site. We hope this brings much happiness, hugs, and harmony. Enjoy Kikoos for life!

Thank you, The Management

# Remixing Times Square, with Mobile Field Recordings

Peter Kirn writes:

The armies of the earbuds are everywhere, as people – since the dawning of the Walkman – tune out their surroundings. What if, instead, your surroundings became soundtracks? That’s the question posed by a mobile app research project, partnering between New York’s Times Square and a creative team at the Georgia Institute of Technology.

UrbanRemix invites users to capture geo-tagged sounds with a free iOS and Android app, then to string them together into sound compositions on the Web

# TORTURED PIANO

Tim Prebble introduces a new sample library:

This poor old piano was beyond saving and so it became destined for recycling as a sound design library. Its found a new life at: HISSandaROAR.com

# illucia

From paper kettle:

Codebending is the exploration of software with “patch points.” Patch points expose the inner workings of computer programs, and allow for atypical connections between things like games, music making software, office suites, etc.

# [VIDEO] The Wilhelm Scream – Cinexcellence – The Wilhelm Scream

Every movie blogger is obligated to devote a post to The Wilhelm Scream AT LEAST once in their lives. And they’re all pretty much the same: A quote from wikipedia, the compilation video on YouTube, and the latest movie they found it in. This post is a little different. Starting last year I started collecting Wilhelm Screams, planning on making a video showing some favorites. That project spiraled out of control, and the result is a (pretty) complete collection.

# Max Mathews, Father of Digital Synthesis, Computer Innovator, Dies at 84

Peter Kirn writes:

Max Mathews is best known for his involvement in the debut of digital synthesis, but he contributed much more. His Radio Baton predicted gestural controllers that arrived much later from Nintendo, Sony, and Microsoft, and it may be his code design ideas that outlast even the memory of the computer’s first musical utterances.

More on Max at Wikipedia: http://en.wikipedia.org/wiki/Max_Mathews

# Green Label Sound » Take a Tour of the Classixx Studio

Take a peek inside of Classixx’s studio where they crafted the GLS single “Into The Valley feat. Karl Dixon.”

# Slewpi – The Painterly Music Synthesizer for iOS via Oliver Chesler

Slewpi is a new type of app that lets you create music and synthesized sound and animation by painting on the screen with your fingers.

Slewpi is super easy to use, just paint with your fingers and choose different colors and brushes to change the strokes and sounds. Slewpi records what you do and plays it back in a loop.

Choose different brushes to change the visual style as well as the sound of your strokes in real-time. The different brushes correspond to different synthesizer waveform and vibrato settings allowing you to create new and diverse audio/visual compositions.

# Melodies Found in Barcodes, Then Shared, via iPhone

Peter at CDM:

Strings of numbers are everywhere in our world, tucked just outside our awareness alongside identifiers like bar codes. Dutch media artist and inventor Leo van der Veen simply plucks that information and brings it to the fore.

# Coagula MIDI Ribbon Controller 2.0

Giuseppe Di Cillo writes:

A few months ago I published a post on how to make a MIDI Ribbon Controller with Arduino. In the meantime I had a few ideas to improve both hardware and software and also felt the need to change many parameters without having to reprogram every time Arduino. Finally I placed the controller in a case, thanks to Laura who built it. So this is version 2.0 of my MIDI Ribbon Controller, which finally becomes a much more practical tool.

Short links for April 1st, 2011

Some interesting things I found recently:

# AnalogTelePhonographer

Christopher Locke made an Analog Tele-Phonographer, a sound amplifier for his cell phone/portable music player.

I made it from a broken trumpet and a fistful of scrap metal. The unit uses no external power or batteries, has no moving parts, and is entirely self-contained.

More info: Heartless Machine

# Music from Numbers: An Eclectic, Free (CC) Compilation of Numbers Station-Inspired Tracks

Peter Kirn writes:

Number Stations Part 2

Number stations, making their appearance in the post-war radio landscape, were shortwave radio stations of streams of symbols, mysterious to their listeners and apparently code.

