Audio production software has come a long way. Where as in the past one would typically use a number of traditional instruments, synthesizers, drum machines, mixing panels, etc., software has opened the door for many home studio musicians to produce music on a budget.
Although you could easily get along using software exclusively, you may still want to use a controller when recording music, so you can actually “play it” instead of programming everything.
Native Instruments has recently introduced Maschine, a powerful combination of software and hardware, or as they put it, a complete Groove Production Studio.
MASCHINE combines the flexibility of computer-based music production with the ease of a groove box into one powerful creative tool. Utilizing onboard samples or your own audio files, MASCHINE’s symbiosis of hardware and software not only ensures a fast and fun workflow, but lets you easily turn your ideas into professional productions.
So let’s take a looks at what this Maschine is all about!
Where’s the installation disk?
I generally don’t read manuals anyway, but Native Instruments doesn’t encourage me much either. I open the box and the first thing I see is this lovely control surface. All I can think is “hook it up man, let’s get going!”
I am a long time Windows user though, so I know better than to just hook up anything USB without checking for drivers first. The installation disc was all the way in the bottom of the box, so I almost missed it.
The installation of the drivers and Maschine software was a breeze; it just takes a while to copy all the content from the DVD. After authorizing Maschine in the Service Center, I figured it was a good idea to download the latest update as well. All set to go, let’s see what we have here!
The Hardware
16 pads, transport controls, LCD displays… The Maschine controller does a convincing MPC impersonation, doesn’t it?
The controller is quite compact and has a sturdy, high quality feel to it, even though it is only partly metal. Hooking it up to your computer with a USB cable, the Maschine controller powers up with its lovely backlit LEDs. Groovy! I know design is a matter of taste, but I feel NI did a smashing job with the looks of this thing.
The illuminated pads feel nice and responsive (velocity and aftertouch can be configured to your liking) and all of the 41 buttons are backlit. Great for working in a setup with little light, e.g. a live performance.
The controller features 11 endless rotary encoders, which have a smooth feel to them. The two LCD displays are clear and easy to read (as long as the angle is steep enough; the contrast can be adjusted) and have plenty of space to display the parameter pages.
Besides using the controller with the Maschine software, you can also control external MIDI hardware (via MIDI in/out on the back panel) and other software. The pads, knobs and buttons can all be customized with the included controller editor application.
The cool thing is that pretty much everything in Maschine can be done from this dedicated controller. You would almost forget that there is a piece of software doing all the actual work.
The Software
The Maschine software is basically an advanced pattern-based sequencer application which allows you to create patterns, group them, and arrange them in “scenes”. It can be used standalone or as a plug-in, so you can integrate it into your current setup.
Maschine software, a complete music production environment
Some key features of the Maschine software:
- Browser – the browser provides an interface to all your projects, scenes, instruments, samples, effects, etc. Searching is easy with tag-based searches, key words, and attributes, quite much like KORE.
- Sequencer & Arranger – the advanced sequencer, or pattern editor, features both step programming and real-time recording. 8 groups of 64 patterns each can be arranged in up to 64 scenes in the arranger section. The sequencer supports live automation for effects, sampler and mixer parameters.
- Effects – there are 21 effects (or FX) which can be used as insert effects to each group, sound, or the master (in 2 FX slots). You can also create send effects and multi-effects, or route an effect to external gear.
- Sampler (engine) – records both internal and external audio, audio editing & slicing, resampling, extensive playback features including various envelope and modulation options, and 8 individual stereo outputs (16 mono outs).
Maschine comes with a sound library featuring 5 GB content in 15,000 samples.
It includes 300 drum kits, 280 multi-sampled instruments, 400 sliced loops, 6,500 one shot samples, 100 FX presets and 55 FX chains. You’ll also get 50 projects which are a good way to explore what Maschine can do.
The included sounds were provided by numerous sound designers and artists, including Matthew Herbert, Montana B, Amon Tobin, Goldbaby, Denaun Porter, Sonic Specialists and many others.
The library features a good variety of sounds, mostly suitable for electronic music, i.e. urban, hip hop, R&B, techno, house, dubstep, etc.
Reader question: Torley wanted to know how much of the sample content is new material.
I asked Native Instruments and they told me that even though a few kits were taken from the Battery library, those were remastered through a special mastering setup of high-quality analog outboard gear. The vast majority of the library is brand spanking new material.
Besides using the sound library, you can also use your own samples in Maschine (currently only wav/aiff, but I think REX support will follow). In order to have them available for selection on the hardware controller you will need to import the samples into Maschine’s library (it will create a reference to the sample, not a local copy/move).
It is probably a good idea to tag your imported samples as well. It may take some time to do, but you will be able to find your samples much faster in future projects. If you are familiar with Kore, you will know the power of this type of browser system.
