Novation has announced the release of its new flagship syntheziser for studio and stage: Summit.
Built on the same innovative foundations as the critically acclaimed Peak, Summit’s deep sound design capabilities, 16-voice two-part multitimbral engine and intuitive, tactile workflow add up to a synth that’s far more than the sum of its parts.
With its multitimbral architecture and 16 voices of polyphony, Summit is like two Peaks in one instrument, enabling two completely independent patches to be split or layered across the keyboard, or switched between on the fly. But that’s by no means the end of the story: the addition of dual filters, greatly extended front panel controls, audio input and, of course, the same premium-quality five-octave keyboard introduced with our SL MkIII MIDI controller, put Summit in a creative league of its own.
At the heart of Summit is the digital New Oxford Oscillator, three of which are employed by every one of its 16 voices. They’re hosted on the FPGA (Field Programmable Gate Array) chip, which not only helps to generate authentic analogue waveforms at incredibly high resolution (24MHz), but also facilitates FM and wavetable synthesis for rich, complex and highly textural raw tones.
The FPGA feeds into a true stereo analogue signal path, comprising dual 12dB/octave filters (switchable between six paired combinations of low-pass, high-pass and band-pass modes), analogue VCAs and three stages of distortion (pre- and post-filter, and post-VCA). It’s the union of flawless analogue-emulating oscillators with genuine analogue filtering and saturation that make Summit sound so fabulously warm and fat.
Summit also boasts a wealth of modulation sources and assignment options, three stunning effects, audio input for routing external sources into those effects (while still using the other multitimbral part as a synth), and an auxiliary output. And the front panel expands greatly on Peak’s layout with the addition of dedicated controls for FM, all LFOs, effects and more.
Quite simply the best sounding, most versatile synth Novation has ever made, Summit gives the serious producer or performer everything they need to design and play stunning basses, leads, arps, pads, effects, soundbeds and beyond.
Summit is scheduled for release in fall 2019, priced at 2,200 EUR.
More information: Novation
I still feel off white or dull grey highlights would give novation products a much greater aesthetic appeal, if highlights have to be used at all that is. Now that might sound a little superficial, I know, but I’ve been buying, selling and programming synthesisers for over 35 yrs and little details like that can really make a difference when one wants to spend hours, perhaps days, in front of a device. Personally I find the pastel blue quite uninspiring on synths, works well on effects units, lexicon and alesis spring to mind, but not synths. For me filters range from orange to red, subtle to deep, the blue kinda puts the fire out for me before I’ve even started.
Just a personal observation, they are fine sounding synths, I’m just saying for me aeshtetics are just as important as the sound, – if a synth looks characterful, I feel it will always push the programmer/player to perform and engage with the instrument with a more focused and relaxed frame of mind…
Sorry, superficial rant over, and I do wish novation all the best.
Love, E
I quite like the look of the Summit, but I totally agree with your point.