Results for Tim Exile

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Native Instruments presents behind-the-scenes video of electronic supergroup Mostly Robot

Native Instruments has presented a brand-new video of Mostly Robot, the all-star band made up of five exceptional artists: Jamie Lidell, Tim Exile, Jeremy Ellis, Mr Jimmy and DJ Shiftee.

Mostly Robot

Conceived by Native Instruments and utilizing an advanced array of NI hardware and software, Mostly Robot played their debut performance at this year’s Sónar Festival in Barcelona to great acclaim.

This new video covers both the actual performance and preparation of the show, blending interviews with exclusive backstage and performance material, and giving viewers the opportunity to witness the birth of this modern supergroup firsthand.


Mostly Robot: Behind the Scenes of Sónar 2012.

Native Instruments also announced further festival appearances of Mostly Robot.

Coinciding with the launch of this video, Native Instruments is also happy to announce new concert dates for Mostly Robot in Europe at the end of the summer, where the band will share stages with the crème-de-la-crème of electronic music. As with their debut show, the live performance will be accompanied by an inventive visual performance by renowned visual collective Pfadfinderei.

  • September 8th, 2012: Berlin Festival at Night with other acts such as Modeselektor, Totally Enormous Extinct Dinousaurs, Simian Mobile Disco
  • September 13th, 2012: Electronic Beats Festival Budapest with other acts such as Junior Boys, Nicolas Jaar, Modeselektor

More information: Native Instruments / Mostly Robot

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Native Instruments announces give-away of a trip to Sónar festival to meet Mostly Robot

Mostly Robot

Native Instruments has announced it is offering a chance to win a trip for two people to witness the debut performance of Mostly Robot on June 14th at Sónar Barcelona.

Mostly Robot is a band conceived by Native Instruments, featuring five exceptional musicians who each represent a different area of the company’s musical expertise. The artists – Jamie Lidell, Tim Exile, Jeremy Ellis, Mr Jimmy and DJ Shiftee – will perform in a truly ‘live’ format, with each musician playing independently of the other, synced only by the human element. The music will be accompanied by an inventive visual concept from Berlin’s design collective Pfadfinderei.

The lottery is open to everyone, and the winners will enjoy a four day break in Barcelona – featuring flights, accommodation, two full festival passes and a tapas meal with the band.

More information: Native Instruments / Mostly Robot give-away

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Native Instruments unveils details on Mostly Robot at Sónar Barcelona 2012

Native Instruments has unveiled the details behind the upcoming debut performance by Mostly Robot.

Conceived by the music technology company itself, the band is made up of five highly-renowned musicians, each celebrated in their own field: Jamie Lidell, Tim Exile, Jeremy Ellis, Mr Jimmy and DJ Shiftee.

Mostly Robot
Channal Robot: (left to right) Jamie Lidell, Tim Exile, Mr Jimmy, DJ Shiftee & Jeremy Ellis

Each of these well-known musicians represents a different area of Native Instruments’ expertise – utilizing a vast range of hardware and software in a live band format. On stage, the artists will pioneer a creative interplay between technology and each other’s musical virtuosity, placing themselves in the tradition of inspiring jazz concerts by improvising with each other. Mostly Robot play truly ‘live’– instruments are synced only by the human element, with no MIDI clock or prepared grid obstructing their creativity. What’s more, the Sónar showcase is a rare moment to catch a glimpse of yet unreleased song material from individual band members.

Additionally, the music will be accompanied by an inventive visual concept from Berlin’s design collective Pfadfinderei. Using the note events, controller data and audio material created during the live show, visual elements are developed in real time on screen so the audience can follow the musical wizardry of Mostly Robot.

More information: Mostly Robot at Sónar Festival

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Short links for June 17th, 2011

Some interesting things I found recently:

# Muze by Joshua Maruska and Adam Kumpf

Muze is an Arduino instrumentalist who creates melodies that evolve over time.