The Magic
However cool the controller might be, without the software you would only be able to use it as a regular MIDI controller. And although the sequencer works fine without the controller, it is when using the complete package that the magic happens.
Reader question: Benebomber wondered if working with Maschine is intuitive, more specifically when digging a bit deeper (e.g. recording your own samples or tweaking them).
I would definitely say it is. When I got the Maschine I opened the box, installed the software, hooked up the controller and a few minutes later I was creating beats. For more advanced things — like recording and editing your own samples — you might want to work on the screen, but you could also do it on the controller itself. Whatever fits your workflow best.
I personally prefer to use the menus on the controller and leave my computer keyboard and mouse alone as much as I can. Maschine is perfect for this.
Native Instruments has a number of excellent Maschine videos showcasing its features, including live recording, sampling, automation, and how to control Ableton Live. Here’s the Maschine introduction video.
An even better way to understand what Maschine is all about though is to actually get some hands-on experience with it. Maschine is just a lot more fun to work with than it is to write about it, so I would advise you to go check it out at your local music shop. You need to tap those pads, browse the sound library and play with some of the demo arrangements to see how you like it.
Maschine retails for an MSRP of $669 USD / 599 EUR, and is available from the NI Online Shop and dealers worldwide.
So what do I think?
From the moment I held it in my hands I loved Maschine’s control surface. I really like the black finish and backlit pads & buttons, and overall it feels like a quality piece of hardware. I’m a bit of a compulsive tapper — tapping beats on my desk all day long — so I am not surprised that I enjoy using these pads to record my beats a lot more than having to construct them with my computer mouse.
Working with the controller is a delight. Incidentally I would have to look something up, but most of the time I could find everything right away, which is telling of Maschine’s intuitiveness. I like the Maschine controller so much that I find myself using it in MIDI mode with other virtual instruments and effects as well.
Maschine’s software is deep, offering much more than the simple pattern-based sequencer it might appear to be. You have detailed control over your sequences, and a vast amount of quality effects and modulations are available, as well as a quality sound library and extensive editing features.
In standalone mode it basically provides you with all you need to create your music from scratch.
Of course, there is still room for improvement as well. I personally did not encounter any real problems, but it is good to know that Native Instruments is working on some important changes for the version 1.1 update, which should make a lot of people happy (e.g. MIDI in/out, REX support, better slicing options).
In short, Maschine is a powerful piece of software bundled with a superb controller. The two work together seamlessly and it truly feels like a proper instrument. Plus, it is tons of fun to work with!
Visit Native Instruments for more information.
I Need an Expert to answer this:
First I have a problem. I think I moved around the sound library and need some clarification on what folder it goes on. I know the sound library is there though. This is what I do: I go to Hd then Library, application support, native instruments, Maschine, and the library’s there. When I open maschine it says, Lost file. “Locate, ignore etc.”
2nd thing is I was wondering if you’re able to have scenes with different length loops like a 4 bar loop one scene 1 and a 2 bar loop on scene to and if you’re able to cue them from the maschine or a midi controller.
And 3rd question: How do I assign my knobs on my midi keyboard. I have 8 knobs and want to have some sound design control when Im playing the instruments on there.
If you can answer any or all you’re the best.
For the first problem, check out NI’s instructions http://www.native-instruments.com/knowledge/questions/551/Can+I+move+my+NATIVE+INSTRUMENTS+software+or+libraries+to+another+location+on+my+computer%3F
I’m not completely sure I understand what you’re trying to do, but scenes stretch to the longest pattern within a scene and shorter ones repeat within that length.
For assigning your MIDI keyboard controller, check the manual on how to set this up with “Sounds to MIDI Notes”.
now, if n.i. can stop pissing fits and concentrate on reselling the hardware because of user wear and not corporate nerdiness we’d all be fine………google: the kore 2 fiasco.
I love my maschine. The maschine is all about work flow. All I use fl 10 and reason for is making loops.
Dude I have had mpc.mpd.xr20..they all suck compared to maschine.the workflo alone blows away akai.flssh cards.take it to the park.i can take my.maschine with laptop everywhere to.and with out batteries.lol.thr mschine is the best.
PS: the mpc500 has only 12 pads instead of 16 – and that is for a reason: it became portable now …
The size of the mpc500 is: 15x25x4cm – so you see it is very handy – and Akai really made it that way that you can use it with batteries whereever you want too ( sure it also includes a power supply unit ) – it is a really clever idea and is really light weight too.
And by the way: you can add 2GB Flash cards to your mpc500 with 1000s of samples which is enough. And if you own a mic and you want to records something you can just use the mpc500 line_in and record it in 16 bit WAV – or you wanna record a sample from the, just plug in some audio cables from TV into the mpc500 and you make a live recording of whatever you want and save it as a wav sample directly on your flash card.
