Loopmasters has introduced Complete Drums, a bundle of five sample libraries by Wave Alchemy.
Complete Drums includes 8421 pristinely produced 24-bit electronic drum samples. A great chance for first time customers to sample our award winning drum sounds, Complete Drums bundles together and includes ALL of the Following Wave Alchemy Products.
Complete Drums features
Drum Tools 01 – Over 1950 unique electronic drum samples which have been crafted from the ground upwards by the creative layering and processing of drum machines, exotic synthesizers & field recordings.
Syncussion Drums – 1885 beautifully crafted drum samples from the ultr-rare and extremely raw sounding Pearl Syncussion SY-1 analogue drum synthesizer! Also includes 800 drum hits recorded to 1/4″ tape via a Studer A80 Tape Machine.
Drum Machine Collection – 3200 expertly crafted drum sounds from the most sought after drum machines in existence! Sound sources include the Roland TR-808, TR-909 and TR-606, Jomox AirBase99, Xbase 999 and Mbase 11, Vermona DRM MK11, MFB Schlagzwerg and Drumfire DF-2000.
Tech House & Minimal (No Loops) – 401 drum sounds taken from our popular Tech House & Minimal library. Expect punchy drums and creatively glitched percussion sounds.
Deep Tech & Progressive (Drums Only) – 662 drum sounds taken from our Deep Tech & Progressive library. Expect to find deep kicks, snappy snares and a huge folder of synthetic / tribal percussive sounds.
The sample library bundle is currently available at 20% off, priced £79.96 GBP (regular £99.95 GBP).
Simply put, this is the heart and soul of the underground house scene in a massive collection of over 7000 professionally crafted WAV sounds, designed to give you that authentic House music vibe you hear from your favorite artists but in a format that is useful for any style of music that requires a punchy analogue sound.
The sample pack features:
4,700+ drum and percussion hits.
59 multi-sampled instruments.
161 bass and synth loops.
The drum and percussion hits include various classic sounds of drum machines and sampled sources, with three variations; Original recordings, driven, vinyl and Revox (Studer tape machine) versions. No Dough used some various outboard gear to get an authentic vibe. Everything is nicely categorized in folders by the type of drum hit. No drum kits are included though.
To record the multi-sampled instruments, No Dough used gear by Oberheim, Roland, some old EMU samplers and FM synthesizers. The sampler patches are split up in various sections. There’s bass, strings & pads, leads & synths and organs and misc. A good amount of sounds.
The bass and synth loops sound very authentic as well. Actually, playing them individually they almost sound kind of low quality, lo-fi. But in a good way.
Loops are ready to be chopped, smashed, distorted and resequenced, each loop features a Recycle version and we have also included a selection of Midi files so you can get at the notes themselves to twist, mash and create.
I’d say that is a good thing, because these loops are meant for chopping. You are not going to get much of a good result by simply tossing the loops together as there are some tuning issues and files have no mention of which key they’re in. This set of loops just isn’t a construction kit type set so unless you stick with using just a single loop and create additional melodies around that, you are supposed to do some of the work yourself. The sound is there though.
Check out the demo track to get an idea of what NDS-4 Underground House is about.
So what do I think?
Product: NDS-4 Underground House by No Dough Format: 24bit WAV, REX + sampler patches (Kontakt/EXS24/HALion/NN-XT) Price: £39.99 GBP Like: authentic sounds, good variety Don’t like: no key info in loops Verdict: 8/10
Even though No Dough prides itself in recording in high quality 96kHz/24bit, it’s still vintage synths, gritty sampler sounds, tape machines, and analog processing chains we’re talking about. NDS-4 is not about pristine quality, it is about the vibe of classic underground house music.
No Dough’s key description for the Underground House pack is “tone, warmth and musicality”. I hear that, and I would sum those up and call it authentic. Individually the samples and loops sound somewhat raw to me, lo-fi, perhaps slightly dated. And that’s how it is supposed to be, because once you start putting things together you quickly end up with something that sounds like the real deal. Go check it out.
Nomad Factory has released Magnetic 2, a virtual reel-to-reel audio tape warmer effect for Windows and Mac.
The plug-in features pure analog reel-to-reel tape speeds, tape/tube saturation and tape color effects, as well as a dedicated vintage style EQ and a built in Boost mastering section. The result is a creamy, warm sound that can only be achieved by MAGNETIC II.
New in Magnetic 2
9 tape models that give you the authentic sound of the famous vintage tape machines:
Otari MX-80 2-inch 24-track
Otari MTR-90 2-inch 24-track
Ampex MM1200 2-inch 24-track
Ampex ATR-102 half-inch two-track
Tascam ATR60-16 1-inch 16-track
Studer A80 Mk II 2-inch 24-track
Studer A827 2-inch 24-track
Studer A820 2-inch 24-track
MCI JH24 2-inch 24-track
Real Tape Model Mode: To engage the new Real Tape Model mode, simply turn the Reel Speed knob between 1 and 30 and it will activate the selector buttons on the left.