Muze has a palette of notes that it can in-turn interpret and compose into various rhythms and phrases that are strung together to form something musical. The user can then influence these strings of notes and rhythms to create entirely new compositions. Much like you would a tune a radio to get a new song, Muze can be tuned to provide new and different melodies.

In the interest of keeping Muze from becoming another knob laden techno-fest of an instrument, interaction has been limited to just one input.

# The Stretta Procedure: vcvi maxforlive

Matthew Davidson’s vcvi is a suite of maxforlive devices to control your modular synth with a dc coupled audio interface.

# Rainlith 2 – Kinectic sound art piece via CDM

On Rainlith, the primitive naturally granular sound of a big rainstick gets explored in real-time by cyber-age sound manipulation tools.

It's an interactive piece in witch the movement of the audience's body activates an electric motor, making a reflex movement on the structure that embraces the instrument.
The sound of the rainstick is captured and processed in realtime, and sent 24 meters above, filling the empty space of a old industrial cereal container. The reverberated acoustic mix is then received back by the audience in the spot right below the opening of the container.

Poul Vestergaard Neuron

# NeuronDrum for Reaktor

NeuronDrum is a sample based rhythm composer by Poul Vestergaard.

It has 512 audio samples 32MB. Most of the sounds are made for electronica music. All rhythms is made of a neuron based approach with 8 neurons.

The first neuron works as a kind off metronome. All neuron can send impulses to each other. Every neuron has a threshold value. If the threshold is 3 then it will need 4 impuses to fire the sample, and send impulses to other neurons.

# Les Paul Google Doodle Gives Us… Google Homepage, The Song, by Tim Exile

Peter Kirn writes:

Electronic musician, vocalist, and inventor Tim Exile is back; while the Google Doodle today of an interactive Les Paul inspired lots of people to invest some time fiddling and hacking, in Tim’s case, it inspired a whole song. And, to my knowledge, it’s the first time the homepage of Google got its own ode.

# [namethemachine]_Kinect_2011,05,24

Matt Davis hacks a Kinect using OpenNI & Max/MSP. With it mapped to Ableton live and Henry Strange's MIDI to DMX Laser Control System, Matt demonstrates this fun a/v control system.

# Amon Tobin : ISAM Live : Mutek Premiere (Official)

A quick wrap up of the debut of Amon Tobin's ambitious 'ISAM' Live show which launched itself to the public on June 1st as part of Montreal's Mutek Festival.

Bluebrain The National Mall

# bluebrain | THE NATIONAL MALL

Bluebrain's The National Mall will only work within the physical boundaries of the National Mall park in Washington DC. It is a location-specific album and is not intended for use outside of the designated area. Please follow us on Twitter (@bluebrainmusic) to learn more about when a location-aware album might be coming to a location closer to you. While on the Mall, we recommend you quit other applications from the multi-tasking bar on your phone for best performance. If you are having difficulties, force quit or restart your phone. Make sure to quit the app fully once you leave the area to avoid it draining your battery when it isn't being used.

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Native Instruments releases The Mouth, sound controller synthesizer by Tim Exile

Native Instruments The Mouth

Native Instruments has released The Mouth, a powerful effect that can generate melodies and sounds based on an audio signal.

After the success of THE FINGER, British artist and musical prankster Tim Exile is back with THE MOUTH! Designed to generate melodies and harmonies out of whatever audio material you feed it, THE MOUTH is a unique and exciting way to get creative results on the fly.

Sing, beatbox or send a drum loop into it and THE MOUTH comes to life as a tweakable synthesizer, bass, vocoder or talkbox-like effect. A playful interface provides you with plenty of room to shape your results as you go.

