Results for USB

Korg has announced the KP3+ Dynamic Effects/Sampler module and Kaossilator Pro+ Dynamic Phrase Synthesizer/Loop Recorder at NAMM 2013.

The KP3+ provides even more creative power for live and in-studio use while retaining the intuitive and user-friendly Kaoss touchpad interface.

It offers the original KP3 effects, sounds and features, plus 22 all-new, diverse effect programs for everything from various EDM genres to rock and beyond. All are complemented by an enhanced, intuitive pad illumination system.

KP3+ features

• Use the touchpad to control effects in real time.
• A total of 150 effects ideal for DJ mixing and sound design; 42 new types including:
  • Vinyl Break simulates a turntable.
  • Ducking Compressor emphasizes the backbeats.
  • Newly-designed looper lets you freely manipulate loops.
  • Effects you can use for breaks in your DJ play.
• High-spec sampling functionality.
• Numerous functions to make your performance even more expressive
  • FX Release function controls the reverberation to produce a more natural decay.
  • Mute function cuts the input signal and outputs only the effect sound.
  • Pad Motion function records and reproduces your effect usage.
• Practical functions that are easy to use during live performance or production
  • Eight program memories let you switch effects instantly.
  • Hold function sustains the effect sound.
  • Set the tempo with auto BPM, tap tempo, or the BPM knob.
  • Pad LEDs ensure high visibility even in the dark.
• Highly expandable for even greater potential
  • USB MIDI allows for use as a powerful MIDI controller.
  • Store sample data on an SD/SDHC card.
  • Dedicated editor software for centralized management of sample data and settings.

The Korg KP3+ will be available April 2013 for a street price of $349.99 USD.

The Kaossilator Pro+ is a dynamic phrase synthesizer/loop recorder that lets you perform and create multi-layered music in any style – with just the touch of a finger.

The Kaossilator Pro+ is packed with 250 programs, including more of the cutting-edge synth sounds that Korg is known for. Like all Kaoss-based products, this versatile new instrument offers creative musical possibilities and intuitive control over multiple parameters simply by moving a finger across the X-Y touchpad.

Kaossilator Pro+ features

• Freely playable synthesizer; simply touch the touchpad to play notes and manipulate sounds in real time.
• A total of 250 sound programs (including drum program) cover a wide range of styles, including 62 new programs.
• Loop Recording function allows intuitive performance and recording, and 4 infinitely stackable loop banks are available.
• Numerous functions for unlimited performance possibilities
  • Scale/Key settings make it easy for anyone to perform with no wrong notes.
  • Note Range function lets you specify the horizontal pitch range of the touchpad.
  • Gate Arpeggiator function allows you to easily control phrases with the slider.
  • Pad LEDs ensure excellent visibility even in the dark.
• USB MIDI allows use as a powerful MIDI controller.
• Store recorded loop data and even externally –made .WAV files on an SD/SDHC card.
• Dedicated editor software for centralized management of sample data and settings.

The Korg Kaossilator Pro+ will be available April 2013 for a street price of $399.99 USD.

More information: Korg

Apogee Electronics has introduced the completely redesigned ONE, a 2 IN x 2 OUT USB audio interface and microphone.

The all new ONE is the first studio quality audio interface and microphone that makes a direct digital connection to Apple’s iPad (iPhone, iPod touch) and Mac.

ONE features Apogee’s Maestro control software, iOS device charging, optional battery power for portable recording with iPad and professional sound quality. ONE is the all-in-one solution that makes it easy for musicians, songwriters, recording engineers, film makers, audiophiles, and anyone else to enjoy professional sound quality on iPad and Mac.

The new ONE will be available March 2013, priced at $349 USD.

Apogee has also introduced Duet for iPad and Mac, a 2 input, 4 output USB audio interface.

The new Duet is the first professional stereo audio interface that makes a direct digital connection to Apple’s iPad (iPhone, iPod touch) and Mac. Duet features Apogee’s Maestro control software, iOS device charging, MIDI connectivity and professional sound quality. Duet is the ideal personal studio interface for stereo music recording, mixing and audiophile-quality listening on iPad and Mac.

The new Duet will be available February 2013, priced at $595 USD.

Furthermore, Apogee has announced iPad compatibility for the Quartet 4 input, 8 output USB audio interface.

Quartet is the first professional multi-channel audio interface that makes a direct digital connection to Apple’s iPad (iPhone, iPod touch) and Mac. Quartet for iPad and Mac features Apogee’s Maestro control software, iOS device charging, MIDI connectivity, advanced monitor control and professional sound quality. Quartet is the ideal studio control center for multi-channel music recording and mixing on iPad and Mac.

The Quartet will be available February 2013, priced at $1295 USD.

More information: Apogee Electronics

Livid Instruments has introduced its new Base controller.

