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Variety of Sound announces “Thrillseeker” audio plug-in series

Related: , , , , , Posted in news on Jan 13, 2012
Variety of Sound

Variety of Sound has announced Thrillseeker, a new series of audio plug-ins.

The brand new and upcoming Variety of Sound Thrillseeker audio plug-ins series is going to be a plug-in collection premiering Stateful Saturation which is a sophisticated DSP core system for musical harmonic distortion generation based on authentic and truly stateful non-linear models.

Stateful Saturation takes advantage of some sought after analog qualities and preserves them accurately during their transfer right into the digital domain:

  • high frequency shimmer and sheen without digital harshness
  • depth and ’3d’ imaging side effects before distortion itself becomes apparent
  • audio transient dynamics that remains vibrant and alive
  • natural and impressive bass response

Stateful Saturation opens the door for quite a number of amazing applications ranging from smooth harmonic exciters up to convincing amplifier effects and the DSP core can easily be set in context whether it’s a compressor output stage or a preamplifier circuit, just to name the two.

The first plug-in in the series will be opto-electric circuit model ThrillseekerLA, an audio leveling amplifier with amazing analog like qualities.

It offers sophisticated and deep gain riding full of musical character and attitude but with virtually no inter-modulation (IM) distortion artifacts!

More information: Variety of Sound

Voxengo updates TransGainer to v1.2

Related: , , , , Posted in news on Dec 29, 2011
Voxengo TransGainer

Voxengo has updated its TransGainer effect plug-in for Windows and Mac to version 1.2.

TransGainer allows you to specify gain adjustments for a sound’s transient and sustain stages separately. You can also choose an expected average time between transients so that algorithm delivers you the most precise results possible. With the help of TransGainer you can pass the border from good to excellent audio recordings.

Changes in TransGainer v1.2

  • A problem with the Global Settings sliders missing fixed.
  • Side-chain routing presets now appear dimmed to reduce confusion.
  • Parameter automation on AU Mac OS X now shows real parameter values.
  • The “VST Function Sync” global switch was added that fixes crashes in some hosts (i.e. Tracktion).
  • Preset “update” function implemented in the preset manager.
  • “Density mode” implemented in level meters.
  • The “No Multi-Channel Operation” global switch was added that fixes incompatibility with some non-VST2.3 compliant VST hosts.
  • The “Show All Channel Meters” routing switch added.
  • Additional visual look variation settings added.

TransGainer for Windows and Mac (VST/AU) is available to purchase for $69.95 USD.

More information: Voxengo / TransGainer

Review: Tonebuilder Driven Machine Drums: Strikes Back!

When Nathaniel of Tonebuilder released his Driven Machine Drums electronic drum sample library – back in November 2009 if I’m not mistaken – it came at a time when exciting things were happening in sample library land. Wave Alchemy had just released its Drum Machine 01 library, Goldbaby was putting out top class libraries, one after the other.

Possibly not the easiest time to introduce yet another collection of drum samples. However, Nathaniel was confident about the quality of his work. So much even that he offered a 30-day money back guarantee on a purchase. Being a limited edition library – with only 997 copies available for sale, ever – DMD’s exclusiveness introduced additional perceived value. This slightly unconventional approach to marketing something digital (and thus basically inexhaustible) raised many an eyebrow.

All said and done, in the end DMD is what it says on the package: “… an electronic drums sample library, created from an unique blend of 14 drum machines/synthesizers and 9 analog coloration devices.” and eventually demand outgrew supply and all 997 copies sold out.

ToneBuilder Driven Machine Drums Strikes Back

With Driven Machine Drums: Strikes Back! Nathaniel takes the original idea one step further.

The goal was to present you with something simultaneously familiar and yet completely fresh. But creating new sounds, IMHO, wasn’t enough. There had to be an improvement in the methodology because I wanted you to feel like you owned these “newly-discovered” instruments.

I also wanted you to be able to spend even more time writing, being creative, and performing (aka fun stuff) and less time EQing and controlling dynamics to get a reasonably loud master.

To achieve this goal, the samples in DMD Strikes Back were created using various analog & digital sound sources and outboard gear, resulting in 2,072 new drum sounds in 7 categories:

  • 121 Claps
  • 163 Hats
  • 327 Kicks
  • 365 Percussion
  • 522 Snares
  • 241 Toms
  • 333 Unknown Electronic sounds

Each of these has a bunch of subfolders sorting similar sounds by texture type. Most folder descriptions are self-explanatory (e.g. low short perc, dub toms, digi electro snares), others perhaps a bit vague (e.g. white elephant, doubleplus unhats), but the bottom line is – after auditioning the samples once or twice – it’s real easy to find sounds in this folder structure.

