Rhizomatic Software Synthesis developer Brian Clevinger (creator of the classic NI Absynth semi-modular synth) has recently launched a new multi-effect plugin. Aphelion’s Orbit took it for a spin and shares his thoughts.
What is it?
Introducing Synestia: an advanced multi-effect plugin designed to elevate your creative sound processing to new heights. This powerful tool boasts eight inspiring effects, including physical-modeled resonators, filters, modulated delays, and distortion.
You can effortlessly patch these effects in series or parallel, allowing for the creation of captivating rhythms, immersive atmospheres, and evolving sonic landscapes.
Intro
This FX mangling unit was initially a challenge for me. I usually prefer to dive right in, tweaking knobs and sliders, but that approach didn’t yield any usable results this time. So, I decided to take a step back, visit the website, and spend some time with the manual.
The website is well-organized, but it doesn’t provide clear, step-by-step instructions for using the effects unit. I did find a couple of YouTube videos from the developer, Rhizomatic, which were helpful. However, I found the manual to be the most useful and well-explained resource.
First Impressions
At first, I found this effects module to be quite complex, but my perception quickly shifted to recognizing it as an outstanding tool. I appreciated its unique character and tone, which seamlessly integrated with the input source.
I experimented with various signal sources, including busy, complex voice synths, pianos, and organs. In my experience, this effects module performs best when allowing bell, string, acoustic, textured, or single tones to flow through it. This approach enhances the blending and modulation process, showcasing the unit’s full potential.
Input Signal Chain
The input signal chain begins at the main input, allowing you to add effects as you proceed through either a series or parallel chain. Each stage includes its own adjustable mixer parameters, such as volume, pan, and EQ.
Modulation & Macros
This is where the multi-effects unit truly excels, bringing your input signals to life.
In Synestia, all parameters can be modulated by any combination of modulators. These modulators can be triggered rhythmically, freely looped, or activated by MIDI and audio input. With adjustable polarity, depth, and inversion for each parameter, the modulation control is incredibly precise.
Who is this for?
After a week with Synestia, I managed to achieve some impressive results. Although the process was occasionally tedious and time-consuming, the outcomes proved to be worthwhile. If you enjoy working with textures and pads, this tool is perfect for you. Sound designers for film and studio work will find Synestia incredibly useful.
Pros
- Does what it says it does
- GUI, Controls
- Automation
- Modulators
- Presets
Cons
- Needs more effects types
- Pricey
Final Thoughts
You might find yourself spending hours developing and designing a single sound with this tool, as it goes incredibly deep. The physical modeling filters are reminiscent of Objekt from Reason Studios and Aura-7 Cinematic Atmosphere from SKP Sound Design for Reason.
If you’re into evolving atmospheres and landscape sounds, this is an excellent effects tool to achieve that. Give the demo a try and see if it earns a place in your toolbox.
If you’re interested in trying Synestia for yourself, you can get a free trial version (VST3, AU and AAX for Windows and Mac), and if you’re looking to purchase the plugin you’ll be happy to hear it is currently on sale for 79 USD/EUR (regular 119 USD/EUR) at the Rhizomatic Software Synthesis website.
