Rob Papen has posted his introduction video to the new BLUE II synthesizer instrument for Windows and Mac.
Many people may have already noticed that we released BLUE-II about a week ago :)
Since we hadn’t finished the introduction video for BLUE2 yet, we delayed the release of a newsletter. Even so, the word has already spread that this super synth has been released…
BLUE-II represents an amazing journey into “Cross-fusion synthesis” and quite simply, sounds stunning! So it’s a good idea to check out the introduction video.
BLUE II for Windows and Mac (VST/AU/AAX) is available to purchase for 149 EUR / 179 USD.
More information: Rob Papen / BLUE II
Blue Cat Audio has released an update of 8 audio plug-ins to fix a few compatibility issues and improve the experience on newer systems.
This update includes new versions for Blue Cat’s Dynamics (broadband dynamics processor), MB-5 Dynamix (multiband dynamics processor), FreqAnalyst Pro (spectrum analyzer), StereoScope Pro (stereo field analyzer), the Blue Cat’s Parametr’EQ series (Parametric equalizers) and Blue Cat’s Remote Control (virtual control surface).
Changes in the update
- Fixed 64-bit VST MIDI Events not sent for the first output parameter in the list.
- Windows VST installer now detects the VST plug-ins path and remembers previous install location for updates.
- Fixed Audio Unit validation issue on OSX Mavericks/Logic Pro X.
- Fixed VST plug-in window frame not showing in Cubase 7.5 (32-bit) on Mac.
- Fixed VST version that could not be loaded in Audio Hijack (Mac).
The update is now available to downloaf for existing customers free of charge.
More information: Blue Cat Audio
Eisenberg has announced the availability of EINKLANG Extended, a bundle of the EINKLANG software synthesizer and 5 Tone Packs.
Eisenberg’s EINKLANG is a soft synth like no other. After all, a dictionary defines a synthesizer — somewhat simplistically — as an electronic musical instrument that produces a wide variety of sounds by generating and combining signals of different frequencies. Whereas synthesizers traditionally do this according to a strict set of technical parameters, EINKLANG resynthesizes sounds using instrument models based on Eisenberg’s Artificial Intelligence Studio Technology (AIST), allowing it to understand the structures of sounds and remember specific nuances of different instruments so you don’t have to. Lowering the pitch of a cello affects its timbre in a different way to lowering the pitch of a french horn, for example — just like their real-world counterparts. Conversely, you can even detune a single string from a cello — detuning its overtones, in other words, which is physically impossible for monophonic one-dimensional resonators such as a single string. Clever stuff!
Similarly, those instrument models can be tweaked directly using the minimal TIMBRE, LOUDNESS, and MODULATION musical parameter groups — all of which affect the sound more deeply than might first appear possible, thanks to that powerful AIST engine. Elsewhere, instrument models are also morphed seamlessly from one sound to another using the MORPHING triangle with three slots for tone colours. Cleverly, EINKLANG is the first synthesizer to introduce a strong synaesthetic link between sound and colour with all GUI controls responding to MORPHING triangle relationships in corresponding colours — just like white light is able to travel through the colour spectrum in additive colour synthesis. Morph three tone colours together as one and everything is illuminated in pure white. It’s all in einklang (agreement). As a result, musicians can concentrate on doing what they do best — making musical sounds, without having to first familiarise themselves with overwhelming technology.
EINKLANG itself comes complete with 150 tone colours for morphing purposes, ranging from acoustic to synthetic. But by bundling it with RED Tone Pack, GREEN Tone Pack, and BLUE Tone Pack, plus the recently-released premium WHITE Tone Pack and BLACK Tone Pack, Eisenberg has considerably extended its sonic reach — so much so that it’s almost like playing a completely new EINKLANG each time!
EINKLANG Extended is available to purchase for 239 EUR / $239 USD.
More information: Eisenberg / Einklang
Acon Digital has announced Verberate Surround, a surround capable edition of the Verberate plug-in that simulates real acoustical surroundings with a new degree of realism.
Verberate Surround supports all common surround formats, including quadraphonic audio, 5.1 and 7.1 surround. Dense and realistic early reflections are simulated independently for each input to output channel pair.
The late reverberation network uses up to four channels in a quadraphonic setup to simulate energy fluctuations on both the left to right and the front to back axis. Proprietary and novel methods ensure that all output channels are uncorrelated.
Verberate Surround features
- Support for all common channel formats up to 7.1 surround.
- Highly realistic simulation of real acoustical spaces.
- Separate early reflections for each input to output channel pair.
- Quadraphonic processing of late reverberation that simulates energy fluctuations in the room.
- Completely uncorrelated output channels (with maximum stereo spread).
- Uncluttered user interface.
- Sensible set of parameters.
Verberate Surround for Windows and Mac (VST/AU/AAX) is available to purchase for $199 USD.
More information: Acon Digital / Verberate Surround
Rob Papen has released a demo version of the new BLUE II crossfusion synthesizer instrument.
Today BLUE-II remains true to that ethos with even more sound dimensions and features to its extended name, starting with six oscillators. These can be connected in various ways, together with two analogue-style modelled stereo filters with 27 different filter types, a large range of processing and modulation options, sequencer, and a powerful arpeggiator.
A new range of specially selected waveforms based on samples have been meticulously fashioned for creating new and fresh-sounding synth sounds, so don’t go expecting acoustic pianos galore here. However, since choirs and strings are an excellent basis for so many synth sounds BLUE-II has them in abundance — with much more besides.