Here, the idea of lost and indecipherable broadcasts inspires a wonderfully-varied collection of reflective artists, in a free, Creative-Commons licensed compilation by PublicSpaces Lab. That Barcelona-based netlabel has been reliably curating some of the smartest, most forward-thinking music collections around. This time, the artists are impressive not only in their output but in their range of backgrounds and extra-musical sources of inspiration.

# Antique Light Bulb Organ – MIDI/OSC Controlled

Instructables user capricorn1 shows how to create your own antique light bulb organ to add nostalgic ambiance to any midi instrument.

Antique Light Bulb Organ

12 light bulbs correspond to the 12 notes in an octave (minus the octave note). The rectangular box unfolds to position the light bulbs vertically for display, while at the same time providing a platform for the keyboard in use. Playing a note on the keyboard directly via midi, or through the usb port illuminates the light bulb for a particular key. Releasing the note, releases the key. Pedal presses are also recognized and keep the bulb maintained. The bulbs can be controlled without a computer by using the front mounted midi port, or via computer which allows for remote control via midi or osc messages.

# Dan303: Free hand played percussion loops

Dan Weatherall has posted a new sample pack featuring 10 hand played percussion loops in .wav format.

I'm not saying I'm the best percussionist in the world but I played these percussion loops myself.
These loops are an ideal way to give your track a little bit of human feeling.

All loops are played at 120 bpm.

# Circles and Euclidian Rhythms: Off the Grid, a Few Music Makers That Go Round and Round

Peter Kirn rounds up some music making tools that take the circular approach.

Create Digital Music

There’s no reason apart from the printed score to assume music has to be divided into grids laid on rectangles. Even the “piano roll” as a concept began as just that – a roll. Cycles the world around, from a mechanical clock to Indonesian gamelan, can be thought of in circles.

Imagine an alternate universe in which Raymond Scott’s circle machine – a great, mechanical disc capable of sequencing sounds – became the dominant paradigm. We might have circles everywhere, in place of left-to-right timelines now common in media software. Regardless, it’s very likely Scott’s invention inspired Bob Moog’s own modular sequencers; it was almost certainly the young Moog’s exposure to the inventions in Scott’s basement that prompted that inventor to go into the electronic music business, thus setting the course for music technology as we know it.

# aurex › Launchpad Sequencers

Get more out of your Launchpad + Ableton combination.

The aurex sequencers for the Novation Launchpad are devices and tools to compose, sequence, alter and remix music within Ableton Live. You don't need M4L / Bome / … to use them, just make sure you have a Launchpad and Live 8.1.3 or higher.

# Cry Baby: The Pedal That Rocks The World on Vimeo

Cry Baby: The Pedal That Rocks The World tells the story of the wah wah effect pedal, from its invention in 1966 to the present day.

# Waveformless: Free Sample Friday

Some recent goodies Tom posted about on his blog:

  • Korg Radias samples from Waveformless reader Psyche Poppet.
  • A small selection of free one shot samples from Studio Wormbone’ Animal Robotix release is available from Producer Loops.
  • Alchemy Snares 02: ten snare sounds built, destroyed, mangled, and layered in Camel Audio’s Alchemy.

Short links for March 14th, 2011

Some interesting things I found recently:

Arcophone Mk II

# Arcophone Mk II

From the Perth Artifactory:

Owing to the Arcophone Mk I being stuck somewhere on the Nullabor owing to damage to train tracks from the recent rains.

As we had a gig at Scitech we needed a new Arcophone, using the prototype batch of v1.2 coil drivers, Brett, Simon & Daniel spent the better part of the last week building the Arcophone Mk II. The case was designed and cut by Simon Kirkby and the electronics designed and assembled by Brett Downing and Daniel Harmsworth.

More on the Acrophone here.

