GForce Software has launched of a new series of preset packs for its signature instruments. The series begins with three standout releases by audio alchemist Venus Theory, acclaimed artist Sandunes, and masterful sound designer Reverb Machine.
Lament by Venus Theory: This innovative preset pack fully harnesses the expanded sonic capabilities and unique tape library of the GForce M-Tron Pro IV, pushing the boundaries of ‘Tron sound.
Meticulously crafted, it offers a rich palette of tones, textures, and atmospheres ideal for modern film scoring. From haunting pads and evocative strings to dark, cinematic effects and lush soundscapes, Lament equips composers with powerful tools to add depth and emotion to their soundtracks.
Coalescence by Sandunes: This versatile collection of patches for Minimonsta2 is designed to spark creativity and elevate your music production. It ranges from deep, evolving textures with saturated warmth to bright, playful tones that offer instant gratification.
Whether you’re after rich, layered atmospheres or punchy, engaging leads, Coalescence provides the tools to seamlessly ignite your creative flow. Sandunes, the acclaimed music producer, composer, and performer, shared her inspiration: “These sounds are seeds that will enable people to make their own music, just as they inspired me.”
Airwaves by Reverb Machine: Step into the nostalgic ambience of 90s and 2000s electronic music with Airwaves, a carefully crafted preset pack for OB-X. Inspired by artists like Boards of Canada, Aphex Twin, Tycho, The Flashbulb, and Casino Versus Japan, this collection revives timeless sounds for the modern studio.
Featuring tape-disintegrated pads, smooth analogue leads, and distant basses, these presets deliver warm, degraded textures and expressive tones that add depth without overpowering the mix. Dynamic Macro controls enable intuitive sound customisation, allowing effortless tweaking to fit your project.
The preset packs are available to purchase for £14.99 GBP ex. VAT each at the GForce Software store.