The demo version is available to download for Windows and Mac (VST/AU/AAX, 32 & 64-bit). The full version of BLUE II is available to purchase for $179 USD / 149 EUR.
More information: Rob Papen / BLUE II
Solid State Logic has announce a trio of major new developments for their acclaimed Duende Native range of plug-ins at the 2014 ProLight & Sound Show (Hall 8. Stand L80).
The superior audio quality and deep feature set of the SSL Duende Native plug-in range has earned the respect of a very discerning clientele through the years. The three new plug-ins complement the existing range with two plug-ins (X-Saturator & X-ValveComp) designed to bring some analogue saturation and distortion emulation to your digital DAW and the third (X-Phase) delivering high precision frequency specific phase correction. The new plug-ins are due for public release by May 1st 2014. To coincide with the new plug-in release SSL has announced migration of the entire Duende Native plug-in collection to the iLok copy protection system. SSL has also announced a summer release for AAX versions of the entire suite.
“We’re excited to bring these new tools to the Duende family. Like the others in the Duende range the new plug-ins are a mix of easy-to-use sound sweeteners and technical problem-solvers.” says Jim Motely, Head Of Business for Workstation Partner Products at SSL. “By responding to our customer’s requests to move to what many see as the industry-standard copy protection system we hope to ensure that using Duende plug-ins is as simple an experience as possible”.
The plug-ins will be available from May, 2014. Release of versions of the entire Duende Native plug-in suite which are compatible with Avid AAX format and thus ProTools 11 are due for release in Q3 2014. The AAX versions will be free to all existing iLok based Duende Native plug-in owners.
More information: Solid State Logic / Duende Native
Avid has announced continued momentum in the live sound market with an expanded AAX live sound plug-in platform for the Avid S3L system.
Avid S3L users can now choose from a wide range of plug-ins from Avid as well as some of the world’s most respected developers including Crane Song, McDSP, and Sonnox.
To meet the growing demand for more powerful, flexible processing, Avid S3L drives AAX plug-ins directly on an HDX-powered processing engine. It delivers the tightest integration and lowest latency of any live plug-in system, without the expense and complexity of outboard solutions. By supporting industry-standard Pro Tools® plug-ins, Avid live systems enable engineers to select the best plug-ins to suit their needs.
“With its unique capabilities and growing plug-in platform, Avid S3L is quickly becoming the console of choice for users requiring a compact, no-compromise system that can meet the toughest challenges,” said Sheldon Radford, director of product management, live systems and consoles at Avid. “Avid S3L gives live sound professionals the greatest flexibility to choose the right plug-in for the job. The plug-ins appear within the VENUE software and are fully integrated within the session file and snapshots. This provides the best possible user experience without the need for additional hardware or management.”
“Partnering with Avid helps ensure that we stay at the forefront of industry innovation when it comes to delivering high-performance plug-ins for the live sound industry,” said Colin McDowell, CEO/CTO at McDSP. “Together, AAX and VENUE offer live sound professionals the perfect integrated processing solution, so we’re delighted to be able to bring our range of plug-ins, including our 6030 Ultimate Compressor, to the Avid S3L system.”
The release of the free VENUE 4.1.3 software update provides support for the latest qualified plug-ins, with Avid continually qualifying additional AAX live sound plug-ins. As part of the update, current and new S3L customers can also download additional free AAX plug-ins for their system through their Avid customer account.
Avid S3L will be on show in the Avid stand G40A in Hall 8.0 at Musikmesse / Prolight + Sound, from 12-15 March 2014.
More information: Avid
Arturia has introduced VOX Continental-V, a virtual instrument emulation of the vintage Vox Continental 300 organ.
As a high-end software recreation of the Sixties-vintage Vox Continental 300 transistor-based combo organ, VOX Continental-V is the latest addition to Arturia’s acclaimed Analog Classics lineup where it sits alongside an authentic recreation of another archetypal Sixties staple, Wurlitzer-V (based on the classic ‘Wurly’ electric piano).
Like the transcontinental history of the original Vox Continental, the road to creating VOX Continental-V was a long and winding affair. Arturia started its latest software developmental journey in the company of a rare Vox Continental 300 dual-manual model, capturing every nuance of the original right down to key contact timing and background noises — no elbows needed! Next, Arturia acquired a rare Jennings J70 — developer Tom Jennings’ Vox organ forerunner — and added a J70 Mode to the VOX Continental-V voice engine. End users have effectively ended up with two ultra-rare organs for the price of one as a result — with more tones to play with, which musically is a good thing to have!
The end result is surely the most authentic dual-manual Vox Continental 300 emulation that money can buy. Notable VOX Continental-V features include upper manual, lower manual, and bass pedal sections; multiple output effects processors; and independent channels per manual. Moreover, Expanded Mode adds a full compliment of drawbars for each harmonic; a new waveform drawbar on each section; several popular effects; Leslie™ and guitar amp simulator outputs; and an expanded percussion section. Similarly, Services Mode allows for individual tuning of each pitch — just like an original Vox; alterable key contact timing (to simulate older key contacts); and authentic background noise bleed control.
VOX Continental-V for Windows and Mac (VST/AU/AAX/Standalone) will be available in late April, priced at 119 EUR / $129 USD.
More information: Arturia