# A Gorgeous Compilation Benefits Cancer Research; Co-Creator Explains

Peter Kirn writes:

“Gem Drops” is a rich, varied compilation covering “experimental electronic hip-hop inspired” music, with artists such as Anenon, yuk., Juj, Devonwho, Shigeto, and Sumsun. The 21 tracks were selected by curator Aaron Meola. It’s the sixth release from the collective Dropping Gems, and 100% of revenue will go to the American Cancer Society.

Pay what you want for the download; a “very limited” run of handmade CDs with artwork will go to people who donate US $15 or more.

# Using EXE files to create found audio

Turning data strings like DNA and what-not into audio can produce interesting results. YouTube user r2blend says, "If you import an EXE file into an audio program as audio data, you hear all kinds of cool stuff. The most awesome by far for me was MS Paint." Fisco130 then made a club remix of the MS Paint data audio. Wonder if any scans of great works of art contain secret music? Does malware translate to sad trombone sound, or Rick Astley?

# 10 Handy Programming Tips for ReFX Vanguard

Tom at Waveformless is sharing programming tips:

If you haven't checked it out yet, head on over to the Programming Tips section of the Waveformless-Soundware site for 10 random programming tips on programming your own sounds for ReFX Vanguard.

The plan is to post programming tips for different softsynths as I release new soundsets. And yes, I am hard at work on the next release. No idea when it will be done. I'd rather get it right then get it out right now.

# Chaircrusher – For Delia Derbyshire 2010-03-10

Free 5-track album by Kent Williams.

Chairchruser For Delia Derbyshire 2010-03-10

This EMS Putney came into my hands when I purchased it from Iowa City South East Junior High School in 1997. It is one of the unique artifacts of electronic music. The Putney & it’s close relative, the attache-case-housed Synthi, were workhorse synths at the BBC Radiophonic Workshop, and was a favorite of musicians like Brian Eno, Pink Floyd, and other Space Rock bands of the 70s.

It’s sonic character derives in large part from the cheapness of the design and construction. Moog Synthesizers were laboratory grade audio equipment; the Putney is cheap and difficult to use in a traditional musical context. And yet it was seductive. It’s limitations and imperfections enlarged musican’s ideas of what sounds could be musical.

Delia Derbyshire was one of the pioneers of electronic music during and after her tenure at the BBC Radiophonic Workshop. She was both a gifted composer and an audacious and precise engineer. Since seeing her in documentaries, and hearing her music I’m both awed by her and have a synth-geek’s crush on her. She was on my mind as I recorded these pieces, and I dedicate them to her memory.

The 5 parts of this piece were recorded in one evening, with no editing or overdubbing. The Putney was plugged into the Stereo Memory Man pedal, and the pedal was plugged into my computer.

The only post processing applied was normalization. These recordings are as close to the original, raw sound of the instrument as I could make them.

# Somatic Circuits VC-303

The VC-303 modular bass synthesizer, the worlds first and only TB-303 synth module.

100% clone of the classic bassline synth in a modern modular format. just like a 303 only modular.

Short links for February 18th, 2011

Some interesting things I found recently:

# Beat Meshing – Octatrack – Richard Devine takes the Octatrack for a spin. Want!

First session with the Elektron Octatrack. Checking out some of the capabilities of this new machine. No drum loops used in this short jam. Just triggering single shot samples of nord percussion and analogue drum sounds. Using the three stages of LFO's for each track to control effects animation and various other parameters. Making some use of the re-trigger sample functions spanned across 4 patterns.

More info on the Octatrack at Elektron, and Peter Kirn at CDM has some more thoughts + a video by Matthew Dear here.

# Dan303: Free Korg NanoPAD presets

Dan Weatherall has some presets for the nanoPAD available to download.

I know there are quite a few of you out there that own at least one of the korg Nano range of controllers.

The most popular of the Nano range has to be the NanoPAD. While the NanoPAD is a useful tool for laying down drum beats, I feel that It really shines when using it to come up with cool melodic parts.

This Preset collection contains a few useful scales and chords that I hope will help you in your productions.