I have to correct something: today you can get a NEW mpc500 for 420 on ebay – so you can add fruity loops and you are at 500 Euro, for a midi controller, software and a standalone unit ( sampler, sequencer, recorder etc. ) for the same price the maschine costs – so much more for the same price – it is really much cheaper for people who like to save hundreds of euros while getting not only a midi controller and software, no, you have a real MPC(500) included.
And that is the point, the maschine is probably a nice tool butcosts too much i would say – and you can just use it as a controller , and that is sad for me, you cant use it as a standalone unit without computer, this kind of hardware is always the slave of software while wih the mpc you can just turn off your computer and make music _whereever you want_ because the mpc500 is a special design: it can run with batteries and you can make music with it at school, in your garden, in the train, in the car, in the park and so on. (-;
The mpc500 is the portable mpc – that it is designed for and you can also use it in the studio.
@mpcrocks, while the MPD+FL Studio and MPC500 are valid alternatives, I personally favor the Maschine. It might not be a new concept, but the tight integration of the hard- and software in Maschine is just great.
Buy yourself an Akai MPD Midi controller with 16 Pads (ca. 100-200 Euro) and a software like Fruity Loops 9 (100 Euro) and then save 50 % of your money while you have nearly the same product from the guys who really invented the 16 pads concept. To me the Maschine concept ist just a clone of the Akai MPD controller including software but its price is 50% more or double.
The NI maschine costs today nearly 500 Euros – but an Akai MPD Midi controller and a good Software like Fruity Loops costs together 200-300 Euro, so you see the cloned or copied concept costs 50% more.
NI has very high prices with concepts they just cloned / copied from others. Period. Make the math and save hundreds of dollars or euros.
Or buy yourself a MPC500, it is standalone unit – sampler, sequencer, WAV recorder (yes you can do recording with a mic or line-in (L,R) in CD quality for samples with this unit) and “MPD” midi controller – all in one hardware piece, it has also Midi IN/Out, USB, Line Out( L,R ), and headphones out of course – costs ca. 500 Euro.
Get MPD+Fruity L. and save 50% money and more for the same (cloned) concept – get an MPC500 and have both Midi Controller and Hardware-StandAlone Unit (sampler, Sequencer, Recorder) for 500 Euro. Be wise (-; but sure it is your decision.
What’s a good midi keyboard to use with the Maschine?
is it compatable with ableton?
Then set ur pattern legnth to be 6 or 8 bars. I get the impression u don’t know how to extend the length of your patterns. I would first suggest reading the manual. Because this is one of the most basic features. (So no telling how much in depth stuff ur missing out on) also YouTube soundsandgear.com St. Joe put up a nice video explaining how patterns and scenes work.
what do you mean,,and cant i just drop a beat,and get the sample to sound nice with it,,o.k how lets start like this,how can i start nice drum track,with out it overlapping,and a couple little samples too.and when i day long i mean like 6 or 8 bar sample…
@profa21 that’s is a true limitation with the current build. Currently u would have to drag those long audio bits into the daw however they have mentioned that deeper sequencing Is on the roadmap in the future.
now heres the problem,i love it,but with my old akai,and zoom,i could just do a beat,and drop a sample with out it over lapping,
now how can i just make a simple 4 bar or 8,and just add a long sample with out it sounding off..
cuz man,its like the scene’s dont mesh,
its getting me frustrated,, on acid pro,i could just drag a beat,and a sample,it was all good
,can you please help me to understand this,
cuz i wanna do some quick sample for the reg beat,then a long sample for the chourse,,
but it dosent seem to be working for me,,its like the beat double hits its self,or overlaps,,
thanks guys,
@profa21, sure just bounce the project to a .wav and you can use it in your regular media player, it’s all good.
Glad to see you got the Maschine and you’re enjoying it. Like Flux302 said, it just keep getting better!
i dont have i tunes,cant i just throw it my reg media player when its done,,and man thanks,you guys really made me get this,,theres alot to learn
Easy man once u have built up a bunch of scenes so u have a full track just go to export audio all scenes. It will bounce down a .wav file. Throw that to iTunes and burn it.
o.k i got the maschine,and its worth every penny,,now how can i burn a finished track;i know about the modes,but when im done with smaking the beat,what do i do next,,im clueless,,help please
thank you flux,,now how would i run a turntable,with the maschine,,and before i get this maschine,what do you think is better,, a akai 500,akai 1000,roland sp 608 or the maschine,,cuz man im really trying to up my studio,,can you tell me what you think,,
Registration is a one time thing. Once registered u can use it with out any internet connection. Though I would watch the native instruments forum as updates are always in the works. The next update will be a feature update. U can get hints of what will be in it by reading the ‘ on the record’s section of the forum. ;)