Combining the technology of drum machines and touch screens, Base delivers a sleek new pressure-sensitive surface that doubles up the MPC’s fabled 16 pads and opens up your hands to freely mix. With 32 pressure-sensitive pads, nine touch sliders, eight touch-sensitive buttons, and eight momentary buttons there’s plenty of controls to play and control your set.

Illuminated throughout with RGB lights and a simple character display, Base provides plenty of novel ways to give you feedback for playing drums, synths, loops, step sequencing, changing presets, and even navigating your set. Customize all the settings and internal presets using the Base Editor web application to best fit your workflow with your favorite DAW, VST, plugin, or application.

Base features

• Dimensions 10.25” x 11”x 0.75”.
• Weight 3 lbs.
• Completely editable with on board presets.
• Works with anything that supports MIDI learn.
• 32 velocity / pressure sensitive pads with aftertouch.
• 9 touch faders with multiple LED modes.
• 8 touch buttons.
• 8 function buttons.
• All controls have RGB lights.
• USB powered and class compliant (no drivers needed).
• Constructed from high quality aluminum and rubber.
• Design and assemebled in Austin, TX.

Base will be shipping March 1st, 2013. It is available to pre-order for $399 USD.

More information: Livid Instruments / Base

PreSonus has announced its new StudioLive AI-series Active Integration Loudspeakers, the first active loudspeakers that deliver studio-monitor accuracy onstage and are equipped with complete wireless or wired remote control and monitoring using an iPad or laptop.

All StudioLive AI-series speakers incorporate Fulcrum Acoustic’s TQ™ Temporal Equalization algorithms. TQ employs multiple, fully addressable Finite Impulse Response (FIR) filters to eliminate horn reflections and to correct linear time and amplitude anomalies. Collaborating with Fulcrum Acoustic co-founder, Dave Gunness, PreSonus software designers incorporated custom TQ algorithms with dynamics processing, FFT tools, and performance monitoring into the onboard DSP – quite possibly the most powerful suite of tools ever available in a loudspeaker system. The result is a PA system with remarkably clear, coherent, studio-quality sound: Studio…Live!

Another key component of the StudioLive AI’s distinctive design is its use of Active Integration technology. Active Integration combines wireless and wired networking and communications with the aforementioned powerful DSP to create a unified working environment.

All StudioLive AI-series loudspeakers include a USB Wi-Fi module to connect to SL Room Control software over a wireless network. SL Room Control is an impressive system-configuration application for Mac OS X®, Windows®, and iPad that provides both individual and grouped speaker control and includes a 31-band graphic EQ and an 8-band parametric EQ, muting, soloing, and level control, in addition to performance monitoring (over temperature, click detection, and excursions). A network-setup wizard is also included to quickly connect each speaker to your wireless network. An included Ethernet port on each speaker can be replaced with an AVB option card, which is expected to available in late 2013.

Full-range AI-series loudspeakers are available in three configurations. Each compact, powered, 3-way loudspeaker relies on a custom-designed, 8-inch coaxial speaker with a 1.75-inch titanium compression driver to reproduce the mid and high frequencies. The triamplified, Class D power amplifiers in each model (quad-amped in the 328AI) deliver an astonishing combined 2,000 watts of power.

The StudioLive 312AI comes equipped with a 12-inch ferrite speaker to handle low-frequency reproduction. This model is a great choice for venue owners who need high-quality speakers that offer enough coverage for normal bar needs (such as game broadcast and canned music) and are powerful enough for a band or a karaoke night.

Featuring dual 8-inch ferrite speakers for low-frequency reproduction, the StudioLive 328AI delivers full-range, high-powered performance, yet is streamlined and compact- just right for the club that needs a compact PA with the frequency range, sound, and power of a large system.

For the large venue that needs a bigger low-end, the StudioLive 315AI provides 3-way coverage, with a 15-inch speaker for the lows.

Each full-range system has a combo XLR/TRS line input and an XLR microphone input with an XMAX™ Class A mic preamplifier and 12V phantom power, as well as an XLR audio throughput. The full-range speaker systems are pole-mountable and have two ergonomic side handles, interlocking stacking, and M10 fly points. All enclosures are of lightweight plywood construction. Three operation modes allow the user to choose DSP presets for their application, such as MP3 playback, live performance, or stage monitoring. Users can also create a custom preset using SL Room Control and store it onboard for use later.

In addition to the full-range, 3-way systems, PreSonus is offering the StudioLive 18sAI, a powered, 18-inch, ferrite subwoofer designed to complement the full-range StudioLive AI speakers while still being flexible enough to work with other powered loudspeakers. A 1,000W amplifier powers the subwoofer. The StudioLive 18sAI offers stereo line inputs (XLR/¼-inch combo) and full-range stereo line outputs (XLR) that can be summed to mono. An alignment delay can be set to 0, 2, or 4 feet, allowing the subwoofer to combine perfectly with a full-range system.

