Sensomusic has announced the release of Usine 5.50 poly, a new version of the universal audio software.
Usine 5.50 poly include a new technology called poly. All sub-patches can now be duplicated according a poly parameter. For example, you can build a single sample player and decide to duplicate it 8 times to obtain 8 independents sample players with their own interface. This version include many improvement of the interface, the audio engine and new modules.
Changes in Usine 5.50 poly
[patching] polyphony for sub-patches.
[module] new Draw Objects module more powerful and faster.
[module] mapper data up to 256 value.
[module] new X-1 module.
[module] new BLOC DURATION module.
[touch screen] contact surface informations now available in all interface modules.
[library] new grain engine FX.
[library] new Reverse FX.
[keylearn] allows now multiple keypressed at the same time.
[midi learn] soft take over implemented: option in the setup.
[interface] trace OSC out messages.
[interface] new color selector window.
all reported bugs fixed.
Usine Pro 5.50 poly is now available to purchase for a special promotional price of 90 EUR (regular 120 EUR). A license includes one year of free updates.
Sensomusic has also announced Easine, a simplified version of Usine, especially designed for installations and netbook computers. Details on Easine here.
Touchscreens? Good, old-fashioned faders, knobs, and pads? Why not just use what suits the job – especially when you can choose both on the cheap?
Nay-Seven shares some of his latest work with Usine, the brilliant, modular and touch-centric tool for Windows. It’s a futuristic rig that’s also down-to-earth. Touchscreen monitors can be had for around US$300 street, and the Akai LPD8 and Korg nanoKONTROL controllers each figure under a hundred bucks. Usine, the software, is a bargain for its depth at EUR120, and free and educational versions are available.
Nay-Seven: Here a work where i use the sequencer of Usine not to sequence audio or midi but patches : patches appear only when i need them , easy way to have only the controls you need on the screen, i also associate here works with faders and pads via personal patches for lpd8 and nano kontrol and the use of a touchscreen . Made with Usine ( sensomusic.com ) thanks also to Michael Ourednik for his great vst Argotlunar
Here is my 365 days project. Every day I will compose/produce and upload here one drum break in CD quality format. It's simple – use it the way you want it. all files are copyrights free. This is not commercial project but if you like my work click donate button. have fun !
They had fame, reams of money, and fans willing to do wild, unmentionable things just to breathe the same air — but in 1971, LIFE illustrated a different side of rock stars: Just like most of us mere mortals, they came from humble backgrounds, with moms and dads who bragged and worried about them every day. Assigned to take portraits of the artists at home with their sweetly square folks, photographer John Olson traveled everywhere from the suburbs of London to Brooklyn to the San Francisco Bay Area, capturing in his work the love that bridged any cultural divide that may have existed between his subjects. Now, as a special treat for Mother's Day, LIFE.com brings back Olson's nostalgia-inducing photos — check out the awesome '70s decor! — and talks with the photographer himself about his memories of those shoots.
Includes pictures of Frank Zappa, The Jackson Five, Joe Cocker, and more.
It's the weekend! To celebrate, here are 12 snare drum samples that have been distorted in various ways. Some of the distortion on these is so extreme that the transients are pretty much totally sheered off, so if a particular snare doesn't have the oomph you want, try layering it behind an undistorted snare. 12 stereo samples, 24-bits, 1.3 MB.
Writing about and reviewing products is a subject that is brought up in forums and reader correspondence, and it generally follows the same story. Someone has read a magazine, got annoyed because 98% of the products got at least 8/10 ratings and/or a fancy award. Conclusion – the reviewers are in the pockets or the advertisers or simply bribed.
After working in the publishing business as a daily job for many years, I have to say that – sadly – I still haven't met a music technology journalist who drives a BMW or bloating around in a Hummer.
Writers in this genre are not bought, nor incompetent.
Carl brings up some excellent points in this article.
I generally don’t post any reviews of products I really don’t like. I just can’t be bothered to spend time on something really bad… Seems Tom at Waveformless is a different kind of reviewer… (not really of course, just pulling your leg, Tom)
On December 17th, 2010 I released the Sounds from a Distant Outpost FREE Live Pack.
Now, a little over a month later there have been over 1,000 downloads from http://www.outpostexperiment.com/!
The most exciting thing for me is that a two people have REALLY dug into the 12 instruments in the Live Pack and have taken the time to compose tracks using ONLY instruments from this pack.
I’ve attached their two songs plus a third I created below. It’s pretty fantastic that while we didn’t directly collaborate all the works are quite different yet sound they all sound like they are telling stories from the same universe.
Are you a World Cup fan annoyed by the constant sound of the South African vuvuzela horn? Wish you could remove that sound from your World Cup viewing experience? Do you want to learn a little bit about powerful modular effects routing can be on Linux? Either? Both? Call it “football”? “Soccer”? Any way round, we’ve got you covered.
Waves has a processing chain available to download.
In response to the widely publicized complaints from TV viewers and broadcasters of the 2010 FIFA World Cup, Waves is proud to unveil a solution which dramatically reduces the problematic sound of the omnipresent Vuvuzela trumpet favored by South African soccer fans.
Working in conjunction with a major television broadcaster, we've precision-crafted a preset processing chain which drastically decreases Vuvuzela noise: The WNS Waves Noise Suppressor and the Q10 Paragraphic Equalizer. Together, they not only minimize Vuvuzela noise, they increase the intelligibility of the game announcers' play-by-play action and color commentary.
The processing chain for Vuvuzela noise reduction is now available as load-and-use sessions for Pro Tools, Waves MultiRack, and Cubase.
Usine is an overlooked gem in music making, a PC-based modular environment and live performance tool that runs as a host or VST plug-in. Pick the modules you need from a set of powerful building blocks, and build a custom musical rig, complete with multi-touch control on new Windows devices. It sounds like something you might request from a magical genie, but the thing is real, priced at EUR120 (or just EUR60 for educational users).
As with any modular environment, having ample access to powerful modules and some patches to get you started is everything. But that makes this week’s news worth noting: co-developer Olivier Sens has made some 200+ add-ons and patches free. All you have to do to grab them is register on the forum. The demo version of Usine is surprisingly capable, too, so if you’ve been waiting to test-drive and you have a Windows machine (or a dual-boot Mac), now could be a good time.
Mark @ Modulate This! on the Chauvet Slimpar56 & Obey3:
In a recent post I documented my new live rig with a drawing and a time-lapse video sans lights and light controller. I’m happy to report I just received and have been testing the brand new LED SlimPAR™ 56 and Obey™ 3 compact DMX controller so I thought I’d share some notes.