Tim Prebble of HISS and a ROAR has announced the Tortured Piano Remix Competition, a contest where you get the chance to win a free copy of the Tortured Piano sample library.
After playing with the sounds in the Tortured Piano library over the last few weeks, I’ve become fascinated as to the ways these sounds can be processed, altered & recontextualised… But I am even more so interested in what other people might do with the sounds….
So I’ve just released the FREE version of the Tortured Piano library (45 x 16BIT 44.1KHZ Stereo .WAV sounds 58MB) and am hereby launching the first HISSandaROAR remix competition!
The only source material must be from the TORTURED PIANO FREE library. You can obviously manipulate and process them in any way you like, but no other sound sources are allowed (eg other samples, instruments, recordings etc)
The remix competition deadline is Monday 8th August. Three winners will each receive a free copy of the full 192kHz 7GB Tortured Piano library.
Good people, unfortunately due to circumstances beyond our control, the "clean" version of our new album, The Hot Sauce Committee pt 2 has leaked. So as a hostile and retaliatory measure with great hubris we are making the full explicit aka filthy dirty nasty version available for streaming on our site. We hope this brings much happiness, hugs, and harmony. Enjoy Kikoos for life!
The armies of the earbuds are everywhere, as people – since the dawning of the Walkman – tune out their surroundings. What if, instead, your surroundings became soundtracks? That’s the question posed by a mobile app research project, partnering between New York’s Times Square and a creative team at the Georgia Institute of Technology.
UrbanRemix invites users to capture geo-tagged sounds with a free iOS and Android app, then to string them together into sound compositions on the Web
Codebending is the exploration of software with “patch points.” Patch points expose the inner workings of computer programs, and allow for atypical connections between things like games, music making software, office suites, etc.
Every movie blogger is obligated to devote a post to The Wilhelm Scream AT LEAST once in their lives. And they’re all pretty much the same: A quote from wikipedia, the compilation video on YouTube, and the latest movie they found it in. This post is a little different. Starting last year I started collecting Wilhelm Screams, planning on making a video showing some favorites. That project spiraled out of control, and the result is a (pretty) complete collection.
Max Mathews is best known for his involvement in the debut of digital synthesis, but he contributed much more. His Radio Baton predicted gestural controllers that arrived much later from Nintendo, Sony, and Microsoft, and it may be his code design ideas that outlast even the memory of the computer’s first musical utterances.
Slewpi is a new type of app that lets you create music and synthesized sound and animation by painting on the screen with your fingers.
Slewpi is super easy to use, just paint with your fingers and choose different colors and brushes to change the strokes and sounds. Slewpi records what you do and plays it back in a loop.
Choose different brushes to change the visual style as well as the sound of your strokes in real-time. The different brushes correspond to different synthesizer waveform and vibrato settings allowing you to create new and diverse audio/visual compositions.
Strings of numbers are everywhere in our world, tucked just outside our awareness alongside identifiers like bar codes. Dutch media artist and inventor Leo van der Veen simply plucks that information and brings it to the fore.
A few months ago I published a post on how to make a MIDI Ribbon Controller with Arduino. In the meantime I had a few ideas to improve both hardware and software and also felt the need to change many parameters without having to reprogram every time Arduino. Finally I placed the controller in a case, thanks to Laura who built it. So this is version 2.0 of my MIDI Ribbon Controller, which finally becomes a much more practical tool.
Call it cable addiction. Italian-born musician Alessandro Cortini, known for his live keyboard work with Nine Inch Nails, retreated into the studio with classic and contemporary Buchla modular synths to make “SONOIO.” Guided by his uniquely personal compositional style, he was able to wrangle that mess of chords and layers of analog sound into a genuine collection of beautifully-written songs, stacked high with Buchla timbral goodness.
Check some tracks from Alessandro’s new album below.
This is a question I see often: if the final form of the project is 44.1kHz or 48khz, why bother recording at high sample rates? There isn’t any one answer to that question, there are lots of answers. But I thought it might be useful to illustrate a reason by using a real world example…. And if you cannot be bothered reading all of this, then just remember this: Plugins LOVE dense data!
Tom Shear has had some time with the Monotron and shares his thoughts.
