Sounds To Sample has announced the release of John Tejada OP1 Teenage Riot and Raw 909 – Push The Tempo, two new sample libraries.
Comprised exclusively of loops created with Teenage Engineering’s OP-1 portable synthesizer, Teenage Riot takes full advantage of the portable wonder’s 8 built-in synthesizer engines, multiple effects and LFO’s, built-in 4 track recorder and plug and play sensibility of a mass storage device, and leaves it’s endless possibilities in the hands of an acid house legend.
John Tejada OP1 Teenage Riot features
20 OP1 Kick Loops.
20 OP1 Percussion Loops.
20 OP1 Clap Loops.
20 OP1 Radio Loops.
20 OP1 Bass Lines.
20 OP1 Synth Loops.
Wav format, 130MB zipped.
The OP1 Teenage Riot sample pack is available to purchase for 16.29 EUR.
Raw 909 by Dan Mumford features a collection of loops and construction kits.
A staggering collection from jackin’ euro-tech to slammin juke and footwork, Dan Mumford’s Raw 909 is the perfect loop package to complement any ableton live performance or driving techno production.
230+ MB of loops and construction kits we here at Sounds To Sample mistook as a live recording from Jeff Mills crankin’ out some old school 909 goodness, Raw 909 features samples and construction kits ranging in tempo from 125 to 160 BPM.
Sonic Scoop has published A Study in Resampling: Part 1, an article by AfroDJMac.
As part of my column on SonicScoop.com, “Sound Smack with AfroDJMac,” I’ve published the first article in a study of resampling in Ableton Live.
Resampling is a really powerful way to recycle sounds, instruments, and musical ideas into something entirely new. So download the Ableton Live Set below, complete with two drum racks I resampled from chords I played with my Teenage Engineering OP-1 Rack, two slice to midi presets, and the sample audio files that include a rhythmic pattern made with the AfroVolt Pack. Then, please head over to SonicScoop.com to read the full article, I think you’ll find it inspiring.
Goldbaby Production has released Synth Purveyor Vol 1, a new sample library for EXS24 and Kontakt 4.
Synths, Synths and more Synths! Yes you guessed it this product is all about synths…. some really nice ones actually…
MKS-80 (Super Jupiter), SQ-80, TX-802, CS-10, Matrix 6R, OP-1, SlimPhatty, Mopho, MircoKorg XL, Blofeld, PC3x… all great synths! They have been given the Goldaby treatment… sweetening them up with tasty outboard. Then mapped to EXS24 and Kontakt 4.
Analog bass, digital bells, lush strings and pads, powerful leads and interesting FX. Plenty of ammo for Hip Hop, Dub Step, Grime, Drum & Bass, Techno, Electro…
Synth Purveyor Vol 1 features
1838 x 24 bit wav samples.
Over 160 patches for EXS24 and Kontakt 4.
Performance GUI for Kontakt 4 patches.
Synth Purveyor Vol 1 is available to purchase for $49 USD.
Golbaby has also released Blofeld Drums, a free sample pack made with the Waldorf Blofeld synthesizer.
Blofeld Drums: This little synth is a marvel of German engineering. Having a lot fun with it… so I thought I’d share some synth drum sounds I have created with it. 66 x 24 bit wavs
Teenage Engineering has announced that the OP-1 is ready for production and can now be ordered.
OP-1 is ready. Make your reservation today.
Finally. After more than two years of development the OP-1 is now ready for production.
Due to initial limited supply we now accept reservations.
Manufacturing, assembly and shipping will be eight weeks.
The OP-1 is available to order for $799 / 799 EUR.
Electronic music has always had a funny relationship with musicianship. It isn’t playing a traditional instrument; instead, it lies somewhere between instrumentalism and composition, between playing and conducting. Sometimes, that scale is tipped away from virtuosity of any kind.
But lately, I’ve had an increasing number of conversations with people who make the tools with which we make music about what this all means. I’ll be able to share one of those conversations in a bit, but I’m curious to hear what readers think.
Jeff Mills comes to mind. He doesn’t just DJ with three decks, he also uses a TR-909 in his live sets.
Radium Audio Labs is a blog with some interesting sound design articles on things like frozen contact mics, recording guns, coil pickup and printer recordings, and more.
Explorative adventures in sound – Part of Radium Audio, a leading music and sound design company based in London. We work with agencies, cg & animation houses, digital agencies, game developers, brands and manufacturers.
A closer look at the OP-1 portable synthesizer and controller (no release date yet though).
Last week, Ihavesynth.com got the chance to meet up with Teenage Engineering to get a closer look at the OP-1 synthesizer/sampler/controller/you-name-it. Teenage Engineering revealed their eye-catching OP-1 at Musikmesse in 2009 and the hype around the synthesizer has been massive, even though it is not yet released. We have posted about the OP-1 before and offcourse we are as curious about the OP-1 as the rest of the world seems to be.
Teenage Engineering is a great gang of 7 tech guys in a white painted garage filled with wonderful stuff like computers, synthesizers, all sorts of tech gear, an electronics shop, 3D printers, bikes, mopeds and a little dog which you can hear in the interview. The Teenage Engineering crew has experience from a lot of different areas, like the gaming industry, programming, electronic music – and it all comes together in their cozy garage.My mate Bjorn had a chat with David at Teenage Engineering, check it out in this clip.
One of my favorite hacks at last weekend’s Music Hack Day is Tristan’s Swinger. The Swinger is a bit of python code that takes any song and makes it swing. It does this be taking each beat and time-stretching the first half of each beat while time-shrinking the second half. It has quite a magical effect.
This project demonstrates how to use the Xbox Rock Band Stage Kit with Micro framework using GHI's USB Host feature….no Xbox is necessary!
This kit uses USB and it has special requests to set the strobe speed, LEDs and fog. But no worries! This still works with GHI NETMF devices. We use USB host on a low level using USBH Raw Device. This allows us to control the Stage kit as we like! It is actually easy if you know how USB works.
Tom Shear is back with another pack of free samples:
Today's selection is what used to be one of my favorite bass sounds I'd programmed for my old SQ-80 back in the day. It's very digital sounding and can add a nice bite to other bass sounds when layered. (The name of the patch was inspired by the liner notes of a Shriekback album that listed not only the gear used, but the name of the synth patches they used which pleased the hell out of me for some reason…)
The download includes 8 mono 24-bit/44.1k WAV samples of the C and G keys for 4 octaves.
Diego Stocco @ Soundcloud: In the past months I've been working on some new tracks with my Experibass. Since I built it, I discovered many new ways of interacting with it
Take a look at this gallery to know more about the Experibass: http://www.behance.net/Gallery/Experibass/312989
David M. just sent us useful information on how to add internal pitch controls for both Kaossilator and the Kaoss Pad, below are his words of wisdom…
After reading about the GetLoFi Tutorial for 1799 oscillator circuit mod on the KORG Mini KP/KO and with a few of the LTC Modules on hand I decided to give it a go on a brand new Kaossilator. The conversion took about 45 minutes to do, but the results just blew me away. A real transformer for this instrument.
The Creators Project event series—a roving global celebration—launches this summer on June 26, when The Creators rolls into 80,000-square-feet of display and performance space honeycombed throughout the legendary Milk Studios in New York’s Meatpacking District.
The event is going to be a groundbreaking combination of interactive art and installations, panels, workshops, screenings, and live performances. As much as The Creators Project is a digital archive of our digital world, it is also a testament to the enduring appeal of the Real. Many of the artists within the program explore the way that digitally manipulated images, sounds, and motions converge in real time, in real spaces.