Propellerhead’s Reason gets the classic Mono/Poly synthesizer by Korg.
Mono/Poly for Reason uses Korg’s proprietary CMT (Component Modeling Technology) to precisely model the electronic circuitry of the original analog instrument, capturing the exact sound and parameter response of the original. Originally introduced as part of Korg’ s Legacy Collection, Mono/Poly can now be integrated into Reason as a Rack Extension.
In addition to accurately reproducing the sounds from the original, Mono/Poly for Reason also provides a vast range of new functionality for contemporary sound creation, such as 128-voice polyphony (maximum), up to 16-voice unison settings with spread, virtual patching, and freely assignable external modulation settings. The updated functionality makes the Mono/Poly a powerful tool for modern music production.
The Mono/Poly – 4VCO monophonic / polyphonic analog synthesizer was originally introduced in 1981. It launched simultaneously with the Korg Polysix, and due to their superb functionality, powerful feature sets and affordable prices; they were immediately successful – and extremely unique – entries into the synth world.
The Mono/Poly for Reason interface provides reorganized knobs and switches that resurrect the original Mono/Poly in a contemporary “rack-mounted” format for intuitive integration into the Reason environment.
The Mono/Poly Rack Extension is available to purchase for 39 EUR / $49 USD.
Zvork Audio has released Noxious, a polyphonic additive synthesizer Rack Extension for Propellerhead Reason.
Noxious additive wave synthesizer for Reason.
Additive synthesis consists of adding tens, hundreds or thousands of individual sinusoidal oscillators to create complex waveforms or sounds. In theory, additive synthesis is able to recreate any sound imaginable but is usually a challenge to manipulate.
Noxious takes an intermediate route to additive synthesis by offering a limited mean of manipulating these sinusoidal oscillators, called partials, through “modifiers” and classical filters.
The Noxious Rack Extension costs 79 EUR / $99 USD.
Quadelectra has launched 3Plex, a 3-line filter delay Rack Extension for Propellerhead Reason.
3Plex is not just a filter delay! It’s 3 True Stereo Filter Delay Lines packed in one device! Each Delay Line’s Filtering, Panning and Output Level can be targeted for modulation from one of the 3 built-in LFO units.
2 Delay Lines are better than one and 3 Filter Delay Lines are better than two!
3 Independent True Stereo Filter Delay Lines.
3 Built-In LFO units.
Pre-Post Filter to Delay setting.
Per Filter dedicated AHD Envelope.
Filter, Pan & Level LFO modulation target.
3 mode Global Bus Setup that changes the topology of the delay lines.
Global modifiers on per line modulation targets.
The 3Plex Rack Extension is available to purchase for 35 EUR.
Red Rock Sound has launched C1-L1, a vintage compressor Rack Extension effect for Propellerhead Reason.
C1-L1 is stereo and mono audio signal dynamic range compressor. C1-L1 compressor has distinctive sound allowing its usage not only for technical purpose of dynamic range compression but also for artistic sound coloration.
C1-L1 compressor besides main dynamic range compression module also contains limiting module, which allows controlling peaks passing through the compressor, mid-range equalizer module doing ISO 226 curves equalization and input signal or gain reduction VU-meter with lamp indicator for limiter operation control.
C1-L1 compressor has adjustable high-pass filter for side chain signal, also supports «parallel» compression and M/S operational mode.
The C1-L1 is developed on the basis of the «МОЛОТ» compressor by Vladg/Sound.
Two different attack modes: «alpha» and «sigma».
Softness of compressor characteristics control.
7 operation modes: mono; double mono; mono with external side chain signal; mid channel; side channel; M/S; linked stereo..
Mid-range equalizer and Side chain signal high-pass filter.
Pre or Post Limiter.
Attack and release times multiplier.
8x oversampling and 64 bit floating point processing.
Create the classic 808 sounds you love and completely new sounds that are limited only by your imagination.
BOOM’s 16 instruments are built using virtual analog synthesis, modeled on the circuitry from the original TR-808. Circuits like the trigger, swing VCA, bridged T-network, and multi-oscillator cymbal wave source are faithfully modeled. But BOOM isn’t a museum piece, it’s a completely updated modern instrument, with added capabilities such as new controls with expanded ranges, and inputs and outputs that go far beyond the original TR-808.
BOOM gives you the bassline too, with a fully playable bass synthesizer using the classic 808 kick. Why waste time searching through samples? With boom, you can instantly get the sounds you want just by tweaking a few knobs.
Virtual analog modeled percussion and bass synthesizer inspired by the Roland TR-808.
16 instruments, and a full bass synthesizer.
Individual stereo outputs for each instrument.
CV gate, pan and level control for each instrument.
Pan and level knobs for each instrument.
Full automation of all controls.
Analogify control adds analog flavor.
Poly or mono per each instrument up to 128 voices.
The BOOM Rack Extension is available to purchase for 49 EUR.
Softube has announced its Super Summer Sale, offering all its plug-ins at a 50% discount for a limited time.
Yes—even up here in Sweden it’s summer, and we celebrate that with a huge summer sale! Huge? Yes, huge. We’re talking a whopping 50 percent off the entire roster of plug-ins!
You heard that right, ladies and gentlemen: that’s half price on it all, the only exceptions being bundles, upgrades and TDM plug-ins. Propellerheads Reason users will be glad to hear we’re also discounting our Rack Extensions, which are 30 percent off. The madness continues until July 16, and the sale price is valid at all our authorized dealers and in the More Is More Webstore.
Numerical Sound has announced the release of ReBass Narrow, a Rack Extension for the Reason music production software by Propellerhead Software.
ReBass uses convolution to target bass frequencies with extreme precision, emphasizing just a perfect fifth while leaving the surrounding material untouched.
This means no messing around with endless sweeping and tweaking – just target the range you want from C0-G0 (31-46Hz) to B3-F#4 (233-394Hz) by picking one of the 36 impulses. Each impulse is one semitone higher than the last, so you don’t have to think like an engineer to get a great sound – it’s quick, clear and free of the phasing artifacts and imprecision EQ can introduce.
ReBass Narrow features
Extreme precision bandpass, rolling off 110 dB within 1.5 semitones from the target range, only possible through convolution and something that traditional EQs cannot match.
36 impulse organized by starting pitch cover 3 octaves from C0-G0 (31-46Hz) to B3-F#4 (233-394Hz).
Audiophile Design: Supports 44.1, 48, 88.2, 96 and 192 KHz sample rates, with accurate detail, ultra-low noise floor and utmost transparency.
Easy to Use Controls: Impulse List, Stereo Width, Gain, Pan and Dry/Wet controls make it easy to mix and shape the bass.
Smooth CV based automation can be used Stereo.
Width, Gain, Pan and Dry/Wet to creatively change your sound.
ReBass Narrow is available to purchase for 55 EUR.