Whether or not the Monotron is for you really depends on your expectations. I've already outlined what it does best and if that sounds appealing to you, I can recommend you just place your order and get one now. You'll have an amazing amount of fun with this thing. If you're looking for a budget MS-20 to blast out some wall shaking basslines or other melodic bits, you're probably going to be disappointed.
Tom has also posted a free sample pack with some percussion sounds, sweeps, shrieks, and some tonal sounds from the Monotron. Get them here.
If you're a Beastie Boys fan Christmas has come early, folks. The brain/brains behind the sample source blog Miscreant Productions have compiled pretty much every single song that has been sampled by the Beastie Boys from Licensed to Ill to To The 5 Boroughs. As if that wasn't enough, they've even gone and thrown said samples on Megaupload for y'all to download. I know epic right.
In the words of the trio themselves “ch-ch-ch-ch-check it out”:
Inspired by the classic spherical speaker array Instructable from user mzed, Charles Visnic created these cool wireless speakers by transplanting the guts of a pair of RocketFish speakers into some birch bowls from Ikea, mounted rim-to-rim.
polynome5000, amazing DIY controller by Colin Mann
Colin Mann on his polynome 5000 controller:
After more hours than I’d like to admit, even if I actually knew how many, I’m done. I started this, believe it or not, before the APC40 was even announced, and at the time there weren’t many products out there like it. Now, obviously it would make more sense to just buy one of those products, nevertheless, where are you gonna get an RGB monome with a nixie tube display that takes OSC commands? Exactly.
# Moogfest 2010, a three-day festival celebrating the innovative vision of sonic pioneer, Robert Moog, to be held Halloween weekend, October 29-31, in Asheville, NC.
Confirmed artists Massive Attack, MGMT, and Thievery Corporation will be joined by over 25 additional internationally renowned artists performing in multiple venues throughout downtown Asheville, including the Asheville Civic Center Arena, the Thomas Wolfe Auditorium, and Asheville’s renowned world-class club, the Orange Peel.
The Drumssette was built by Mike Walters in 2010. The Drumssette is a Tascam four track cassette recorder that I turned into a programmable drum machine. A cassette with four tracks of repeating drum sounds can be mapped into a 16 step rhythm using the 64 switches on the interface. The audio on the cassette tape also clocks the sequencer. More details at www.mysterycircuits.com
Peter Kirn on the new controller by Livid Instruments:
Livid Instruments has just revealed their next hardware controller. Well, sort of revealed – this evening on Twitter, they declared that it was a “Top secret sneak peek of our new controller.” Top secret – you know, just on the Internet. No one will see it there. It’s full of encoders, if that’s your thing. It’s called, cleverly, the “Code.” In addition to accompanying Livid’s own grid controllers, put this next to a monome, and you can manipulate continuous parameters alongside triggers. I could imagine someone doing some insane granular patch with an absurd number of parameters using this.
Tom Shear lists some worthwhile freebies for Mac users:
The internet has its ups and downs as far as musicians go, but one of the great things is the abundance of free software available to pros and beginners alike. While the comparatively smaller user base means there aren't as many freebies for Mac as there is for PC, there is still some great stuff out there available for absolutely nothing. (Although many developers of freeware, do accept donations.)
Tim Prebble is looking for contributions for another "crowdsourced" fx sample library.
Seeing as how THE DOORS is hopefully going to finally kill the overuse of cliche doors, maybe we can also kill the over use of ‘DOG NEXT DOOR’ or at least provide some seriously good alternatives! But the world of dogs is vast & complex – some of the weirdest vocalisations I have ever heard were from a very small dog! So please comment on this post if you wish to be a contributor. As with the 1,000 doors aim (which we will easily meet) lets aim for 1,000 dogs so if each person records 5 dogs then we have a recordist limit of 200 contributors.
The Phone Guitar is born out of a presentation I'm going to do next Saturday on MobileCampBrussels about mobile cross development.
To put my money where my mouth is, I decided to create the same mobile app – a small piano/drum sequencer thing – on 3 mobile platforms: Android, Windows Mobile and iPhone OS.
As you may be able to tell from the lack of a regular posting schedule and the constant plugs for my band's gigs in various cities around the US, I happen to be on tour right now. (We're actually just two dates from the end now, and after a much needed rest, things should get back to normal here at Waveformless again.)
