FabFilter releases updates for all plug-ins, new Pro-Q features

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FabFilter

FabFilter has released updates for all plug-ins, adding great new features to the Pro-Q EQ plug-in and the Timeless 2 delay plug-in, next to general improvements and bug fixes.

New in FabFilter Pro-Q are an intelligent solo mode, a notch filter type and spectrum analyzer improvements, while FabFilter Timeless 2 has got a new wide interface layout option. Finally, all effect plug-ins now support the Pro Tools AudioSuite format, in addition to RTAS.

  • Changes in Pro-Q v1.1:
    • Added a notch filter type to cut very narrow bands in the frequency spectrum. Double-clicking in the bottom of the EQ display creates a notch band immediately.
    • Added an intelligent solo mode for EQ bands. Click and hold the solo button (in the parameter value display) to enter solo mode for the current EQ band. Now, you don’t hear the effect of the EQ band itself, but instead you will hear the part of the frequency spectrum that is being affected by that band. Of course, the frequency range depends on the frequency and Q settings, and is visualized in the display as well.
    • Improved the built-in spectrum analyzer with smoother curves, a combined Pre+Post mode and customizable resolution and speed settings, accessible via the Analyzer drop-down menu in the bottom bar of the plug-in.
    • Added a 3 dB display range, useful for mastering purposes.
    • Added a small output level and clipping indicator in the bottom bar.
    • Improved the EQ display’s rollover behavior: the parameter value display is now shown much earlier when you approach an EQ curve point, making it easier to view the band’s settings and use the new solo button.
    • Fixed possible audible “plops” when selecting a different filter shape in an EQ band.
    • Fixed bug when Shift-dragging multiple selected points: this could accidentally deselect some of the points.
  • Changes in Timeless 2 v2.10:
    • Added a new “wide” layout for the interface that eliminates scrolling in the component display in the top half of the plug-in. The resize button in the lower-right corner of the interface chooses between normal and wide layouts.
    • You can now change the default value of the Dry Enabled parameter, simply by clicking Options > Save As Default in the presets menu. This is useful for example if you always happen to use Timeless 2 as a send effect.
  • Other new features and bug fixes:
    • In addition to the RTAS format, all effect plug-ins are now also available in the AudioSuite format for Pro Tools.
    • All plug-ins are now Unicode-aware and correctly handle international characters on both Windows and Mac OS X, for example in preset folders and file names.
    • Improved the way parameter values with custom ranges and transforms are shown by Audio Unit hosts and Pro Tools (e.g. for automation purposes).
    • Added a Deauthorize option to the plug-in’s Help menu, which makes it easy to delete your license key from a computer if needed.
    • In Twin 2 and Timeless 2: fixed bug that could cause the XLFO to run out of sync after a while.
    • In Twin 2 and Timeless 2: fixed bug that caused the XLFO Phase Offset parameter to work incorrectly in combination with random steps. Also improved sonic behavior when dragging the phase offset across its “circular” boundary.
    • In Twin 2 and Timeless 2: Improved mouse wheel scrolling and editing behavior.
    • In Pro-C and Pro-L: It’s now possible to enter positive values in the parameter value display for knobs with a negative-only range (like Threshold or Output Level). So for example, typing “0.3″ will also result in “-0.3 dB”.
    • Fixed incorrect redrawing in the plug-in interface that could occur in some cases in Pro Tools on Mac, for example when selecting from the Pro Tools-provided presets menu in the plug-in header.
    • Fixed bug that caused the help file to open only in the first instance of the plug-in.

The updated plug-ins are fully compatible with previous versions, free for existing FabFilter customers, and now available on all formats and platforms.

More information: FabFilter

  • J1000

    These changes make already the best equalizer even better! …although I still use mine. ;)

    Solo mode is great add-on for non-experts, who often need help locating the exact frequency.

    3dB range is useful improvement, because when mastering you rarely need more gain and then half of display remains unused. This way it visually amplifies the curve and guides you to use subtle(r) gain amounts.

    Analyzer was the weak spot of Pro-Q because of it’s very fast/jittery response and no smoothing. I hope they adequately fixed that. Also, they should have included slope factor, because flat response doesn’t follow natural human hearing i.e. music material. Even 3dB/oct is sometimes insufficient. Voxengo uses 4.5dB/oct in their plugins, which is, IMHO, the best spectrum slope for music.

    Kudos to FabFilter!

  • http://rekkerd.org ronnie

    Can’t wait to check the update. Pro-Q has been my eq of choice recently.

u-he Satin tape machine plugin

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