The Mouth features

  • Includes 118 synthesizer & multi effects.
  • 4 generators: Input (with a choice of the raw input audio, or a ‘tuned’ version), Synth, Bass and Vocoder.
  • Each generator comes with numerous different sounds easily selectable via a preset matrix in the interface.
  • 5 faders in a simple mixer section, which also includes a master FX section for coloring the final mix.
  • 8 Performance Control knobs alter both sound and amplitude envelopes at once, for easily shaping the character of the sound, and adding additional harmonies.
  • ‘Beats Mode’ will process incoming drum patterns into interesting arpeggiated melodies.
  • For use as a stand-alone or plug-in effect within a sequencer host.

The Mouth for Reaktor and Reaktor Player is available to purchase for 69 EUR / $79 USD.

More information: Native Instruments / The Mouth

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Native Instruments Komplete 7, bundle gets 17 additional instruments and effects

Native Instruments Komplete 7

Native Instruments has introduced Komplete 7, a significantly expanded version of its studio-standard software bundle.

The next generation of KOMPLETE now combines 24 instruments and effects – including five entirely new products – with over 10,000 sounds and 90 GByte of samples, resulting in a comprehensive suite with unparalleled versatility for music production and performance.

KOMPLETE 7 includes the latest versions of Native Instruments’ acclaimed full-featured instruments and effects, ranging from ABSYNTH 5, BATTERY 3.1, FM8, GUITAR RIG 4.1, KONTAKT 4.1 and MASSIVE to the upcoming REAKTOR 5.5. As the next generation of the legendary modular synthesis studio, the new REAKTOR version adds powerful modal and additive synthesis, a revised user interface, the unique “Lazerbass” synthesizer and many enhancements for both instrument builders and musicians.

KOMPLETE 7 also integrates a wealth of instruments and effects based on KONTAKT, KORE, REAKTOR and GUITAR RIG. Products added to the bundle include the acclaimed ABBEY ROAD 60s DRUMS vintage drum library, the radical performance effect THE FINGER by Tim Exile, the sampled electric bass SCARBEE MM-BASS and all four electric pianos from the SCARBEE VINTAGE KEYS series by sampling mastermind Thomas Scarbee, all four acoustic pianos of the CLASSIC PIANO COLLECTION, the cinematic ACOUSTIC REFRACTIONS instrument and the distinctive REAKTOR SPARK synthesizer.

KOMPLETE 7 also incorporates five completely new products that further expand the creative potential of the bundle: The powerful studio reverb REFLEKTOR with its advanced zero-latency convolution engine; the highly expressive REAKTOR PRISM modal synthesizer designed by NI founder Stephan Schmitt; the performance effects suite TRAKTOR’S 12, derived from Native Instruments’ leading DJ software; the new VINTAGE ORGANS instrument with its comprehensive arsenal of painstakingly sampled electromagnetic organs; and the new RAMMFIRE amp emulation that was developed in close collaboration with one of Rammstein’s guitarists, Richard Z. Kruspe.

Every copy of KOMPLETE 7 also includes an NI Online Shop voucher worth $60 / 50 EUR, valid towards any product from the KOMPLETE Instruments and Effects range that is not included in the bundle.

Komplete 7 will be available in September 2010 for a suggested retail price of $559 USD / 499 EUR. An update for owners of Komplete 2/3/4/5/6 will be available for $229 USD / 199 EUR.

More information: Native Instruments / Komplete 7

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Native Instruments releases The Finger by Tim Exile

Native Instruments The Finger by Tim Exile

Native Instruments has announced the release of The Finger by Tim Exile, a unique keyboard-controlled performance effects processor based on Reaktor.

Based on advanced REAKTOR technology, THE FINGER provides musicians, producers and DJs with an inspirational and truly musical tool for intuitive sound mangling and live remixing in the studio and on stage.

“I’ve always been into the idea of playing electronics like you play acoustic instruments.” says Tim Exile, designer of THE FINGER. “I used to sit at the back of class at school tapping out jungle breaks and edits.
That’s when I fell in love with my fingers. I want to go on sound adventures by finger alone. I love it when sounds end up somewhere completely different from where they start off. I want to be able to play these transitions with my fingers and keep wandering with the sound.”