The list of gear used to create the sounds is quite massive and includes lots of modular units (Harvestman, Cwejman Modular, Wiard, and more).

Gear used for Driven Machine Drums Strikes Back
If you suffer from gear lust you should probably not click above to see the larger image…

The DMD 1.5 update already showed an increased focus on modular sound sources, and I was happy to see this continued and reinforced in DMD Strikes Back.

Many of the samples were created from the ground up using these modular devices, routing the sounds through envelopes, transformators, tubes, filters, reverbs, etc. during the synthesis and design stages.

Nathaniel speaks with great passion about the sound design, and what exactly went into creating this new library. Minimizing transients, adding harmonic content, capturing textural changes within samples, etc. Things that may not be something you consider when looking for that perfect snare for your tune, but these things make a difference. It took 13 months of work to complete DMD Strikes Back; now that’s some serious commitment to creating something special IMHO.

The sounds are suitable for a wide range of electronic music styles, including minimal, techno, house, glitch, hip hop, dubstep, and whatnot. From soft analog to rough digital, dusty hip hop snares to chest hitting kicks, glitchy blips and clicks… Every single category includes tons of sounds I had never heard before. The amount of new, unique material is simply staggering.

Right, I know I’m sounding like a fanboy – which obviously I am. But the sounds speak for themselves. The DMD website has a few demo mp3′s, but better yet, just download the free 60 samples demo pack at no cost and see how you like them.

Driven Machine Drums Stikes Back is available in two editions:

  • Standard, includes all 2,072 sample in 24-Bit/96kHz WAV and 24-Bit/96kHz AIF, 16-Bit/44.1kHz WAV for use with classic samplers + 22 kits for FXpansion Geist/Guru.
  • Deluxe, Standard edition + EXS24 and Kontakt patches mapping similar sounds closely together on the keyboard.

So what do I think?

Product: Driven Machine Drums Strikes Back by Tonebuilder
Format: 24-bit/96kHz WAV & AIFF, Geist/Guru kits, and EXS24 + Kontakt (Deluxe only)
(intro) Price: $69 USD – Standard / $77 USD – Deluxe
Like: Unique, usable sounds, top quality and good variety
Don’t like: –
Verdict: 10/10

I am not sure I really need to write something here. You know the verdict. This is an essential sample pack for electronic music producers. To be honest, I am already feeling bad for those who will read this review after all 966 copies have been sold.

Driven Machine Drums Strikes Back raises the bar for electronic drum sample libraries. This top quality content is fresh, exceptionally well crafted, and most of all, extremely usable musically.

If the 60 free sounds in the demo pack aren’t enough to convince you, the 30-day trial policy is still in effect. If you are serious about your electronic drum sounds you owe it to yourself to check out this library.

DMD Strikes Back is available at an introductory price through October 31, so let me +1 the tongue-in-cheek (but not really!) copy on the website:

P.S. Buy this library.
P.S.S. Seriously.

More information: Tonebuilder

G-Sonique releases Transient shaping system+

Related: , , , Posted in news on Oct 03, 2011

G-Sonique has released Transient shaping system+, a new G-Mix+ series plug-in.

Are your drums or percussion sounding unprofessional, boring and flat? Were they recorded in poor acoustic conditions or just missing transients,punch or energy? Or maybe it’s vice versa and their sound is too sharp and aggressive? No problem! Transient shaping system+ is tool intended to fix most possible problems with your drums or percussion and give them a fresh modern sound, punchy shape and adapt their envelope or transients to your requirements.

Transient shaping system+ is not a dynamic processor that is controlled by input level amounts (like a compressor). Overall sound is controlled and shaped by its own dynamics and transients!

G-Sonique Transient shaping system+
G-Sonique Transient shaping system+

Transient shaping system+ features

  • Transient control – long: algorithm for controlling and shaping transients “from the perspective of a longer period of time (in milliseconds)”. Attack and release
    knob for setting shape of transients/beat envelope and transient amount knob for setting amount of boosting transients/envelope shape, set by attack and
    release knob.
  • Transient control – short: similar algorithm to Transient control – long just aimed to controlling, shaping and boosting transients/beat envelopes from the
    perspective of a short period of time (in milliseconds).
  • By combinations of short and long transient control you have full freedom to shape the transients / envelopes of your beat. For example: you can keep long
    transients in your beat but with just lower volumes (by setting a lower value of transient amount on the long transient control module) and in parallel, add a
    short and punchy transient boost by setting high values of transient amounts on the transient control – short module.
  • Input and output volume knob: similarly, as with an analog outboard you can affect overall sound by setting the level of input volume.
  • Saturation shaping of transient control – short/long module: if there are too sharp and intensive volume peaks / transients after boosting with TSS+ and you
    don’t want to compress/limit with additional compressors, you can transform the sharp shape of the transients into rounded analog sounding peaks / transients
    with transient shaping control. Saturation shaping is not basic saturation of overall sound that adds higher harmonics as you know from vintage machines, it is
    just saturation/rounding of the signal from the transient control module long/sharp by which are multiplied original transients of the dry signal.
  • Bypass for comparing your track with and without the effect.
  • Dry/Wet knob for precise setting how much of effect will be applied.
  • Preset manager with 20 precisely selected example presets for electronic and acoustic Drums and Percussion.