Wow & Flutter Knob: Turning the Reel Speed knob between 1 and 30 also activates the Wow & Flutter knob which gives you the irregularities in the playback speed of analog recordings.
Magnetic Tape Color: When the Reel Speed knob is set to DASH, this engages the original Magnetic Tape-Color sound. Any other Reel Speed Knob setting allows you to select between different Tape Model modes, including Magnetic.
Magnetic 2 is available to purchase for the introductory price of $79 USD. The upgrade from Magnetic v1.x is $20 USD for a limited time.
No Dough Music has announced the release of NDS-1X Taped Drums & Perc, a selection of taped drums and percussion taken from the NDS-1 sample library.
Offering a broad selection of tonal characteristics for each sound, this pack puts into your hands the sounds of some of the most enduring & sought-after outboard equipment including Studer 1/4 Tape Machines, SSL Compressors and custom built Outboard EQ in specially designed and tweaked chains. A expertly crafted set of drums with the sole aim of adding a musicality to your sound that’s often missing, or hard to get in the box.
All the patches are organised for various samplers for ease of use, NDS-1X makes full use of all the tools and technology that allow the modern producer the ability to concentrate on writing great music with unique and cutting edge results that may otherwise be prohibitively expensive.
Universal Audio has announced the released of the Ampex ATR-102 Mastering Tape Recorder Plug-In, a faithful emulation of the Ampex ATR-102 Tape Recorder for the UAD-2 Powered Plug-Ins platform.
For more than three decades, the two-channel Ampex ATR-102 Tape Recorder has turned music recordings into records. The perfect complement to the workhorse Studer® A800 Multichannel Tape Recorder Plug-In, the officially sanctioned ATR-102 plug-in provides the final, cohesive analog polish and punch for any in-the-box mastering session, without the ongoing maintenance and calibration of a physical tape machine.
Impeccably developed over a nine-month period in the renowned UAD engineering tradition — and incorporating presets from noted ATR-102 users Chuck Ainlay, Richard Dodd, Buddy Miller, and Mike Poole — the ATR-102 Mastering Tape Recorder Plug-In faithfully replicates the unique dynamics, frequency response, and saturation characteristics of the original hardware. Scrutinized and fully authenticated by Ampex Corporation, the sound of the ATR-102 plug-in for UAD-2 is virtually indistinguishable from its analog cousin.
ATR-102 Mastering Tape Recorder Plug-In features
Ampex®-authenticated plug-in emulation of the ATR-102 Mastering Tape Recorder — the most popular professional 2-track machine ever made.
Provides rich, cohesive tape sound, without the hassles of calibration, maintenance, tape degradation, etc..
Adjustable (L/R) Tape Delay, Wow, Flutter, and Crosstalk.
Requires a UAD-2 DSP Accelerator Card available from authorized dealers worldwide.
Models entire ATR-102 electronic path, including transformers, amplifiers, Input, Record. and Repro paths.
Featuring multiple Tape Formulas and Calibration Levels for mix down.
Independent L/R Input Gain (Record) and Output (Reproduce) Level.
Independent L/R record Bias, Record EQ, and Playback EQs, with Auto and Manual Cal capabilities.
The Ampex ATR-102 Tape Recorder Plug-In is available to purchase in UA’s Online Store for $349 USD.
The Ampex ATR-102 Tape Recorder Plug-In is available as part of the new UAD Software v6.0 release. In addition to the Ampex ATR-102 plug-in, v6.0 includes the release of the Brainworx® bx_digital V2 EQ and SPL® Vitalizer MK2-T direct developer plug-ins, as well as highly anticipated Pro Tools compatibility enhancements and Mac OS X Lion support.
Music label No Dough was originally launched by Antonio Monllor (aka Towie), as an outlet for his music. After a 2009 re-launch with fellow producer and friend Matt Sargeant (aka Broken), the label grew into a larger community, supporting a roster of artists producing and performing in various genres.
With NDS-1 House Music, No Dough takes the next step into sample library development.
The first in our Premium range of Sample-Packs for the Professional Producer, NDS-1′s extensive collection of samples offers the highest levels of quality and workability bringing together great tones in an instantly usable way.
Clever and user-friendly features such as Kontakt4 custom front-ends and the addition of midi files for all loop compositions are built-in to this high-end pack meaning your music will benefit from the quality, sought after sounds of the best equipment enabling you to concentrate on what matters most when composing … creativity.
NDS-1 House Music includes over 7,000 samples in total.
Here’s a breakdown of the content:
Drums & Percussion – over 4,000 samples in various folders/categories (kick drums, claps, snares, hats & cymbals, drums & percussion, and fx). Each sample has 4 recording variations: two analog tape machines (Studer A800 & Revox), an MPC, and the original, all recorded through a chain of high-end outboard processing units.