Each full-range, three-way speaker system includes a switch that engages an External Subwoofer mode. In this mode, a custom low-cut filter ensures that the bottom frequency range of the woofer and the top range of the StudioLive 18sAI subwoofer overlap, and an alignment delay and phase correction are enabled, creating a true time- and phase-aligned, four-way system.

The StudioLive 18sAI subwoofer offers an additional alignment delay that can be set to 0, 2, or 4 feet, allowing the full-range system to be placed on the subwoofer pole (the 0 setting) or with the subwoofer in front, or with the full-range system onstage and the subwoofer on the floor.

Custom accessories for the AI-series speakers include a mountable Sub Dolly to make hauling the 18sAI subwoofer easy and a pull-tested Sub Pole to mount a full-range system atop the 18sAI. An M10 Kit, which contains four M10 eyebolts, lets you fly any full-range model in a permanent installation. Protective covers for the 312AI, 328AI, 315AI, and 18sAI are also available.

All models are expected to ship late in the first quarter of 2013.

More information: PreSonus / StudioLive AI-series

Alesis has announced MultiMix 10 Wireless and MultiMix 16 USB FX, two new models to its MultiMix Series of live and recording mixers.

As the name suggests, the MultiMix 10 Wireless now features Bluetooth capabilities, and the MultiMix 16 USB FX now offers onboard effects.

“These mixers bring exciting new features to our popular MultiMix lineup,” says Alesis Project Manager Walter Skorupski. “We are very pleased to add these models to the mix.”

The MultiMix 10 Wireless is a 10-channel, rack-mount mixer that is well suited to smaller clubs and venues, houses of worship, and traveling systems. Channels 1-4 are mono and offer both XLR mic inputs (selectable phantom power is provided) and balanced 1/4″ inputs. TRS inserts are also provided. Channels 5/6 and 7/8 are stereo-paired channels, offering left and right balanced 1/4″ ins. Channels 7/8 also offer a pair of stereo RCA inputs. Configured in stereo, Channels 9/10 are dedicated to receiving a stereo audio signal from any Bluetooth-enabled device. Simple, single-button front-panel pairing makes it easy. Each channel offers a peak LED, trim knob, 2-band EQ, pre and post sends, a pan knob, and a smooth-travelling 60mm fader.

On the back panel, the MultiMix 10 Wireless features 1/4″ aux sends and 1/4″ balanced stereo returns. The main stereo outs are 1/4″ balanced, and an additional set of 1/4″ stereo monitor outs are provided. Up on the front panel, the Master section includes additional easy-access XLR+1/4″ combo inputs for Channels 1 and 2 that override the respective rear inputs, making it easy to temporarily connect a microphone or other sound source without removing the mixer from the rack. An 1/8″ jack allows a non-Bluetooth source to access Channel 9. Located alongside the master fader, the twin 10-stage LED meters feature red peak indicators. A dedicated headphone jack is provided; the level is controlled by the monitor/phones knob. A very handy 1/8″ output provides the main mix directly from the front panel.

The new MultiMix 16 USB FX performs double-duty as a versatile live and recording mixer and as a USB audio (16-bit, 44.1 or 48 kHz) interface for computer-based recording, even doing both at the same time. This class-compliant connection provides true plug-and-play connectivity with the computer and nearly any recording software. The versatility of the MultiMix 16 USB FX is ideal for the performing musician with a home or project studio.

The onboard processor (FX) offers 8 effect types, with individual sends on each channel. Eight mono channels include both 1/4″ and XLR inputs, with selectable phantom power. Four stereo-paired channels feature 1/4″ inputs. A direct guitar-level input is available on Channel 8. Each channel strip includes a multi-band EQ, sends, pan, and level control. Multi-stage LED metering, dedicated main and headphone outputs with individual levels, and two-track RCA tape ins and outs complete this multi-use mixer. Cubase LE6 is included.

Alesis will be exhibiting at Booth 6700 at the 2013 Winter NAMM show, January 24-27 in Anaheim, California.

More information: Alesis

Korg has introduced the MS-20 mini, a monophonic analog synthesizer featuring the original circuitry from the 1978 classic MS-20.

Korg’s MS-20 mini painstakingly replicates the original MS-20.

Korg’s MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg’s MS-20 plug-in synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that’s been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

MS-20 mini features

• Overseen by the engineers of the original MS-20, a complete replication of the original analog circuitry
  • 2VCO / 2VCA / 2VCF / 2EG / 1LFO structure.
  • Self-oscillating high-pass/low-pass filters with distinctive distortion.
  • External signal processor (ESP).
  • Extremely flexible patching system.
• Miniature MS-20 that’s 86% of the original size.
• MIDI IN and USB connector.
• Replicates every detail of the original, down to the package binding and the included manual.

The Korg MS-20 Mini will be available April 2013, priced at $599 USD.

More information: Korg / MS-20 mini