Transient shaping system+ for Windows (VST) is available to purchase for the introductory price of 15.90 EUR.

More information: G-Sonique / Transient shaping system+

Voxengo releases Drumformer multiband dynamics plug-in

Related: , , , , , , , Posted in news on Sep 08, 2011

Voxengo has announced the release of Drumformer, a multiband drum and master track dynamics processing plug-in for professional music and audio production applications.

Drumformer was designed to be a comprehensive solution for the broadest range of sound processing tasks, allowing you to easily implement almost any dynamics processing idea you may have.

Voxengo Drumformer

Drumformer can operate in broadband, 2-band and 3-band modes, with each band having compressor-expander and saturation modules. The sound of the compressor can be defined as “gluey with a ping”, because it instantly creates a “tight and glued together” sound while masterfully emphasizing the transients. The saturation module offers you a choice between six saturation modes, each having a smooth sound and differing harmonic content.

Drumformer features a precise gate module with a round sound and multifaceted controls that is useful when you are processing a multi-tracked drum kit. The built-in parametric equalizer with its spectrum analyzer will also come in handy. The “Clipper” module which is a part of the plug-in allows you to get artistic master output clipping effects.

Drumformer will positively enhance your professional toolset and may help you produce even better recordings faster.

Drumformer features

  • Broadband, 2- and 3-band operation.
  • 3-band compressor/expander.
  • 3-band saturation module with 6 modes.
  • Broadband gate module.
  • Parametric equalizer.
  • Output clipper module.
  • External side-chain capability.
  • Real-time FFT spectrum analyzer.
  • Stereo and multi-channel processing.
  • Internal channel routing.
  • Channel grouping.
  • Mid/side processing.
  • Up to 8x oversampling.
  • 64-bit floating point processing.
  • Preset manager.
  • Undo/redo history.
  • A/B comparisons.
  • Contextual hint messages.
  • All sample rates support.
  • 16 ms compensated processing latency.

Drumformer for Windows and Mac (VST/AU) is available for the introductory price of $79.95 USD until September 28th, 2011 (regular price $99.95 USD).

More information: Voxengo / Drumformer

WaveShaper releases Stix305 and Algo Operator sample packs

WaveShaper has introduced two new packs featuring the very rare Stix305 analogue drum machine, and some digital FM drum sounds with Algo~Operator.

New WaveShaper sample packs

  • WaveShaper Stix305

    Stix305 – The SoundMaster Stix 305 is a very rare analogue drum machine from the early eighties. This WaveShaper sample pack is a quite unique occasion to meet this very little known and lovely beat box. Your tracks will get a great retro sound, whether you are an electronic funk producer, and acid freak or a true analogue sound lover. The Stix305 was recorded using some tube preamp and compressor and a vintage eq on top of it to keep the analogue vibe on the full recording chain.

  • WaveShaper Algo Operator

    Algo Operator – Algorithms, operators and opaque sub-menus programing : FM synthesis is not very friendly, but also a very rewarding world for creating new sounds, and a still rather unexplored territory when it comes to drum synthesis. With this new WaveShaper kit, don’t worry about spending hours programming, this sample pack is ready to use and generously gathers 250 percussive one shot samples created with FM synths. This kit was created by using mainly a Yamaha TX81-Z rackmount synth from 1987, with 12bit converters and a quite gritty sound. Don’t expect much to find the usual analogue-like drums samples, it’s all about designing abstract micro sounds, pure tones, sharp transients or percussion simulacra with a twist. Some well-known fm sounds from the 80s are also included to make this kit more than complete.

The Stix305 pack (54 one shot samples + 13 loops, all 24bit/48khz, stereo Wav files) is available to purchase for $2.90 USD; the Algo Operator (250 categorized one-shot samples, 48khz-24bit stereo Wav files) is $5.90 USD. Free packs can be download from the WaveShaper website.

More information: WaveShaper

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