Loops & Progressions – includes 185 .wav loops, 178 REX2 loops, and 66 MIDI files. These are bassline and synth loops, no beats.
Synth & Bass Instruments – 63 multi-sampled instrument patches for Kontakt. Sound sources used include Roland’s Juno 60, Alpha Juno and Jx3p synths, and Oberheim synthesizers.
The single shot samples feature a good assortment of generally well recorded and useable drum sounds. By recording with different techniques you get slight variations, sounding a tad more muffled, or louder/driven, etc. The recordings are not always consistent, in that some of the sounds have a lot more tail than others.
Interestingly enough the drum sounds are all in stereo, and even though many samples are basically mono on a stereo track, for some of the samples the stereo field is quite apparent, underpinned by the use of reverb in the signal chain. Some of the samples in the hats & cymbals section – the crashes in particular, have so much juice on them it really makes it hard to fit them in your mix as is. Fortunately the majority of the samples don’t have this problem.
Loops come in bassline and synth folders, plus REX versions. Files are tempo and key tagged for ease of use (110-120 bpm for bass, and 105-124 bpm for synth). You also get 66 MIDI files in case you want to reconstruct or modify the melody of a particular loop. Some of the loops have similar titles across bass and synth folders, nevertheless this is no construction kit type library. NDS-1 provides a bunch of fine-sounding loops for you to work with, but there’s no connecting the dots here.
The last folder in this library features 63 patches for Kontakt (note that EXS24, NN-XT, and SoundFont versions are also available). Here we find lots of great multi-sampled bass and synth instruments, as well as some leads, strings, and a few piano instruments. The general tone is vintage, fat and lush.
When I first received the library the instruments didn’t have loop points, quite an essential feature if you ask me. I contacted Matt of No Dough to see what was up and it seemed this issue was due to a glitch that occurred when creating the patches from a different source format.
The same day I received updated patches with loop points (which are now also included in the online product). Note that the loop points still aren’t always perfect but I expect this, it’s real hard to create good seamless loops from sampled analog gear.
I ran into some other small problems like a missing background image for Kontakt instruments, but it only took a quick email to get things fixed so support from No Dough has been great so far.
Check the audio demos below to get a good idea of what you can expect from NDS-1.
So what do I think?
Product: NDS-1 House Music by No Dough Format: 24-bit WAV/REX2 + MIDI Price: £39.99 GBP Like: All-round, Good sounds and Kontakt patches, great support Don’t like: Some minor technical hiccups (got fixed fast though) Verdict: 8/10
NDS-1 certainly has a bit of a house music flavor to it – especially in the loops section, however the sounds in this library will do fine for any kind of electronic genre really.
Comprising single shot drum samples, melodic loops, as well as the building blocks to take it your own direction with MIDI files and sampler patches, NDS-1 House Music offers a nice all-round pack of good quality sounds for electronic music producers.
No Dough is relatively a small-time developer, which may explain some of the small problems I experienced with design & consistency of the production of this pack. On the other hand I am seeing blazing fast support, something some of the big guys can learn from. Everything considered NDS-1 has plenty to offer, particularly when it comes to musicality. You can hear this sample library is a labor of love, done by producers, for producers.
No Dough is generously offering rekkerd.org readers a £10 GBP discount on NDS-1 for a limited time (£29.99 instead of £39.99), so if you’re interested make sure to check it out.
Time+Space have announced a new partnership with UK sample library developers Freshtone.
Freshtone Samples features the work of producer musicians Matthew Corbett and Mike Wilkie who are best known in the world of samples for their work with Zero-G, including ‘Sounds of the Seventies’, ‘Vocal Forge’ and ‘Vocal Foundry’ which were all released to critical acclaim. They are also successful Film, TV and Production music writers with their tracks having been featured on many hundreds of productions around the world.
Time+Space has been appointed as the official worldwide distributor of Freshtone’s sample libraries and are pleased to announce the first release – Lost Tapes Vol 1 – which is available now as a DVD or download.
Lost Tapes Vol 1 features
43 Funk and Soul construction kits, all recorded to tape using only mics, instruments and equipment from the sixties and seventies.
In WAV, Aiff, Acid WAV and Rex 2 format, Lost Tapes was recorded in a unique environment.
The tracks were played on a wide range of sixties instruments from legendary manufacturers such as Burns, Baldwin and Dan Electro into vintage Selmer and Vox amplification.
Premier and Ludwig kits also from that decade were recorded using a selection of rare ribbon mics and old tone wheel Hammond B3 and A100 organs further evoke the past. All tracks were recorded onto an old Studer 1” tape machine via an EMI Redd desk which once resided in the famous Decca Studios.
The Freshtone Lost Tapes Vol 1 is now available from Time+Space for RRP £39.95 GBP / 47.95 EUR / $63.95 USD.