Supplied by Dutch pro audio specialist and SSL partner Audio Electronics Mattijsen (AEM), an SSL L500 will be used for FOH, and an L300 will be used for monitors.
Paradiso began its remarkable life in 1968 as the ‘Cosmic Relaxation Center Paradiso’, after an abandoned church was squatted in 1967 by hippies intending to turn it into a music venue. Since then it has become an icon of popular culture, playing host to some of the biggest bands and artists in the world such as the late Prince, The Rolling Stones, Red Hot Chili Peppers, U2, and many more, who see the Paradiso as an essential and intimate stop on tours that normally fill venues many times its size. It’s also known for being one of the busiest venues there is, with an extraordinary throughput of acts, both new and established, from all genres.
After recently investing in a new Adamson PA system, it was time for the Paradiso team to look at audio consoles. They drew up a short list of candidates after discussing all the options with the Paradiso sound team, then held three days of testing to decide on the winners.
The criteria was straight forward. The consoles had to be reliable and flexible, visiting engineers had to be able to get hands-on without a long learning curve, and, above all, they had to sound fantastic.
Marian Emmen is the Head of Sound and Production at Paradiso. “Because of the names we have coming here, we have to be at the top of our game,” she says. “System failure is not an option.
“Around 20-30 percent of acts bring their own Front of House desk, or monitor desk, or both. The rest will be using the SSLs, and might only have ten minutes to learn to use them… Sometimes we do mini festivals where we have five bands on in a night… We have one sound check, and the rest has to be done on-the-fly.
“Importantly, in Amsterdam there is great support from AEM – a solid company that has its own service department, which makes our system engineer very comfortable when it comes to maintenance and support. Also, SSL is a well-known company with a great reputation for support and that definitely played a role in our decision to buy the Live consoles.”
It was during the test sessions that Paradiso’s Principal Sound Engineer Dick Versteegh was convinced: “It got into me,” he explains. “It has the wow factor… Other consoles have a lot of toys but with the SSL I thought, ‘this is a sound desk… Everything has its place. It sounds musical. Everything has space without being separate…’
“I also like the crazy amount of routing you can do. Some like it easy and simple, I sometimes like it a bit complicated. With this you can do either. With the Stem busses, being able to route to an output or another buss, I find myself dreaming about how I might layer a drum-kit!”
For visiting engineers who have not experienced SSL Live before, the set-up can be easily simplified to familiar input channels, traditional buss types, and straight-forward fader layouts. “If you set it up properly,” continues Versteegh, “An engineer can ‘get it’ within five minutes and start mixing straight away… And of course it really helps that you can change things without disturbing the sound… That’s a big improvement on what we can do now…”
Rafael Nagelkerke, Product Specialist with Audio Electronics Mattijsen, comments: “The Amsterdam Paradiso is a legendary venue that has hosted an unbelievable string of the world’s very best artists in the centre of Amsterdam – it’s a four-decade long Who’s Who of music.
“In practice, Paradiso is a highly sophisticated and efficiently run operation with dozens of engineers doing over a thousand shows per year. We are extremely proud the Paradiso team decided SSL Live consoles were the one and only solution of choice after careful evaluation and demos.
“Like SSL recording consoles were part of laying down many of the most legendary albums, we’re proud SSL Live consoles will be part of many memorable performances to come.”
More information: Solid State Logic