I've never been a big cell phone person. Sometimes it's kind of nice to not be able to be reached. But in a touring situation, they can be invaluable, so shortly before our tour, I picked up an iPhone 3Gs figuring it would come in handy. Obviously, there are tons of different models of smartphones out there, but since I only have experience with the iPhone, I thought today I would share some apps that I've found really useful during the past 6 weeks of travel. Many of them are probably available on other platforms as well.
Tim Prebble is looking for some people to record doors:
If there is one sound that pulls me out of a movie or TV show (apart from the Wilhelm) it’s the use of crappy sounding library doors. Now I don’t imagine this is a common complaint amongst theatre goers but it does bug me and I’ve often wondered why the problem exists. Lets face it, if you have your recorder running, you could record a dozen door sounds between the time you get out of bed until you return there… So why use generic door sounds?
My only theory is that on the scale of critical sounds to be recorded & prepared for a project, in some cases doors don’t rate high enough to receive due attention, and are maybe relegated to a less experienced sound editor or assistant to just ‘get them done’ before the deadline…. Sure if its a major moment in a horror or thriller then maybe the door effects are concentrated on more, but the recurring presence of those thin sounding prop doors from certain commercial libraries makes me think it is all about convenience ie use what we have!
So I’d like to pitch an idea to you, and by ‘you’ I mean anyone reading this who has a mic and a recorder: I want to crowd source a sound FX library of 1,000 doors! So if every person who signs on to the project commits to recording 10 doors over the next few months, and I can round up 100 people to participate, then we could solve this problem once & for all.
NextAid, a Los Angeles-based nonprofit organization harnessing the power of music to affect change in the lives of orphaned and vulnerable children in Africa, will launch its third annual online auction BIDS BUILD HOPE in honor of World AIDS Orphans Day (WAOD), which happens on May 7th each year.
The international auction will kick-off on Friday, May 7, 2010 at 8:00AM EST, and close on Monday, May 31st at 11:00PM EST. The 24-day auction will raise awareness and funds for NextAid’s current projects: the Kawangware Vision Center in Kenya, and the goGogetters program in South Africa. NextAid continues its mission to promote and implement sustainable solutions to the challenges facing African children. WAOD is a grassroots campaign advocating for the 15 million children orphaned by AIDS around the world. Learn more and start bidding on May 7th at www.biddingforgood.com/bidsbuildhope.
The Richie Hawtin Gear Package (picture in image above) is currently fetching $10,000 USD.
Dustmotes delivers with his “Containment Sessions” a release that is a few notches above “Beats for the Subverted”. When listening to it for the first time I could feel a sound that is more confident and, but I might be wrong, I think that has a lot to do with all the positive feedback Paul got from his first ever release. Nothing in “The Containment Sessions” is out of place and the same attention to details that Paul got us used to, is here. I feel privileged for being one of the few that got to enjoy this release before everyone else and it is my opinion that we all should be grateful to Paul for sharing his immense talent with us.
The new episode of Sound Builders looks at Steve Mann, possibly the world's preeminent hydraulophonist.
What's that? Well, it's someone who builds instruments that produce sound from moving water. His specialty is water organs and he even has one built into his hot tub. When he's not making next-level sound-makers, he's developing technology that's helping blind people "see" their surroundings. He's pretty much taking life by the horns and turning them into water horns.
HISS and a ROAR has released Vegetable Violence, a royalty-free sample library created by award winning film sound designer Tim Prebble.
Vegetable Violence™ is an organic sound effects library for creating your own orchestrated sonic mayhem. Recorded & mastered at 96kHz for stomach churning realism, this component library is available for download in three royalty-free forms.
Vegetable Violence features
Available in three editions:
Lite — 16 bit 44.1kHz, 250 sounds, 30MB download
Mid — 24bit 48kHz, 980 sounds, 215MB download
Pro — 24bit 96kHz, 2500 sounds, 1.05GB download
Provided as a collection of stereo .WAV files.
Carefully labelled & tagged with Metadata compatible with the ProTools workspace, SoundMiner, Basehead, Snapper and AudioFinder sound library software.
Vegetable Violence is available to purchase priced at $9 (Lite) / $29 (Mid) / $49 (Pro) USD.