VST Buzz has launched a limited time sale on the Massive Ammunition, offering a 40% discount on the soundset by The Unfinished.
Massive Ammunition is a collection of 128 sounds for NI Massive aimed at deep and atmospheric dubstep, industrial electronica and hybrid electronic film scoring. In fact it’s perfect for any music that requires some ballsy bass sounds.
Dark, driving tech lines to underpin your next movie trailer, throbbing basslines to propel your next dancefloor smash, or just a collection of pristine noises to inspire your next project… You’ll find it in Massive Ammunition.
Massive Ammunition is available to purchase for $14 USD until August 6th, 2013.
VST Buzz is also offering mailing list subscribers the chance to win a copy of the Apocalypse Percussion Ensemble by Soundiron. The winner will be announced on the 10th August 2013.
Zebra Continuum is a collection of 150 organic, analogue-inspired sounds, aimed at hybrid film scoring and deep electronica. It’s full of patches that will add depth, space, movement and vibrancy to your tracks. Searing basslines, subtle pads, lush leads, deep basses, eerie soundscapes and kinetic synth percussion sequences.
Each patch has instant playability dialled into it via both the modwheel and the four XY pads. So, you can quickly control the filter, tone, envelope, effects and more of each sound on-the-fly.
Use the provided sample/preset pack to create an original track in any genre. The pack contains drum loops, drum hits, synth loops, sfx, vocoded samples and synth presets for Massive, Absynth, FM8, Omnisphere, TAL Elek7ro and Tyrell N6. Prizes
The Grand Prize Winner will receive the complete The Unfinished soundset collection and a Korg Volca Beats machine. Two Runner Up winners will receive The Unfinished soundsets.
The contest deadline for entering your track is June 30th ,2013.
The Unfinished has announced the release of Massive Polaris, a collection of 200 sounds for NI Massive aimed at classic synth enthusiasts.
The project was born out of numerous hours spent watching demonstration videos on YouTube of a host of great digital and analogue synthesizers from the 80s and 90s. So, if names like Korg M1, Roland JX8P, Yamaha DX7, Oberheim OB-12, Waldorf Microwave II and Moog Source fill you with fond thoughts, then this soundset might well be for you.
This is not a collection of emulations of classic patches, more a tribute to those deep, crisp, lush, atmospheric sounds, with an added edge of modern synthesis options courtesy of Massive’s aggressive waveforms, oscillators and filters.
The soundset is available to purchase for £19.99 GBP. A free demo pack can be download from the product page.
The Unfinished has released Omnisphere Horizon II, a collection of 128 patches for Spectrasonics’ Omnisphere aimed at electronic/hybrid film scoring and atmospheric electronica.
In Horizon II you will find deep, punchy basslines; pulsing, thrilling synth sequences; evolving, driving percussion loops; lush, detailed pads and soundscapes; plus growling basses, emotional pianos and epic impacts.
This comprehensive and immersive collection is designed to be a ‘go to’ resource for soundtrack and electronica projects, whether you’re looking to add depth to an existing track or kickstart some brand new ideas. The scope of the 128 sounds in Horizon II is wide enough to write whole cues without using any other synths or libraries; and all the sounds have programmed with immediate, flexible and dynamic control dialled into the modwheel function.
Horizon II builds on the dark, dynamic underscore nature of Horizon, adding a number of ‘lighter’ more ethereal sounds in the spirit of composers/producers such as Cliff Martinez, Brian Eno and Thomas Newman. If you need fresh, new sounds for your film, game or media project, then Horizon II is an essential bit of kit.
The original Horizon is already being used in films, TV series and games soundtracks around the world.
Omnisphere Horizon II is available to purchase for £19.99 GBP. A free ‘taster pack’ of 15 sounds from the collection can be download for free.
The Unfinished has announced the release of Massive Darkscore IV, the latest release in the Darkscore series, which aims to provide cutting edge digital electronic sounds for hybrid film scoring and atmospheric electronica.
Darkscore IV is a collection of 200 high quality patches for NI Massive, full of gritty basslines, energetic synth sequences, deep pads, roaring basses and dark soundscapes.
If you are looking to add some deep, dark, driving electronics and atmospherics to your music, this collection provides you with a huge range of sonic possibilities. At its core it is targeted at the darker side of electronic film scoring, but is also flexible enough to be used in atmospheric electronic genres such as dubstep, ambient and industrial. The collection has been influenced by recent film scores, such as Total Recall and Judge Dredd, as well as the twisted electronic tones of Trent Reznor and Atticus Ross.
Each patch comes with flexible control via the eight macro knobs, allowing you to quickly control the tone and dynamics of the sounds and providing access to hundreds of new variations.
Darkscore IV for Massive is available to purchase for £19.99 GBP (requires NI Massive 1.3 or higher, .nmsv format). A free demo pack is available to download.