Brett Martin iSound

# Apple themed Overnight Sensation MTM

Brett Martin aka PCmofo has finished his DIY desktop speaker system project. Nice job!

Finally the speakers are finished! Now for the fun part….. The final pictures!

Assembly went great, I was able to stuff them and the bass sounds much better as do the mids. I am really loving the black coated screws, from some angles and distances they completely disappear, then up close the detail comes out and they look pretty cool.

I plan on using these speakers with Apples 27" cinema display, as they are both the same height. Unfortunately, I dont have mine yet so I borrowed a 26" iMac which is also the same design for a few photos to get an idea of the size of these speakers.

via Make

# melton.granular.01 & 02

Jeffrey Melton has released two collections of ambient, freeform and microsound compositions.

melton.granular.01 and melton.granular.02 collect my recent work in microsound-scapes, featuring granular and pulsar synthesis, freeform rhythms and tone colors. Tracks can also be streamed on my Soundcloud page.

All sounds were created with Density GS and Pulsaret instruments (both the standalone apps and Max for Live versions). Arrangement, mixing and mastering was done with Ableton Suite. Processing effects were limited to resonant filters, grain delay, reverb and EQ.

# Remember Chernobyl – 25th Anniversary Music Compilation by Ambientaria Records

For the 25th anniversary of the Chernobyl Accident, Ambientaria Records has gathered many Dark Ambient artists, including famous ones like Northaunt or Atomtrakt, for a Compilation project.

The album will be released on April 1st, 2011.

All the benefits shall be reversed to Chernobyl Children International (http://www.chernobyl-international.com/), a non-profit organisation with United Nations NGO status, in order to help people suffering from Radiation Poisoning.

Details at the official project page and the Facebook event page.

# fleet music

Louis Fleet wrote in to let us know about his blog “fleet music”, a site that focuses on the production of electronic music, using Ableton and its built in synths and effects.

It’s called “Fleet Music”, the strap line is “a blog that takes a critical and instructive look at electronic music production”, what this essentially means is that I will be focusing on current themes within house and techno and investigating the relevant production techniques.

Synthesis is the main focus of the blog but as I said previously there is a ‘critical’ aspect to the blog, this is not be confused with bitchy, but instead the idea is that all the video postings and other content is focused on a ‘theme’. This approach can be evidenced in my most recent post which is all about the ‘stab’ in electronic music.

Short links for February 7th, 2011

James Blake @ 3VOOR12

Some interesting things I found recently:

James Blake: James Blake

Stream of James Blake's new album is available from the Dutch 3VOOR12 website.

British dubstep-pop up-and-comer James Blake’s self-titled debut album is out digitally next Tuesday, February 8, via Universal Republic in the U.S. (it’ll drop a day before in the UK via Atlas/A&M). Right now, the whole album is streaming over at 3VOOR12; you can head here to take a listen.

Furthermore, Listen Before You Buy points out that a bonus track from the LP, the haunting, sparse “Tep and the Logic”, is making the rounds.

Listen to the album at 3VOOR12
via Pitchfork

Improved Reaktor voice panning and a little digital archaeology

Peter Dines:

I was reading through the Reaktor application manual which is greatly improved in recent times, and came across this structure to pan voices in the stereo field

More at the Reaktor Tips blog

din: create sound with Bezier curves in free instrument for Linux

Make music with just your mouse and keyboard. 143 drones are created in the video below.

Peter Kirn writes:

“din is noise” is a newly-updated “tone board,” making the rectangular plane of its screen into a field of sound you can transform. The video above just begins to show some of what it can do. Pixels can be tones, transformed onscreen. A resonator editor uses Bezier curves to edit sounds across octaves. Each resonator, in turn, can be edited with yet more Bezier curves. Put them together into the drone editor (the bit you see in the video), and you can create vast, sculpted soundscapes from series of rectangles dragged around between octaves.

It’s all free, and it’s all doable for your mouse – a Linux exclusive that might convince you to dual boot, or take a second look at that netbook.

Read more at Create Digital Music