The Finger features

  • Over 40 effects including real-time samplers/transformers (e.g. loop, re-arrange, reverse, scratch, heavy granular effects etc.), as well as filters, gaters, delays, reverbs, distortion, wave shapers, ring modulation and many others.
  • Each effect has two parameters controlled by velocity or mod wheel, and is tempo-synced to a master clock or the tempo of your audio host. The KORE PLAYER user interface allows for even further tweaking via the Macro Controls.
  • Trigger effects via MIDI keyboard (or the “piano roll” in a sequencer). Four octaves of MIDI notes have a specific effect per sound with their own settings assigned to each.
  • When used within a host sequencer as an effects plug-in, you can record your playing as MIDI in the piano roll editor allowing to edit your effect chains in a much simpler way.
  • Besides the possibility to use THE FINGER out of the box (with the free KORE PLAYER or KORE 2), it can also be loaded into REAKTOR 5, where an individual user interface is available allowing you to setup custom effects to any MIDI note.

The introduction of THE FINGER is complemented with the release of Tim Exile’s “The Finger EP”, a four-track album derived from live performances that utilize the software. The tracks are available for free download via “The Now Wave”, a new blog established by Tim Exile and dedicated to live electronic music performance, at http://thenowwave.blogspot.com/

The Finger by Tim Exile is available for purchase from the NI online shop for $79 USD / €69 EUR.

More information: Native Instruments / The Finger by Tim Exile

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Short links for June 19th, 2008

Some interesting things I found on June 19th, 2008:

# DIY Stompbox: Beavis Board – The beavis board is designed to give you a platform for learning and building. If you can follow along with simple instructions, you can start building and modding a classic and new stompbox circuits.

Beavis Board
Beavis Board on the left, full kit on the right

The beavis board makes it easy to:

  • Build a huge array of stompbox circuits including overdrives, distortions, fuzzes, filters, amplifiers, tremolos, noise generators, oscillators, and more.
  • Learn about the different components and how they work to shape your guitar’s signal.
  • Modify stompbox designs to tailor your sound.
  • Easily try out your circuits through a true-bypass breakout box.
  • Have a giant buttload of fun.

You can pick up a complete kit for $249 USD, or get just the Beavis Board for $109 USD. That is, when they aren’t sold out… New stock should be available by the end of July.

# BodySurf // Wii Balance Board + Audiosurf + Motion Controls – BodySurf is a script for GlovePIE that rigs up the Wii Balance Board to play Audiosurf. It is full-featured, with a strong focus on player immersion and ease of user interface.

# Elektron-Users: Richard Devine interview – Interview, gear list, imagery, and an exclusive Richard Devine track.

Richard Devine's gear (some of it)

Richard answers What inspires you to compose?:

I find inspiration from many different sources. Sometimes I will be out at an art museum, and see a video installation, short film, or sculpture piece, and it will inspire me to create something. I love late 21st century modern architecture too. I see the skeletal structures of buildings and spaces, and it makes me think of musical structures. I have always believed that there is a close relationship between visual art and music. They are based on the same principals of design, repetition, color, balance, rhythm, tone, texture, etc. I tend to get more ideas from visual references than audio sources.

# New Early Computer Music Discovered; What Was the First Digital Synth? – So, who gets the credit for the first digital synthesis? This particular recording doesn’t change much, in that Bell was never recognized as the first computer-created music – they just happened to have the earliest recordings still available.

# Tim Exile Video – Exclusive | Videos | matthew hodson

Matthew writes:

Here it is! Mr Exile gave a fantastic performance at The London College of Music & Media last year and I have only just gotten around to editing the footage together. Here you can see him at length talk about that fantastically creative live setup he has based on software by Native Instruments – Reaktor. I for one use the same software a lot when I am making electronic music under my bit|bin as I really rate not only its flexibility and ability to build/create anything from a synth to an effects unit but it also sounds great too.

link via NI Kore Minisite @ CDM

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