The Unfinished has released Omnisphere Horizon II, a collection of 128 patches for Spectrasonics’ Omnisphere aimed at electronic/hybrid film scoring and atmospheric electronica.
In Horizon II you will find deep, punchy basslines; pulsing, thrilling synth sequences; evolving, driving percussion loops; lush, detailed pads and soundscapes; plus growling basses, emotional pianos and epic impacts.
This comprehensive and immersive collection is designed to be a ‘go to’ resource for soundtrack and electronica projects, whether you’re looking to add depth to an existing track or kickstart some brand new ideas. The scope of the 128 sounds in Horizon II is wide enough to write whole cues without using any other synths or libraries; and all the sounds have programmed with immediate, flexible and dynamic control dialled into the modwheel function.
Horizon II builds on the dark, dynamic underscore nature of Horizon, adding a number of ‘lighter’ more ethereal sounds in the spirit of composers/producers such as Cliff Martinez, Brian Eno and Thomas Newman. If you need fresh, new sounds for your film, game or media project, then Horizon II is an essential bit of kit.
The original Horizon is already being used in films, TV series and games soundtracks around the world.
Omnisphere Horizon II is available to purchase for £19.99 GBP. A free ‘taster pack’ of 15 sounds from the collection can be download for free.
More information: The Unfinished / Omnisphere Horizon II
The Unfinished has announced the release of Massive Darkscore IV, the latest release in the Darkscore series, which aims to provide cutting edge digital electronic sounds for hybrid film scoring and atmospheric electronica.
Darkscore IV is a collection of 200 high quality patches for NI Massive, full of gritty basslines, energetic synth sequences, deep pads, roaring basses and dark soundscapes.
If you are looking to add some deep, dark, driving electronics and atmospherics to your music, this collection provides you with a huge range of sonic possibilities. At its core it is targeted at the darker side of electronic film scoring, but is also flexible enough to be used in atmospheric electronic genres such as dubstep, ambient and industrial. The collection has been influenced by recent film scores, such as Total Recall and Judge Dredd, as well as the twisted electronic tones of Trent Reznor and Atticus Ross.
Each patch comes with flexible control via the eight macro knobs, allowing you to quickly control the tone and dynamics of the sounds and providing access to hundreds of new variations.
Darkscore IV for Massive is available to purchase for £19.99 GBP (requires NI Massive 1.3 or higher, .nmsv format). A free demo pack is available to download.
More information: The Unfinished / Massive Darkscore IV
The Unfinished has released the KTH Sample Pack, a free collection of samples and loops.
They all come from a project I recently worked on, a demo track for Impact Soundworks’ new Dombra library – you can read more about the track on my music site www.mattbowdler.com.
The 40 samples are mainly percussion loops, plus a few synth lines and reverse sfx. The samples come in 24 bit 4k WAV format and the tempo-specific loops are at 150bpm.
The sample pack is free for The Unfinished Facebook fans.
More information: The Unfinished / KTH Sample Pack
The Unfinished has announced Kill All Humans!, a free collection of 80 free presets for the Elek7ro software synthesizer by Togu Audio Line.
Elek7ro is based on the classic Roland bass synth, the SH-101. In this collection you’ll find punchy saw basses, detuned monster basses, powerful sub basses, dirty wobble basses and much more besides.
Kill All Humans! is designed to be a one-stop shop for tasty bass sounds for your productions. And it’s free.
All you need do is download Elek7ro from the TAL website (if you don’t already have it) and load up the bass patches. Enjoy!
More information: The Unfinished / Kill All Humans!
The Unfinished has announced the release of Omnisphere Horizon, a sound library for Omnisphere by Spectrasonics.
Aimed at hybrid cinematic underscore and deep, emotional electronica, it will fit right into your latest film/tv/game score or EDM album.
There are 128 patches, featuring deep, modulating basslines; evocative and dynamic synth sequences; dramatic and blissful soundscapes; hard-hitting, punchy synth basses; and many other expressive and essential sounds.
Omnisphere Horizon provides you with a deep and flexible, cinematic sound canvas. Whether you’re writing minimalist underscore in the shadow of Harry Gregson-Williams and Sean Callery, or intense electronica in the vein of BT and Jon Hopkins, you are bound to find a huge amount of inspiration in this soundset.
Omnisphere Horizon costs £19.99 GBP. A pack of free sounds is available to ‘try before you buy’.
More information: The Unfinished / Omnisphere Horizon
The Unfinished has announced Absynth Geometron, a collection of 128 beautiful and dark sounds aimed at ambient, downtempo and electronic film scoring.
Full of warm, lush and experimental noises, Geometron specialises in cinematic pads, dusty keys and subtle basses.
The idea behind Geometron is global-friendly post-club, early morning sounds. Think riding an empty metro train in Tokyo at 3am, waiting for the sun to rise over horizon in downtown Buenos Aires, or sitting on a Bali shore watching the fishermen go out for their first catch of the day.
The soundset is available to purchase at £14.99 GBP. A demo pack of 20 sounds can be downloaded free of charge. Geometron requires Absynth 5 (some sounds will not work in Absynth 4) and uses the .nabs format.
The Unfinished has also launched a Christmas Sale, offering a 50% off everything (except Geometron) including some new bundles.
More information: The Unfinished / Absynth Geometron